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Jimmy writes...
I just wanted to say that most my favorite characters on Gargoyles are Othello(Coldstone), Desdemona (Coldfire), and Iago (Coldsteel). And my question is this: Will you make more episodes or write more comics/books with them in it (preferably only about them)?
Greg responds...
I have more stories to tell about them. Just need the forum.
Anonymus writes...
Do Lexington and Iago have mates?
Greg responds...
Not as of 1996.
Lord Sloth writes...
1. In the episode "Grief", was that Egyptian city and everyone in it just simply destroyed by the Jackal Avatar? As in: dead, and never ever coming back?
2. If #1 is correct, why couldn't the Emir Avatar return life to the city's population (not to mention those crocodiles and trees) since they were brought to death as untimely as the Emir's son returning to life would have been? Why weren't those lives considered "stolen energies" as well?
3. If #1 is correct, don't you agree that it was quite an unusual move for the show to have so many people die, and then not worry about the repercussions that it usually spends a whole lot of focus on with smaller incidents (something that made the show really great)? Did you have these concerns when working on the episode?
4. If #1 is correct, did S&P have any problems with it?
5. Was that a real city? Does/Did it have a name?
6. Dose Jackal, in his normal state, still harbor ambitions of bringing the gift of death to the world, or dose he keep his feelings under some control until he becomes super natural or dons the Eye of Odin?
7. How does Hyena feel about her bro's ambitions, would she be just as malicious if given the chance.
8. I was wondering if the Sphinx actually has that ritual chamber and mastaba as shown in the show? And was that door with the secret hieroglyphics just something Xanatos Enterprises cooked up that looks cool and also keeps out intruders, or was that meant to be ancient Egyptian tech?
9. This question is a bit differn't, but I'll ask none the less. How do you think Anubis felt about Iago, Desdemona and all Othello being brought back from the dead? Did it cause a big disruption to him, the spirit world and the space-time continuum?
Greg responds...
1. That's my thinking.
2. What's dead and gone cannot be recovered. Or something like that. (He has a great quote in the episode on this very subject.)
3. A bit. But we also wanted to hint at the devastation -- and still get away with it on an S&P basis. Had we explored the repercussions, it would have drawn too much attention to what we had done and we would not have been allowed to do it. We felt it was more important to do it and not explore as opposed to not being able to do it at all. I still have hopes to explore those repercussions somewhere, someday.
4. Not with the way we did it. See above.
5. It's more of a town than a city, but no it didn't have a name.
6. Jackal is a sociopath, i.e. he knows how to control his impulses to function in society. But given the right opportunity, he's clearly capable of anything.
7. Hyena is a psychopath, who needs her brother to control her impulses. You can decide for yourself which one is more dangerous.
8. Meant to be ancient Egyptian tech. But I've never been to Egypt, so next time you go, you can check out for yourself whether or not it's really there.
9. Anubis strikes me as a guy who has intentionally divorced himself from passion. Ghosts exist. That's not what the Emir was asking for. The ColdTrio are ghosts in various shells.
Anonymous writes...
1.Would you consider the golem to be an AI since it is artificial?
2.If you could rank the AIs of the Gargoyles Universe from most advanced to least advanced where does the Golem fit?
Greg responds...
1. Uh, I suppose... but certainly not in the sense that the term is generally used.
2. I'm not sure we yet have any true AI's aside from Matrix.
Does even Coyote 4.0 qualify? He's certainly sophisticated by robotic standards, but is he truly artificially intelligent?
Would you categorize Coldfire & Coldsteel as A.I.'s when it is the sorcerous possession of gargoyle souls that engenders their intelligence?
Am I missing anyone?
So far all I've got is Matrix, who, yes, is more advanced than Golem, if you even want to put Golem on that scale, which I don't.
Treena writes...
I have seen on some sites Coldstones girlfriend being refered to as Desdemona just wondering if that is offically what she is called or just a name someone tagged her with and if it is offical what is the thought behinded is it in reference to Orthelo??
Greg responds...
The Desdemona and Iago names were used in our scripts to identify the characters before they got their Coldfire and Coldsteel names in "Possession". The name Othello was also used in the script to refer to Coldsteel in flashback scenes, before he became a cyborg.
None of these names were ever used in dialogue on the series. But both Desdemona and Iago were used in the credits to identify the actors (C.C.H. Pounder and Xander Berkeley) who voiced the two characters. (Othello was never used, because we simply listed Michael Dorn as Coldstone.)
So obviously, yes, we saw the relationship between the three characters as being very "OTHELLO". Particularly in their first appearance, "Legion". With Goliath in the Michael Cassio role.
Creamy writes...
If Gargoyles had continued, how would you have developed the Angela-Demona relationship?
Would they ever find a medium? Or be at least friends?
Since the last time Coldfire talk to to Demona was back in 994, what does she think of Demona's new way of life in 1996?
How close were Demona and Coldfire back in the "Dark Ages"?
Greg responds...
1. Carefully.
2. I think Michael Reaves came up with a Medium that we never used. I can't remember her name though at the moment.
3. I'm not going to reveal the long-term result of their interaction.
4. Well, at the moment, I doubt she's aware of it. But assuming she found out, I think she'd be very disturbed.
5. Close as sisters who aren't actually as close as they think.
Gipdac writes...
