Greg responds...

Isn't this old news? Anyway, to toot my own horn yet again:

I headed the development team that created the series and came up with many of the characters and concepts myself.

I came up with all 66 original springboards (i.e. the story ideas for the first two seasons + "The Journey"), though many people contributed nuggets of ideas.

I supervised all the writing. In essence, I story edited the story editors.

I also wrote and story edited one episode myself ("The Journey").

I supervised all the voice recordings. And I voice directed one episode ("Vendettas"), plus a few pick-up and phone patch sessions. I even performed the voice for one of Xanatos' Goon Squad (the guy who says "Nice Mask!").

I had input on all aspects of design and direction

I co-supervised all post-production, except the tele-cine process, which involves aspects of color too subtle for my color-deficient eyes.

I was the one person involved with the show from it's inception through the end of the third season, though my involvement in the third season (after "The Journey" was voice recorded) was limited to consulting work. And much of my consultations were ignored.

I have no credit on the television version of the pilot 5-parter because I was still an executive when those were posted, and at the time executives did not receive credit. I do have a Co-Producer credit on the Movie/VHS version of the pilot, because I supervised the post-production on that.

My official credit on the rest of the first season was "Co-Producer".

My official credit on the second season began as "Producer". Later it became "Supervising Producer" when two of our directors were promoted to Producer.

I'm also the credited "Writer" and "Story Editor" on "The Journey" and the credited "Voice Director" on "Vendettas".

I was supposed to receive a credit on the third season, but I waved it because it seemed dishonest as much of my advice wasn't taken.

Having said ALL THAT, Gargoyles was the work of literally hundreds of talented people, all of whom contributed to making it the success that it was. I think of it as my baby, and I'm often credited as it's creator. But I never lose track of the fact that it was a team effort.

Greg responds...

It makes sense enough.

I put a lot of me into every character from the best to the worst. Sometimes, I get pretty literal, as with Vinnie's last speeches in "The Journey".

Usually, it's not quite so on the nose.

I tend not to envy them much. My life (if not my career) is pretty darn great, so there isn't one of them I'd like to change places with. But I do empathize with them a lot. A lot.

Greg responds...

Nope.

And I never said that S&P didn't play a role. I said we had a common sense S&P person, Adrienne Bello, whom we respected and who respected us and what we were trying to do.

That didn't mean that she'd let us show Sevarius amputating Hyena's arm on camera.

Greg responds...

You're not a weirdo, you simply don't seem to understand that I have absolutely no control over when and where the reruns air.

Greg responds...

Yes. Again. Disney owns 100% of Gargoyles. They don't sell their properties, and even if they did -- WHICH THEY DON'T -- the cost would be way prohibitive.

I don't know if they were stupid to pull the plug after Goliath Chronicles. I'm not sure they exercised much smarts in pushing me out the door prior to Chronicles, but that's a VERY complicated story and in any case, should be attributed to individuals who no longer even work for the Mouse. Including me.

I also think, unfortunately, that you're wrong about other networks like the WB wanting the show. It's a moot issue, because Disney won't sell, but I see no indication that there is a single network out there looking for something like Gargoyles. No indication at all. Gargoyles has the greatest fans in the world, and I'm hoping that the DVD release will make enough of a splash and attract fans, both old and new, to wake people up to the possibilities that the series represents.

In the meantime, I haven't given up trying to get the property up and running again in some way, shape or form, and publishing (comics or novels) is something I'm extremely interested in.

As for the fans, the best thing they can do -- at least until the DVD's release -- is to come to the Gathering (our annual Gargoyles Fan Convention), this August, 2004 in Montreal.

Check out their website:

http://www.gatheringofthegargoyles.com/

The more fans that show up to the convention, the greater our collective voice, the more likely that Disney takes notice.

Finally, I've answered the 9/11 question many times. Check the archives.

Greg responds...

Well, I don't usually go to links, but I did this time. But of course two years have passed (or nearly) and the page is no longer there.

So I don't know what to tell you. We made occassional changes, but not many sound changes between first airings and the subsequent reruns in syndication. But maybe you're comparing first airings with cable airings -- all of which aired AFTER I left Disney.

Both USA Network and Toon Disney edited the shows themselves, (the former for length and the latter for S&P). That may have forced them to make some sound changes, though it seems unlikely that they'd spend the money on a new mix.

Greg responds...

Gargoyles would not exist without Disney. Period.

You speak as if Gargoyles existed in a vacuum -- perhaps in the vacuum of my mind?

In fact, Gargoyles was created by me and by my development team while I was a development executive (Director of Series Development) at Walt Disney Television Animation. Aside from the fact that Disney owns the show, it also was the catalyst for the series' very existence.

After the fact, you could say: "Gee, how much more freedom might you have had on HBO." But that assumes so much. (1) That HBO would have wanted it. (2) That HBO would have actually given me more freedom than Disney did. (3) That I wanted more freedom. I doubt the first two would have been true. I know the last one is not.

With very, VERY few exceptions, I got to do what I wanted on the first 65 episodes of the show. I think we made an epic collection of episodes.

I'd love to write GARGOYLES Novels if I could find an interested publisher. I haven't been able to.

Greg responds...

No. They were just trying to get their heads around his death. The Wind Ceremony would have come later.

The story was inspired by an idea by Lee Nordling in a Gargoyles story he did in an issue of Disney Adventures Magazine. It was his idea (though he used Goliath, not Hudson) to have Xanatos replace a sleeping gargoyle with a stone statue to fool the rest of the clan.

That was the only thing from his story that we used, and I've never even met Lee, but it was a great idea.

Greg responds...

The similarities aren't entirely coincidental, in that both were written by Michael Reaves.

As I recall, the springboard for "Grief" was mine, but Michael ran with it -- putting some stuff in "Grief" that he had WANTED to put in "Avatar" but which had NOT made it into the final version of that episode.