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Jess writes...

Hey Greg! I'm still keeping up with Spectacular Spider-Man and "Natural Selection" didn't disappoint. I feel like each episode is slightly stronger than the one before it as everyone gets more in-tune with the material and each other.

I think you found just the right note with the Billy subplot, where it was genuinely emotional and not cloying. I liked the "I took a cab" bit with Eddie at the zoo. Just a fun little jab a typical cartoon logic. I was not expecting Peter to be fired, so that was a cool moment for me as well. Somehow I have a feeling we'll be seeing the serum again.

Nice continuity nods with the ring-tone alarm, the mention of Electro, and especially Peter and Eddie calling each other "Bro", then having Spidey try to cover it up when he does the same.

One thing I noticed was that during Peter's voice-over before he plans on taking the serum is that he mentions "a hard 9PM curfew" where before it had always been 10.

The cast continues to be amazing (or rather spectacular). In particular, Kath Soucie and Lacey Chabert just completely nailed their parts this week.

Since this is "Ask Greg", I do have a quick question: For small parts i.e. the people at the coffee shop in "Interactions", or Thug #1 in this past episode do you have certain people in the cast in mind, or do you just ask whoever's in that day if they want to do it?

Thanks for your time!

Greg responds...

We plan ahead, dealing out our bit parts from among the actors who will be present for the session. SAG rules allow us to ask any actor to do one additional character for free.

Response recorded on April 10, 2008

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senthusan writes...

hi Mr. Greg i wanted to tell you that i enjoyed watching gargoyles. One question is when you ended the show, are you going to continue it from the comics in animated version this year because that would be wonderful for all the fans out there. also i wanted to ask you why did you end the show quick before in the 1996? thank ou very much.

Greg responds...

I didn't personally end it. I was released from Disney and they continued without me. Then they ended it, for a variety of reasons I've gone into ad nauseum in the past. Check the archives.

Response recorded on April 02, 2008

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legion writes...

you said before that you came up with the name Thailog from listening to Goliath's name backwards but wouldn't it be spelled/pronounced htailog instead of thailog?

Greg responds...

No. Sounds don't respect spelling conventions. "TH" is a sound. In any case, it sounded like Thailog.

Response recorded on March 18, 2008

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Jordan writes...

Hey Greg,

I caught the spider-man premire and I have to say it was one of the best saturday mornings I've had in years. Congrats to you and your crew.

In the time between Gargoyles and Spider-man, how would say the overall process of creating an animated show has changed, for better or worse?

Greg responds...

Mostly worse for me at least, because in those days I had the occasional ear of Michael Eisner. He was hard to sell, but if he said yes, we got to MAKE OUR SHOW with no more bologna attached. Nowadays getting a "yes" is nearly impossible as it's always a decision by committee. Heck it took them years to decide to make Spider-Man. I mean... Spider-Man?!! If any show is a no-brainer...

Response recorded on March 14, 2008

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Rebel writes...

Hi Greg, this is something I meant to ask in my earlier comment, but I forgot to. For the comic, how much direction do you give to your artists in coming up with the designs for new canon characters?

I am specifically referring to the two new London Gargoyles at the end of #7. I know you had mentioned before that the London gargs would look like unicorns, lions, or griffins. Did you change your mind recently, or had it always been your plan to make them look like other heraldry animals, and you were just teasing us? Did David Hedgecock talk you out of it? Did the two of you decide together what animals they would resemble, or had you already decided? If you chose beforehand, did you give him specific details about their appearance, or relatively vague details and let him come up with them himself? I would be interested to know any information you can tell me about this. I find the process of creating a character's look to be very interesting.

Also, feel free to volunteer information about the development of the designs of other new characters which have appeared in the comic. Shari, the Tasmanian tiger villain in Bad Guys, Coyote's new look, etc. Whatever comes to mind.

Greg responds...

Here's my description in the script of the two characters, minus a couple of personal details that I don't choose to reveal at this time:

• [New Male Gargoyle] - Biologically age 19. [New Male Gargoyle] is a gargoyle of the London Clan. His head is modeled off a large stag (i.e. male deer) with fairly magnificent silver antlers. He should have feathered white wings. And deer-like hooves for feet, but his hands should look like normal gargoyle hands. He should be tall (and feel even taller thanks to the antlers) and slim in build. Not so slim that he looks fragile, but he's definitely not the bulky type. This is a new character, but for inspiration take a look at UNA at http://lynativerse.artchicks.org/Screencaps/GL_Una.htm.
• [New Female Gargoyle] - Biologically age 19. [New Female Gargoyle] is another gargoyle of the London Clan, this one modeled off a wild boar or sow. She has a pig-snout and tusks. She is brown. Her wings are the more traditional bat-like wings we're familiar with. Normal gargoyle hands, more pig-like feet. She's medium-height, muscled and burly - nothing fragile about [New Female Gargoyle].