I just thought of something after the last post. As of 1996…
1a) Could Goliath read/write Latin? b) Ancient Celtic? (At the end of Light House on the Sea of Time he said we would read the Scrolls of Merlin to Broadway and Hudson, and they were written in ancient Celtic if memory serves)
2a) Could Lexington read/write Latin? b) Ancient Celtic?
3a) Could Brooklyn read/write Latin? b) Ancient Celtic?
4a) Could Demona read/write Latin? b) Ancient Celtic?
5a) Could Angela read/write Latin? b) Ancient Celtic?
6a) Could Coldstone (Othello) read/write English? b) Latin? c) Ancient Celtic?
7a) Could Desdemona (Coldfire) read/write English? b) Latin? c) Ancient Celtic?
8a) Could Iago (Coldsteel) read/write English? b) Latin? c) Ancient Celtic?
9a) Can the Avalon clan read/write English? b) Latin? c) Ancient Celtic?
10) and I'm guessing Broadway, Hudson and Bronx could not read/write Latin or ancient Celtic. Am I right?
(Sorry, I know you don't like laundry list, I tried to sent it up so it wouldn't really be that way.)
Greg responds...
1a. Yes.
1b. Yes.
2a. Yes.
2b. Not sure.
3a. A bit.
3b. I don't think so.
4a. Yes.
4b. Yes.
5a. Yes.
5b. Probably.
6a. Yes.
6b. Maybe a little.
6c. Ditto.
7a. Yes.
7b. Perhaps.
7c. Probably.
8a. Yes.
8b. Probably.
8c. Probably.
9a. Potentially.
9b. Yes.
9c. Probably.
10. You are correct.
Cha-Cha writes...
1.Is the Coldtrio(Coldstone, Coldfire and Coldsteel) around in 2198?
2.If so, are they apart of the Manhattan Clan or the New Wyvern Clan?
3.Did you ever plan for them to return to their flesh-n-bone forms? By magic or otherwise?
Greg responds...
1. Not saying.
2. Not saying.
3. No.
Anonymous writes...
Coldtrio
Are the Coldtrio still around in 2198?
Greg responds...
NS.
Gipdac writes...
You might have answered this before, but I couldn't find it.
1) Did Goliath and Demona have any children in the 978 (Bronx's) rookery?
2) Did Othelle and Desdemona have any children in the 978 (Bronx's) rookery?
3) Did Hyppolytahave any children in the 978 (Bronx's) rookery?
Greg responds...
1. No. They were too young.
2. No. They were too young.
3. No. She was two young.
Anonymous writes...
From what source of water did Goliath and co. arrive in Tiber?
Were there any other guest characters there besides Coldstone?
How did Coldstone get from New York to Tibet? Did he fly there? If so how did he maintain his supply of rocket fuel?
Greg responds...
Tibet, not Tiber. Two very different places.
1. I'm not telling.
2. Yes, technically.
3. He got there, mostly by flight. But let me ask you... how do you know he even uses rocket fuel?
matt writes...
when Puck transforms the human population to gargs why is it that Elisa and the three teen girl gargs in the subway not have brow ridges or horns of any kind? every other gargoyle we've seen except for the English gargs had either horns or brow ridges or both, but these transformed humans had neither. in fact, besides the pointed ears and color difference (which Elisa didn't even have) their bodies from the neck up looked very human, not gargoyle. was it cuz you wanted these characters to be physically attractive to human viewers even as gargs? cuz i think physically Desdemona is more attractive than Demona or Angela and Des has big old horns, so why make these characters as gargs so human looking?
would you have objected to the animators giving Elisa a beak or a frill or any of the other non human features of gargs?
Greg responds...
Yes, I would have objected to Elisa getting a beak, because she wouldn't have looked viserally like Elisa. Other changes that were less significant would not have bothered me.
However, I loved the design they came up with and didn't question it.
As for the girls in the subway. MINOR, minor characters. There wasn't as much time to do all this stuff as you seem to think. We just had to get it done.
Don't read too much into it though. We all think that Desdemona is attractive. Frank in particular likes drawing attractive females. I think Demona and Angela and Elisa are pretty hot too. Among other characters.
Phil writes...
Greg,
I recently re-watched "Legion" and it sparked some questions in my mind about "Reawakening."
1) Was Coldstone suffering from multiple-personality problems when he first awoke, or did that not start until "Legion" with the Xanatos program or the virus?
2) Was Othello the only one in control through "Reawakening"? He is confused, but only generally. He doesn't forget moment by moment where he is and what he's doing. Also, Desdemona's reaction to the mirror made it seem as though she was "awakening" for the first time in "Legion."
Thanks
Greg responds...
1. He was not, initially, no.
2. Correct. Just Othello in Coldstone's first appearance.
Lord Sloth writes...
