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RESPONSES 2001-7 (July)

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Entity writes...

Hi again,

This is on Xanatos. Someone asked about the logic of Xanatos going through all of the trouble of bringing the gargs to life, only to have them steal some disks, then to just wastefully try to eradicate them with the Steel Clan. I have been conflicted with this contradiction in Xanatos' character as well, and I think it is a result of so much having to be inferred from the episodes. As viewers we are accustomed to being handed everything on a silver platter. Mainstream America is lazy like that. But in a 22-minute cartoon, you didn't have that kind of time. You couldn't explain everything. So characterization, especially, needed to be shown not told.

In Xanatos' case, he really is more of the trickster than the megalomaniac. In the show we got more of an impression of control and dominance. This is the air that X likes to put off. Cool and collected. With a master plan for everything. This was mostly a FRONT. The REAL Xanatos is, as you've accentuated through your episode reviews, a trickster. He lives by the moment. He's a thrill seeker. He makes up his plans as he goes along. That's why his plan in "Metamorphosis" seemed so flimsy, as so many Ask Gregers have brought up. That's why he seemed to change priorities so much in the first season. He re-evaluated. And if you think about it, this more dynamic approach to his character makes his 'reformation' all the more plausible. X, whether we've realized it or not, was in a constant state of change throughout the entire series.

Greg responds...

Sure.

Although, I don't think I agree with the flimsy making-it-all-up as you go along FRONT interpretation.

He is a Trickster, but a well-prepared one. (No magic to rely on.) He does adapt, but he also plans. And he enjoys the game, so results don't always matter as much to him.

Response recorded on July 18, 2001

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Entity writes...

Hi Greg,

Wow, you can definitely tell the difference between your pre-LA and post-LA responses. ;)

I just had to join Sloth in complimenting you and the other writers who worked on Gargoyles on the unbridled freedom of vocabulary you embraced. In too many cartoon shows, the dialogue is dumbed down to the point where you get angry that someone's actually getting paid for writing it. Adults tend to not realize that kids appreciate good entertainment. They aren't just mesmorized by pretty flashies. And dialogue is a pivotal part of good entertainment. Now that I think about it, I believe Gargoyles has had an even bigger impact on me than I've previously imagined. Words like "cliche" and "naivete" are ones I got directly from Gargoyles. Sure I've seen them elsewhere, but I GOT them from Gargoyles. I'm about to start my first year at college and I am majoring in Creative/Professional Writing (haven't decided between the two yet). Gargoyles is probably the influence that drove me most toward the decision to take my life in that direction. I realize that Gargoyles really was an educational program, and I'm not speaking of the few token episodes that dealt with gun control or literacy or deforestation. Watching Gargoyles made me smart. It is like the anti-cartoon, because it did precisely the opposite of what most typical children's entertainment does, at least when you or Michael Reeves isn't on deck: vegetabilize.

Greg responds...

What is the difference between my "pre-LA and post-LA responses"? Since I'm ALWAYS in L.A., I'm not sure what you mean.

But otherwise, thanks. As a writer and teacher you couldn't have paid me (or Michael, if I might briefly speak for him) a higher compliment.

Response recorded on July 18, 2001

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Blaise writes...

Hi again!

This question actually deals with the credits listing of the series (yeah, I know it seems I have too much time on my hands, but that's beside the point).
Two things about GARGOYLES' credits stood out. The first you already talked about--the writers recieving credit at the beginning of episodes during the first season. The second however I also found to be quite interesting--GARGOYLES actually gave a true cast list. Usually in these Disney shows, when the credits say, "With the Voice Talents of..." they just lump the actors' names together without telling who they played. GARGOYLES was the first Disney animated series I know of (BUZZ LIGHTYEAR did it later) that actually listed both the actors and the characters they played. This enabled me to (when I started taping the episodes and could hit pause) more fully discover just how diverse and talented this cast was. I could recognize names and see if a person played multiple roles, and I was quite pleased.

So...
1) Is there any story behind this, like there was for giving the writers' credit up front?
2) Whatever the case, I'm glad I could know who played who.

Thanks!

Greg responds...

I don't know if this would qualify as a story, but I liked how Batman the animated series listed who played who. It seemed to show more respect for the actors (and as I was a fan of Batman) more respect for the fans who might be VCRing the thing and want to know.

