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When they began designing the characters from 994 A.D. do you know of what books they used to find out the clothing of the first century? I am looking myself as well, but maybe a book the creators used themselves would be wonderful. Thanks Greg!
I don't know. Sorry.
Hellos again,
(typing this as a rerun of 'Thrill of the Hunt' concludes, such apprpriate atmosphere)
Several questiones focused more on the conception and creative procees behind Gargoyles:
1. How long did you think Gargoyles would last on TV initially?
2. Was the whole Saga to you a finite story, or something that would go on as long as some one was writing it?
3. What's your involvement in the Gargoyles Saga presently? Speciffically, do you just give those writing it down an outline to go with, or have more active involvement?
That's all,
Thanks for your attention.
2.
1. Initially, I had no idea. But I had hopes it would go on forever.
2. It was never finite. Still isn't .
3. If you're talking about TGS, the fan-fiction, I literally have ZERO involvement. Nada. Never read any of it. Don't participate. And though it's great that the fans are doing that, it's not canon in my mind.
This is another stupid question.. but you've said before that when one of your voice actors had a busy schedule that he/she could not get out of, you simply got another actor to play the part, like what happened with Maria Chavez and Margot Yale. What happened when one of the main characters' voices was unavailable? (Keith David, Thom Adcox, Marina Sirtis..) Did you postpone the recording session or something?
Thanks!
We postponed recording them. We'd record the other actors and get Keith or whomever when we could. It wasn't usually too long a wait.
You once said that you had a medusa character in NO that was eventually replaced by Sphinx. So did you take out the medusa character because you wanted to show that there were also human looking NOs?
Sphinx isn't particularly human-looking. She's certainly less human looking than Boreas, for example.
Mostly we took out Medusa in a lead role, for two reasons...
1. We thought she'd be very hard to animate. So we wanted to be able to use her sparingly.
2. I liked the ability to use angelic imagery for the first meeting of Terry and Sphinx.
Hi, Why did they stop making new show?
Oh, that's a big long complex question that I've just answered so many times before. In fact I once wrote a borderline discertation on the subject that multiple people have posted on various websites. Ask around in the comment room for a link.
Was part of the purpose of the eggs' brief mention in "Awakening" (aside from the preparation for their re-introduction in "Avalon" later on, when you got around to it) an indication to the audience that the gargoyles were genuine living beings rather than statues brought to life by magic? The presence of gargoyle eggs, after all, does indeed indicate that the gargoyles weren't mere magical creations (I doubt that animated statues would be able to breed).
Yes, in a way, anyhow. It was part of the whole picture to that end. Goliath bled. He could be killed, etc.
I noticed a contuning theme with the drawing of Xanatos. When there are other characters around, he seems to dominate everyone in size, with the notable exception of Goliath.
This was strongly evident in Future Tense, when Demona kicked him. She was about 1/3 his size.
Any comments? Did this happen on purpose? Was it your idea or animation's?
Part of it is a function of design.
Some of it I'm sure came from the board artists/director and producers.
Some from the animators.
another thing about Lex flying a helicopter... he'd only been in the modern world with modern technology for a couple months and even with the video game, he's flying a complex aircraft after one night! thats what i call a stretch... i've lived among modern technology most of my life and i've played plenty of flight simulator games and if you put me into an even simple plane or helicopter i wouldn't be able to fly it! and even if i was allowed to fiddle around with the controls for a couple days, i'd be lucky if i could fly it, my point is, was Lex's sudden skill with the helicopter another result of Kenner wanting to make a toy helicopter?
Largely.
As I understand it, you wrote the beat sheets in response to an outline or script that was submitted to you. I really enjoy reading the summaries that you wrote; I am curious about the purpose of these summaries. Were you writing down what you interpreted the story to be from the script (thinking out loud on paper)? The way it is presented in the beat sheet, seems (to me at any rate) like most of the episode ideas are coming from you rather than the other way around.
It would be nice to see one of the scripts that you did a beat sheet on, but I can certainly understand if they no longer exist. Just seeing the evolution from Beat Sheet to final episode extremely interesting.
I don't do the beat sheets based on the scripts. I did them based on rough outlines from my writers and story editors. Then THEY did the scripts.
Since you aren't seeing the outlines... and you can't (at least not from me) since I don't have them anymore. It's hard to tell what ideas were coming from me and what was coming from the original outlines, or for that matter the writers' original premises or my original springboards. The best clues are when I say, "Change this to this." But mostly the whole thing needs to be viewed as an organic process. With multiple people involved. Writer/Story Editor/Supervising Story Editor (at minimum). Plus various people like Frank Paur kibitzing.
you've said that the Guatemalan, Ishimura, and London all had rookeries with eggs when Goliath and co. visited, why didn't you decide to show that any of these clans had eggs on screen? i think it would've been great to see that gargoyles do have a future and their not slowly dying out. was the problem time constraints? how hard is it to show some eggs in the background of certain scenes?
Harder than you obviously think.
Cause for starters you're limiting my ideas to eggs.
Every episode was (at least in my opinion) bursting with ideas. As many as we could fit in and do justice too. Certain things were explicit. Some were implied. And some were just logical extrapolations of what was explicit or implied.
There was NEVER going to be room for every notion, every facet of everything. We put in what would fit and what we felt we NEEDED.
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