A Station Eight Fan Web Site
I think it's wonderful you respond to praise and observations as well as questions. It feels like you're really close to your fans.
So this is a different kind of question:
1.Are there any shows on air recently that you enjoy?
2.Do you ship anyone together?
1. I'm really enjoying Fargo on FX. I've seen the pilot of Penny Dreadful. It's definitely very LoEG, but I'm intrigued. I enjoy Game of Thrones, and Good Wife was great this season. I'm religious about watching the Daily Show and now Last Week Tonight. I like both Elementary and Sherlock. Cosmos has been terrific. Big Bang Theory still makes me laugh. There's more too, but I'm blanking at the moment.
2. I guess I definitely shipped Penny and Leonard, but that's not exactly a surprise, and now it seems redundant to ship 'em. I mean does one "ship" an existing couple? No one else leaps to mind. Even among the thousands of characters on GoT, I can't think of a single couple that really feels right. (Though I can think of a few I don't like.) And there aren't any two characters that I'd like to see the writers move heaven and earth to put together.
Hey, Greg, what an amazing show in Young Justice. I have a couple of questions for you.
1) I was hoping you could comment on this, because you've answered variations of this question at different times, but never this specific one. I thought of an idea that would make a lot of sense for where a certain character's situation would go after the events of Summit and Endgame, but I won't share it with you to avoid getting a spoiler. You've talked in interviews/answers before about Roy and Jade having to get married off-screen in order for CN to approve Lian being born. Were there any story-lines of similar controversial topics that you and Brandon had planned that could have created tensions between you and the network?
2) I recently rewatched JLU, specifically JLU's season 1, and I noticed a striking similarity in the way the format works there and the masterfully-crafted interwoven network of plot-lines of YJ. It seemed like you may have been inspired by that format where there were several stories being told all at the same time, as opposed to other shows that have a more episodic nature (like the first JL cartoon, before JLU). Was it a conscious decision to draw heavily from that idea, or was it something that just happened independently?
Thank you for a wonderful show.
1. None spring to mind at the moment. We didn't have a lot of fights with S&P.
2. I haven't seen all that much of JLU. (Started to when we were in the development phase, but ran out of time once pre-production got started. [I'm really not much of a binge watcher. The most of any show I can stand to watch in any one sitting - no matter how good it is - is two episodes, and for me, even that's pushing it.]) The way we plotted YJ is really more in line with the way I've done other series in the past, such as The Spectacular Spider-Man and Gargoyles. And all of that goes back to lessons learned from reading and writing comic books, and, of course, from Hill Street Blues.
On a slightly different note...
1. Do you watch/like the TV series "The Big Bang Theory"?
2. As you may know (if you've seen or heard about the show) some scenes in some episodes take place in a comic book store. Now I am not that much of a regular viewer but one time in an episode in the comic book store in the background on the racks was a copy of one of the Young Justice comic books! It must have been from a while back because I believe it was either issue #0 or #2. So I'm sorry I don't know the exactness but if I find out I'd let you know (or do you already know?)
3. I ask because I wonder if you are in some entitled to something because your comic book appeared on a TV show. Do you know if there should be some sort of payment or recognition for people whose work appears in such a manner due to copyright material?
4. Do you know or would you know someplace I could be directed about copyright issues? Like say I want to use the Flash in a comic strip; some people would say it's fine, but does credit need to be given to DC Comics or do I have to get permission from DC to use him? Or say I want to take a clip of the Flash from one of the YJ episodes; again should DC be consulted? Do you think the same thing would go for stores?
5. What's been your experience with issues like these? Say you might have wanted in one of your shows for characters to enter a Starbucks; do you have to ask permission from said company first?
Thanks a lot Greg!
1. Yes and yes.
2. I'd heard, but I hadn't noticed it myself. So I missed seeing the issue/episode.
3. DC owns all that. They don't have to pay me for using it as a prop.
4. Personally, I'd avoid using someone else's property in your work, period. But I'm no lawyer. And, no, I don't know where to direct you to research this.
5. I would pretty much NEVER do that. At most, I'd do a pastiche, like the FOREVER 16 SUBURBAN OUTFITTERS (instead of FOREVER 21 and URBAN OUTFITTERS) that appeared in Young Justice #0.
Do you think if I call cartoon network on a regular and complain about how unfair they are for taking down YJ before we was able to have a 3rd/4th/5th season but yet they have all these other shows like bakugan still coming on.? Im not trying to down play them but seriously. ?! Why that play all the time but yet there is never a rerun of YJ .?? It came on on Saturday and Sunday morning. ..that's it.! I wouldn't blame the ratings if its so low.. who really wakes up at 8 or 9 to watch that show (could have came on at 10, not sure since it been so long) unless they know it was going to play that time.?
And that's another thing.. how is anybody suppose to know is there was gonna be another season if y'all don't advertise it.? I realized that y'all didn't do that for the 2nd season or if you was gonna have one (unless I looked it up on Google or something). There was times were I didn't know if a show was coming on that Saturday morning and I would have woke up for nothing ... just upset and sad.. I think that's another reason why y'all did not have that many ratings... we never really knew when it would come on unless we look it up. Please answer ... I really wanna know
I've lost track of exactly what question you "really wanna know" the answer for. So I'll try to comment on what I can.
I think we can all agree that the series didn't receive as much promotion as we might have liked. Frankly, no show I've ever worked on has ever received as much promotion as I would have liked. None. (Although Star Wars Rebels may be the exception. Lucasfilm has quite the machine up and running to create buzz.) That's just the way things go in a business where promoting an animated series is an additional expense that most networks have decided they can't afford.
