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G2009 Radio Play
G2009 Radio Play - Act One
4. NARRATOR
The Spectacular Spider-Man Meets Gargoyles. RELIGIOUS STUDIES 101: A HANDFUL OF THORNS. Act One. Late that night atop the Eyrie Building…
Dominique and Kafka sit. GOLIATH and ELISA MAZA STAND and KISS.
5. GOLIATH, ELISA
<kiss>
6. GOLIATH
There are some human customs I will never get used to Elisa. <kisses her again> This is not one of them.
7. ELISA
You’re in a good mood.
8. GOLIATH
I am. Hudson and Lexington are back from Europe, bringing Coldstone and Coldfire with them.
9. ELISA
<chuckle> Not to mention Brooklyn returning from forty years of TimeDancing with a mate, a son, a beast and an egg.
10. GOLIATH
The clan has doubled in size. What challenge can the Fates throw at us now that we cannotâ€"
11. NARRATOR
The sun rises. Goliath turns to stone.
12. ELISA
<groan> You just had to say that out loud, didn’t you?
Elisa and Goliath sit. MAY PARKER and PETER PARKER STAND.
13. NARRATOR
Meanwhile, in Forest Hills…
14. MAY
Peter, what are you doing up?
15. PETER
Studying for today’s English final. It’s on Midsummer Night’s Dream. And I missed seeing the Cliff Notes version.
16. MAY
Which may explain why you and Miss Allan are no longer a couple.
17. PETER
Aunt May, you know we didn’t break up because I missed her play.
18. MAY
You’re right; I shouldn’t be glib. I suppose there’s no chance that you and Gwen…
19. PETER
I don’t know. Not now anyway. Not when Harry’s hurting so much from the death of his father.
20. MAY
It hardly seems possible that Norman Osborn is gone. The Bugle says he was the Green Goblin, but I’m not sure I can believe that.
21. PETER
Sometimes, Aunt May… it’s, okay, to believe everything you read…
May and Peter sit. GREEN GOBLIN and BLACKIE GAXTON STAND.
22. NARRATOR
At a dive bar downtown, the Green Goblin BURSTS in on his glider…
23. GREEN GOBLIN
<tsk, tsk, tsk> Blackie. This place is scummy even by your pond-scum standards. Quite a comedown from your last gig…
24. BLACKIE
Tell that to the whacko who set a flaming super-villain loose in The Big Sky. Oh, wait. That was you.
25. GREEN GOBLIN
Yes. Yes, it was. <maniacal laugh>
26. BLACKIE
Weren’t you supposed to be dead?
27. GREEN GOBLIN
I was also supposed to be Osborn, but you didn’t buy that, did you? Just one of the many little tricks I keep up my sleeve. Nothing’s changed, Blackie. The Goblin’s still in charge.
28. BLACKIE
You hear me arguing?
29. GREEN GOBLIN
No. Now, gather my Pumpkin-Heads…
Blackie and Goblin sit. Kafka and Dominique STAND.
30. NARRATOR
At Ravencroft, Dominique Destine and Dr. Kafka supervises six inmates who work to excavate a sub-basement.
31. KAFKA
I still don’t understand what you expect to find down here.
32. DOMINIQUE
Vertros Ravencroft, the founder of this Institute, was a quirky soul. An intimate friend of Freud and Conan Doyle, he was a true believer in both psychotherapy and spiritualism.
33. KAFKA
You speak as if you knew him.
34. DOMINIQUE
Now how would that be possible?
35. KAFKA
It couldn’t, of course… But the dig?
36. DOMINIQUE
Yes. Ravencroft was also a collector. I have reason to believe he buried certain items of his collection here. Now, Doctor, didn’t you say you had meetings scheduled…
37. KAFKA
You’ll be all right down here alone?
38. DOMINIQUE
Your orderlies are in the hallway. And I’m quite self-sufficient. So run along.
Kafka sits. OTTO OCTAVIUS STANDS.
39. DOMINIQUE
Excellent work, Doctor Octavius. Very precise.
40. OTTO
Thank you. I appreciate having something to occupy my hands…
41. DOMINIQUE
Your hands? Not… your arms?
42. OTTO
Arms? I… I hope you’re not referring to my unfortunate… b-b-breakdown.
43. DOMINIQUE
What would be the point? Believe me, Doctor, no one better understands the advantage of creating a false front.
ELECTRO STANDS.
44. ELECTRO
I’ve blasted away another section of cement.
45. DOMINIQUE
Thank you, Maxwell.
46. ELECTRO
Don’t. Call. Me. That.
47. DOMINIQUE
Don’t. Tell. Me. What to do… Electro.
48. ELECTRO
Uh… okay.
(asides to Otto)
She’s a little scary.
49. OTTO
Indeed.
Otto and Electro sit. DOMINIC DRACON, JOHN JAMESON, EDDIE BROCK and CLETUS KASSADY STAND.
50. DRACON
I blame Mace. When that crook cheated me, I lost face. But when I get the jewels back, they’ll respect me again. Did Mace bury the jewels here?
51. DOMINIQUE
Maybe he did, Dominic. Keep working.
52. JOHN
What’s the point? How is tearing up a basement supposed to bring me Colonel Jupiter’s power?!
53. EDDIE
Shut up and dig.
54. JOHN
You like doing this?!
55. EDDIE
I hate it. But I need that hate. I need to keep the hate alive.
56. DOMINIQUE
Such an interesting crew. And what do you want out of life, Cletus…
57. CLETUS
Nothing too fancy. <chuckles> Just a little carnage.
Cletus, Dominique, Eddie, John and Dracon sit. GWEN STACY and Peter STAND.
58. NARRATOR
That afternoon, at Midtown High…
59. GWEN
Hey, Pete. How’d you do?
60. PETER
Ugh, horrible, probably. I mean you know English is like my worst subject. It’s all so subjective andâ€"
61. GWEN
Peter.
62. PETER
Okay, okay… not the look! I probably aced it. Happy?
63. GWEN
That you did well. Always.
64. PETER
Thanks. Look, Gwen, I--
HARRY OSBORN STANDS.
65. HARRY
Well, what have we here? My best friend and girlfriend conferring in a corner. Planning a surprise party for me?
66. PETER
Uh, it’s not your birthday, Harr.
