Greg responds...

"Hunter's Moon, Part Three" was designed to be a final episode OR a turning point, depending on whether we got a renewal. (The same had been true for "Reawakening" a year earlier.) When I realized that they were going to do 13 more, but that I'd only be involved in one of those 13, I made an effort to create yet a third episode of open-ended closure. A chance to say goodbye to the fans and most of the lead characters, before I journied off to other adventures. So I wrote, "The Journey". Vinnie's voyage to Japan was written to parallel my voyage to DreamWorks (although at the time I didn't know where I'd wind up working). I intentionally created new elements to the series. Mr. Duval. The Quarrymen. Etc. I pushed relationships forward. I wanted to be true to the series even in my final farewell, so I felt it was important to keep it evolving right up through the end. But it was written as a goodbye.

Which doesn't seem like an answer to your question. But it's really the best answer I could give without more information from you. There are tons of loose ends that I wish I were able to tie up or at least continue working on. I've got story ideas into the 22nd century (and back as far as the first century), so I wasn't short on material. But I wouldn't want to rush things unnaturally, just cause I was only going to get one more chance at bat. That's a great way to strike out, I figure. In this hypothetical scenario, how many episodes would I have in my new last chance? If it was only one, I'm not sure what I'd do. There's so much in Goliath Chronicles that I didn't like, I'd have to spend sometime putting band-aids on the series to get it back to a place I was comfortable moving forward from. A lot would also depend on the when. I'd like the series to continue (as it has so far) in more-or-less real time.
If my next shot at writing this was in the year 1999 I'd probably be telling different stories than if my next shot was in 2007.

How's that for a preamble? Basically, I regret not having done the last 12 Goliath Chronicles, not because I missed out telling any one specific story, but because I missed out telling 12 more stories, missed out weaving 12 more naratives into the Gargoyle Tapestry. 66 isn't bad. But 78 would have been better.

Greg responds...

1. She could definitely get sick. But the condition wouldn't be fatal. Of course, Gargoyles have a fairly substantial immune system of their own. Most sicknesses don't last past sunrise. A lot of the fun of Demona's present condition (a gargoyle with TWO magical spells that have a physical effect on her) is that these are all unanswered questions UNTIL we do the story that demonstrates the answer. Even Demona doesn't know for sure how her body will react.

2. I like them all. But it's hard to top the top two. Xanatos & Demona. I immodestly believe that in these two we created two of the most original, well-thought out and complex antagonists you'll ever see anywhere. I'm also quite fond of Macbeth and various other antagonists who aren't always villainous. Owen/Puck is a lot of fun. The Archmage was great fun for me.

Sevarius wound up being a hoot, etc. And Thailog, well, what can I say?

Greg responds...

Xanatos knew Owen was Puck. Years before, Puck had offered Xanatos a choice, remember? Xanatos did not tell Demona about Puck's secret identity. Yes, I had plans for the Labyrinth Clan.

Greg responds...

By now, Jade and Turquesa have indeed returned to Guatemala. And yes, I was talking about the Mayan Clan's rookery, where their eggs should be hatching sometime next year.

Greg responds...

Note, as usual, I've added numbers to your questions. GENERAL REQUEST: If you're going to ask multiple questions in one post, please NUMBER THEM for me.

1. Xanatos wanted to create his own brand of Gargoyles.

2. Too long to relate here.

3. What weren't?

4. It depends what you mean. They aren't all literally his biological children. In fact, most of them aren't. They are his children in the sense that he is their lord and protector.

5. Individually?

6. Most of the characters that you know from Greek Mythology were the ancestors of the New Olympians.

7. Significance?

Sorry, if my answers aren't that helpful, but you've asked a unique combo of vague questions (#4, 5, 6, 7) and HUGE questions (#2, 3, 5). If the question is too big, I'm not likely to answer it in this format. If the question is less than clear, then I'm not always sure HOW to answer it.

Greg responds...

1. They had no choice. Also, the trio were pretty young, making adaptation less difficult.

2. Goliath felt that at least some Gargoyles would have to continue to live in the real world if humans and Gargoyles were ever going to learn to live in peace. The trio could have chosen to leave, especially after hearing about Angela's sisters, but they all three had lives in Manhattan, and weren't that eager to depart, especially so soon after being reunited with Goliath, Elisa and Bronx (and Angela).

3. I doubt any company is entertaining any serious interest in the show, because they KNOW that Disney would never sell it to them.

4. It's been a while since I saw FIRST KNIGHT. I don't remember who you're talking about. Still, the answer's almost definitely no.

Greg responds...

1. Yes, I know.

2. There's a whole clan of Gargoyles living on a secluded country estate just outside of London proper. Leo and Una are the only two that actually live in the city.

Greg responds...

She wouldn't, I suppose. But that's a HUGE "if". HUGE.

Greg responds...

At least some of the effects will be CGI. Other options are being "considered", but no decisions have been made. (The movie doesn't even have a director yet.)

My opinion on what method would be better would be uninformed, particularly with regard to cost.

Greg responds...

It was in the Clock Tower, when the Tower was destroyed. In my mind, Broadway or Elisa later went back to successfully retrieve it.

Greg responds...

They've grown some since their first appearance in "Awakening, Part One".
They'd continue to grow as they got older.

Greg responds...

Hey, Ricardo. Unfortunately, I've just received your questions here in August and our chat was obviously sometime in June. So I don't remember the specifics of our previous discussions. Nevertheless, I'll do the best I can with these new answers:

1) No, not in the sense you mean. I keep trying to clarify this. Nothing legally binds me. I'm just taking common sense precautions to protect myself from a potential lawsuit. But the truth is, I don't mind. I have my own ideas about and for the GARGOYLES. They range from silly little things right on through to the pornographic. Reading other peoples takes on them, no matter how well done, would make me feel strange. Like someone's messing with my toys. That's not to say I begrudge people the opportunity to write fanfic based on the show. I'm flattered by it. But I have no burning desire to read it.

2) Fox will still answer to Janine, but she did legally have her name changed to Fox and that's who she considers herself to be. David calls her Fox. As for the other Packers, I never said they legally changed their names to Wolf, etc. I doubt they'd bother, frankly. I haven't bothered to give any thought to Wolf, Jackal or Hyena's real names. Coyote is Coyote of course, plus whatever number incarnation he's on. (That's an Ultron-V inspiration by the way.) Dingo's name is Harry Monmouth, unless I use that name somewhere else first.

3) I've never noticed any difference in his voice for that character from one episode to the next. Certainly, there was no intentional change.

4) I had ideas for Beth.

5) Yes, it's still around. It seems to specialize in bio-engineering, but I'm guessing it'll soon have it's hands in many different pies.

