Greg responds...

The first half - or nearly half - of the season was done the way we always have, with group recordings predominantly, while picking up the occasional actor at a different time, based on availability.

About halfway through the season, we temporarily stopped recording because of the pandemic.

So in order to keep our board artists supplied with vocal tracks and working (from home), we began recording scratch tracks, using myself, Brandon, voice director Jamie Thomason, Talent coordinator Laura Lopez, editor Cris Mertens, and my wife and kids.

Then we began recording actors individually from home. Some of these actors have fantastic home studio set-ups. Others, well... not so much. We weren't video-conferencing with them, but we were audio-conferencing.

Then we switched from BangZoom Studios for our records to Atlas Oceanic Picture & Sound, which had a booth with a door that opened right into their parking lot. That way an actor could drive up and stay in their car until called for. Then they could walk right into the studio without any contact with any other human being. The engineer was in the control room, and the rest of us - including Jamie - were all listening in from our homes. Then when that actor was done, the booth would be sanitized before the next actor entered. Some of our performers still worked from home, but about half came to Atlas. It was always the choice of the actor.

And every actor always gets the entire script.

Greg responds...

All that was done before Gary suggested that Alex wasn't a great idea. (That's what saved him. He was already baked in, so to speak.) So, yeah, I think you're reading too much into it.

Greg responds...

Then you are asking the wrong guy. I have no idea.

Greg responds...

From context, I assume you're talking about Gargoyles. This is all in the archives, but I don't mind mentioning their names again:

BOB KLINE

DAVE SCHWARTZ

GREG GULER

PAUL FELIX

Greg responds...

1. By the end of Team Year Eight...

Traya Smith is 11;

Anissa Pierce is 5;

Jennifer Pierce is 3.

2. I pretty much set it as Lee-AHN from the beginning and Brandon, Jamie and the actors followed my lead.

3. The Light thought they might have a use for him later.

4. Yeah, no spoilers.

5. On the one hand, I'm glad we were of use, but it's sad that we were necessary in that way.

Greg responds...

Back then... probably the voice recordings and the sound mixes.

Greg responds...

DC did not ask us to change Artemis' name to Tigress. That was a purely story-driven decision. (And her name is still Artemis Crock.) Besides, to my thinking Roy created BOTH Artemis and Tigress (i.e. the Tigress version of Paula Brooks).

I worked as Roy's assistant editor at DC in the mid-80s. He was very good to me. And, of course, I personally think he deserves royalties on the Artemis character, no matter what she's called.

In the Bleeding Cool article linked above, he's wrong on only one point: when he says that virtually every other character in YJ has creators listed. Unfortunately, that's not true. No matter how many creators he sees credited on our show, the vast majority of characters still do not receive creator credits - or only include some but not all of their creators. How they decide who does and doesn't receive that credit (and the royalties that go with) is a complete mystery to me. I have been pushing back against this from Day One... to no avail.

Now, I might honestly get in trouble for posting this. And it won't change anything, anyway. So a big part of me is hoping that Ask Greg doesn't have much of a reach.

Or that I'm politically smart enough to delete this post.

But I'm not.

Greg responds...

Our budgets are technically higher, but are (with inflation) more or less the same. We did switch animation houses. But we had to. The world has changed. There's way more production in Seoul than there used to be. It's way more competitive for studios and artists over there.

But basically, I don't agree with the premise of your question. We've had mixed animation success in every season, with strong episodes and weak episodes and everything in between. I'd put the animation on "Nightmare Monkeys" up against anything we did in Seasons One or Two. And there are episodes in all three seasons that had us pulling our hair out over the animation. In the end, however, I think they all cleaned up respectably.

Greg responds...

Thank you so much. That really makes my day!

You know, when we first focus tested GARGOYLES, the moderator asked the kids, "Did you like Goliath?" The kids all said yes. Then: "Did you like Demona?" The kids said no. The focus testing folks then advised us to take Demona out of the show. We had to explain to them that the kids didn't like Demona because she was THE VILLAIN! (Duh.)

Greg responds...

No. Pragmatically, changing costumes - particularly back when we were producing Gargoyles in the 90s - was a costly, difficult thing. We did it, but sparingly. I doubt we even considered doing it in the way you're suggesting.