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Roswell Conspiracies
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Anonymous writes...
What do you think of Simon Furman(Roswell Conspiracies, Transformers UK comic, Beast Wars and X-Men Evolution)?
Greg responds...
I'm unfamiliar with the name.
And aside from one episode of X-Men Evolution, I'm unfamiliar with all the properties you named.
Well, obviously, I have some familiarity with Roswell Conspiracies, but I've never seen the version that aired on television. Only the work I did.
Anonymous writes...
What exactly is your version of Roswell Conspiracies about?
Greg responds...
A skip tracer tracking a bail jumper, who's also being pursued by other factions and is in pursuit of something herself. They wind up joining forces with each other and with one of the factions.
(At least that's the main story in my version of the pilot. For more details, ask someone who was at Gathering '99 in Dallas.)
Denis writes...
hi, Greg!
Not really a question, just a reply to your call about the script of Rosswell Conspiracies.
As you've read from the technic question about script terminology, I'm the one who bough the script.
I had it for 30 dollars, but could have gone up to 80, which was all the money I had left for the weekend.
I loved your version soooo much more than the one that was aired! Darker, more realistic, and the character much deeper than in the actual animated version. I never really cared for Nick Logan, but Tony Markus, ah! that's another story! He has that Anti-Lee Majors quality around him, that humor. I was LOL with his line, responding to his cousin. "In fact, things got downright charred and rare." Oh gosh I just LOVE that line!
It's really too bad that 1. they didn't use your script as it was and 2. that you didn't got to write more. R.C. could have been the sci-fi pendant of Gargoyles.
ten stars out of five! *back to re-read it again*
Greg responds...
Wow, Denis, thanks. I'm glad someone bought it who appreciates it. It's very gratifying. I liked Tony a lot too. That script wrote very fast. Much easier than most everything I've ever written before or since. It kinda surprised me. And I was blown away when they didn't use it. But that's life...
Denis writes...
Hello, Greg!
Sorry that I didn't got to attend the Closing Ceremonies, last monday, at the Gathering. Anyway, to the question.
During the Auction, I bought the script of the ROSWELL CONSPIRACIES' pilot, and frankly I loved it! WAAYYY better than the one that was aired!. My question is purely 'technical' and concern one of the terms used in the script:
when you write "OTS on <Character's Name>", what does mean the OTS? And how does it translate on screen?
Thank you for your time
sincerly,
Denis
Greg responds...
OTS stands for Over The Shoulder. It means the Camera is placed at an angle looking over the characters shoulder onto the subject of the shot. (It foregrounds said character and puts him or her in relation to the action or background).
And I'm glad you liked the Roswell script!
Great to see you at the Gathering again, by the way.
Todd Jensen writes...
Sorry for asking another "Roswell Conspiracies"-related question, but:
You've indicated in past responses that your original plans for the series included its female lead being a banshee whom you were going to name Siobhan. When you came up with Siobhan, were you planning to use her as an at least partial "cannibalization" of the plans that you'd had for the Banshee/Molly in "Gargoyles"?
Greg responds...
No. I developed Roswell Conspiracies, but I didn't create it. The basic concept was handed to me.
The idea on that show, at least when I was working on it, was that all those magical creatures like Yeti and werewolves and vampires and Shee, etc. did exist. But that they were various alien races from other planets.
Siobhan was native to Earth, in the sense that she was born here. But she wasn't human.
By the way, I offered up a copy of my pilot script to Roswell at the G2001 charity auction. I'm curious who bought it, what they paid for it and what they think of it? Please post and let me know.
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