6) Yes, she very much does. We had to cut (for time) a tiny little partial scene near the end of "Hunter's Moon, Part Three". It comes right after Xanatos and the gargoyles fly off from the cathedral in David's helicopter, heading toward the Eyrie. Matt orders the cops to hold their fire. And then we dissolve to...
______
INT. HOSPITAL CORRIDOR - NIGHT

An exhausted Elisa sits on a bench opposite a guarded hospital room. Robyn, no longer in armor, but handcuffed and under police guard herself exits the room and approaches Elisa. Elisa raises her head. Robyn doesn't look happy.

After that silent exchange, Elisa and Jason have their scene beside his hospital bed. [Note the above scenelet was cut before it was sent overseas for animation. There's no lost footage.]

Of course, if the "BAD GUYS" spin-off had been approved, Hunter/Robyn would soon be out of prison and working for the mysterious Director.

7) Forever's a long time. Brooklyn still has some maturing to do. Plus some Timedancing. The Demona he meets in 2158 isn't going to be the same Demona he knew. As for "Future Tense", Michael, Robert, Marty and myself were simply going for shock value by pairing Demona and Brooklyn. So was Puck.

8) Fox and Xanatos have both "softened" some. That is, their priorities have changed. Love and family mean a lot more to them than either ever thought possible. But that shouldn't change their basic personality types or their M.O.s. The thing I most disliked about the Goliath Chronicles episode "Ransom", was that Fox was acting so wildly out of character. In my mind, Fox is just as tough as she ever was.

9) No. I don't think so. Certainly not Delilah. Brentwood might be good with technology, but don't expect a lot of similarities in personality.

10) I'm not sure what you want to know about Thom. He's a talented guy and extremely nice. He was a regular on one of the night time soaps, (Falcon Crest, I think, but I'm not sure). He's the voice of Snap (as in Crackle and Pop) and he was the voice for Felix the Cat. He's currently doing a voice for DreamWorks "Invasion: America" series which will premiere in January '98.

As for Brigitte, I wasn't familiar with her work until after she was cast as Angela. She auditioned for our voice director Jamie Thomason, as did a lot of talented actresses. Jamie narrowed down his choices to a half dozen great picks. Frank Paur and myself just thought that Brigitte had a certain timeless and placeless quality to her voice appropriate to a character raised on Avalon. She also had a nice range from naive ingenue to fierce gargoyle warrior. Her growling was a bit weak at first, but she caught on fast.
She's also an extremely nice person. But I didn't know that when we cast her.

Jamie cast Haunani Minn as Sora based on his reading of the script and a little bit of verbal descriptions from me. That recording is the one and only time I've worked with Haunani, since that's the only episode that Sora appeared in, but she seemed nice and she did a great job. Hope that helps.

11) All right, first off, the clan didn't know about the link at all until the "Avalon" trilogy. So at the time of "The Price" they had no idea. As for "The Reckoning" you need to keep two things in mind, one is that during the heat of battle and under death-defying and traumatic circumstances, it's hard to remember that a flesh and blood gargoyle has a touch of immortality.
Also, the gargoyles aren't exactly masters at magic. They don't know the extent of the spell or how thoroughly it might or might not work. Angela ASKS if Demona could have survived. She's not sure of the answer. Goliath responds that he doesn't know for sure either. He's not saying she's dead.
He's simply acknowledging that he can't know for sure. If we (the writers) emphasized their lack of expertise for the sake of upping the drama, I make no apologies. I don't see any inconsistencies.

12) When we got around to it. I like her a lot, but she's pretty far down on the screen time food chain. Some people complained that Lex didn't get enough screen time. We had a large cast. Goliath was the lead. Elisa was the second lead. Brooklyn, Lex, Broadway, Angela and Hudson were the main support characters. Next comes Bronx, I suppose. Major players like Xanatos, Demona and Owen/Puck. Fox, Matt and Alexander. Recurring villains like Thailog, Macbeth, Sevarius. Recurring allies like Talon, Maggie, Coldstone and Coldfire. The list is fairly endless. There are a number of characters I'd like to spend more time with: Chavez, Jack Dane, Vinnie, Jeffry Robbins, Morgan, Jason Canmore, Dr. Sato, Brendan & Margot etc. But it's tough to fit them all in.

13) Yes.

14) Under the Weird Sister's spell. Maybe en route to Avalon.

15) Yes.

16) She really, really hates her guts, and did so in "Temptation" as well.
If you listen carefully, you'll hear Demona struggle to make that admission in Elisa's favor. She only says that because she's trying to get Brooklyn on her side, and she knows that Brook likes Elisa. She doesn't share Brooklyn's feelings about the detective.

17) Both, of course.

18) "A Lighthouse in the Sea of Time" was, I believe a Brynne Chandler Reaves title (or maybe Lydia Marano). I think Brynne got it as part of a quote from the work of the late Barbara Tuchman, though Brynne's research indicated that the phrase did not originate with Tuchman. The written word is elegantly evoked in the title, which of course, was entirely appropriate to the episode.

"Ill Met by Moonlight" is a Michael Reaves title and a quote from William Shakespeare's "A Midsummer Night's Dream". Oberon says to Titania: "Ill met by moonlight, proud Titania". He's annoyed with her because she has a young boy, a human changeling, that she won't turn over to him. They're at odds and he isn't pleased to see her. Just as, in our episode, he's not pleased to see the gargoyles and humans when he returns to Avalon. Generally, I tend to favor one word titles (or one word plus the determiner "the"), but I specifically remember Michael saying he had a title he knew I'd like because it came from Shakespeare. (Everyone knows I'm a Shakespeare nut.) The funny thing was that my first reaction wasn't positive. I thought it was kinda hard to read. But it was so perfect, I talked myself out of that objection. However, everytime someone writes it as "I'll Meet by Moonlight", I wonder if my initial reaction wasn't correct.

I'm not 100% positive but I think "Long Way to Morning" was one of mine. I just liked the sound and the exhaustion it evoked. And it seemed perfect (in different ways) for both our main story and our flashback story in that episode. Hudson had to keep Goliath alive until they turned to stone in the morning. And Hudson had to recover the Grimorum before morning or the Prince would die. The resolution of both stories would take the whole episode.

"Legion" was also one of mine. I remember an old t.v. miniseries based on Mary Shelley's FRANKENSTEIN. At one point, the "monster" is put under hypnosis and speaks in the voices of all the various people who made up his bodyparts. That was Coldstone to a tee. The "Legion" name itself is a biblical reference to a demon named Legion or (interpreted another way) a legion of demons who possessed some poor biblical guy.