67. HARRY
I thought maybe it was a thank you bash. For giving you both these…
68. GWEN
(reading)
“You are cordially invited to spend Spring Break traveling by private jet to Miami, where you’ll stay, all-expenses-paid, at the Osborn Winter Compound on the Beach…"
69. PETER
You’re inviting the three of us to spend a week together in Florida?
70. HARRY
Not just the three of us…
KENNY KONG, FLASH THOMPSON and MARY JANE WATSON stand.
71. KONG
Osborn, dude! You rock!
72. FLASH
Seven days in the sun and surf.
73. KONG
All you can eat!
74. FLASH
Girls in bikinis!
75. FLASH, KONG (UNISON)
Score! <laughter>
76. MARY JANE
Hi, Sha Shan. Hi, Glory.
77. FLASH
Sha Shan… uh… So… how much of that did you hear?
78. KONG
Look, Glory, you know I meant you, right? I mean who else would I want to see in a bikini. Uh, you’re not gonna break up with me again, are you?
Kong and Flash sit. SALLY AVRIL, RAND ROBERTSON, LIZ ALLAN and JASON IONELLO STAND.
79. SALLY
Oh. My. God. Harry, I just found the invitation in my locker. And all I have to say is that you can be my super-dweeb sugar-daddy anytime you want!
80. HARRY
You okay with that Rand?
81. RAND
‘Scool. You can be my super-dweeb sugar-daddy too.
82. PETER
Exactly how many people did you invite to this thing?
83. HARRY
A handful. Kenny and Glory. Flash and Sha Shan. Rand and Sally. Hobie and Mindy. M.J. Gwen. Oh, and you and Liz, of course.
84. GWEN
Harry… Liz and Peter broke up.
85. HARRY
You did?! Wow. I had no idea. Guess I’ve just been so focused on my own problems. My Dad dying and everything. That’s why I need this trip. Gotta clear my head, you know? But maybe you two could reconcile…
86. SALLY
I don’t think so!
87. LIZ
It’s too late for that Harry. I’m with Jason now. We totally fell in love doing the play together.
88. JASON
We did?
89. SALLY / LIZ (UNISON)
Yes, you did. / Yes, we did.
90. LIZ
You don’t mind if I bring Jason instead of Petey, do you.
91. HARRY
The more the merrier.
92. LIZ
Thanks, Harry. You’re a doll. Kisses!
Liz, Sally, Jason and Rand sit.
93. HARRY
Pete, you’re still invited too. Course, it’s more of a couple’s thing. But M.J.’s guy is in prison…
94. MARY JANE
Thank you, Harry. Hadn’t been reminded of that in the last five minutes.
95. HARRY
Sorry, sorry. It’s just that I can’t help remembering the Fall Formal. You two made such a great pair! Don’t you think so, Gwen?
96. GWEN
Great.
97. PETER
I… suppose we could go… as friends. Just as friends.
98. MARY JANE
We’ll talk later, Tiger.
Mary Jane, Peter, Gwen and Harry sit. Kafka and CURT CONNORS STAND.
99. NARRATOR
Late that afternoon in Dr. Kafka’s office…
100. KAFKA
Doctor Connors, it’s good to see you. I’d heard you moved to Florida.
101. CURT
I did. But I never stopped working on a cure for Max Dillon. I think I’ve made some real progress.
102. KAFKA
That’s wonderful news. Max is downstairs… doing “work-therapyâ€. I’ll take you to him…
Kafka and Curt sit. Otto, Dominique, Electro, Dracon, John, Eddie and Cletus STAND.
103. ELECTRO
Ms. Destine. I think I found something.
104. DRACON
Is it my jewels?
105. OTTO
It… it appears to be a spearhead. It looks quite old.
106. DOMINIQUE
Give it to me.
107. ELECTRO
Sure, sure.
108. DOMINIQUE
Yes. This is it. I think we’re done, boys.
109. OTTO
Indeed. And just as the dig brought us right up against Ravencroft’s outer wall.
110. ELECTRO
You mean this wall?!
111. NARRATOR
Electro blasts a huge hole in the wall. When the smoke clears, the Vulture is waiting. He grabs Octavius.
VULTURE STANDS.
112. VULTURE
You’re coming with me, Otto.
113. OTTO
No, no, stop. I don’t want this life anymore… I’m trying to get better!! Let me go!!
114. ELECTRO
Shut it, Doc! It’s for your own good!
115. OTTO
Nooooooo!!!!
Otto, Electro and Vulture sit.
116. NARRATOR
Vulture and Electro leave with Octavius. Dominique watches them go.
117. DOMINIQUE
Well, that was diverting. And such excellent timing as well: it’s sunset. <transformation scream>
118. NARRATOR
With the setting of the sun, Dominique Destine transforms into a gargoyle… just as Kafka and Connors enter…
Kafka and Curt STAND.
119. KAFKA / CURT
Oh my god… / What in the world?!
120. NARRATOR
Demona effortlessly slams them both against a wall and turns to the remaining inmates…
121. CURT, KAFKA
<impacts, moans>
122. DEMONA
Listen carefully, humans. For I have listened to you. I can make all your petty little dreams come true. Dominic demands respect.
123. DRACON
Yes.
124. DEMONA
John craves power.
125. JOHN
Yes!
126. DEMONA
Eddie needs hate.
127. EDDIE
YES!
128. DEMONA
And all Cletus desires is a little carnage.
129. CLETUS
Or a lot. I’m not picky.
130. DEMONA
Then stick with me, boys. Respect, power, hatred, carnage. These are things I know…
DEMONA, Cletus, Eddie, John and Dracon sit. ALAN O’NEIL and GEORGE STACY STAND.
131. NARRATOR
Later, the police arrive to investigate…
132. O’NEIL
And you never met this broad before in your life…
133. KAFKA
She had excellent references, Officer O’Neil. It’s not like I grant just anyone access to my patients…
134. O’NEIL
And you wonder why people think they belong at Rykers.
135. GEORGE
There’s nothing else you can tell me, Doctor?
136. CURT
I’m sorry, Captain Stacy, but no. It was a creature.
137. GEORGE
Like that Lizard-thing from last fall?
138. CURT
No! No. Nothing like that. More like… like those things on the news that blew up the clock tower.
139. GEORGE
You mean the 23rd Precinct.
140. CURT
Yes.
141. GEORGE
You’re saying a gargoyle kidnapped those men.
142. CURT
Yes. No. I don’t know. Can I leave now?
