Greg responds...

1. Nothing I'm ready to talk about yet. Nothing that will definitely happen.
2. Yeah, I watch Seinfeld.
3. A lot.
4. You don't have to apologize. No, I don't watch B5. I did see the pilot,
and it didn't grab me. Later, a number of people recommended it to me, but
by the time I tuned in, I couldn't make heads or tails of what was going on.
Frankly, it made me nervous that GARGOYLES would have the same effect on a
new viewer.
5. I think I've pretty much given his identity away already, but I won't
give any clues in this post, I promise.
6. No. But there are a lot of subsets within Oberon's Children.
7. I wanted to open things up, bring more magic and mystery into things.
Create the opportunities for more stories, and more myths and legends to
reinterpret.
8. You don't want to hear about Duval, but you don't mind me revealing the
identities of Demona's last two great loves? That's too selective for one
post. :) (GDW/12-8-97)

Greg responds...

1. I had some imput, but the real credit should go to my partner Frank Paur
who oversaw design for the series. (And of course to whoever designed the
character for "The Mirror". I'd guess that was Greg Guler, but I'm honestly
not sure anymore.)
2. I knew I wanted Coyote to be reminiscent of both James Dean and a young
Peter Maza. Anansi was going to be a giant spider, so that was easy. Raven
had many forms, dictated by the script. Credit for how they actually looked
should go to Frank (and producer Dennis Woodyard and our designers).
3. Sure. But I'm not telling now.
4. I never said I wouldn't write it. In fact, I've almost finished writing
it, but I doubt I'll be able to find a publisher, which is what I said.
(GDW / 12-5-97)

Greg responds...

The best description of my job is Writer-Producer. I'm responsible for story
and script. But I also oversee voice and play a major role in watching
over the entire production. In other words, I produce. I don't direct.
Although you should keep in mind that directing in Animation is very
different from directing in live-action. The end result (and much of the
brainwork) is the same, but the process is very different. (I did voice
direct one episode, but that's not the same as directing.)
I did a lot of reading on myths and legends, cuz the topic fascinates me.
Much of this began in school. I was rarely bored in my English and History
classes in school. I was lucky. I had great teachers almost without
exception in those two subjects. But I also WANTED to learn, even on those
rare occasions when my teachers weren't that great. I don't mean to
lecture, but if you're bored in school, fix it by finding
something you'd like to learn about and pursuing it in a serious and
passionate fashion. Myths and legends are as good a place to start as any.
I think Goliath went through some changes, but they were subtler than the big
obvious changes that, say, Brooklyn or Xanatos went through. But I will
admit that Goliath acted as an anchor for the series. He was a strong,
basically optimistic and capable leader. He didn't require as much change
as some of the others did. Still, I had plenty of plans to continue to
evolve the character. The changes might still have been subtle, but taken
over the run of the series, I think you would have seen a substantial
evolution.
I haven't seen Clerks, and I'm not sure I know who Kevin Smith is... did he
direct Clerks? (I have two very young children. My wife and I don't get
out to movies very often. Am I boring or what?) (GDW / 12-5-97)

Greg responds...

Nope. Sorry. (GDW / 12-5-97)

Greg responds...

1. I'm not saying right now. I didn't plan on revealing Mab right away
either. You're just getting ahead of me.
2. Yes.
3. Mab is more powerful. No one else.
4. Nokkar's race IS one of the other two. (And keep in mind, I said
three races were the main players in the conflict. I never said
there were the only players.)
5. No. There were other events, but they were more cummulative than
defining. Wyvern is still the defining moment. She wasn't genocidal
immediately after Wyvern, because I don't think genocide occured to her. She
was alone (largely) and hunted. I don't think she felt that powerful. Her
brief alliance with Macbeth only confirmed her feelings about humanity. But
it also gave her immortality. The ability to start making some long term
plans. As I said, other things happened. But nothing as devastating as
Wyvern.
6. Samson will be born in 2058. The inciting incident of that
proposed spin-off series was to take place in 2158. I'm sure you can do
the math. (GDW / 12-5-97)

Greg responds...

Puck wanted to devastate Goliath enough that he would be willing to turn over
the Phoenix Gate. Death makes for great devastation (which is why we
included it in the story). Goliath didn't immediately react to Angela's
death, because (frankly) he didn't know he could at first. (GDW / 12-5-97)

Greg responds...

It's a law he must follow which makes him physically unable to become Puck...
unless he can think of a loophole. (GDW / 12-5-97)

Greg responds...

When push came to shove, Puck/Owen cared about Xanatos, Fox and Alex.

Thanks for numbering your questions, although when you only have one, it
isn't that necessary. (GDW/12-5-97)

Greg responds...

Elena got the Gate from her father. The Gate exists, like the protagonist of
Robert Heinlein's "All You Zombies". Goliath, Elisa and the Avalon clan
learned of the link after the death of the Magus and before the good-bye
scene at the beach. The rest of the Manhattan Clan learned of the link when
Goliath and Angela returned to the Tower, sometime after saving Alex from
Oberon. As I've said before, Hudson knew Demona and Macbeth were immortal.
That's obvious. They're not dead. They're really old. He didn't know any
details about the how or why. He didn't know about the link, though their
behavior did suggest a connection of some sort. Why would Hudson know
Brooklyn's future? I'm skipping the Titania question on purpose. Oberon is
Merlin's dad.
In the future, please number your questions. (GDW/12-5-97)

Greg responds...

Eventually, way, way down the line, I see Elisa and Goliath addressing the
issue of children. All sorts of options are available, except natural
procreation between two widely and wildly divergent species. Elisa could
never be pregnant with Goliath's child without assistance from science or
magic. I've already stated that I don't see them going that way. But I do
see them raising a child together. But not without serendipity (and
some tragedy) playing a role. I don't want to say anymore right now.
As to Bronx and Boudicca, of course they could have offspring. One every
twenty years if they saw each other at the right times. I'm not sure what
"explanation" you're referring to that would lead you to believe otherwise.
And yes, hatchlings do turn to stone during the day. The lighting in the
scene you're referring to is misleading. It's night time.
In the future, please number your questions. (GDW/12-5-97)