"Shadows of the Past" was a Michael Reaves title. I was tempted to shorten it to "Shadows", given my above stated preference for one-worders, but Michael's version seemed much more evocative of what was plaguing Goliath in that episode. In this case the word "shadows" does double duty. It represents Goliath's tortured memories, as well as the ghosts or SHADES who are haunting him.

"The Reckoning" was one of mine. Originally, the "Hunter's Moon" trilogy was supposed to be a direct to video movie. Back then, "The Reckoning" was scheduled to be a two-part series finale. A final reckoning, so to speak that would give us some open-ended closure before leading us into the video release of "Hunter's Moon". Long before "The Reckoning" was written, we found out that the "Hunter's Moon" video wasn't going to happen. So we broke it into three episodes and added it to the end of our schedule.
Unfortunately, that meant we had to cut three other stories out of our schedule. First, we cut "Reunion" (the original title of "The Gathering") down from a two-parter to a single episode. Then we combined Vinnie's pie- story with the Wolf/Hakon revenge story. Then we combined Puck's training Alex story with the Coldstone/Robot story. Then we realized that there was no way that the now retitled "The Gathering" was going to fit into one episode. So we brought that back up to two and reduced "The Reckoning" down to one, all before a single word of the latter story had been written.
Through all this, the original title stuck. It's not quite the final reckoning I originally invisioned, but it's still a reckoning for Thailog and Demona's relationship and most particularly for Demona and Angela's relationship. So I felt it still worked.

Greg responds...

Good question, Todd. I think Macbeth would have quickly had the marriage annulled.

Greg responds...

1) The Sisters used the events of "City of Stone" to weaken Macbeth and Demona's wills. They took them at extremely vulnerable moments when they willingly abandoned control of their own destinies out of despair. It's a tiny loophole, but that's all the Sisters needed. As I'm sure you've noticed, Oberon isn't exactly a stickler for the letter of the law.
2) Jeff, I'm not entirely sure. We were a long way from any equivalent to Goliath being an "in-law". Goliath and Elisa had not even discussed their relationship. They'd never even gone out on a date (though they'd certainly had some romantic moments). I don't like to plan characters emotional responses too far in advance, but my gut reaction is that the guy who would have the most trouble with it would be Derek. Beth would get it. Peter would be wary. Diane would want to make sure Elisa fully understood what she was sacrificing. But I think Derek might have a real problem with it.

Greg responds...

You make some good points, Entity, but I'm not sure they're convincing.
Chronicles was hardly a spin-off. It was intended as a third season, until Disney/ABC decided to try and market it differently. So they changed the title (slightly) and the opening "titles" (which isn't that big a deal, series do that all the time, as I'm sure you know, we made some changes to the opening titles between the first and second seasons as well), and they added Goliath's opening narration. But it's still Gargoyles.
Says so in the title. It aired on national network television and may be in rerun syndication some day. It seems to me that it would be a tad confusing to disinclude episodes that some viewers might have seen, or literally might be able to watch on another channel. The excuse that I didn't have anything to do with them might carry some weight with you, me and others like us. But the majority of the audience cares about characters, not creators. The distinction would be lost on them. And I'm still left with the dilemma over "The Journey", an episode I wrote and which I certainly think of as canon.
How do I make the distinction to the average viewer that one episode from chronicles is canon and the other twelve aren't? Plus, I don't really want to be a primadonna about this stuff. A lot of people worked very hard on the Chronicles. If I had a chance to do more episodes, being human (and not a bit exhaulted) I'd certainly weigh my work over theirs, but I think it's cheating and petty to pretend it never happened.

Greg responds...

Hey, Blaise, thanks for the comments. I agree on the Archmage. And I agree with your assessment of the animation on "Metamorphosis" and "Kingdom". I'm glad you liked them anyway. Story is paramount to me too, but since I basically liked all the stories, I find that my favorites tend toward the better animated episodes. But both of the ones you named have some real nice stuff in them. They also both put a spotlight on Brooklyn. Coincidence?
1) Complete redemption was a long way off, but I did have plans to have him join the "BAD GUYS". Hunter (Robyn Canmore) and the others would have busted him and given him a choice between joining up or doing hard time. He would have chosen to join up.
2) Yes.
3) Coldsteel's contempt for Goliath is a bit more generic, than his personal animus toward Coldstone. Initially, he used Goliath to drive a wedge between Coldstone and Coldfire. After that, he and Goliath weren't exactly buddies. Coldsteel's kind of a hard guy to like.

Greg responds...

I've answered this before. Check the archives for this page for a more complete answer, but the short version is that Brooklyn had a crush on who he wanted Angela to be. Broadway loved Angela for who she was.

Greg responds...

I'm not sure what you mean. When was his "maturity" handed to Broadway? You mean in Goliath Chronicles? Well, I had nothing to do with those episodes, (except "The Journey"). So if it's those last 12 you're referring to, you'll have to ask Eric Lewald.

Greg responds...

Fair question. Of course, you're right to a large degree. But Dominique had to behave as if things were business as usual. For example, she didn't want Sevarius to think she was actually going to use his work to wipe out everyone including him. He's a little too self-serving to go for that. My guess is that her previous assistant quit or was fired, leaving an open position. If she didn't fill it, it could look suspicious. Another reason to hire Robyn is that Demona had a lot going on in preparation for her little holocaust. But as head of the company, she'd have a lot of stuff to deal with on a daily basis. A competent assistant helps shield her boss from things that aren't a priority. So I don't think the situation is quite as artificial as you make it out to be.

Greg responds...

1. Well, some of our actors got more into it than others, but I think most everyone had fun with it. We tried to give just about everyone, some stuff that they could really chew on as actors. Ed Asner and John Rhys-Davies seemed to particularly enjoy the history and myth and Shakespeare we slipped in. Keith was very protective of Goliath's character. Keith and Salli both knew where Goliath and Elisa were ultimately headed. You'd have to ask them if they were as enthralled as we all were.
2. I'm sure actors liked some scripts better than others. Sometimes they'd complain because they didn't have much to do. Other times they'd complain for the exact opposite reason. (Sort of like life.) I do remember that Nichelle Nichols really seemed to enjoy "Mark of the Panther". We saved her narration of the fable until the very end of the recording, so that we could let the rest of the actors go. She was just wonderful. I recall that Brynne Chandler Reaves and Lydia C. Marano (story editor and writer of that episode respectively) asked Nichelle to autograph their copies of the recording script. She complied, but then asked them to autograph her copy.
I thought that was pretty classy.
3. In the very first episode, Elisa has a line that's something like "You want to wind up street pizza." Try saying "Street Pizza" even one time fast. It's not that easy, and Salli kept stumbling over it. From that point on, anytime anyone stumbled over a line, somebody else, usually Salli, would bring up Street Pizza.

