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The Phoenix Gate

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Anonymous writes...

1. Did Thailog really _really_ die in The Reckoning?
2. Would Dream Works ever consider buying he rights to Gargoyles, and continuing the series
under you?
3. Are you going to be a consultant on the movie?

Greg responds...

1. No.

2. Disney would NEVER consider selling the rights.

3. Michael Reaves and I are officially co-producers on the movie. I'm not
sure what that means exactly yet. But we are being kept abreast of things.

Which brings me to my first set of as promised RAMBLINGS.

RUMORS AND THE MOVIES
I'm relatively new to the internet, but I've just been appalled by the way
people clearly start rumors based on nothing with the
explicit purpose, to my thinking, of misleading dedicated fans. Does this
make them feel superior? Why aren't they ever called to account for it?

For example, who started the Jean-Claude VanDamme rumor? Ask yourself where
you first saw it. Track down who told you. Ask that person who told him or
her. When you find the guy or gal who first stated that Mr. Van Damme was
going to be in the GARGOYLES live-action movie, mark him down on some kind of
list as untrustworthy.

Anyway, here's what's going on with the Live-Action Feature, in development
at Touchstone Pictures, as of 4-10-97.

There are NO ACTORS attached. NONE. Not Jean-Claude. Not Jonathan Frakes
or Marina Sirtis or anyone. No one. It's way too soon.

Tom Jacobson is the producer. Dean Devlin is the writer. They are the only
two people currently attached to the project. The only ones. (Besides
Michael and myself, in our minor roles as co-producers.)

The script is supposed to come in from Dean by the end of this month.
GOLIATH is the lead character. Other gargoyles will appear but this is
basically Goliath's movie. Saying anything else before the first draft is
even completed is folly. If someone claims to know more, and he or she isn't
Dean Devlin, then I'd take the info with a boulder of salt.

Anyway, end of ramble.


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Anonymous writes...

Hey Greg! I'm an animation student, and I was just wondering what kind of
tips you'd have for someone trying to get into that field. I've found that
alot of people are interested in getting into the business but aren't sure
where to begin, think you could give us a few pointers? I'd love to talk to
Frank P. You think you could drag him on the internet? Thank you in advance
for any help you can give us!

Greg responds...

Frank doesn't work at DreamWorks anymore, so I don't know when I'll next talk
to him, but when I do, I'll let him know you guys want him to show. Maybe
we'll set up a special "Ask Frank" day or something later. Angela, I'm a
writer, not an artist, so I don't have a lot of advise to offer to
animators. Learn your craft. Compile a portfolio. Hustle yourself some
work. I know that's not much, but I hope it helps.


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Anonymous writes...

For that matter did Disney ever recieve angry letters for the
things the censors didn't mind?

Greg responds...

Again, no censors. One very understanding lady. I think while I was at
Disney, we received two letters of complaint about the show. Both had
nothing to do with content. In fact, it was clear from the content of the
letters that neither complaintant had ever watched an episode. They objected
to the show's Satanic content, basing their objections on the way the
Gargoyles looked in the commercials or opening titles.

Actually, we were expecting a flood of this type of mail. It never came.


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Anonymous writes...

Did the censors ever give you are Disney trouble for either
violence or inuendo on the show? [ex. Duncon dieing by bursting out into
flames, or the implication that Fox and Xanatos lived together before they
were married]

Greg responds...

O.k. I can only speak to Gargoyles, not to the Goliath Chronicles. We had no
censors on Gargoyles. We did have an executive in charge of Broadcast
Standards and Practices. Her name was Adrienne Bello. (Still is,
actually.) She loved the show and is a personal friend. She understood that
some things were necessary to story, and that in context they wouldn't be
that bad. Duncan's magical death wasn't problematic. But we weren't allowed
to stab him, because we didn't want anyone getting a kitchen knife and
imitating that. Fox and Xanatos did live together at the Eyrie before they
got married, but they also had separate bedrooms until they got married. I'm
not saying nothing ever happened between them, and certainly we were walking
a line, but I think we were always responsible to the young end of our
audience. Adrienne allowed us to do this without compromising the shows
integrity.


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Anonymous writes...

I know that you used many sources for the plots of Gargoyles, [ie, history,mythology, Shakespeare
etc.] but what influences did you have that led you to create the type of cartoon?

Greg responds...

Disney's Gummi Bears. Hill Street Blues. Yoknapatwpha County, i.e. the
complete works of William Faulkner. The Complete works of William
Shakespeare. The Simpsons. Various comic book universes. The novels of
Tony Hillerman. Lots of myth, legends, etc, which I have always been
interested in. Plus the input of all the other talented people who put the
show together with me. I was not a one-man band here.


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Anonymous writes...

Are halflings mortal, either all or some?

Greg responds...

Depends on how you define "mortal".


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Anonymous writes...

In High Noon Demona's eyes glowed while she was in human form, was that intentional?

Greg responds...

Yes. Magic isn't an exact science. There are glitches. If Demona gets
angry enough, we get a glitch.


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Anonymous writes...

Where did you get the idea of the Phoenix Gate from?

Greg responds...

Magic powers the Phoenix Gate. The idea for the gate came to me in a fevered
dream (well, actually in an editorial panic), while we were working on
"Vows". We new we needed a maguffin for that story. Something that both
Xanatos and Demona would want to get from Goliath. Something that Goliath
associated with his love for Demona, but didn't know the true nature of.
Originally there was no time travel in that episode. Then I came up for with
the idea of the Gate for the maguffin. I squashed the entire episode into
Act One, so that we could have two acts of time travel. That's one reason,
why that episode might seem a little rushed. It really should have been a
two-parter.


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Anonymous writes...

Why is there such a wide array of what a gargoyle could look like, (some
look somewhat human, some like bears or horses or birds or who-knows-what?)?

Greg responds...

Ah, the mystery of genetics....


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Anonymous writes...

In questions relating to the show, were the other gargoyles that Goliath
encountered to be used in later shows like Griff or just to show that gargs
survived in other places?

Greg responds...

We had very specific plans for Yama. I had a few ideas for Sora and Zafiro
as well. And we had long term plans for all of the surviving clans. There
were ten clans at the time of "The Journey". Although some of those clans,
were either in pretty sorry shape or just beginning. I had planned on having
fourteen clans eventually.



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