I now have a list of questions to for you about love. ahhh
1. Does Hyena love Jackel?
2. Does Jackel love Hyena?
3. How serius are Hyena's feelings to Cyotie? Is she madley im love with him, or just mildly attracted? Either way, it's kinda gross
4. How does Cyotie feel toward Hyena? He seemed up for they idea of "making sparks fly".
5. Does Fox love Anistasia(before and after the Gathering)?
6. Does Halcyen still carry a torch for Anistasia? And does he now know that she is Titania?
7. Does Titania love fox?
8. Does Puck love Alex?
9. Does Oberon love anyone besides Titania?
10. Does Dracon dream about Elisa and him being together?
11. Was Brooklyn attracted to Demona before "Temptation". He seems to go after the most females.
12. Does Iago feel in love with Desdemona, or is it a strong sexual attraction, or is it just to hurt Othello?
13. Was there a time when Desdemona had feelings toward Iago?
14. Does Vinnie have a special someone (besides himself), or does everyone think he is too wierd?
15. Has Thailog ever felt love, even in the slightest way?
16. Was Malcolm and Elaina's wedding more out of love, or convenience?
17. Do Banquo and Florence have a thing for each other?
18. Does Cagney have a special kitty friend, or just Elisa?
19. Has the Magus been yerning for Kathern all of his life, and never told her how he felt? If yes., thats pretty sad.
20. And, somewhere deep deep down, both Goliath and Demona both yern to again be one, now and forever. Right? I better be. And this would have been shown in latter episodes besides dark ages right?
I'm sure you can see from my questions that I am QUITE the softy. And I love how Gargoyles uses this topic so often. Great job!!!
Greg responds...
Twenty Questions! YAY! :P
1. Sure, to the extent she knows how.
2. Ditto.
3. Something between madly in love and mildly attracted.
4. He's indifferent in the incarnations you've seen.
5. Yes.
6. Yes and Yes.
7. Of course.
8. Sure.
9. Yes. His children and his Children and the island of his birth and all the funny little mortals. He's a benificent one, that Oberon.
10. Probably.
11. I think Brooklyn respected Goliath too much to think that way, to allow himself to think that way.
12. The first two. The third is just a side benefit.
13. No.
14. He is currently available? You interested?
15. He's not admitting to it, unless he's lying.
16. Politics. And a hope of love.
17. They're exes.
18. That avenue has not yet been explored.
19. Not all his life. After all, he's ten years older than she is. But yes, it is sad.
20. I think somewhere deep, deep down Goliath wants to be with Elisa. And somewhere deep deep down, Demona wants to be with someone who is right for her.
Karen the Great writes...
Hi. I have a question regarding Coldstone.
Okay, you said that gargoyles mate for life. I assume that since mating for life is the norm among most clans (or at least the norm in the Wyvern Clan), a certain level of monogamy and faithfulness is expected on the part of the members of each mated pair. For example, Goliath still had the desire to remain faithful and in love with Demona as late as 'Vows'. He wanted these things even after all the rotten stuff she's done and you stated before that as a gargoyle, it, in a certain sense, "blew Goliath's mind" that his mate could still be alive and he would not be with her. Also, you made it clear that Hudson, even though his mate is long dead, would not pursue a new love out of lingering love and respect for his dead mate.
So, the question is- 1.) If monogamy and faithfulness are expected and natural to the gargoyle race (and/or the Wyvern Clan), what was Coldstone so worried about regarding Desdemona? I understand that Iago was manipulating Coldstone's thinking, but it still doesn't add up to me that Coldstone would be so worried about her being unfaithful that it would alter his personality. What's more, it's hard for me to figure that he would even (momentarily in 'Legion') consider letting her and Goliath fall to their deaths because of it. Isn't it sort of an irrational fear on his part?
Also 2.) Was Desdemona at all offended by Coldstone's accusation? I don't know, but if betraying my mate meant that I was both violating the Gargoyle Way of Life and the sanctity of … umm… "Mate-hood", I would be pretty darned upset if the man I loved accused me of doing that (especially if that fear was unfounded). After all, in effect, he wasn't only questioning her loyalty to him, but also her faithfulness to the gargoyle way of life.
Finally, 3.) Was Iago trying to manipulate Coldstone before the Wyvern Massacre? That is, were Coldstone and Desdemona having their "issues" in the Dark Ages too, or was Coldstone only uncertain of her faithfulness once they were revived in cyber space? It seems to me that these problems started before the massacre though, but I figured I'd ask to be sure.
Thanks for offering your time.
Greg responds...
1. Have you read the play Othello? Great men (and gargoyles) have flaws and are subject to manipulation. "Legion" the episode is a bit of a cheat, because we don't get to see Coldsteel/Iago at work really. That's "Dark Ages" material. We don't see all that he did to convince Coldstone/Othello that Coldfire/Desdemona was cheating on him with Goliath/Cassio. All we see in "Legion" is the confused memories resurfacing under terrible strain and under the pressure of the virus.
2. Yes, I think she was upset. And if they weren't mates for life, it might have been a devastating blow to their 'marriage'. But eventually she forgave him.
3. Yes, this stuff ALL took place in 993.
Lord Sloth writes...
I gathered from the wierd sister's solilique (they can almost be counted as one entity) at the end of High Noon, that they were hoping to recrute coldstone as one of their soldiers as well, but things didn't turn out their way. If this is so, why did they convince Othello to take control of Coldstone's body, when Iago was working with Demona and Macbeth. I don't know how easily they could of gotten Iago under their spell, but he seemed more likley then Othello. Am I way off here?
Greg responds...
They were NOT trying to recruit Coldstone. And I wouldn't call it a soliloquy.
Lord Sloth writes...
Does Coldstone remember the events that happened in "Reawakening"? I'm asking cause of how he didn't trust Goliath once again, when Goliath entered the cyber world, but then Iago recognised Demona by her name in High Noon (when he first woke, he called he "sister" but, from his POV, some words said Recongnise: Demona). Was Othello the Only one who was controling Coldstone in Reawakening? Were Iago and or Desdemona influencing his desisions at that time, or were they even consious to thoes events?