Greg responds...

1. I couldn't remember any reference to "Ussex", so I just reread the entire script to "Awakening, Part Two". There is no "Ussex". But Xanatos does have a line where he says "I learned about the castle and you six from an ancient book that recently came into my possession". Could the words "you six" be the "Ussex" you're referring to? Anyway, Wyvern is a fictional location, but in my mind, it was always on the west coast of Scotland. It was loosely modeled on Tintagel, a Cornish stronghold associated with King Arthur, where I've had a couple of near-religious experiences.
2. I don't find it that hard to believe. 1000 years had passed. Frankly, I find it slightly harder to believe that Goliath and our gang survived that long intact. I think we may all owe Hakon and the Captain a favor for that one. I'm sure there were a few more scraps here and there. I'm also sure, Xanatos collected any worthwhile piece he could find. But I don't expect there was much.

Greg responds...

It's a charge? Strong words. Who said a Golem didn't appear during WWII?
I'm not saying one did, but just because that specific Golem hadn't been used in a few centuries, doesn't mean it's the only one that ever existed. A golem itself is just clay and earth, rocks and stone. In and of itself, it isn't hard to craft. It's bringing it to life that's tough. There may have been a lot of different "models" over the centuries. Also activating any Golem requires someone like Max, who's learnd how to do it in a dream. There are a lot of reasons why another generation's Max might fail in this task.
It's a story for another day. Not a hole in continuity.

Greg responds...

1. No.
2. Yes, if I get your meaning right.

Greg responds...

I had a clear idea of where I wanted the first season to go in those early episodes. I also had definite plans for what would later become "Upgrade", "Metamorphosis", "The Cage" and "Kingdom" as early as "Thrill of the Hunt" and "Brother's Keeper". I knew the eggs were going to survive from before the scripts for "Awakening" were completed. I knew we'd bring back the Archmage from the moment I heard David Warner do his voice at the recording session for "Long Way to Morning". I knew that Owen had a story behind his service to Xanatos. I obviously knew that Macbeth and Demona were connected as early as "Enter Macbeth". But many of the BIG PLANS came to us during the break between the first and second season. It all seemed to come together rather quickly though. Like we HAD planned everything from day one. Everything seemed to fit and make sense (to me at least).

Greg responds...

Since you asked this question, we've posted a couple of cut scenes from "Hunter's Moon, Part III". As time passes, I'll try to toss in a bit more, but there are probably fewer "scenes" than you think. Mostly when we were too long, we'd cut a line of dialogue here and a line there. Nothing major.

Greg responds...

Good question. They probably do age faster. By the way, they still need to sleep, so I believe that periodically, they take turns removing their pendents. I'm sure the magic compensates somewhat too.

Greg responds...

1. Touchstone is the production studio.
2. Huh? Yes, Disney owns Touchstone. Disney owns Gargoyles. I'm not sure what the question is.
3. Cashing in? I really don't know what you mean. Why would I be offended that Disney's making money off their own property? I hope they make a lot of money. Enough so that they want to make more episodes of the series.
4. Maybe I'm dense, but I don't really get this question either. We thought it made a good story. We thought it added to the tapestry of the series.
Purpose?
5. There is no number five. You know this is kinda weird. Everytime someone leaves out a number on one of these things, it's always number five.
This is the third time number five has been left out. What gives?
6. I've got no new news at the moment.

Greg responds...

1. You're mixed up.
2. I wouldn't be a gentleman if I answered this question.
3. I've discussed this in detail before. I think you're responses are justified. But in my defense, I always planned the Sisters to be what they were. There was no change in direction. We feignted right and then went left on purpose from day one. We simply did a better job at tricking you into thinking something than we did at revealing something else later. As I've mentioned before, there are still many secrets about the Sisters that haven't been revealed. But the recipe for the Sisters included at least one part the Furies. And vengeance is a part of their collective character. I liked the irony that had them preaching against that in "City of Stone". But I understand if it didn't work for you.

Greg responds...

1. It was probably a picture from "Future Tense", which was all a dream.
2. Real gargoyles and the idea that something scary was used to protect a church or castle from evil.
3. Not that I'm aware of.

Greg responds...

They were traveling from the end of "Avalon, Part III" through the middle of "The Gathering, Part I". By "Turf" they had been back for a few episodes.
As to the face, I'm sure it's significant. Most everything is.

Greg responds...

She does require sleep.

Greg responds...

Katharine's parents were Prince Malcolm and Princess Elena. That's all I'm saying now.

Greg responds...

1. You're welcome, you're welcome, you're welcome.
2. I'm saving those stories for if and when I ever do DARK AGES.
3. I don't think so. But I reserve the right to change my mind later.
4. Duncan's son's name was Malcolm Canmore (or Maol Chalvim Ceann Mor). We used the Canmore name to avoid confusing him with Katharine's father and/or her cousin.

Greg responds...

1. Money.
2. Nashville.

Greg responds...

I said you were crazy? How rude of me. Did I really say that? Anyway, as I've said before, Macbeth was reading when he said those lines. Merlin was saying (in print) that he (Merlin) had sealed the scroll with his (Merlin's) own hand. Macbeth and Merlin have no history. Macbeth first met Arthur in "Avalon, Part III", though he doesn't remember it. He thinks "Pendragon" was their first meeting. Macbeth was centuries away from being born when Arthur and Merlin first created Camelot. Macbeth read about Arthur though.

As to the connection in "The Mirror"? Connection between what and what? I don't understand the question. But I don't think you're crazy.

Greg responds...

Not really, though both the Borg and Matrix come from the same tradition of techno-phobia.

Greg responds...

Nope.

Greg responds...

1. 997.
2. I haven't calculated the exact year yet.
3. Color? You're ahead of me. (I'm somewhat colorblind, so that isn't the first thing I think of.)
4. I haven't calculated that yet. It's particularly complicated with the kids, since Brooklyn and Katana did quite a bit of dancing.

Greg responds...

1. Animation cells are on sale now. So are videos of the first season, though by this time they may be hard to find. There was a computer game and a board game and tons of other products as well, including a children's book and a coloring book.
2. I think it would have been ugly. But Tom definitely would not have been king.
3. Female gargoyle eyes glow red. Males glow white. Scotishness has nothing to do with it.

Greg responds...

I hope so, but it's too soon to know.

Greg responds...

Uh, Jazzie, I guess you must be talking about FUTURE TENSE, which was set in 2158. By that time, Demona would be an ally, but I don't think she'd be any less interesting. She'd have gone through a lot by that time. Learned a lot. She'd have a lot to repent for. Redemption, as you all might have gathered, is a topic that fascinates me. I'm sure I wouldn't have lost Demona in the process of exploring that.

