Greg responds...

Frank doesn't work at DreamWorks anymore, so I don't know when I'll next talk
to him, but when I do, I'll let him know you guys want him to show. Maybe
we'll set up a special "Ask Frank" day or something later. Angela, I'm a
writer, not an artist, so I don't have a lot of advise to offer to
animators. Learn your craft. Compile a portfolio. Hustle yourself some
work. I know that's not much, but I hope it helps.

Greg responds...

Again, no censors. One very understanding lady. I think while I was at
Disney, we received two letters of complaint about the show. Both had
nothing to do with content. In fact, it was clear from the content of the
letters that neither complaintant had ever watched an episode. They objected
to the show's Satanic content, basing their objections on the way the
Gargoyles looked in the commercials or opening titles.

Actually, we were expecting a flood of this type of mail. It never came.

Greg responds...

O.k. I can only speak to Gargoyles, not to the Goliath Chronicles. We had no
censors on Gargoyles. We did have an executive in charge of Broadcast
Standards and Practices. Her name was Adrienne Bello. (Still is,
actually.) She loved the show and is a personal friend. She understood that
some things were necessary to story, and that in context they wouldn't be
that bad. Duncan's magical death wasn't problematic. But we weren't allowed
to stab him, because we didn't want anyone getting a kitchen knife and
imitating that. Fox and Xanatos did live together at the Eyrie before they
got married, but they also had separate bedrooms until they got married. I'm
not saying nothing ever happened between them, and certainly we were walking
a line, but I think we were always responsible to the young end of our
audience. Adrienne allowed us to do this without compromising the shows
integrity.

Greg responds...

Disney's Gummi Bears. Hill Street Blues. Yoknapatwpha County, i.e. the
complete works of William Faulkner. The Complete works of William
Shakespeare. The Simpsons. Various comic book universes. The novels of
Tony Hillerman. Lots of myth, legends, etc, which I have always been
interested in. Plus the input of all the other talented people who put the
show together with me. I was not a one-man band here.

Greg responds...

Depends on how you define "mortal".

Greg responds...

Yes. Magic isn't an exact science. There are glitches. If Demona gets
angry enough, we get a glitch.

Greg responds...

Magic powers the Phoenix Gate. The idea for the gate came to me in a fevered
dream (well, actually in an editorial panic), while we were working on
"Vows". We new we needed a maguffin for that story. Something that both
Xanatos and Demona would want to get from Goliath. Something that Goliath
associated with his love for Demona, but didn't know the true nature of.
Originally there was no time travel in that episode. Then I came up for with
the idea of the Gate for the maguffin. I squashed the entire episode into
Act One, so that we could have two acts of time travel. That's one reason,
why that episode might seem a little rushed. It really should have been a
two-parter.

Greg responds...

Ah, the mystery of genetics....

Greg responds...

We had very specific plans for Yama. I had a few ideas for Sora and Zafiro
as well. And we had long term plans for all of the surviving clans. There
were ten clans at the time of "The Journey". Although some of those clans,
were either in pretty sorry shape or just beginning. I had planned on having
fourteen clans eventually.

Greg responds...

I've been fascinated by Gargoyles since at least my college days. But
someone else at Disney made the suggestion to do a show about Gargoyles.
That's all they gave me. That one word. Gargoyles. I ran with it. Though
I had a LOT of help. It was a real team effort.