George, O’Neil and Kafka sit. DILBERT TRILBY and NED LEE stand.
143. NARRATOR
But outside…
144. TRILBY
Doctor Connors! Dilbert Trilby, Action News. What can you tell our audience about the escape?
145. CURT
Nothing. No comment.
146. NED
Hey, Doc. Remember me? Ned Lee from The Bugle. Can you just tell me who escaped? Doc Ock? Electro? Colonel Jupiter â€" I mean, Colonel Jameson?
147. CURT
I’m sure the police will issue a statement. Now, I have to go.
Trilby sits. CALYPSO EZILI, KRAVEN THE HUNTER and GULYADKIN STAND.
148. NARRATOR
Connors hurries away down the street, as a limousine with dark-tinted windows pulls up in front of Ravencroft.
149. CALYPSO
We are too late, my love. The Christian Totem is gone.
150. KRAVEN
Gulyadkin and I will track it for you.
151. GULYADKIN
<low lion growl>
152. CALYPSO
I’m afraid that is beyond even your impressive abilities, Sergei, my love. But I have my own ways, as you well know…
153. KRAVEN
Of course, Calypso.
154. CALYPSO
Who is that? That man trying to hail a cab?
155. KRAVEN
He is a stranger to my eyes. Yet his scent is familiar.
156. CALYPSO
His aura glows with primal energies and may be of use to us.
(to Curt)
You need a ride.
157. CURT
What? No. No, thank you. I’ll get a cab.
158. KRAVEN
She wasn’t asking.
159. CURT
<scream>
160. NARRATOR
Kraven drags Connors into the limo, which quickly drives away…
Curt, Kraven, Calypso and Gulyadkin sit.
161. NED
Hello, Robbie? I’ve got something.
J. JONAH JAMESON, JOE “ROBBIE†ROBERTSON and FREDERICK FOSWELL STAND.
162. JONAH
Is that Lee? Put him on speaker.
163. ROBBIE
Now, Jonah, stay calm…
164. JONAH
Don’t you tell me to stay calm, Joe Robertson. It’s not your son at risk. Lee, you there?! I’ll give you exactly three-point-seven seconds to tell me John’s all right!
165. NED
Wish I could, Chief. But he disappeared with the rest. There are six inmaâ€" uh, patients missing. It’s not clear if they busted out or were kidnapped.
166. JONAH
Well, of course John was kidnapped. You think my son would--
167. ROBBIE
Ned, give me the whole list.
168. JONAH
Who cares about the listâ€"
169. ROBBIE
It could provide a lead to John.
170. NED
Doc Ock. Electro. John. Uh… let’s see. Edward Brock Jr., Cletus Kasady and Dominic Dracon.
171. FOSWELL
Dominic Dracon? The old mob boss? There’s a name I haven’t heard in a while.
172. JONAH
Foswell, you know that world! Find out where Dracon might have gone!
173. FOSWELL
You got it, J.J.
174. JONAH
Lee, you stick to the damn super-villain angle! Ock, Electro. What’s their next move?!
175. NED
Right, boss!
176. JONAH
Robbie, I want every available man on this. No, damnit, I want every man, woman and child on this, available or not. Call Parker. Put Benny the copyboy on it. But Ms. Brant on it. I want John Jameson safely back in his mother’s arms in six-point… six-point…
177. ROBBIE
It’s okay, Jonah. We’re on it.
178. JONAH
Good. Good. I’ll… I’ll hit the streets myself. I’m still the best damn reporter in New York City! Just have to make a call first. Well, what are you all waiting for, get out! Out!
Robbie, Ned and Foswell sit.
179. JONAH (CONT)
Hello, is this WVRN? Travis Marshall, please. Travis? It’s Jonah. I got a lead for you on the Ravencroft thing.
(pauses, listening)
Whaddayou care why I’m helping the competition?! I know I hate television! You don’t have to tell me that! I’m not trying to sandbag you, damnit, I… I’m just trying to find my son… any way I can.
Jonah sits. SPIDER-MAN STANDS.
180. NARRATOR
That night finds Spider-Man swinging through the city…
181. PETER (VO)
If I didn’t know better, I’d think Harry was trying to torture me and Gwen. Then again, M.J. is quite the consolation prize. Ah, man, what am I saying? I’m in love with Gwen. Gwen. Gwendolyn Stacy. Just have to get through the next few weeks and then Harry’ll be in a better place, and she and I--
182. NARRATOR
Pete’s ringtone plays Itsy-Bitsy Spider.
183. SPIDER-MAN
Hello?
Robbie STANDS.
184. ROBBIE
Pete. Joe Robertson. There’s been an incident at Ravencroft.
Robbie sits.
185. SPIDER-MAN
Uh huh… uh huh… Wait, who’s missing? Uh oh. Him too? Oh, crap. Sorry, I mean-- What?! Seriously?! Uh, right. Yeah, I’ll keep my eyes open. Camera lens at the ready. Thanks for the heads up. Bye.
(to himself)
Whoa. At least this day can’t get any worse!
SMUGGLER #1 stands.
186. SMUGGLER #1
What the hell are those things?!
187. SPIDER-MAN
When am I gonna learn not to say that out loud?
188. NARRATOR
Spidey swings down to find two men in a van being attacked by two gargoyles, Obsidiana and Zafiro…
ZAFIRO and OBSIDIANA STAND.
189. SPIDER-MAN
Hi there. Hate to interrupt, but this lady-esque-blue-creature-thing matches the description of another lady-esque-blue-creature-thing who just busted some folks out of Ravenâ€"
190. ZAFIRO
What is he babbling about?
191. OBSIDIANA
I have no idea. I sense no connection between him and the source of the disturbance. But these two…
192. SMUGGLER #1
Keep her away from us!!
193. SPIDER-MAN
You see, now I’m on the horns of a dilemma… Uh, no offense. It’s just an expression; I wasn’t referring to your rather striking… Never mind. See in this particular Spider-Man’s experience, when genetic misfits attack ordinary human beings, I’m gonna have to side with the humans.
194. ZAFIRO
Qué sorpresa. A human with no knowledge of the situation leaping to defend one of his own.
195. NARRATOR
Zafiro attacks Spidey.
196. ZAFIRO, SPIDER-MAN
<ad lib battle efforts, impacts>
197. NARRATOR
Obsidiana rips open the top of the van.