Greg responds...

1. Do you mean before we started or after? I knew Jeff Bennett and Jim Cummings from previous shows I'd worked on. I met Marina Sirtis, Michael Dorn, Bill Fagerbakke, Marabina Jaimes and many others at their auditions.
The rest I met for the first time at their first recording session. The two guys I've kept in (minimal) touch with since the show ended are Ed Asner and Keith David.
2. I don't know if it was her agent or her manager. I don't know what he told Laura. Heck, I don't even know if he was a he or a she. All I know is that her representation told Jamie Thomason that Laura would not be taking the credit. That may mean that if she was credited doing voice work on an animated series (which doesn't pay all that much, relatively) she might have trouble commanding a high fee for commercial voice over work. Or it might mean, that she'd be perceived as desperate for work, any work. I don't know. It doesn't matter. Laura's representation recommended against taking the credit. Right or wrong, we ultimately respected that decision.
3. For the most part we did group recordings, but there were always exceptions, because we had cast a very busy group of people.
4. We struggled through a few colds, but we never had any huge vocal setbacks. At worst, we'd reschedule an actor to record when he or she felt better.
5. I'm not sure what all these codewords are for. Was Rachel replaced in Goliath Chronicles? I saw those episodes and I don't remember that. I do remember that Elisa Pensler Gabrielli (who played Obsidiana) played Chavez in "Revelations", because it was only a few lines and Rachel's schedule just wouldn't allow her to record that week (or the week after or any time that allow us to make our schedule). I think Elisa did o.k., all things considered. We talked about ADR-ing Rachel later, but it didn't seem worth the expense.
6. Yeah, I'm sure they did. As you mentioned, the Archmage is a perfect example of this. Keith's reading of Morgan always made me want to explore a relationship between Morgan and Elisa. Clancy's reading of both Hakon and Wolf suggested the bond between those two characters. I'm confident there are other examples. We also tried (both intentionally, and I'm sure, subconsciously) to write to the strengths of our actors.
7. The triple goddess is a standard in most mythologies, and it's generally related to the moon. The Weird Sisters come from a tradition that includes the Graces, the Fates, the Norns, etc. It seemed natural to go for moon goddess type names. As far as I know, Shakespeare never named them.
8. Sure.
9. Uh huh.
10. Yeah. Way too often.

Greg responds...

1. It's not so much a Disney issue. I need to get some publisher interested.
2. Let me surprise you.

Greg responds...

1. Only child.
2. Petros is a widower. But I'm not prepared to say anything about David's mother at this time. However, I think it goes without saying that her death had an effect on David, on Petros, and on their relationship.

Greg responds...

I know the Cuchullain story now. I didn't then. Diane didn't call me personally to fill me in. Maybe she or Peter told Michael Reaves, but Michael didn't tell me. I think the "answer" is more or less what you said.
The truth and the legend may not match up. We may also have added a legend to the "Gargoyles Universe" that doesn't exist in our universe. I do know that I had the whole thing confused in my head with the Barghest, if that helps. At one point, I suggested titling the whole script "The Barghest" and using Barghest for "Great Beast" occasionally. Diane, Peter and Michael objected to that, so we didn't do it. But no one brought up the rest of it.

I do have plans for Rory and Molly. And the only Molly I know is the Banshee. Heh heh heh.

Greg responds...

I don't know.

Greg responds...

Numbers aren't my specialty, so no, I don't know the exact answers to those questions, and that kind of stuff isn't currently in the encyclopedia.

Greg responds...

1. A bit, but not much.
2. Summer, 1999, but that could change.
3. I don't know yet.
4. I'd love to see Keith and Salli reprise their roles, of course.

Greg responds...

1. It depends on how it was presented and when. Oberon's not exactly Mr.
Consistent.
2. I haven't done the math in some time. Not too much older than he is now.
3. Feudal Japan.
4. Feudal Japan.
5. No.
6. Gargoyle.
7. That was Goliath's theory. Jackal was in control. He aged them a ton.
Enough, to kill them, he would have thought. He was wrong. You're doing math; Jackal-Anubis was tossing power around. I don't think he/they bothered with the numbers.

Greg responds...

1. I've answered this before. She'd be fighting on the side of the angels.
Whether that makes her a hero or not is subject to interpretation.
2. Tall.
3. They tell me they like it. But do you really think they'd say anything else? :)
4. You're welcome.

Greg responds...

I don't know what you're talking about, but you don't need to bother mailing it to me. We never used that kind of language in any show. NEVER. So I'm sure what you've got is quite phoney. And by the way, there were no episodes that never "made air".

Greg responds...

Disney owns these characters, not me. I can't publish original material for profit, without getting permission from Disney.

Greg responds...

Who says he doesn't have one now?

Greg responds...

Sure, eventually.

Greg responds...

1. Confused by who? You mean in a comment room someone might say, I loved FUTURE TENSE; then someone else might say, Oh, I didn't like it when Broadway was killed. And the first person says, not "Future Tense", FUTURE TENSE!!
And everyone says, huh? My point is, the press takes no note of episodic titles. It would seem to me that even the fans would have no real problem distinguishing the difference from the context of whatever comment got posted.
2. I suppose, but Owen is entitled to smile now and then. Owen is Owen.
The fact that he's also Puck, doesn't make Owen a cardboard one-note character.
3. Well, not letters. I certainly heard a bit of that on the Ranger List.
And also from people on the show who weren't in on it. (Jeff Bennett, by the way, didn't know Owen was Puck until he read "The Gathering, Part Two". We intentionally kept it from him. Aren't we stinkers?)

Greg responds...

One every twenty years exactly.

Greg responds...

I can't be 100% sure, but I'd guess it's the same Steve Perry. Gargoyles is currently running on the USA network.

Greg responds...

Well, it was bad latin to begin with, though we thought it was good at the time. It's not "mori", it's "muri". And it's not "tempte" it's "tempe". It is "deslegrate", but I gather it should have been "deflegrate" or something like that. It's supposed to mean something like "Burn down the walls of time and space." I guess sorcerer's latin is slightly different from the standard brand.

Greg responds...

1. Almost immediately after we conceived the character of Puck, before "The Mirror" was written, probably toward the tail end of season one.
2. Very intentional. A little touch thrown in by the storyboard artist to hint at the mirror's mystic properties.
3. I've answered this before; check the archives for a more detailed response, but the short answer is that they just weren't sure.

Greg responds...

