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In W.I.T.C.H., why some of the Hearts, like Lillian and Elyon, have sentient forms, while others are simply majical objects?
That's just the way it works.
Hello, Greg! I have some W.I.T.C.H. questions.
1)In the series finale, when the C.H.Y.K.N escaped from the jewel, why did Nerissa remain young, while the reverted back to their original forms?
2)Why Cassidy stayed alive, instead of becoming a ghost again?
3)Does Nerissa know that her fantasies (when she remains trapped in the jewel) are just fantasies, at least deep down, or she really believes they're real?
1. Nerissa didn't ever really escape from the Jewel. But in her imagination, she was still young.
2. Because that magic had been accomplished. It was a done deal.
3. I'll leave that to your interpretation.
I recently saw this line from an interview with Steven Bochco in the early 80's, talking about Hill Street Blues (which currently has its first two-and-a-half seasons on Hulu Plus, by the way):
"Maybe the biggest problem with Hill Street, in terms of popular success, is that it is a show that demands to be watched. And most people do not watch television. They simply are in its presence."
I love that quote. What an insightful way to encapsulate about what was essential and great about Hill Street Blues, without going into all the details of what made it so outstanding. Just leave at this: unlike nearly anything before it, in many ways it was a show that demanded to be watched. I think that characteristic also applies to Gargoyles as well, no doubt due to the major influence Hill Street Blues had on the show (as you've often mentioned).
Nowadays, that quality, of being a show that "demands to be watched," is characteristic of so many excellent shows that appear on HBO, Showtime or AMC (before hitting DVD boxsets and iTunes), places where popular success isn't the one and only yardstick. And again and again, we've seen how this kind of series can flourish in the atmosphere of creative freedom offered by these outlets.
Can viewers hope that someday soon, that kind of environment will produce an animated serial drama that has the same level of quality, complexity and acclaim as these channels' current headline series? If so, what might it take for that to happen?
Hey, Zach. Long time no see. I'd heard that quotation about Hill Street before, and couldn't agree more.
I appreciate you think Gargoyles falls in the same category. It's flattering and certainly what we strived for. I don't pretend that we were as good as Hill Street Blues, but no one can accuse us of not going for it.
As to your question, I like to think that W.I.T.C.H., Spectacular Spider-Man, Young Justice and Young Justice: Invasion also qualify. At least at Gargoyles' level. So I think it's already possible. But that's just my - apparently not so - humble opinion.
Hey greg what's up I would love to ask you a questions regarding your story telling techniques
You have said in the past that you could go be telling stories forever if you wanted and in fact sometimes not even the tv show is enough for them hence the comics.
But have you ever considered in giving your characters and stories a Grand finale?.
I think something that has made me a bit sad is that in your past shows you have been cut short due to executive decitions out of your control and we have been unable to get anything resembling an ending that actually gives closure (w.i.t.c.h,Spectacular spiderman, gargoyles etc)
However it is always nice when a tv show character directly says goodbye to te audience(like batman the brave and the bold) or when every major plot point is solved at the end.
A big trait of western media in it's majority like tv shows and specially comics is that the characters "are frozen in time".
Spiderman for instance will always be a young man that fights crime and the story won't go beyond that,same for superman and batman. When the story gets after a certain point we as fans tend to get reboots reapeaing the smae story.
I would like to ask you if given the chance will you give us a finale to your works like gargoyles.
Will we ever see the closure of them?
Do you believe in "grand finales"?
Or do you want simply to never give them a real ending o your shows and simply give the idea that the story will be around forever?
Yeah, I'm not so much into Grand Finales. Probably why I'm more of a television or comic book guy than a movie or graphic novel guy. I believe (whole-heartedly) in the on-going story. That's what LIFE feels like to me.
Gargoyles is a perfect example. Characters come; characters go and some even die, but the world goes on. I even know (but don't ask) how Goliath dies, but I don't see it as the end of that world. It's only A FINALE, because there is no THE FINALE.