As you can see, the basic choices were mine, but I give Dave full credit for bringing them to life.

Here's my descriptions of the other characters you asked about (and some you didn't)...

• COYOTE 5.0 - This is only SORT OF a new character. Basically, there have been four Coyote robots that preceded this one. They all have a lot in common thematically, but they're all different too. And lucky you get to design the new one! To see Coyotes 1-4, check out: http://gargoyles.dracandros.com/Coyote_%28robot%29 or the episodes "Leader of the Pack" (for Coyote 1.0) and "Upgrade" (for Coyote 2.0) both on the Season Two, Volume One DVD. (Coyotes 3.0 & 4.0 aren't out on DVD yet.) Note the basic color scheme and the coyote-head motif. And the fact that all the later robots have a circular VID-SCREEN that displays an image of a robotic head. The head appears to be half-Xanatos and half-robot-skull. This version of the robot will have the large Coyote Diamond inside its chest cavity… with lasers shooting into it. We may want a transparent cover for that, so we can see the Diamond even after the cavity is closed. Or not. In either case, Coyote 5.0 should be BIG.
• SHARI - Arabic female, age 18. A pretty, goth-teen runaway type. She wears a lot of chains, necklaces, pendants, etc. around her neck. [Shari was also visually inspired by a real person, and I provided Dave with a photo as reference.]
• DETECTIVE CEDRIC HARRIS - African-American male.
• DETECTIVE TRI CHUNG - Chinese-Vietnamese male.
• TERRY CHUNG - Asian-American boy, age 12. He's wearing a GOLIATH Halloween costume.
• AMBASSADOR CHUNG - Terry's mother, age 42. She's a short Asian-American woman, wearing a white evening gown and carrying a white, feathered mask on a stick.
• QUINCY HEMINGS - He appears to be about 60. African-American. Gray hair, trim build. He's dressed in a white tuxedo jacket with epaulets and gold buttons. White gloves, a red bow tie, black pants. He has for decades been the "Chief Steward" at the White House, a job loosely based on the job of Chief Usher. See http://www.whitehousehistory.org/06/subs/06_a07.html for info on Chief Ushers.
• TASMANIAN TIGER - (Age 24.) The Tasmanian Tiger is a somewhat clichéd costumed super-villain. His garb is inspired by the extinct Tasmanian Tiger (a.k.a. the Thylacine), and he's flanked by two actual (cloned) THYLACINES (Benjamin & Natasha). (See http://en.wikipedia.org/wiki/Thylacine.) His costume is largely form fitting with black tiger stripes and a cowl with Tiger ears and clawed gauntlets. On his chest is a symbol with two interlocking letter Ts. (Similar to the interlocking Ds on Daredevil's costume: http://en.wikipedia.org/wiki/Image:Daredevil41.jpg.) The Tasmanian Tiger also carries a large blaster weapon.
• BENJAMIN - A male Thylacine, one of Tasmanian Tiger's trained pets. To see how wide a thylacine's jaw can open, check out http://en.wikipedia.org/wiki/Image:Tasmanian_tiger.gif.
• NATASHA - A female Thylacine; the Tiger's other trained pet.

As you can see, sometimes I gave quite a bit of detail, sometime I pretty much left nearly the entire design to Dave or Karine or Nir's imagination. Usually, the artist does a design and sends it to me. We might do a bit of back and forth on it... but honestly, looking at the above list, with the exception of Quincy (who started out looking a bit too old and jowly for my tastes), I feel like the artists hit all of these characters on the first time out.

Response recorded on January 17, 2008

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Antiyonder writes...

With issue six, we finally got to read one of your Untold Tales for Gargoyles. Some others that I've heard about on Ask Greg:

1. You never gave a title, but this was set in New York during The Avalon World Tour. You mentioned that this story had Xanatos taking advantage of Goliath's absence.

2. Hobgoblins Of Little Minds.

3. The Weird Macbeth.

4. Arthur's adventure between Avalon Part Three and Pendragon.

5. The Multitrickster story.

Aside from those five, are there any other stories that you planned for the first two season, but never got to? Not asking for spoilers, just a yes or a no. I'll understand if you don't want to answer though.

Greg responds...

Well, saying I "planned them for the first two seasons" isn't really accurate for ANY of the above, including 3 and 5, which we considered doing in season two. But I have other stories from that era like 1 and 4 that I can/will tell some day. But 2, 3 and 5 haven't happenned yet in the continuity.

Response recorded on October 30, 2007

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Don't Want to Give My Name writes...