1. That's a big old design question. More of the same, I guess. I view the show in 2158 as being international (if not intergalactic) in scope, so I haven't given that much thought to the specifics of Manhattan.
2. I don't know yet.
3. I don't know yet.
4. His son.
5. I never saw it. And it's moot now, because Dean's been replaced by another writer, Jim Kouf.
6. I don't know yet.
7. Very old.
8. Shortly after Owen left Cyberbiotics.
9. Yes.

Greg responds...

1. Not right now.
2. The last Fisher King.
3. I actually haven't calculated that yet. I have a rough idea though.
4. Largely he manages his investments. He also works occasionally as a medievalist, and even as a stage actor.
5. With surprise to say the least.
6. Tense but peaceful.
7. I haven't counted recently.
8. Maybe.
9. He was highly amused.
10. Interesting question. Let me think about that. Ask me again later.

Greg responds...

1. Yes.
2. Yes.
3. Plenty.
4. Not right now.
5. No.
6. Yeah.
7. Sure.
8. There's a story in each of these. I'm not prepared to tell them right now.
9. It was destroyed.

Greg responds...

1. I did have plans for Owen. I had plans for everyone.
2. Including Matt. No hints right now.

Greg responds...

Arthur hadn't thought past the immediate goal of finding Merlin. In fact, I think he was putting off thinking about it until he had his trusted advisor back by his side. The Grail was NOT one of Arthur's goals. Just Excalibur (which he now has) and Merlin.

Greg responds...

Why do you fall asleep? It's a biological function.

Greg responds...

The stated implication is yours and not particularly accurate to my way of thinking. As you said, in my episodes he was a lower echelon member.

Greg responds...

They auditioned, and we cast them. I wouldn't presume to speak for them, but I think they like the show and their characters. And no, I don't have any substantive regrets about anything we did in the first two seasons.

Greg responds...

1. I've answered this in detail. Check out the archives for this page. But the short answer is that I worked at Disney in development for @five years.
Starting with Duck Tales, I worked in some capacity on every Disney tv cartoon right through to Mighty Ducks. Before that I worked at DC Comics, primarily on CAPTAIN ATOM. Recently, I wrote a single MiB episode. My newer projects haven't progressed far enough to talk about yet.
2. I've talked about this before. There are two versions of "Awakenings".
The five parter that aired on television, and the "movie" version which was used for the home video. For more details, check the archives for this page.
3. Combination inside joke and the practical necessesity that we don't constantly design brand new characters for the sake of a quick bit. As time progressed, it became fun to see characters (even minor characters) over and over. Fun for us, and I think more fun for you all too.
4. There aren't different endings per se. There are a percentage of episodes that had to air with some mistakes still in them. Sometimes these mistakes were at the end. Sometimes they were in the beginning or middle. I think maybe mistakes at the end are more noticible. We'd always try to minimize any "damage" in post-production, but sometimes they just had to go out with errors. When the corrected footage came in, we'd replace the mistakes with the new footage for subsequent airings.

Greg responds...

I'd guess Alan. But I'd want to check that with Michael Reaves.

Greg responds...

1. Yes. Although Oberon doesn't acknowledge the need for an heir.
2. Oberon overthrew his predecessor.
3. Yes. Oberon's mommy.
4. He's not the kind to kiss and tell. Well, actually, maybe he is. But I'm not. At least not today.

Greg responds...

Lex's wings are pierced.

Female gargs do seem to be rarer, I must admit. You could either attribute that to us Disney-folk not remembering to balance out the population. Or we could start attributing it to internal "universe" factors. In pre-modern times was egg-laying as dangerous for a female gargoyle as childbirth was for a female human? Is the ratio of male gargoyle births to female gargoyle births more like 3 to 1 as opposed to the nearly even 1 to 1 ratio we humans enjoy? Is there another possible explanation? Those are all real good questions. Let me give them some thought.

Greg responds...

Ever read "The Rules". I haven't, but I think they might apply to someone who's trying to trick someone else into marriage. For his part, Macbeth is an honorable man, but not a saint.

Greg responds...

I added numbers to your questions to make everyone's lives easier. PLEASE EVERYONE, if you're going to ask multiple questions in a single post, do NOT just list the questions as prose. Number them and use your return key between each question. THANKS.
1. I assume we're talking about Oberon's Palace in "Avalon" and not Castle Wyvern in "Awakening". If so, the answer is yes.
2. "Isolate" is too strong a word. He was an active third parent to the gargoyles, but he did give T&K their space, for his own sake more than theirs.
3. There's a story in that.
4. I think deep down Katharine must have known how the Magus felt. I don't think any of the three of them ever acknowledged it out loud. It had no influence on why they didn't have children.
5. No.
6. I'm not prepared to go into this in anymore detail at this time.
7. Gore probably should have kicked this whole post. (He's not allowed to edit questions, just kick posts or forward them.) But he didn't, so I'm stuck with having seen it. Raymond, you knew question 7 was an idea when you posted it. YOU KNEW. You did it anyway. Please don't do that kind of thing again. Fortunately, I have no intention of giving Katharine and Tom any more children. Remember they've already raised thirty-six children. They've earned a bit of rest.

Greg responds...

1. They ARE really WORKING on the script. No guarantees that the movie will happen though. The "when" is also up in the air, though I think the current target is summer 1999.
2. It's way too early in the process to know anything about casting.
3. No.

Greg responds...

No. Xanatos was fully designed before Jonathan was cast. Jonathan auditioned for the role. We cast him. It was a mutual decision between myself, Frank Paur, Michael Reaves, Jamie Thomason, Bruce Cranston and Gary Krisel.

I don't know the math on the sun thing. It hasn't been explored yet. Maybe someday.

Greg responds...

There's always a chance. I don't have any real control over the movie, but I can all but guarantee that Big Daddy won't be in it. I certainly wouldn't recommend his inclusion. Sorry.

Greg responds...

1. Maybe. He definitely had at least one kid before that: Merlin. Oh, and by the way, Oberon's mother is Queen Mab. (No one's asked me that in a while. I hope it doesn't screw up TGS too much. I've been skipping over any comment room posts about TGS, but I couldn't help noticing the Queen Mab name coming up. And I assume Merlin's in Pendragon. I've hinted at this stuff before of course, so I'm curious... Did everyone guess this? Did anyone?)
2. They were considered to be trustworthy and doggedly responsible.

Greg responds...

No. As I myself have said before, Broadway did come up with the nickname, but by the time of "Turf" he had ALREADY realized that Angela didn't like it. He had already dropped it. The others hadn't caught on and kept using it. I'm not saying Broadway's perfect, and he certainly isn't psychic. He's just more sensitive and attuned to who people really are. He's a good judge of character. Better than Brooklyn, Lex or Goliath, even. Angela, Elisa and Hudson are pretty good at this too, but the best judge of character in the series is probably Bronx.

Greg responds...