Ok, could you just tell the Coldstone story from reawakening to high noon, filling in the details I'm not sure about?
I hope you followed all that %
Greg responds...
I don't think I did.
But...
Othello was basically in control through most of Reawakening. But he was badly damaged, and Iago reasserted control during the repair process. Confused and with all those voices driving him nuts, Othello reverted to being jealous of Goliath.
Does that help?
Sexy Queer writes...
Did Demona and Iago get along in the Dark Ages?
Greg responds...
Sometimes. It was a long age.
Steven L. writes...
Gargoyles mate for life. Does that mean that once two gargoyles show interest in each other, and become intimate, that they've mated, and are officially forevermore monogamous?
If so, what happens if, over the years, the two gargoyles come to drift apart, or realize they have nothing in common? Do they stay together simply because of tradition? I take it there's no gargoyle equivalent of divorce. (Or at least there wasn't until Goliath and Demona kinda set precident).
And in that vein; should a gargoyle have an affair, then what happens if that affair is discovered? Does the unfaithful gargoyle and the one he/she had the affair with get banished from the clan?
Hope this hasn't been asked before.
Greg responds...
Gargoyles mate in both sexual and ritualistic fashion. After that they GENERALLY (and that's the key word) remain monogamous.
They imprint upon each other biologically, and there are strong ties of custom to discourage a split. Affairs, I believe, are quite rare.
But as you noted, sometimes things don't work according to plan. Iago has clearly imprinted on Desdemona, though she is imprinted on Othello and he has imprinted on her.
Goliath and Demona imprinted upon each other, but maybe as a result of a thousand years, that imprinting didn't last. Goliath has clearly imprinted anew on Elisa. (BTW, I'm not sure I'm using the word imprinting correctly. I know it's generally used for babies to imprint on their mothers. But it's the closest thing I can think of.)
So there are issues of both biology and custom that discourage anything like divorce or cheating. But that doesn't mean it NEVER happens.
Lord Sloth writes...
How did Xanatos know what Iago and Desdemona looked like when he desined their robots?
Greg responds...
I could have sworn I've answered this. He accessed Coldstone's memory banks.
Gabe writes...
Question about Othello. I just read your comments on "Legion" and your particluar comment ("Poor slob never stood a chance") made think about him, and, basically, I agree with you; he just always seemed so helpless throughout the series, except in his last appearnace though, when he seemed assured of himself that he and Desdemona had to stop Iago.
Before the massacre, was he always this vulnerable mentally? I figure if he was, then that's why Iago chose to play on his trust and mind. If not, then Iago wa a damn-good manipulator.
Greg responds...
Both.
Iago was good. Othello was vulnerable. But he's not a bad guy or even a stupid one. He's just flawed.
Todd Jensen writes...
A few questions, now, about "Gargoyles 2198":
1. I've noticed a few parallel elements in it with "Future Tense", as follows:
Demona joining forces with the resistance movement.
The LXMs serving as a parallel to "Cyber-Lex".
Coyote-X as a parallel to the Xanatos Program (artificial intelligences out to conquer the world, both derived ultimately from Xanatos - although I doubt that Coyote-X has any direct connection to Xanatos, he did originate the Coyote line of robots).
Were these three elements intended as parallels to "Future Tense", a la the destruction of the clock tower in the original series?
2. What sort of occupation do you imagine the Space-Spawn making on Earth? A really tyrannical regime of the sort where Earth's population is reduced to slave labor, or a more remote occupation where they pretty much let the Earthlings go on with their lives, though now as subjects of the Space-Spawn Empire?
3. How is it that Coyote-X is out to conquer, first the planet, then the galaxy? I will confess that I have something of a problem with the notion of a robot or artificial intelligence out to conquer the world; such a goal strikes me as more fitted to an "organic being" with such emotions as greed, ambition, arrogance, etc., than to an artificial intelligence, which I simply can't imagine developing emotions (truth to tell, my own thoughts on machines are pretty much the same as those of Goliath in "Outfoxed" - machines know only what they are programmed to know; it's living beings, such as humans and gargoyles, who are capable of making decisions, and choosing between the right thing to do and the wrong thing to do). I didn't have any problems with the Matrix undertaking this route in "Walkabout" since it was portrayed here as merely a logical extension of its programming (to bring about order to the terrain of the world; it was merely misinterpreting its mission) rather than being motivated by power-lust. However, I'm not certain as to how Coyote-X developed its goal. (Of course, artificial intelligences could have come a long way by 2198, and maybe by that time they have developed emotions and the weaknesses and failings of living beings like humans and gargoyles). Of course, I doubt that you want to fill us in on the details yet, but I just thought that I'd mention it.
Greg responds...
1. Yes and no. I love playing with the Future Tense expectaions. But on another level, it's just the characters telling me what they want. I know what Lex does in the late nineties early "oughts". I know what that leads to in turn. I know Demona well enough to know that she's sure not gonna like the Space-Spawn after they steal all the Gargoyle Eggs. And I know what happens to Coyote and how he's going to evolve and upgrade. So maybe Puck was being a bit prophetic. After all, the characters are deciding things for themselves. And he wasn't half wrong.
2. In the immortal words of Abe Simpson, "A little from column A and a little from column B."
3. Well, artificial intelligence has come a long way by 2198. Thanks in no small part to Coyote, Coldsteel, Lexington, Matrix, Fox and Anastasia. (An odd group. But there you go.)
Gabe writes...
