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ANSWERS 2002-01 (Jan)

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Entity writes...

Someone brought up the distinctive coloration of Thailog again, and I thought I'd throw in my two cents. You both agree, basically, that the idea to give Thailog a unique 'color scheme' was a good one, because it nulled the possibility of Thailog and Goliath being mistaken for each other, a very bad cliche. If you'd kept Thailog looking identical and just NOT done that cliche, we the viewers would simply be waiting for it, so the coloration difference was the best way to actively put it to rest.

You ask what the rest of us think about the general direction you and the other writers took Thailog. I'd just like to say that IMHO you guys played him BRILLIANTLY. And I mean it. So many shows bring in clones seemingly just to screw with the hero's identity. But in GARGOYLES Thailog plays such a more profound role. He is Goliath, but with a different soul. And that is what makes him disturbing. Also, in most shows, the clone remains the instrument of his creator, until perhaps he eventually dies, either slain or martyred. But in GARGOYLES Thailog breaks free of his creators in his very first appearence. Right off the bat, Thailog makes it clear that he is his own character, and that although his origin is as a clone, that isn't the extent of his profile. He is something never seen before in science fiction: a clone who so well establishes himself that the description "clone of Goliath" just sounds ignorant and pitiful.

Greg responds...

Wow. Thanks. I'm very glad it (all of it) worked for you.

Response recorded on January 14, 2002

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Aris Katsaris writes...

How old do you think a hatchling would need to be before the Manhattan clan allowed him/her to take part in the patrols around the city? Would 13-year old Nashville (of the older conception) take part in patrols? The 9-year old one of the current conception?

Greg responds...

I don't know. Honestly. I think that gargoyles (traditionally) as in most quote-unquote primitive societies expected children to take on adult responsibilites at an earlier age than we generally do these days. But I haven't thought that out.

Of course, the interesting thing about Nashville is the notion of permission. You have a kid who's spent literally his entire life as a virtual temporal fugitive, it's going to be a little difficult to get him to just sit at the castle once he's in the relative safety of a static environment surrounded by an extended family of protectors.

That tension interests me. But I won't pretend to have worked out the details yet.

Response recorded on January 14, 2002


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