BAD GUYS was a spin-off series which I developed at Disney. It would have been set in the same "universe" and featured characters already introduced in the GARGOYLES series, specifically Robyn "The Hunter" Canmore, Dingo, Matrix, Fang and Yama. These five would have formed a team of expendable "bad guys" who were given a choice between prison and working on the dirty missions no one else could handle. We actually made a short leica reel as a demonstration piece. But Disney cancelled the project just before the reel was completed. I finished the job on my own and showed it to everyone at the GATHERING in NYC this past summer.

Greg responds...

Apropos of nothing, I saw the moon last night. Hunter's Moon. Gorgeous.
Scary Yellow thing. Pretty cool, huh? Now, on to your questions.
1. Maybe. They're working on it.
2. Peripherally. Officially, I'm a co-producer, but that doesn't seem to mean much.
3. Yes.
4. I think I've mentioned that requests for employment (tongue in cheek or not) aren't appropriate for this forum. But to answer your question, I have no reason to believe that I'll have any real influence on casting. Frankly, my one serious goal for this project is to try and convince them to hire Keith David to play Goliath.
5. There is no number five.
6. Not as far as I know.

Greg responds...

1. No.
2. No.
3. I'm not going to make novel-length responses in this format.
4. Maybe.
5. The association is legal. Not all their activities are.

Greg responds...

I no longer worked at Disney by the time it was decided, but it didn't come as a shock. In fact, the shock was that they did a third season at all. If Disney hadn't purchased ABC and suddenly required a quick fix influx of material for ABC's Saturday morning, I'm quite sure they would have stopped producing Gargoyles after the standard 65 episodes. At the time, I was trying to convince them otherwise. Trying to convince them to let me do a spin-off, that would carry the series forward but represent another batter at the plate. Another chance for the big commercial homerun they wanted (and didn't get from GARGOYLES). They didn't go for that. Since then, I've been trying to work with fans to help keep the flame alive. I've also been trying to kibbitz a bit on the live-action movie in the hopes that that will renew interest in bringing the series back. I can't think of anything else to do.

Greg responds...

1. They could. Not naturally, but maybe through science or sorcery, or maybe via something a lot less exotic. I'm not going to say now.
2. Lack of life. :)
3. Yes. But I'm not saying anymore.
4. It depends on when I get to tell his last story.
5. You didn't really think I'd answer this one, did you?
6. Maybe.
7. Cool.
8. Average as of now? Less than 400, I'd say.

Greg responds...

She's human and, no, you haven't met her yet.

Greg responds...

Yes. Katana.

Greg responds...

I'm not going to answer that one at this time. Sorry.

Greg responds...

Yes and Yes. (And it's KATHARINE and MALCOLM. See above.)

Greg responds...

Constantine III overthrew Kenneth II. The tyrant Constantine was later overthrown by Kenneth III (the sun of Duff) with help from his cousin Maol Chalvim (the son of Kenneth II). Maol Chalvim later betrays Kenneth III and becomes High King. Maol has three daughters, all of whom he marries off strategically. Each daughter has a son, thus Maol has three grandsons (Duncan, Macbeth and Thorfinn) and three potential heirs. In "City of Stone", I had originally planned to include Thorfinn, but I just didn't have the extra screentime to fit in his part of the story.

MacDuff was not the son of King Duff but I'm sure he was related. He might have been a grandson, or a cousin or grandnephew or something.

This seems like as good a time as any to continue the story:

"Once upon a time there were three brothers..." PART THREE

Five years have passed since Duff was crowned High King of Scotland at Scone.
The year is 967 and the kingdom is at peace. But for how long? Duff is 55 years old. He has many, many daughters, but no sons. Word comes from Ireland: Indulf is dead. But Culen is not. Culen seems to get along well with the Irish. It is -- well -- an uncomfortable situation.

An heir must be chosen. And in Scotland in 967, a daughter will not suffice. Duff turns to his thirty-five year old brother Kenneth. Kenneth is strong, faithful. Kenneth also has a five year old son, Maol Chalvim, so succession will be secured into the next generation. Little Prince Maol is told that someday he will be king. Little Prince Maol is quite pleased.

And what of the third brother? Prince Malcolm is thirteen years old. And life for him has improved immeasurably since that frightening day when he was buried alive in Edinburgh Castle. He's been to every corner of Scotland with his brothers. He's seen sorcerers and gargoyles and maybe even a glimpse of the Loch Ness Monster. Katharine, his mother, is honored throughout the land for her intelligence and bravery; in many ways, she is the de facto Queen of the realm. His two royal half-brothers welcome him at every council meeting and even take the time to personally coach him on his swordsmanship.
Frankly, in the Dark Ages, it just doesn't get any better than this.

Which of course means, that it can't last.

Malcolm is riding along the western shores admiring the sunset. By his side, as usual, is his best friend Robbie. Corporal Robert is 21 years old, and has grown into a true bull of a man, complete with a new bushy mustache and a commission in the King's Guard. Malcolm is looking out to sea at the falling sun, but Robbie directs his attention to a cliff a few hundred yards distant. As the sun sinks into the water, the rocks on the cliff seem to move, to flex, to grow. A great collective roar echoes down the coastline. Malcolm's eyes go wide; Robbie laughs. It's a gargoyle rookery, he explains. They're waking from stone.

"Have you been there?" Malcolm asks.

"Aye," Robbie responds. "Even talked with the head of the monsters' clan. I liked him. He's a warrior. You should meet him."

"What's his name?"

"Hasn't got one. None of them do. They're not like the Gargoyles in Scone or Loch Ness. They're rougher. Harder."

"Good peasant stock like you."

"Aye."

"Then lead the way."

They ride on. The moon rises over the hills: a small crescent, a pitiful thing. Nevertheless, its light catches something out in the water. Many somethings. Ships. A fleet.

Both boys see them in the same moment. And in that moment, both boys truly become men. They don't have to talk. They turn their horses in unison and ride off at a full gallop. They'll exchange horses at camp and keep riding.
The King must be told. Invasion.

At the court, there is celebration. Duff's wife has just given birth to her ninth child. But this one is different. This one has a penis. This one will someday be a King. Little Prince Maol is confused by this. He's going to be the King, he knows. But everyone else couldn't be happier, including Duff's brother Kenneth. Kenneth immediately relinquishes his role as heir to the throne. And swears to serve the infant prince until his dying day. Duff is deeply moved and names the boy Kenneth, after his brother and best friend.

Then the shouting starts. Malcolm and Robert burst into the room. Within the hour, the King and his brothers are riding west at the head of an army.
A small army. There has been no warning. There is little time to gather their forces.