Hi,
I just wanted to make a comment:
I think it was very creative and cool to make the cold trio's drama be closley paralleled to Shakespear's OTHELLO. Except for the few inconsistantsies (i.e. Othello-Colstone not being a commander like Othello, Goliath taking on Cassio's role, and the absence of a Rodrigo, and the whole bit with Othello's tissue) I thought evrything was played-out well and done correctly; Iago-coldsteele wasn't as "Machiavellian" as was Iago in the play, but he still had that same pure-evil aura, and Desdemona-Coldfire isn't as naive as Desdemona in the play. It would be neat just see the play done by the characters of the show.
Anyways just thought I'd say that since OTHELLO is one of my favorite plays and plot-lines (almost ranked next to HAMLET and MADAEM BOVARY in my book).
Oops, I lied, I do have a quesiton, nothing too difficult, though: What kind of music would you say the Manhatten clan would listen to? That just popped in my head; I don't know why :).
Greg responds...
I don't know. Carl Johnson stuff mostly.
I'd love to use the Gargoyles characters to perform a whole variety of Shakespeare Plays. Othello's obvious. (Can you see Vinnie as Rodrigo?)
Blaine writes...
I might be mistaken on this, but as I recall in "Reawakening" didn't Demona say she something to the effect of she had tried everything (sorcery and science) to bring him (Coldstone) back to life? So, does that mean that she was carrying around what was left of Coldstone's body (and Desdemona and Iago's bodies also) around with her all over the world for the thousand years before "The Awakening"?
Greg responds...
You're mistaken. So, no.
Sloth writes...
Why is it that after Iago was sucked into the "vortex" he was not destroyed by the virus? Are souls just not as easy to get rid of as xanatos program? And why did he not have "the power" to come between Othello and Des? Does that just mean he couldn't fool Othello anymore?
Greg responds...
You answered your own questions.
Sloth writes...
All right, some more since it doesn't look like my others will be awnsered for a while.
How did Xanatos know to look for Coldstone in the Himalayas?
Greg responds...
He built Coldstone's cybernetic parts. He has a means of tracking them.
Jessica writes...
How would you compare Desdemona's love towards Othello, to shakespear's sonnet # 116, Let Me Not the Marriage of true Minds
Greg responds...
I'm sorry, but I don't have my copy of the sonnets with me -- and I don't have them memorized.
You feel like typing it out?
matt writes...
do you think it is possible and likely that Goliath and Iago are close relatives biologically, like cousins perhaps? they just seem pretty similar compared to most gargs... the black hair, the purple wings, etc.
i'm sorry, i know how you hate questions about bilogical garg relatives... but i had to know!
Greg responds...
I'm glad you put that in the past tense.
Otherwise I'd be worried that this response would upset you.
Timbo writes...
Hey yo....gotta tell ya' that Gargoyles is my favortie toon or all time. Just one thing that always bugged me about the Awakening series, is that the first half hour seemed cut around Goliath's brothers and sisters. For some reason those first to nameless Gargoyles (especially the one with the bull horns) and all of the others you barely got a peek at always intrigued me....who were they?, what were they like?....if there's any names or info on these mysterious characters of Goliath's fallen clan, please let me know..
Thanks
p.s....If Coldstone was made up of pieces of other Gargoyles....wouldn't he have some womenly feartures too?...j/k
Greg responds...
He does. Have you seen his inner thigh. Whoah!!!
Anyway, yes, I have some notions about Goliath's rookery siblings. We've met three. And I've given a great deal of thought to Hyppolyta, a fourth.
Again, given enough time and episodes we'd have met them all.
That's what the Dark Ages prequel spin-off was for.
matt writes...
well Todd, if you are not going to ask it, i guess i will...
in "Legion" when Coldstone first arrives at the Clocktower, Bronx is growling. Iago hasn't come to the surface yet, so is Bronx growling cuz he has something against Coldstone or robots/cyborgs, or does he sense the evil one inside Coldstone or what?
Greg responds...
I guess the latter. I'd have to look at it again.
matt writes...
since Angela has had an interest in gargoyle parentage and has a close relationship with Gabriel has see perhaps guessed that Gabriel's parents are Othello and Desdemona? she had to know that they had a child on Avalon, did she think through the next step and guess at that child?
Greg responds...
Probably.
matt writes...
you said that Iago decieved Othello and Desdemona in 993 and that he was banished after that, but he came out of his banishment in 994, in time for the massacre. is all that right?
why was it such a short banishment?
how do gargoyles decide on how long to banish a clan member?
does the whole clan decide the banishment time/punishment or just the leader?
was Goliath in effect banishing the trio but only lightly when he sent them to the rookery or was that a common punishment for young gargs?
Greg responds...
That's basically right.
The banishment was for a year, which isn't that short considering he didn't kill anyone. He was just causing trouble. (Whispering in Othello's ear, causing Othello to act like a jerk isn't that big a crime, I guess.) Also, Iago may have done something to get back in everyone's good graces. At least begrudgingly.
The leader makes the final decision.
He wasn't literally banishing them. Sort of telling them to sit in the corner. It was not an uncommon punishment. But it was mostly done just to temporarily difuse things while he was gone for what he assumed would be a short errand.
Jim R. writes...
A few questions on "Legend" mainly some technical quarks, I noticed:
1. Who had the idea for designing the animation for the inside circuitry of Coldstone? I know its just a cartoon, but those gates that were opening and closing with electricity when Coldstone was repairing himself, I guess were supposed to be transistors, but looked nothing like them.