198. OBSIDIANA
<rip effort>
199. SMUGGLER #1
Stay back!
200. NARRATOR
The two humans open fire on her, forcing her to leap away… The van peels out. Obsidiana tries to follow, but Spidey webs her wings together.
Smuggler #1 sits.
201. OBSIDIANA
Por favor! You don’t understand the powers that are gathering!!
202. SPIDER-MAN
And you’re the one doing the Gathering, I take it!
203. OBSIDIANA
No!
204. ZAFIRO
Enough!
205. SPIDER-MAN
<impact grunt>
206. NARRATOR
Zafiro slams Spidey into a wall. By the time the web-slinger recovers, the gargoyles are gone…
Zafiro and Obsidiana sit.
207. SPIDER-MAN
<groan> For a guy with no legs, that snake-thing can move…
Spider-Man sits. George and MARIA CHAVEZ STAND.
208. NARRATOR
Not far away…
209. GEORGE
Captain Chavez.
210. CHAVEZ
Captain Stacy. What brings you to what’s left of the 23rd?
211. GEORGE
It’s the Ravencroft thing. I’ve got corroborating witnesses telling me a gargoyle was involved.
212. CHAVEZ
<sigh> I miss the days when being a cop didn’t involve a working knowledge of The Twilight Zone.
213. GEORGE
Welcome to the Freak Show.
214. CHAVEZ
Anyway, as it happens, the Gargoyle Taskforce is meeting right now. First trailer on the right. Ask for Bluestone.
Chavez sits. MATT BLUESTONE, MORGAN MORGAN, MARGOT YALE and Elisa STAND.
215. NARRATOR
Minutes later…
216. GEORGE
And that’s all I know…
217. MATT
Well, that is interesting, or, you know… really, really scary.
218. MORGAN
I’ll say, Detective. With or without a gargoyle, I’ve heard Ock and Electro are bad news. And that Cletus Kasady: he killed five people before--
219. MARGOT
Forget Kasady. Any idiot can bring a serial killer down. It’s the gargoyle we should be concerned with. It’s what I’ve been saying all along! Those monsters are dangerous!
220. MATT
I think what A.D.A. Yale is saying, Captain, is that the Taskforce is on it. We’ll let you know if we hear anything. And we’ll be checking in with all our sources, won’t we, Detective?
221. ELISA
And fast.
Elisa, Matt, Margot, Morgan and George sit. Smuggler #1 and Demona STAND.
222. NARRATOR
Meanwhile, a van with a torn up roof pulls up to a Gramercy Park Mansion… The driver speaks into the intercom…
223. SMUGGLER #1
Longinus sent me.
224. DEMONA
Leave the package. Then take your money and go. While you still can.
225. SMUGGLER #1
Geez, who lives here? Dracula’s daughter?
Smuggler #1 sits. Eddie, John and Cletus STAND.
226. NARRATOR
Demona collects her package.
227. EDDIE
The old guy’s asleep. What’s that?
228. DEMONA
A simple wooden shaft. The prize of Adolph Hitler’s personal collection. After his… demise, his remaining followers smuggled it to Brazil. I paid handsomely to have it smuggled to me.
229. EDDIE
Why? I mean sure, it’s the shaft of a spear. Completes the set with that arrowhead you took from Ravencroft. But why do we care?
230. DEMONA
Here’s why.
231. NARRATOR
Demona joins the spear and spearhead together. Instantly, it radiates incredible power.
232. DEMONA
The Holy Lance. The Spear of Destiny. The weapon that pierced the side of the Christ. Do you still want power, John? This is power.
233. JOHN
Give it to me. Give it!
234. DEMONA
No. This power is mine. But I will use it to give you back your own…
235. NARRATOR
She points the Spear at John Jameson. The magic surrounds him and transforms him into Colonel Jupiter!
236. COLONEL JUPITER
<transformation scream> Yes! The power is mine! I am Colonel Jupiter!
237. DEMONA
For what that’s worth… Now for Eddie.
238. VENOM
<transformation scream>
239. DEMONA
Happy now?
240. VENOM
Extremely. We are Venom again.
241. DEMONA
And what about you, Cletus?
242. CLETUS
(pointing at Venom)
I’ll have what he’s having…
243. DEMONA
As you wish… Carnage.
244. CARNAGE
<transformation scream>
245. VENOM
All right, Demona. You’re the Mirror Universe Wizard of Oz. But what now?
246. DEMONA
Mine is the Power. But I still require the Kingdom and the Glory. This is only the first act, humans… or whatever you are now. The main event is still to come…
Demona, VENOM, CARNAGE and COLONEL JUPITER sit.
END ACT ONE
TOMORROW: ACT TWO...
DECEMBER 27
This day in Gargoyles' Universe History....
NOTE THAT THIS IS CORRECT FOR DECEMBER 27. THE PREVIOUS POST FOR DECEMBER 26 IS INCORRECT. AT THIS TIME, I HAVE NOTHING IN THE TIMELINE THAT DEFINITELY TOOK PLACE ON 12/26.
December 27th...
1994
The Manhattan Clan enjoys a pleasant, peaceful night at the castle: Broadway cooks; Goliath reads; Lex and Brooklyn play cards; Hudson watches Donald Duck on TV; Bronx chews a bone. Meanwhile, David Xanatos is still counting down the days until his release.
1995
Hudson and the Trio patrol, while Goliath and Bronx remain behind at the Clock Tower. Tom, now known as the Guardian, arrives in New York, looking for Goliath. He is arrested by Officer Morgan Morgan, who mentions him to Elisa Maza. Elisa arranges a meeting between Goliath and Tom.
OCTOBER 31
This day in Gargoyles' Universe History....
October 31st...
1994
In part because both he and Elisa want to conceal the gargoyles' existence, Xanatos and the D.A.'s office agree to a plea bargain. He pleads guilty to the sole count of Receiving Stolen Property. He will be sentenced to six months in county jail including time served, with every hope that the sentence will be reduced to three months for good behavior.
1995
Xanatos confronts Fox and attempts to get the Eye back from her. She transforms in front of him and escapes. Xanatos intentionally involves Goliath and Elisa in an attempt to manipulate them into helping Fox and retrieving the Eye. Goliath quickly catches on and initially refuses to help. Later that night, the Trio, Goliath, Elisa, Vinnie, Brendan and Margot all attend a Greenwich Village Halloween block party. When the Werefox attacks, Goliath and Elisa agree to help Xanatos save Fox. Together, they manage to remove the Eye from the creature, which reverts to Fox. Goliath takes possession of the Eye.