I suppose if one was writing a story with a single lead, a la Spider-Man, and either (a) one killed him off or (b) one really ran out of stories to tell, then I could see staging that big Grand F before you waved goodbye forever. But that assumes there isn't a new Spider-Man waiting in the wings and/or that a guy like me would actually run out of stories. And that hasn't happened to me, at least not yet.
Dear Mr. Weisman,
Thank you for all the wonderful work you've done from Gargoyles, to Spiderman, to Young Justice. Been a fan for years.
1) From your experience, what was more enjoyable to work with? Working on a show that was completely yours to control - Gargoyles - from character development, plot, and storyline? Or Spiderman and Young Justice where the basics has already laid out?
2) Was there more pressure to succeed working on Gargoyles because it was original and the creativity was your to control? Or was there more pressure to work on an adaption on Spiderman and Young Justice because the bar has already been set?
1. They're different. Gargoyles is my baby. But in terms of the actual work, I don't think I had any more or less fun working on SpecSpidey, W.I.T.C.H. or YJ.
2. I think the pressure rises with each series, but I blame the internet more than anything inherent in the series. (I blame the internet for a lot, which is not to say I could go back to living without it.)
This is...going to be an odd post.
Six years ago, I was a lonely and bored kid surfing the Internet for pretty pictures of one of my favorite shows, WITCH. I stumbled upon my first fanfiction. I was eleven and hooked. I've managed to bond with many people because of that discovery and self-published some of my writing.
Fast forward to December 2010. I heard of this fantastic new show, Young Justice, and unfortunately missed the premiere due to my DVR not working. I decided to surf the Web and stumbled upon an anonymous writing meme for Young Justice. It's still the most interactive, fun place I've been online, and it got me out of a slump I'd fallen into with my writing. In fact, the Young Justice fandom is the most active and interactive fandom I've ever been in.
I have Asperger's Syndrome- I find it difficult to connect with people at all. So...thank you. Thank you for making such great shows that people love so much that we can all connect to. It's really made my life so much better.
You know, I really don't think I know the definition of "meme".
Otherwise, you're very welcome!!
Only two episodes of your run on WITCH, namely the first and last, have your writing credit (if my research is correct). Was there anything about WITCH's production that prevented you from contributing more scripts personally or was it a creative choice?
Honestly, I don't remember. Did I really only write two myself?
I love how badass Aqualad and all the other Atlantians are on YJ! Usually, Aquaman is considered kind of a joke by a lot of people, but you made them so cool and powerful on the show, which is great. I was wondering, was some of the water controlling powers Aqualad use inspired by Avatar: The Last Airbender?
Well, not really, because I've seen that stuff for years before I was exposed to A:TLAb. For example, W.I.T.C.H. But you know, it's all in there, I guess.
I heard that you wrote the lyrics for the will to love and even though the full song was never released, the lyrics for the full version were released. recently i have been learning the song by ear and have been making a tab for it. the one problem is that even though i can learn almost all of the song from 'S is for Self' the bridge is quite a problem for me. i would be quite happy to create my own chords and melody for it but i would much rather write it with the correct chords and melody. i was wondering if you would know any of the chords from the bridge or know anybody who might know them? just the chords will do because i will be able to create my own melody ontop. Please don't just look over this question as this project means quite alot to me as it is my first one.
I'm not sure how to help you. The entire song was recorded, even if it wasn't all used. But I don't have a copy of the sheet music.
Though I know your mind isn't the kind to play favorites, but given how you acknowledge The Mirror as your favorite/the best episode of Gargoyles, I think this might be able to fly.
Do you have any particular episodes of WITCH or The Spectacular Spider-Man that, if it wasn't your favorite necessarily, you felt was the best of those shows? And for what reasons, if so?
At the moment, I can't think of just one for either series. But it's been a while since I've watched them.