2. Who also, had the idea for the computer virus? Not exactly the way I'd see a virus, maybe in a biological sense. Nevertheless I guess it's how it's perceived by the person in contact with it, mainly Goliath, Coldstone, etc.
3. What caused Coldstone to go after the government-related data? It seemed as if the programming were controlling his actions, not one of the three souls trapped within him. He looked as if he were moving on impulse giving me the impression that someone else (maybe Xanatos) was controlling him remotely.
4. Even if one of the three souls (probably the hated one) was controlling him, what purpose would it want with government-related data on weapons systems? (That being if Coldstone was not being controlled remotely by someone else.)
5. How do the police boats coming after Matt B.'s VR device not notice the gargoyles? Surely someone would have noticed something seeing how they were in the middle of the bay, and the only means of escape for the gargs would be to liftoff.
6. At the end, Xanatos is sitting in front of his computer looking at what I guess is the virus running on it. If the virus were the most potentially-dangerous computer virus created thus far, why did it not destroy any of the files on his computer? Or did it?
Greg responds...
I assume you're talking about "Legion". We didn't have an episode called "Legend". At least not in the first 66.
1. Don't remember.
2. That would have been, me and/or the story editors and/or the writers.
3. Xanatos' programming. Some of which was broadcasted.
4. See above.
5. Uh, fog?
6. Safeguards? Maybe it was running on an isolated system.
warrioress writes...
How fast can Coldstone fly? Presumably with that built-in rocket he can fly faster than a "live" Gargoyle....
For that matter, how fast can an average Gargoyle glide?
Greg responds...
I'm not good with numbers, but yes, Coldstone can fly faster than an average garg.
matt writes...
since "Reawakening", "Legion", "High Noon", and "Possesions" all ended with Coldstone getting screwed in one way or another, would the unmade World Tour Coldstone/Himalayas episode have ended as sadly for poor Coldstone?
Greg responds...
Bittersweet. As our Frankenstein stand-in he was a bit of a bittersweet character in design. But eventually he would have rejoined the Manhattan Clan with Coldfire and gotten a measure of peace.
matt writes...
just watched "Possesions", one of my favirote eps by the way, anyway, i thought of a few questions...
1. ok, is it me, or does Lex hate Coldstone? the whole clan doesn't like Iago, but Lexington seems to hate Coldstone in general... in "Legion" he trys to convince Goliath not to invite Coldstone into the clan, or back to the clocktower and that was before they knew about the other souls in Coldstone, in "High Noon" he warns Goliath about freeing Coldstone, this time his concern was justified, but in "Possesions" Lex really seems to hate Coldstone, when Coldstone first arrives Lex screams his astonishment at Coldstone being brought to the clocktower by "Goliath" and "Hudson", then he seems to be the most skeptical about "Goliath's" plan, and then he is the only one not to volunteer for the soul transference. so, am i right? does Lex have a major problem with Coldstone? is it jealousy, i mean, does Lex wish he was as integrated with technology as Coldstone is? "Future Tense" comes to mind...
2. why does Puck keep trying to make Xanatos look evil to the gargs? in "Future Tense" his illusion of Xanatos is pretty nasty, and in "Possesions" Puck goes on about how Xanatos is about to unleash new robots and he is not sincere about oweing Goliath for helping to save his son, obviously Puck doesn't believe these things, but why try to make the gargs believe it?
3. any reason that Iago/Coldsteel didn't have a tail (either in cyberspace or as a robot) in "Possesions", but did have one in "Legion" and "High Noon"?
sorry for the lengthy questions...
Greg responds...
1. No. I don't think so. I just think he's very aware of Coldstone's potential danger to the clan.
2. He's simply playing to Goliath's weaknesses.
3. I never noticed that. Are you sure?
matt writes...
in "Reawakening" we suddenly see Coldstone in Times Square. did Xanatos and Demona send him there to get Goliath's attention? or did Coldstone end up there himself? or what?
Greg responds...
They sent him out.
durax writes...
<i>You said that the yeti would be seen in Gargoyles for sure. Is it an animal elated to the gargoyles or a gargoyle.
--------------------------------------Greg answered---------------
That story is actually written. It was written for Marvel's Gargoyle comic book before it was cancelled.</i>
Would Coldstone have been involved with this story?
Greg responds...
Yes.
matt writes...
Coldstone is reanimated gargoyle in stone form, right? thats why he is gray and not blue as Othello is. if this is so, why is Coldstone's hair white and not gray stone?
Greg responds...
Good question. Artistic license. Or it's a VERY LIGHT GRAY. Or the science blasted it white Or...
Well, you get the idea. Take your pick.
Shavri writes...
Ohp, here I go again... Why does Iago/Coldsteel hate Goliath so much. Jealousy, and or something else?
Greg responds...
He doesn't actually. I mean, he doesn't like particularly, but most of his ire is reserved for Othello/Coldstone. Goliath was never anything more than a convenient pawn.
matt writes...
you've said before that unless their bodies are destroyed that the Coldtrio will live forever, so will any or all of them be around in 2198?
Greg responds...
Not saying.
matt writes...
i just want you to confirm that Gabriel is definetly Othello and Desdemona's biological child, cuz lately there has been talk of Iago having a child on Avalon and Gabriel has some features, the large brow ridges and the small horns on his chin, that we've only see in one other gargoyle, Iago. so, if Iago has a biological child on Avalon, its not Gabriel, right?