1996
Matt Bluestone convenes a meeting of the Gargoyle Taskforce (including himself, Elisa, Officers Morgan & Travanti, Detectives Harris & Chung, Margot Yale and Martin Hacker). Hacker has Illuminati meetings with Matt, Xanatos and Castaway. Morgan asks Elisa on a date. After turning him down and spending time with Jason in the hospital prison ward, she goes to the Eyrie. The gargoyles awaken at sunset. Fox has Halloween costumes for Brooklyn, Lexington, Broadway and Angela in anticipation of the Masque that Xanatos is throwing later that night. Elisa breaks up with Goliath. Demona recovers the Atlantean crystal that was at the heart of the Praying Gargoyle. In, the Labyrinth, Al is showing Shari around. Goliath and Brooklyn arrive. Brooklyn wants to ask Delilah to the party, but Goliath does instead. Goliath, Brooklyn and Delilah depart. Thailog attacks. Terry Chung, Billy Greene, Susan Greene and Sarah Browne trick-or-treat at Jeffrey Robbins' home, where Hudson and Bronx are visiting. Following Illuminati orders, Xanatos takes Fox and Alexander to a party at the White House. They chat with Ambassador Chung, and David meets Illuminatus Quincy Hemings. Meanwhile, Xanatos' Masque goes on without him at the Eyrie. Attendees include Judge Roebling, Doctor Sato, Brendan, Margot, Lexington, Brooklyn, Angela and Broadway. Elisa and Morgan arrive together, as do Goliath and Delilah. Thailog, having taken the male clones from the Labyrinth, arrives to collect Delilah and stabs Goliath.
1997
Xanatos' probation expires.
OCTOBER 25
This day in Gargoyles' Universe History....
October 25th...
1994
Officer Morgan is transferred to the 23rd Precinct.
1995
Matt Bluestone questions G.F. Benton, unaware that the man is really Dominic Dracon. Matt follows a lead from "Benton" to the location of the old Silver Falcon speakeasy, where he's captured by Tony Dracon.
1996
The Hunters trace Goliath back to the Clock Tower and blow it up. One of the Hunters pulls Elisa from the police precinct. She removes his mask and recognizes her new partner, Jason. He drugs her and leaves her in her apartment. Meanwhile, the explosion causes Maria Chavez to break her leg. The gargoyles barely survive, and Hudson and Lex are badly injured. Jon Canmore has the opportunity to destroy them, but he allows them to flee the Clock Tower. Unfortunately, Robyn forces Jon to blame the gargoyles for the Clock Tower's destruction on the television news. Now the entire city knows they exist and is hunting for them. The gargoyles hide out at Elisa's loft. That day, Elisa and Matt meet with Maria Chavez in her hospital room. They've discovered the Canmore siblings' true identities. Robyn breaks into Demona's vault, but Demona has already emptied it of everything but a computer disk. That night Goliath goes in search of the Hunters.
OCTOBER 4
This day in Gargoyles' Universe History....
October 4th...
1994
The final touches on the castle are completed. It now sits atop the Eyrie Building, high "above the clouds", thus fulfilling the condition of the Magus' spell. The Magus' curse is broken, and Goliath, Hudson, the Trio and Bronx awaken to a brave new world. Minutes later, a group of Commandos attack and seem to steal three disks from Xanatos. This attracts the attention of New York City Police Detective Elisa Maza. Elisa also meets Officer Morgan for the first time.
1995
The werefox is first sighted in Manhattan.
Chicken Taco writes...
Does Morgan find it odd Elisa's been invited to a party at the Xanatos'?
Being that they're convicted fellons and all and Elisa's just a 'normal cop' as far as Morgan knows, wouldn't he find something a miss? I mean, no matter how much faith he has in Elisa has to have enough cop sense to know Xanatos wouldn't invite his arresting officer to a party with New York's highest crust without them having some unseen link... Or is Morgan just so excited to be "getting his shot" he'd have went anywhere without question?
Greg responds...
Good question. I'm thinking that at first, he's too happy to get the date to think about where they're going too much. Later...
Charisma82 writes...
Hey! I've wanted to do rambles on all the gargoyles' episodes, and have only gotten around to the first one. So I wouldn't forget anything, I wrote my ramble as I watched the episode instead of summing it all up and highlighting certain things. I did the same thing with the Gargoyles Comic Book #3: Invitation Only. I went through page by page and wrote about each one. I did this so I wouldn't forget anything. So, since it is kinda long, here are the first 12 pages.
Gargoyles: Clan-Building
Part Three: Invitation Only
Part 1 Pages 1-12
Page 1: At first glance, I thought that the invitation on the table had been sent to Washington and that I was looking at the president's desk, or something like that, until I looked at the next page. I really like the mask next to the invitation. I also like how Alexander's name was included on the invitation. I wonder what he'll be doing while his parents are at their party. Will he be with them or somewhere else… (I'm not lingering off here to sound mysterious, I just didn't know what else to put).
Page 2: I love Alexander's costume. I also like the quote, "Sure, Manhattan may be infested with real monsters, but it's not like the beasties can talk, right?" People are really trying to make them look like horrible monsters, and to do that, they make them look unintelligent and degrade them. But then again, how many of these people have really met one?
Page 3: I like that Matt is in charge of the taskforce and not Elisa. It gives him a bigger role to play and it doesn't make Elisa look like the biggest Gargoyle fan out there. I'm not saying that's bad, but it's better to lay low and not have stupid people ruining her life because they know she's a gargoyle lover (talking about the average Joe out there who wants to vandalize stuff and needs a good reason to do so). I also like being introduced to new characters. I hope to see more of the new detectives.
Page 4: I like Morgan's line, "Uh, detective… I mean… Elisa…" It's weird to hear his voice in my head say her name, cause he's always calling her detective. I was also I bit weirded out with him asking Elisa out. I just can't see the 2 of them together or thinking that Morgan has a thing for her. I always saw him as an older mentor type to her. Him actually calling it a date made it even… well… weirder.
