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Anonymous writes...

hey greg! Got a behind the scenes question. 1) During the voice session(or whatever it is called) when the actiors and actresses voice the characters.
How do they talk along with the lip movement of the gargoyle characters?
Meaning do you have the big screen in front of them playing so the actors speak exactly when the chatacters do? how do you ppl do that? 2) You said you had rejected names for Elisa and Demona(ie dakota, or Elisa Chavez etc.) did you have Rejected names from the other characters. Such as goliath, Angela, or the trio? If so what were the origional names that you guys decided not to be used for those charcters? Thanks. ~Demonalisa

Greg responds...

1. We do the voice work first. Animators animate to the voices, not the other way around.
On extremely rare occasions we did something called ADR (short for Automatic Dialogue Replacement). This is something done as a last minute fix in both animation and live action. In that case, we do have a screen. The actor (usually, one at a time) looks at the lip movements, practices getting the rhythm down that he or she needs to match, and then speaks the line (cued by an electronic tone which tells the actor exactly when to start speaking).
ADR is a tremendous pain in the rear, so we avoided it whenever possible.
2. I've answered this... in the same answer where I listed Elisa and Demona's old names. I'm not sure how you could have missed it. No other names for Angela. No other names for Goliath that we considered for more than a minute or two. The trio had names like Coco, Lassie and Amp in the original comedy development.
ANOTHER RAMBLE FROM GREG:
"Once upon a time there were three brothers..." PART TWO
[Disclaimer: I should have mentioned this somewhere before or after Part One. The historical framework for this story is all true. Most of the details, on the other hand, I'm making up.]
The year is 962. King Indulf is 58 years old. Prince Culen is 40. Neither are happy men. Culen is childless. He is heir to the throne, but it's beginning to look like Indulf's dynasty will end with his only son. Assuming it even lasts that long.
No one likes Indulf very much. The main problem is that everyone knows that he has kept (the former Queen) Katharine and her young son Malcolm prisoner in Edinburgh Castle. This alone is enough to make people believe that he is a tyrant. After that, any little infraction on Scottish liberty is viewed as more evidence that Indulf is unfit to rule. Honestly, Indulf wouldn't mind dumping both prisoners, but, aye, there's the rub. Katharine and Malcolm are the only insurance Indulf has against Malcolm's older brothers Duff and Kenneth.
And as Indulf's popularity has waned, Duff's has waxed. Even noblemen who had once helped Indulf to the throne approach the fifty year old Duff and his thirty year old brother Kenneth and pledge their support if only Duff will act. But Duff stubbornly refuses to risk Katharine or Malcolm's lives. What kind of King would he make if he can't even keep a vow made to his own father on the man's deathbed?
Malcolm isn't exactly a happy child. He's eight years old, and he's never been outside the walls of Edinburgh castle. He has only one friend. A peasant boy named Robbie who's twice his age. Robbie's a short, stout lad with a face like a bulldog, but he's loyal and helps Malcolm with some petty acts of ceremonial sabotage that would only earn Malcolm a reprimand if he was caught, but would certainly cost Robbie his life.
Malcolm's mother Katharine is a strong woman but she knows the situation is intolerable. She conceives a plan, and through Robbie, sends a letter to Duff. Duff and Kenneth consider her proposal. They argue about it. But, ultimately, they agree. They summon Robbie, who knows nothing of Katharine's plan. They give him no details, only a date. They send him back to Katharine. Then Duff and Kenneth gather their forces.
Word of Duff's rebellion reaches Indulf, but he's slow to react. After all, he has his hostages, safe at hand. But then on the pre-arranged date, Duff and Kenneth march on Edinburgh Castle. They demand Indulf's unconditional surrender. Indulf orders his guards to bring Katharine and Malcolm to him. Soon, Katharine is dragged before the king. But Malcolm cannot be found. Indulf orders Culen to personally search every inch of the castle. Duff and Kenneth and their armies settle down to wait.
Culen searches for hours. Katharine seems anxious. Still, Malcolm cannot be found. Indulf draws his sword and threatens to cut Katharine in two if she doesn't reveal Malcolm's whereabouts. She hesitates, but finally agrees.
She leads them to the tallest tower in the castle. Malcolm isn't there.
Indulf threatens to throw her off the ledge, but she points to the ground below. There in the moonlight, Malcolm can be seen riding away from the castle, his purple cape flapping in the breeze, toward the safety of Duff's camp.
Indulf is furious! But he still has Katharine. Duff still won't attack.
But Katharine doesn't agree. Her tone becomes threatening. She commands Indulf to open the castle gates and let Duff's troops enter. He laughs at her. Why would he do that? "Because," she tells him as she climbs out of his reach onto a battlement, "If you don't open the gates, I will jump off this tower." Indulf starts to laugh again, but the impulse catches in his throat. It all becomes clear. If Katharine throws herself to her death, than his last hostage is gone. Worse, his last hostage is martyred. Duff and Kenneth will lay siege to Edinburgh and in time, they would ultimately triumph and then... And then things might go very badly for a tyrant.
He makes a quick decision. He and his son will be granted safe passage to Ireland immediately following his "voluntary" abdication of the throne to Duff. Culen protests, but Katharine agrees to his terms. She remains on the tower's battlement until the gates are open and Duff and Kenneth are at her side. "Hurry," she says, and rushes with her step-sons to the Castle's small cemetary.
Robbie is already there, still wearing Malcolm's purple cape. He is digging up a fresh grave. Some of Duff's men are helping him, but Duff and Kenneth push them aside and personally begin to dig. Katharine falls to her knees, pulling dirt aside with her hands until a waiting woman is brought to comfort her. The coffin is unearthed. Robbie has a crow, and snaps off the lid with the kind of bull-like strength he would one day be famous for. Malcolm lies still in the grave. Suddenly he gasps for air. He is alive. He had been buried alive with a slim wooden tube to provide air. But he had spent hours below ground. And the tube had been only barely sufficient. Much longer and he would have succumbed. But now the brave boy rocks back and forth in his mother's arms. He smiles at his good friend Robbie. And then he is introduced to his two older brothers for the very first time. He has worshipped them from afar his whole life. But it is they who are impressed.
Duff, soon to be King Duff, lifts Malcolm to his feet. "Prince Malcolm," he says, "I am honored to be your brother."
TO BE CONTINUED