Greg responds...
Gabriel is Othello and Desdemona's biological child.
You heard it here first.
About four years ago.
Aris Katsaris writes...
Timeline questions:
1.What year did Iago decieve Othello about Desdemona and Goliath?
2.When were Luach, Canmore and Gillecomgain born?
3.For that matter have you decided what's the exact date of Elisa's birth?
Greg responds...
All dates are tentative, at least until I finish my current reworking of the Timeline. But this is as up-to-date as I have it. (You caught me in the right office today.)
2. Gillecomgain was born in 982.
1. Iago deceived Othello in 993.
2. Canmore was born in 1031.
2. Luach was born in 1033.
3. Elisa was born in 1968. I haven't given her a specific birthdate at this time.
By the way, if anyone sees a reason why these dates (or any others I might post) don't make sense, don't hesitate to let me know.
Not that you would.
Aris Katsaris writes...
I asked
"3. For that matter would Iago be considered a rookery father to the eggs simply because of his generation, even though he was mateless and hadn't contributed an egg himself? Or not?"
You replied (among other things: "3. First off, did I ever say Iago was mateless?"
The answer is yes - Todd had asked you a number of months back:
"Did Iago ever have a mate in the 10th century?"
and you had replied:
"No. Or at any rate, not that I know of right now."
Greg responds...
Ah, but that's very different from a flat-out "no", isn't it?
matt writes...
does Iago have a biological child on Avalon?
if so, who was his mate and what did she think of Desdemona and that whole situation?
Greg responds...
I'm not commenting at this time.
Duncan Devlin writes...
Was the name Demona derived more from it's relationship to the word demon or or from the name Desdemona in Shakespeare's Othello (or was it a mix). Basically, which came first to the idea board. (I think I'm open for a smart-ass response as well as a real one.)
Greg responds...
I don't have a smart ass response to this. Demona came from Demon. Desdemona (and the obvious aural connection to Demona) was a pleasant "surprise" that came later when we were working on Coldstone. Now if you're asking whether or not, somewhere in the back of my head, the Desdemona name was floating around and had an influence... well, I can't be sure.
One writes...
Is there any particular reason Desdemona divided herself into three versions of herself (one with black hair, blond, and white) in "High Noon"... I just thought there might be relation between this and the fact the weird sisters were in the episode manipulatining MacBeth and Demona.
Greg responds...
Des didn't do it. She opened herself up to possession and the Weird Sisters did it.
Chapter XXVI: "High Noon"
Following fast on the heels of City of Stone, here's my ramble on High Noon...
The recap is interesting here. It's all Coldstone oriented. Demona, Macbeth and the Weird Sisters aren't mentioned. Nothing from City of Stone, despite this being a direct sequel to those events. The reason is that the recaps got early criticism on a Disney Afternoon mailing list for giving too much away. We'd show a villain who didn't appear until the end of Act One, thus cueing our audience to expect that villain all along. A valid criticism. So we tried to adjust here. Coldstone's participation wasn't a secret. The episode opens in his "internal cyber-world" and he's shown dormant in the Clock Tower in the very next scene. But when Demona and Macbeth first walk past Elisa and Morgan, we're not supposed to know who they are. So I intentionally kept them out of the recap to preserve that reveal.
The heather Othello gathers has no scent. Why not? Everything in that world, except for the souls of the three gargs was simply a mental construct. Sight, sound, touch. So why not smell? No chemical senses, you might argue. But why no chemical senses? Why touch and not taste? I think that the lack of smell was an unconscious or subconscious boundary that Desdemona did not want to cross. Something to remind her that this world is not real. For all we know, Othello and Iago could smell whatever they imagined they could smell.
I like seeing Hudson and Broadway learning to read. We cheated a bit. I'm not sure they could have progressed as fast as they did in the short time since "Lighthouse". But we took that liberty to show that they had been working assiduously at it.
I have mixed feelings about Hudson's "Why would she want to 'hit a sack'?" line. On the one hand, I'm not sure we ever did enough of this. Playing with the contrasts in language and expression between their world and ours. On the other hand, it just seemed a bit late in the game for Hudson not to have heard this one already. (And for that matter, I have no idea when that particular phrase originated. For all I know they've been hitting the sack since the Middle Ages.)
Elisa makes a point of saying that she's "no hero". Just a gal doing a job. But of course, we know that's not true. It's simply how she'd prefer to view herself -- particularly when she's so tired. I tried to use this episode to emphasize that Elisa works the night shift. That she gets off work just before sunrise. Starts work just after sunset. (I actually imagine that she works a four day ten hour shift, plus mucho overtime.) Sometimes it seemed like the fans had forgotten that. I got a lot of questions back then like: "She works during the day and hangs with the gargoyles at night. When does she sleep?"
Morgan has a real nice role in this one. Keith is great as Morgan. So distinctive from Goliath in a part that was a mere throwaway in Awakening, Part One. Morgan and Elisa's easy rapor in this episode and Avalon One is what gave me the idea that he might someday ask her out (on that 2nd Halloween episode I've mentioned a few times). And the notion of a Keith-Salli-Keith triangle tickled me a bit.