Page 5: I love this page. Matt totally distrusts Hacker, and acts like he'd rather stick his head in a trashcan instead of talk to him. He also acts disgusted with him. It's all good. I like how Hacker makes Matt use their code when Matt could've done without it. "Formalities must be observed." Matt's face is priceless when Hacker puts his arm around him. I should probably mention something about Hacker's speech about the world not being ready to have gargoyle and humans together yet, just to set myself up for when I mention his other speeches with Xanatos and Castaway. Well… I guess I just mentioned it.
Page 6: It's good to see Jason again. I miss not hearing his voice; it's a good thing I've got it stored up in my head. I didn't expect to see him handcuffed to his bead. I find it almost humorous, handcuffing a paralyzed guy to his bed. But then again, he's full of surprises. His conversation with Elisa is typical. He still holds a spark for her and she's second-guessing her relationship with Goliath. It had to come up eventually. It's also pretty clear that he doesn't want to see Elisa with a gargoyle. There's still some dislike going on there for the species, I think. I do hope that Jason finds someone else though. He deserves a second chance.
Page 7: More breaking out of stone. It's funny to see Elisa trying not to get hit with stone. It's interesting to see Angela and Broadway holding hands now. They don't seem worried to show that they like each other. I also like Brooklyn's look over from the corner.
Page 8: You can see more of Angela's naiveté here with her not knowing much about Halloween. Elisa looks reluctant to speak with Goliath, but goes on with it and confronts him.
Page 9: What a teaser! What did the gargoyles decide to dress up as? I can't wait to find out in the next comic. I really don't like that Brooklyn is folding his wings underneath his arms now. Is that going to be a new permanent thing? Are you trying to distinguish his look by doing this? It just doesn't look right. I like the hint at where Hudson and Bronx are going to be going. All I have to say is that I hope they are going where I think they're going. I also like how Lex is still weary of Fox. After Broadway tells Angela that no one will know that they are gargoyles, her follow up question is a good one. "And that's a good thing?"
Page 10: Now to the more emotional page. Goliath is taken off guard and backs away when Elisa says that their feelings "are not enough." She makes a good point. How can Goliath argue with her reasoning? The line, "Goliath, I want children…" was a big hit on him, I think. He is actually speechless after this.
Page 11: Again with Hacker and his "formalities". More number stuff. I like the up close looks on Hacker and Xanatos' faces when they give their numbers. Xanatos is as calm as ever and Hacker looks about the same. I had to go back and look at Matt's face when he said his number on page 5. He looks annoyed. Anyways, back to page 11. Hacker looks funny with the mask on his face. It's also interesting to hear Xanatos speak of a "phase one." Him and his plans and phases. Too bad Xanatos can't go to his party. I guess he won't be playing host.
Page 12: I almost missed this page and went right to page 13. It's a good thing I went back and looked. More of Hacker's teasing lies. He says one thing to Matt, and another to Xanatos. Exactly when is he telling the truth? Who knows except you, Greg? Xanatos seems to tolerate this guy. I get the feeling he doesn't like him much, though. It's just the way he talks to him.
Okay, so there's my ramble on the first half of the 3rd comic book. Hope you didn't fall asleep or anything like that.
Thank you for your time, your patience, and a great comic book.
-Charisma82
Greg responds...
I don't see Morgan as a mentor to Elisa -- after all, Elisa had already made detective the first time they met in Awakenings -- just someone she thought of as a friend and co-worker. But I think there are hints in the tv series that Morgan may have other feelings for Elisa.
Todd Jensen writes...
I just bought my copy of Gargoyles #3 today, and very much enjoyed the continuation of the story past "Hunter's Moon" and "The Journey" at last.
There were a great many treats in it. I enjoyed Agent Hacker's return. I'd wanted to see what would happen after the revelation that he was a member of the Illuminati (especially regarding his interactions with Matt), and now we get to see some of it. Matt clearly does not trust him still (and I can't say that I blame him). What got my attention all the more was that Hacker's description of the Illuminati's agenda towards the gargoyles differed according to whom he was talking to, in such a way as leads me to suspect that he's lying all three times about what the Society *really* wants with the gargoyles. (I certainly think that he was lying about the Illuminati wanting the gargoyles wiped out; I doubt that they're that wasteful.) I liked the "Thirty-six" "Thirty-two" greetings (at first, I thought that they were some sort of "identification number" within the Society, but when Hacker used the same numbers in speaking with Xanatos and Castaway, I abandoned that idea).
I was amused that you had Elisa speaking with both Officer Morgan *and* Jason Canmore in the events leading up to her talk with Goliath; am I correct in assuming that you were deliberately teasing there everyone who'd read your remarks about the "Double Date" story at "Ask Greg"?
I'm amazed that Elisa's sitting so calmly on the battlements during her talk with Goliath (even if she's clearly too busy thinking about other matters at the time); if I was up on the top of the Eyrie Building, I wouldn't dare even approach them, but would probably be clinging onto anything solid in the middle of the tower's platform!
I smiled at Talon's cry of "Send in the Clones!" (I guess that we all knew that somebody would have to say it at some point), and the omission of Fang's name when Al was explaining the Mutates' backstory. (Too bad he wasn't there to comment on it!) And Thailog makes a great return at the very end.
Other things that stand out to me: Alex in his little gargoyle suit (very cute), Hudson planning to take Bronx somewhere else during the party (a wise decision on his part, I believe), Xanatos's mysterious invitation to the White House (I'm looking forward to seeing how that develops), the new character in the Labyrinth (or is she really new? I'd say more but the "no original ideas" rule discourages me from voicing my suspicions about her as yet), Demona retrieving the Praying Gargoyle's crystal, Brooklyn's response to Delilah, and Castaway showing himself to clearly have much more sense than his "Goliath Chronicles" counterpart.
All in all, a wonderful continuation of the story. I'm looking forward to #4.
Greg responds...
Hacker/Illuminati. I'm glad you got that. I was a little afraid that it would read as if the LAST statement Hacker made was the true one.
Morgan/Jason. I was teasing a little (meta-fictionally), but basically when it came time to write the story, I realized I NEEDED both of them to get Elisa where I needed her to go. Again, I was worried that it still might not be convincing. But it felt pretty right to me.
Chapter XXXIV: "Avalon, Part One"
There's no memo, outline or script for this one on my computer, so we'll head right into my ramble on...
"AVALON, PART ONE"
DIRECTOR: Dennis Woodyard.
WRITER: Lydia Marano.
STORY EDITOR: Brynne Chandler Reaves.