What happened to the helicopter Lexington modified from the episode "Her Brother's Keeper"? It wasn't destroyed at the end of the episode so why don't the gargoyles continue to use it? Did they dismantle it off camera. If not, what did they do with it?

Greg responds...

They hid it. They generally don't have much use for it.

And personally, it's a source of frustration for me. We were ... shall we say... "encouraged" to put the helicopter in for Kenner. We jumped through hoops in that story to make it believable (to the extent that it is) and then Kenner never made that toy. I'm not saying it never existed, but I can't forsee bringing it back. Though that's not etched in stone.

Response recorded on October 26, 2007

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Algernon writes...

Hey Greg, long time reader, first time asker. I just had a few "behind the scenes questions about the new Gargoyles comic.

1) Have you ever considered inviting back writers from the TV series, such as Cary Bates or Michael Reeves to do guest writer shots on the comic?

2) Beyond drawing the covers, how much involvement does Greg Gruler have with the comic? For example, does he have any input on the design of new characters?

Greg responds...

1. There really isn't enough money to afford to pay me to edit and anyone else to write. So as cool as it would be to have Cary or Michael, you guys are stuck with me.

2. It's inconsistent. Greg is a busy, busy guy. Mostly, David's been designing his own new characters, including Shari. Nir designed Quincy.

Response recorded on October 25, 2007

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Landon "Lumpmoose" Thomas writes...

Hello, long-time reader, first time asker. I just caught "Ken 10" and loved it. I think it's one of the best Ben 10 episodes yet, and that's saying a lot. I love seeing the shades of Gargoyles in there with your fearlessness in shaking things up, adding drama, introducing new characters, and playing with the time line. It makes me all the more excited for Spectacular Spider-man (congrats on the 26-episode pick-up, by the way).

I'm currently pondering a career in sound design/editing/engineering. Animation is my passion and that's what I'd like to work with, at least partially (i.e. I can't draw). You've mentioned Advantage Audio in the past as the Gargoyles post-production house. Advantage Audio looks like a great place to work, but it surprises me that Disney television animation would contract out for audio work on one of their flagship products.

1) I know smaller animation studios usually contract out for audio post-production, but how often do the big studios, like WDTVA, WB, Cartoon Network, and Nickelodeon, use external post-production houses?

b) Do they even have in-house audio teams? If so, how often do they use them?

c) Just out of curiosity, what does Culver Entertainment do?

2) The thing I'm worried about most is being 'merely' a tech grunt in the audio production field. In your opinion, how much creativity is there in the audio post-production field?

b) How closely do you, as a writer/producer/director, work with audio teams? Do you just pass the work on and expect an end-product?

3) This is a personal, limited-in-scope question of which you may have no opinion. I'm currently in Minneapolis with a BA in theatre, minor in computer science, and very little audio experience. I'm pondering going to Full Sail for a trained-by-the-best kind of thing. Does that school stick out for you or would a local tech school and/or experience be good enough to break into the big time?

Thanks for any help! I know questions weren't strictly Gargoyles-related, but Gargoyles was what inspired me to steer into the entertainment industry in the first place!

Greg responds...

Thanks for the congrats.

1. None of the studios I've ever worked with in Television Animation have their own post houses.

b. Never.

c. Each show is different, but as far as Spidey's concerned, we'll probably make a decision in the next couple weeks as to which audio post house we'll be using.

2. Tons. But it depends on what you mean by creativity. Obviously, you're coming at the piece near the end of the process. You're not writing the story or animating the picture, but you are breathing life into it with sound, and there are a tons of choices to be made. The producers (if not the executives) have final say of course, but a great engineer or sound fx designer makes all the difference in the world.

b. I discuss things with the team, they go to town and then I'm present for the mix (at the very least). I don't just hand it off and cross my fingers that I'll like what comes back, but I also don't stand over their shoulders while the sound is being designed.

3. I've never heard of "Full Sail", but frankly I don't know this arena very well, so don't judge by me.

Good luck!

Response recorded on October 12, 2007

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Michael writes...

Hi Greg. First, I just wanted to say thanks for everything. For shaping Gargoyles the way it is. For being so open and accessible and involved with the fans.

In "Silver Falcon" Mace pretends to be this G. F. Benton character. I was wondering if there was anything behind the name G. F. Benton? Is it just something Cary Bates pulled out of thin air or was there a deeper meaning (as it seems is the case for a lot of what's put into an episode of Gargoyles).

Thanks again.

Greg responds...

No, not Mace. Dominic pretends to be G.F. Benton. I'm not aware of any significance to the Benton name, but you'd have to "Ask Cary" to be sure.

Response recorded on July 13, 2007


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