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Thank you Blaise

Blaise wrote:

In the end, two things above all others IMHO should be remembered in ANY debate of Goliath vs. Brooklyn:
1) Brooklyn admires and looks up to Goliath, despite any disagreements.
2) Goliath made Brooklyn Second-in-command because he felt Brooklyn was best suited for the job.
To put down one is actually indirectly putting down the other.

That bears repeating:

TO PUT DOWN ONE IS ACTUALLY INDIRECTLY PUTTING DOWN THE OTHER.

You guys can do what you want, of course.

And I certainly don't mind in depth discussions of either character. I thought Toku Kaioto's essay on Brooklyn was fantastic.

And I don't mind a fun poll like: "Ladies, which garg-hunk do you prefer?"

But I don't really see what you get by putting the characters' natures in opposition debate, as if they were or are in some competition with each other.

Now I promise, that was my last word on the subject.


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Pet Peeves

More a rant, than a ramble...

One thing I'm less than fond of is people who seem to think that the only way to praise someone or something is to attack someone or something else in order to make the quote-unquote praiseworthy object more praiseworthy by comparison.

Look, if a thing is worth praising, then praise it. It doesn't matter how good, better or awful something else is.

I hear this all the time with movies and tv shows, music, etc.

Worse, in the business I'm in, I hear it all the time with people.

And I've heard my share of it regarding the characters of Gargoyles.

FOR EXAMPLE:
Someone's a huge Brooklyn fan. Can't figure out why Angela chose Broadway or whey "the clan puts up with Goliath". It's not enough to praise Brooklyn, the Brook-fan feels the need to attack BW or Goliath -- slinging mud on them so that Brooklyn's light shines brighter.

Or the reverse. People determined to defend Goliath or. Outraged by the tactic outlined above, praise Goliath not with actual praise for Goliath, but by attacking Brooklyn, i.e. by utilizing the same tactic. It just makes me nuts.

Now, I'm not saying that you have to like every character equally. (I pretty much do, but I'm daddy.) You're all welcome to have your favorites. And it's even fine with me if there are some characters you just HATE. Either because you think they're ill-conceived, or because you think they're unpleasant or whatever.

But what's the fortune in comparisons? It's all subjective anyway. In High School, in my AP English class (days of yore) I remember a long debate about Othello vs. Iago. Most of the class seemed determined to prove that Iago was a great villain by arguing that Othello was a feeble hero. But I didn't buy it. (Well, I did for about five minutes, but the mind rebelled.) If Othello is feeble, than Iago's villainy achieved nothing. A triumph over a feeble leader. Big Deal.

End of rant.


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Theseus Addendum

One more thing, Aris,

About the Helen thing. I'm not trying to defend it, but I think the motivation wasn't any desire to possess a barely-pubescent Helen. I can't believe a guy who loved Antiope, wanting that. I think he was trying to stick it to all those young heroes of the new generation. I don't approve of his methods, and he wasn't able to pull it off even. But it was an act of rebellion. An act of societal perversion (as opposed to sexual perversion).

Anyway, that's my take.


Nobody here but us chickens.


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Me and Erin

I'm here with my daughter, Erin, and we're gonna answer a few questions together.

Enjoy.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.



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