THE RECAP
...is all over the place. So much was coming together in this three-parter. The Weird Sisters, the eggs, the Archmage, Tom, Princess Katharine, the Magus, Macbeth, Demona. This was our most ambitious story yet. Which given episodes like "The Mirror" or "Vows" and multi-parters like "Awakening" and "City of Stone" was saying something.
Of course "Avalon" was never designed to be the cohesive single story movie that "City of Stone" was. It was designed as a tryptych. Part one would bring our heroes up to date. Part two would bring our villains up to date. Part three would pit them against each other.
"Avalon I" also represented the first episode in our fourth tier. The three-parter was what we called a 'tentpole'. We knew we couldn't air it until all the Tier 3 episodes had aired. And we knew we couldn't air any other Tier 4 episodes until this three-parter had aired. Despite the fact that "The Price" aired out of order, generally our Tentpole/Tier system worked very well. Out of 66 episodes that I worked on only two: "The Price" and "Kingdom" aired out of order, hopefully with minimal damage to the continuity.
THE TITLE
The title was one of mine. But initially I wasn't sure that we were going to call the island Avalon. Now, it's mind-boggling to me, but I actually had my assistant Monique Beatty (who's now a producer in her own right) research Brigadoon to find out if that name was created only for the musical, or if it was something pulled from legends. I was thinking of Avalon, but looking for something from a Scotish tradition as opposed to British. Fortunately, Brigadoon was created for the musical. So we were 'stuck' with Avalon. Which made including King Arthur a natural.
Many series don't reveal that an episode is going to be a multi-parter until you get to the 'To Be Continued' line at the closer. "Avalon, Part One" could have just been titled "Avalon". The conventional wisdom is that people are reluctant to commit the time to a multi-parter in advance. That it is better to hook them on the story before revealing that they HAVE to come back to see the end. I always felt that was cheating. What is your reaction to seeing "Part One" attached to a title?
OPENING
Another cool shot of our gargs waking up. Always nice to reiterate that at the start of our bigger stories.
Bronx gets left behind. Of course, this often happens. It was one of the things that the World Tour would set about correcting in a BIG way. But we made his getting left behind a bit more obvious here. Usually, he just doesn't go. This time they won't take him and he's sad. We were laying pipe.
My 5-year-old son Benny asked where Hudson and the Trio were going. I had to think about it. "On Patrol, I guess."
OLD FRIENDS
Then the GUARDIAN shows up. I love his cool, Goliath-inspired armor. My 7-year-old daughter Erin immediately demanded to know who he was. I wouldn't tell her. (I'm so mean.) Did any of you guess?
Of course he immediately encounters BRENDAN & MARGOT. (What would one of our multi-parters be without him?)
Then comes the three gang-bangers from "AWAKENING, PART THREE". As usual, Keith David does the voice for one of them -- making it distinctive from both Goliath and MORGAN, who's about to come in and speak. The problem is we got a touch confused. In Awakening, Keith voices the bald white guy. Here he does the same voice, but it's assigned to the black guy. Hard to say which is wrong, except by virtue of which came first. It annoys me though.
Morgan's fun in this. I really like him. No one but Simon DelMonte will get this, and I don't know if he even reads these rambles, but Morgan kind of reminds me of Jeff Goslin, a character that Cary Bates and I created in Captain Atom.
Anyway, I like how Morgan talks Guardian down. And I like how the sword is much heavier than he thought it was going to be. His cop buddies tease him, but he maintains his sense of wonder and goodness when talking about the Guardian to Elisa.
That's kind of a cool scene. First off he describes Guardian's armor: "Real armor. King Arthur stuff." Anyone think this was a clue to what was coming in the next episode? Even with the Avalon title? Then he tells her the guy's looking for Gargoyles. Elisa of course discourages her fellow officers from taking Garg reports seriously. Everyone who's seen one must be a nut-case. These guys should form 'a club'. Then she finds out that this Guardian was asking for Goliath by name. BOOM.
BELVEDERE CASTLE
Site of our last encounter with Demona and Macbeth. Another clue.
Once Elisa got a look at the Guardian's armor, she must have thought -- yeah, there's a Goliath connection here all right.
Goliath shows with Bronx, who gets to come along and come along and come along for once. Bronx always seemed underutilized to us. We knew we couldn't bring the whole clan along. (Too many characters and no poignancy.) But Bronx was an easy addition. Of course, Bronx is also useful as a kind of living personality test. If Bronx likes you, it's a damn good sign. Bronx likes Tom. Does he remember him? What scents do you figure the Guardian carried back from Avalon. Anyway, Bronx engenders immediate trust in the Guardian for Goliath.
I love this scene. Guardian gives everyone so little time to catch up. He talks about the Archmage, reveals that he's Tom and talks about 'the eggs' being in danger. *That was a fun idea. Keep you guys thinking in terms of eggs for twenty minutes and reveal that it's just a pet name for the Avalon Clan.*
Benny asked: "What kind of Eggs?"
Erin: "Gargoyle Eggs."
Benny: "I didn't know Gargoyles hatch out of eggs." [Well, keep in mind it's been a year since he saw the first thirty episodes. And he's too young to remember the first time he saw the ones we're watching now.]
Then there's the skiff. Elisa: "Where'd that boat come from? ... To where? The other side of the lake? ... Wait for me!"
This all sounds fishy to her. Nothing makes sense. I wanted to get a clear shot in there of the pond in Central Park so that you could see objectively that it doesn't go anywhere. But I never quite managed that. I wanted you guys to be confused. Or at any rate to have a million questions. But like Elisa, no matter how suspicious, I figured you'd want to go along for the ride.
FLASHBACK
Mary, Katharine, the Magus and young Tom are all reintroduced. It's very clear that the first three have all learned their lesson from Awakening. They've all really become better people. Tom, of course, didn't need to learn that lesson. But he does learn to be a hero. He officially becomes the Guardian. It begins, I believe, as just a nice gesture on the part of the Princess. Later, of course, it'll become the truth. Then there's the long journey. I like the montage there. Hardship. We never had the time to show enough of the hardship of tenth century life.
Our gang heads into Edinburgh. Constantine's followers are all over the place. They all seem to look like Disney storyboard artists for some reason. ;)
VOICES
There's some stellar voice work in this ep. Morgan Shepard as King Kenneth II. Sheena Easton making her Garg Premiere as Finella. Ian Buchanan as Constantine. (I've already mentioned Keith's versatility.)