Culen, now forty-five years old, leads the Irish troops. He has come, he says, to regain his rightful throne. His armies have swept inland with surprising speed, like a dagger plunged into Scotland's back.

At Gaine, they meet the King's Men.

The first battle is brief and bloody. One would think that God would be on the side of the Scots, but Culen's Irish get the better of it. Duff is wounded in the leg. Nothing serious, but he's carried from the field.
Kenneth fights like a true Thane. Malcolm gets his first taste of combat.
He kills one man. Stands over that man. Wonders if the man's wife has red hair. Corporal Robert uses his shield to block the cudgel aimed at Malcolm's contemplative skull. Robert shoves Malcolm to the ground and kills the attacker. Malcolm stares at his friend. Then nods. Now he understands.
Retreat is sounded. Malcolm picks himself up. He and Robbie fight there way back behind the Scotish lines.

That night, in council, Duff once again names his brother Kenneth as his heir. Kenneth protests: there is a new heir, a new Kenneth. Duff shakes his head. If anything happens to him, the kingdom will need a king, not a wee babe. Kenneth protests: the kingdom will NOT need a new king.

"It might," Duff states. "We're fighting tomorrow."

"You can't walk, Duff!"

"We've ordered a litter. The men need to see their King."

Kenneth, exasperated: "Duff!"

"We've ordered a litter. The men need to see their King." The final word on the subject.

There's fog in the morning. Four huge Guardsmen carry the king on his litter. The battle is joined. Kenneth pushes forward in a berserker rage.
Malcolm flanks him, keeping pace. He kills his second man. His third. His fourth. His.... He realizes consciously that it is time to lose count.
Robert is never far from his friend. NEVER. It's going well. The Scots have rallied. They are going to win.

Suddenly, in the midst of the fighting, one of the King's Guardsmen, the one on the left at the rear, simply steps back and lets go of his burden. Caught off guard, the other three drop the King onto his back. Left-and-Rear draws a dagger, and before anyone can move, before anyone can think to move, he plunges it into Duff's heart.

Left-and-Rear. Nameless. Soon to be quite faceless. What was this man thinking? What was he promised? How did he think he'd survive? We'll never know. He's set upon immediately. Killed. Shredded, practically. But the damage is done. Word spreads like wildfire. The King is dead, betrayed by one of his own. The Scotish line breaks, folds in. Shatters, like a mirror bringing seven years bad luck. (Well, four at least.)

Kenneth, Malcolm, Robert and a handful -- a handful only damnit -- barely escape with their lives. Culen has won. Won the battle. Won the war. Won the kingdom. Allies defect faster than rats off the proverbial sinking ship. Kenneth flees with his extended family down into Northern England. They are not welcomed there, but they are tolerated. Enroute, Malcolm's mother Katharine takes a chill. The chill becomes a fever. The fever, a delirium. And then... she's gone. Malcolm is an orphan.

Frankly, in the Dark Ages, it just doesn't get any worse than this.

TO BE CONTINUED...

Greg responds...

"The Mirror" wasn't anymore rushed than any of our other second season episodes. We were on a very tight schedule in general. We had 10 months to get the first 13 episodes on the air. Then we had 10 months to get the next 52 on the air. We also had to ramp up our staff, since we had only planned on producing six episodes for the second season originally. So time was an issue, although not development time per se. Another issue is that many different artists worked on the show. And although each artist is theoretically working off the same model sheets, their individual styles are bound to shine through a bit. In fact that individualism is probably key to making a character like Puck really come alive in "The Mirror". I haven't noticed a great deal of flux in Puck specifically, at least no more than in, say, Goliath.

Greg responds...

Human.

Greg responds...

It seems you've got the rules straight, but the notion that Alex can only learn so much seems preposterous to me. I'm 34 and constantly learning new things, even new things about things I thought I had wired. Learning is a lifelong process.

Owen is mortal. But everytime Owen becomes Puck to teach Alex something, he kinda resets Owen when he changes back. So Owen's never gonna age all that much. It's a loophole, that allows Owen/Puck to continue to teach and protect Alex as long as Alex lives.

If Owen gets killed (like shot in the back or something) while he's Owen, then both Owen and Puck die. The situational question you ask is tougher to answer, because it depends on what else is going on, how old Alex is at the time, etc.

I don't think Oberon monitors much unless it strikes his fancy. Titania probably plays closer attention.

As to Fox, I think she'd be very interested, up to a point.

Greg responds...

Demona's never been particularly egalitarian. If the question had been posed to her at the time whether she was Leader or Queen, I'm sure she would have said Leader. But I've no doubt, that she acted like a tyrant. I also think the others allowed her to act that way, because the situation was quite desperate, and she was clearly the toughest warrior they had.

Greg responds...

1. Yes. She does have to sleep now, though she gets by on a few hours per day, (I get about five). Doesn't really improve her mental outlook, if you know what I mean.
2. No. The marriage had not been consumated when the bride tried to kill the groom for his money before disappearing without a trace, so getting a unilateral annulment was surprisingly easy. And Demona doesn't get pleasure from a lot these days.

Greg responds...

In a twenty-two minute episode, there isn't much room to depict the daily tasks of a supporting character. But we might have gotten around to it, if there was a story reason. To some extent, I don't know how Owen manages, but there are a lot of people out there with less than two hands, and I'm quite sure that they manage just fine. If we had shown some of the things you mentioned we would have tried to do our homework to make sure we were depicting things with accuracy.

Greg responds...

1. Is this a Post-Journey CHRONICLES question? I had plans that they'd find out. I don't know whether the CHRONICLES staff even thought about it.
2. Guilt, then hate.

Greg responds...

I have already, usually as a way of relating flashbacks, but "Future Tense" was one big Gargoyle nightmare -- even if it was inserted by Puck, and I had a few other thoughts as well.

Greg responds...

It's not a little question, Bryan. This isn't the format for telling a novel- length story. Nice try though. (Feignt right, go left, see if he takes the bait.)

Greg responds...

Damn good question. I think a lot of what you wrote above makes a lot of sense. But I also think that Demona is capable of extinguishing 5 billion lives and only then turning around and realizing that she's destroyed herself. In other words, she's still very dangerous.

Greg responds...

On-going letter writing campaigns wouldn't hurt, but the biggest thing would be to get more and more people to watch the show. Get cable. Watch Gargoyle reruns on USA. Get everyone you know to do the same. If the ratings on the reruns are ridiculously high, then maybe that would give someone the idea to take another pass at new episodes. Do you know any Nielsen Families?

Disney already put some of the episodes out on video.

Greg responds...

Disney would probably sell anything they thought they could make money on, enough money to justify the cost of production. At the moment, I doubt they think they could make enough money by selling scripts or soundtracks.