So we followed their lead. And I'm glad we did. I tried to talk SONY into doing that for Starship and/or Max Steel, but they weren't interested.

Response recorded on July 18, 2001

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Lady Leto writes...

First of all, I just wanted to say that I love Gargoyles and would like to thank you for sharing your idea with us.

I was watching the episode; 'Vendetta' and I couldn't believe Vinnie. I am very curious to find know, how did you think of this character?

Thanks for your time.

Greg responds...

A combination of factors went into the creation of Vinnie.

In no particular order:

1) We asked Jeff Bennett to play the role of a dumb Gen-U-Tech security guard. He put on this great Vinnie Barbarino voice (from Welcome Back, Kotter). It was hilarious.

2) I had this idea to do an episode about the nameless schlub that the gargoyles had effected without ever knowing it.

3) Brynne Chandler had this idea about Goliath getting a pie in the face.

4) I had a separate idea about Wolf and Hakon teaming up to get vengeance on Goliath.

It all just came together. Strangely. The episode was supposed to be a comedic change of pace from the rest of the series. I don't think the animation supported the comedy very well. But it was the first episode I ever voice directed, so I'm fond of it.

Response recorded on July 18, 2001

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Jimmy writes...

If gargoyles evolved before humans and the fay, what did they to protect?

Greg responds...

Each other, as usual, and whatever else was around. Also that long ago, I'm not guaranteeing that GARGOYLES PROTECT was the big slogan.

Response recorded on July 18, 2001

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Steven L. writes...

Gargoyles mate for life. Does that mean that once two gargoyles show interest in each other, and become intimate, that they've mated, and are officially forevermore monogamous?
If so, what happens if, over the years, the two gargoyles come to drift apart, or realize they have nothing in common? Do they stay together simply because of tradition? I take it there's no gargoyle equivalent of divorce. (Or at least there wasn't until Goliath and Demona kinda set precident).
And in that vein; should a gargoyle have an affair, then what happens if that affair is discovered? Does the unfaithful gargoyle and the one he/she had the affair with get banished from the clan?
Hope this hasn't been asked before.

Greg responds...

Gargoyles mate in both sexual and ritualistic fashion. After that they GENERALLY (and that's the key word) remain monogamous.

They imprint upon each other biologically, and there are strong ties of custom to discourage a split. Affairs, I believe, are quite rare.

But as you noted, sometimes things don't work according to plan. Iago has clearly imprinted on Desdemona, though she is imprinted on Othello and he has imprinted on her.

Goliath and Demona imprinted upon each other, but maybe as a result of a thousand years, that imprinting didn't last. Goliath has clearly imprinted anew on Elisa. (BTW, I'm not sure I'm using the word imprinting correctly. I know it's generally used for babies to imprint on their mothers. But it's the closest thing I can think of.)

So there are issues of both biology and custom that discourage anything like divorce or cheating. But that doesn't mean it NEVER happens.

Response recorded on July 18, 2001

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Shan writes...

I'm not intending to be smartass with this one, just genuinely curious. About the clock tower: do you think the cops in the station below ever noticed that all of a sudden they had gargoyle statues up there and wondered where they came from? (there were scenes that clearly depict our heroes turning to stone outside) Or do you think the cops too busy doing their jobs to notice/care? Thank you, especially because I realize how trivial it is. But the thought keeps recurring...

Greg responds...

Occasionally, someone would look up and see the statues and try to remember if they were there before. AFter a while everyone just got used to them.

Response recorded on July 17, 2001

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JEB writes...

Is there a direct connection between the Director and the terrorist from "City of Stone"? (Yes or no is fine.)

Thanks!

Greg responds...

Define "direct".

Response recorded on July 17, 2001

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Lord Sloth writes...

Would you say the Wierd Sister's Loyalty lies mostly in:
a)Oberon
b)Titanya
c)Archmage
d)Themselves
you have 30 seconds(probably more like 2 months) to decide.

Greg responds...

Their tri-part mission.

Response recorded on July 17, 2001

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Alex Wittenberg writes...

In "Hunter's Moon," Xanatos and Owen seem rather unsurprised that the Gargoyles were based at the clocktower above Maza's stationhouse. Is this because Xanatos realized how obvious that should have been when he heard the news, or because at some point before this he figured it out and chose not to pursue it?

Greg responds...

Does it matter?

Response recorded on July 17, 2001


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