Whether you like Bakugan or not, keep in mind it's an acquisition, not an original series. It's considerably cheaper because the U.S. network doesn't have to pay for production, only for a license fee to air it in America.
Calling CN to complain daily does NOT sound like a good plan. Imagine if someone did that to you?
hi greg quick question ive just watched justice league war and I noticed some of the characters (T.O. Morrow Dr. Serling Roquette) have a striking resemblance to your own in young justice designs, his has also happened in the past in flashpoint paradox with kaldur, garath and tula.
so my question is
1) Do Dc just take your staffs work/designs since they own the characters or is it stored on some archive other projects can have access to.
2) also do you get some say in the matter? or compensation for the use of your work?
3) since dc seems to like copying your work so much why are they so reluctant to do a direct to dvd film to finish of young justice?
I hope you are allowed to answer and thank you in advance if you do
1. I really don't know the answer, but I have a question: isn't Phil Bourassa the character designer on all these projects? If so, maybe it's Phil himself who is borrowing from himself or simply that what he's doing is similar for both.
2. It's not MY work. I can't draw stick figures with any competency. And, no, no say. Not that I need say.
3. Apples and oranges. One thing has nothing to do with another.
1. Have you seen the Disney movies Tangled or Frozen?
2. If so, what did you think of them, and how do you think they compare to the other Disney movies?
1. Yes and yes.
2. I enjoyed both but neither moved me as much as some of the older films did. I still like 101 Dalmations, Great Mouse Detective, Little Mermaid and Aladdin more. I do wonder if I find CGI distancing in a way that I don't find traditional cell animation. That seems ridiculous. And the odds are what I'm really responding to is not the type of animation but the script. But I do wonder.
I know you've said before that you've never read any Lovecraft. But I wonder if you've ever tried any of Robert E. Howard's works or Robert W. Chambers' "King in Yellow" stories. And if so, what did you think of them?
Long ago, I read a few of Robert E. Howard's Conan stories. (And I read many of Marvel's Conan and Kull and Red Sonja comics.)
I remember liking Howard enough, but clearly not enough to keep reading.
I've never read Chambers.
I have seen True Detective.
Hello, Mr. Weisman.
I hope you had a Happy New Year. Here is to 2014 being a year of prosperity and success. I had questions about some lesser known book series.
1. Have you ever read a series of books known collectively as Everworld? They were a set of twelve books written by the author K.A. Applegate and published between 1999 and 2001. If so, did you enjoy reading them and being immersed in the story?
2. Have you ever read a series of books known collectively as Spooksville? They were a set of twenty-four books written by author Christopher Pike and published between 1995 and 1999. If so, did you think they were a good read?
a. Have you seen the television series based off of the Spooksville book series? If so, what is your opinion about the program? And if you have read the books, do you think that they adhere closely to the material in the books or go in a different direction?
Thank you for your time.
2. Nope. (Is that Christopher Pike the former Captain of the Enterprise?!)
2a. I haven't seen the TV series either, I'm afraid. But my buddy Jim Krieg and many more of my favorite writers have worked on it. So I'm betting it's great!
Have you watched Neon Genesis Evangelion? I was just struck by a lot of similarities Superboy had to the Clone Rei Ayanami, the white outfit, the alien/human hybrid, labeled inferior by others because of his clone status, the manipulation by a equivalent of a father figure to further his goals and the moon motif. But I'm pretty sure Lex still is a better father figure than Gendo Ikari.
I think I saw the first episode back in the late nineties when I was working at DreamWorks. My memories are extremely vague. If it had any influence on Young Justice and/or Superboy, it would have to be entirely subconscious on my end. Can't speak for other members of the YJ crew, of course.
As a writer, what, in your opinion, is the reason that every child born to a major character in DC comics is killed-off, ret-conned into having different parents or out of existance entirly, or aged?
Think about it. Aquaman's son...dead. Wonder Woman's daugher...ret-conned to not even be hers. Batman's daughter...ret-coned out (albeit braught back, but now from a different reality). Batman's son...killed by his own clone. Arsenal's daughter, who had the potential to become a great character someday...dead. Flash(Wally)'s twins...first dead, then aged. And the list goes on.
Is it supposed to be common practice among comic writers so that they can maintain a static universe where the hero doesn't age over the years & a baby would force the story into progressing?
The main reason I quit reading comics is because it seemed that as soon as any characer was even beginning to progress, a new writer would come along and revert everything back to when they were a fan, including ignoring or killing off any other character that wasnt there back then, including children.
I think you've basically answered your own question.
One additional factor: I know "writing" a baby or even a toddler or young child is tough. (Teens are relatively easy by comparison.) And weighing a character down with a child who is too young to fend for his or herself is always a challenge. The alternative of giving the lead a spouse or co-parent to help out, creates an entire family unit that imposes additional challenges for the lone wolf superhero archetype to overcome - once you've gotten past the endless "My family is in danger" stuff. So it's a writerly challenge, as well.
Now, that kind of content interests me tremendously. But when faced with pressure to keep heroes static and angsty and troubled, and couple that with the inherent difficulties of writing the character with ongoing familial relationships - and as you noted, the feeling that a new writer or editor might have that they want a shot at writing the character in his or her pristine, unencumbered form, and you can see why the trend exists.
But personally, it's a trend I despair of.