But as usual, real props must be handed out to Jeff Bennnett and Kath Soucie.
Jeff plays Brooklyn, the Magus and Maol Chalvim. (No Bruno or Owen or Vinnie in this ep, I'm afraid.)
Kath plays Katharine, Mary and all three Weird Sisters.
They're amazing.
SOAP OPERA
Benny saw Finella and said: "That's one of the witches."
A year ago, Tom was his favorite character. Now Tom barely registered. And he really is fascinated with the Weird Sisters. Anyway, I corrected him, but I was glad that they were appearing later.
Ian Buchanan, once of General Hospital, is playing a cad here. We have to very quickly set up a lot of politics, sexual and otherwise. This story was as historical as we could make it based on the available research, the fact that we had to fit in a few fictional characters and eggs, and screen time compression.
Believe it or not, we also had another character originally that we cut early on because it was just getting too damn complicated. Katharine and Maol Chalvim's cousin: the future King Kenneth III. The father of Bodhe. Yep. That Bodhe. The father of Gruoch.
Kenneth III winds up being made High King of Scotland after Constantine is killed. To get a sense of their relationship, at least as I see it, you might want to check out "Once upon a time there were three brothers..."
(Or to give you a hint, ten years after the events depicted here, King Kenneth III would be murdered by Maol Chalvim's operatives during a civil war. Maol Chalvim was also known as Malcolm Forranach, the Destroyer. We used the Maol Chalvim version of his name so as not to confuse him with Katharine's father Prince Malcolm. Just as in City of Stone we emphasized Malcolm Canmore's Canmore name for the same reason.)
Anyway, Maol Chalvim seems intense but right on the money here. He's even kind of heroic when he and the Magus bring Tom back to Katharine's apartment, and he begs Katharine to go. Kind of heroic. He still leaves her. We were trying very hard to balance out his minor role here with his future roll as the grandfather of and major influence on Duncan. (Of course, he's also Macbeth's grandfather, as well.)
After Katharine tells Maol to go, there's a weird cut of him just standing there smiling. We needed some kind of transition before he took off running, and I guess that was the best we could do. But it's still awkward as hell.
THE MURDER
But I'm getting ahead of myself.
We establish early on that Katharine doesn't think much of Constantine. You wouldn't know it from Awakening, but obvioulsy she's learned to be a decent judge of character.
Kenneth isn't quite so sharp. Everyone can see that he's a fool for Finella. And he doesn't recognize Constantine's threat (despite the fact that Constantine's father was a bitter enemy and) despite the fact that his son flat out tells him to beware. My thinking was that the crown had kept bouncing back and forth between different branches of the royal family. Kenneth had hoped that by taking Constantine in, instead of banishing him, he'd be able to be a positive influence on the boy. A nice idea perhaps, but maybe Kenneth was too innattentive to pull it off. And Maol probably was too covetous to really be a brother to young Con.
Anyway, Constantine tricks Finella and kills the king. We hear Finella sobbing, just to prove that she was neither in on it nor that she would approve of it. (Though one wonders what her reaction would have been down the road if Constantine hadn't spurned her in favor of Katharine. Would she have adjusted to the crime? Or did Constantine become an unredeemable villain in her eyes immediately? I hate to say it, but I tend to think it's the former. Actually, I don't hate to say it. She's more interesting to write that way.)
Erin asked: "He killed King Arthur? Why?"
That's a tough question. So first I had to explain that it was King Kenneth, not King Arthur. Then my wife Beth helped out by explaining that Constantine wanted to be king.
We come back from the act and we see that Constantine was ready for the takeover. The Banners are immediately changed in a scene clearly inspired by the Ian McKellan (spelling?) movie version of Shakespeare's Richard III. (A version I heartily recommend, by the way.)
We also continue to set up the Magus' own tragedy. He loves Katharine. Has loved her since before Awakening. That feeling is shown to deepen here when she is once again in danger. And when Constantine tries to coerce her into marrying him. (The astute Mary and Tom have to hold him back.) Here, we sense that maybe Katharine might some day return that love. That's what I wanted you all to think anyway. Did you?
Constantine takes his crown. Originally we wanted to stage this with the Stone of Destiny as we did with Macbeth. But again, I think we just had too many sets.
Michaelmas. I just like that word.
Constantine is fairly astute himself: "You have 36 very good reasons to obey." We kept reiterating the number of eggs for what was coming later.
THE ESCAPE
The Magus disguises broken pots as eggs and vice-versa. But it always seemed to me that the kitchen staff at Edinburgh sure broke a lot of pots. I mean a LOT!
I like the lines: "Taking the wee bairns for a walk?" and "I don't think I like Gargoyle eggs." Very menacing.
Princess K burns her wedding dress. She feels she cannot leave because C will follow her to "the ends of the Earth." So the Magus responds: "Then I will take you beyond them." Again. Very romantic moment between them.
Finella joins the troop. The WOMAN SCORNED. She's really fun now. Dangerous. I always laugh when Constantine drinks the brew and collapses so abruptly.
Erin: "The Weird Sisters". My kids are just fascinated with this trio. I wonder if they still will be by the end of this three-parter or if like many fans, they will be disappointed?
They get turned into owls. But the Magus worries about giving up the source of his power. K doesn't care about that.
And Finella and Mary agree to take the book. I love these two. I think they'd make a totally kick-ass team. I doubt it would be commercial enough, but I'd love to do a spin-off show just with these two women. At any rate, there was the plan to include them as recurring characters in TimeDancer.
Tom has to leave his mother and his childhood behind. Now his role as the Guardian is a way for Katharine to make him accept the loss. It is the start of their relationship, though neither knows it. I watch this now, and I can't help thinking of the Anakin & Padma relationship and where that's destined to go.
AVALON
Back to the present. We see the impressive shores of Avalon. Very cool painting.
Bronx reacts. Guardian: "He's found the eggs..." And the music swells and two gargs and a garg beast appear on the cliff.
Now is that a cliff-hanger or what? What was your reaction?
Erin and Benny wanted "to see ther rest!" I told them they'd have to wait a week and we got a lot of protesting. Just what I was hoping for.
Anyway, that's my ramble. Where's yours?
Gipdac writes...
In 2198 will we meet any of Morgan's descendants?
If so, what will their name be, and what role would they play?
Greg responds...
Not saying at this time.
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