Enter Macbeth as a perp with a human Demona dressed as a cop. (Always nice to show our characters in different costumes on occasion.) I'm curious how many people IMMEDIATELY recognized Demona as herself? After all, you'd only gotten a BRIEF glimpse of her human form in "The Mirror". And we hadn't shown it at all in "Vows" or "City of Stone". In fact, City of Stone began what we then called our Third Tier of stories. (Tier One was the first season. Tier Two was the first eight episodes of the second season: Leader, Legion, Metamorphosis, Lighthouse, Silver Falcon, Mirror, Eye of the Beholder, Vows.) And of course, City of Stone was transitional, so one could argue that Tier Three was beginning here with High Noon. Anyway, Demona's in atypical dress and species. Who knew it was her?
And once you did know, what were you thinking? The gargoyles have the same questions, I'd imagine. Last they (and you) saw, Mac and Demona hated each other, and had been taken away by the seemingly benevolent Weird Sisters. What was going through your heads about all this? Did you wonder at the seeming inconsistencies, like their knowledge of the Clock Tower? Their ability to get Coldstone out of the tower in daylight, unseen?
When my son Ben saw Demona, he thought it was one of the "triplets", which is what he calls the Weird Sisters. (They've fast become his favorite characters.) When I pointed out that she had red hair and not white, yellow or black, he was resistent to giving up on the idea that they weren't going to appear. (I was glad they eventually did. And now I wonder what he's going to think about the next seven episodes in which they do NOT appear.)
Throughout this, we cheat a bit on Elisa's exhaustion. We knock her out, but keep her tired. The subtle differences between various means of being unconscious and their effects on how tired one is confuse me.
I love Mac and D's exchange...
Mac: "You're still thinking like a gargoyle."
D: "I am a gargoyle." And don't you forget it.
Again, back in those days I just thought the audience would get revved up merely because we were teaming up THREE of our major villains. Macbeth, Demona and the villainous side of Coldstone. In Batman or Superman that would be a BIG EVENT. A huge threat to the hero. Did it have that effect on you guys? I feel vaguely that in a strange way, it did not. That our villains were so complex, that for once they backfired on us. That it wasn't viewed as, "Wow, our heroes have barely survived an encounter with one of those guys, how will they handle three?" Rather, the conflict was less interesting than the machinations and personalities. Am I being clear? Your thoughts?
This episode had some truly gorgeous animation in it. And the transformation scenes are both very cool. The Pain Link plays well here, though occasionally seems more geared to comedy than drama for some reason. The theme of gifts coming with a price... particularly the gifts of tricksters is emphasized in this scene.
Meanwhile Othello is desperately trying to remain an ostrich with his head in the sand. A position that on at least one level, Elisa 'believes' she'd like to take as well. With Othello, I think it's a real possibility that he will never act. With Elisa, I don't think we believe it for a moment. That's part of the reason they're both in there. To make sure that the theme of "Standing Up" is emphasized. Which brings us to the title, "HIGH NOON". That was one of mine, I believe. And I stole it right from the Gary Cooper movie. Sure we'd have a battle at High Noon. Because this was Elisa's story, not the gargoyles. Because the gargoyles would be asleep and vulnerable. But also because it was that kind of archetypal the-hero-stands-alone western battle.
You may notice that Xander Berkeley (the voice of Iago) does not appear in this episode. Because Iago has no lines when he's not in control of the Coldstone body. Again, I'm always so impressed with what a great job Michael Dorn does contrasting the Othello and Iago personalities without actually changing his voice.
I like Elisa's line when Brooklyn asks her if she recognized the woman with Macbeth. "She seemed familiar." Think about this for a second. If this was real life and not a cartoon, do you think you'd recognize Demona in Dominique? And yet I completely buy that Elisa recognized something in there. There's a strange nega-intimacy between Elisa and Demona. (Which is one of the sick reasons why I created Delilah, later.)
Goliath and Elisa engage in a little dueling patronizing here. Elisa has to go back on shift, so can't accompany the 'goyles to Mac's place. Goliath is pretty smug when he says the six of them can handle it. (The smugness, I hope, is undercut when he follows it up by saying, "You have a whole city to protect." Which is how he views it.) Then Elisa talks to them like they're little kids. She wants a full report when they get back. (Who says these two weren't made for each other?)
Lex, who has been and will continue to be very adept at breaking alarm systems, etc., for once admits that it's all too easy.
I like the moment when Goliath taps the camera with his wing. A nice little touch. And very well animated.
Lex is always the voice of warning in regards to Coldstone. This is important. Goliath listens to Lex this time. And Lex is fooled when Coldstone reveals Demona's involvement, seemingly before they know Demona is involved. I thought that was very clever on the villains' part.
Bronx smells Demona behind the closet, just as he did behind the tapestry.
I like how the marble bust flies and crashes. Another nice touch in the boarding and animation. Nice weight to the whole Brooklyn-Demona-Bronx fight scene.
I liked staging the Macbeth, Husdon, Broadway fight in a library. Felt like a thematic rematch from "Lighthouse".
The pain link here is a BIT of a cheat. Usually with them in different rooms on different floors, it wouldn't be quite this intense. Maybe the library is directly above whatever room Demona was in.
Lex is sure Coldstone's wrong about Demona. Brooklyn's "Uh, guess again." line is fun.
The entire battle at Macbeth's place is part of a technique I enjoy using on occasion called "Suspended Structure". This is really an Elisa and Othello Story. But we let the gargs carry the action for a period of time, while the true protagonists can't or won't take action. This keeps the story moving, without compromising the inaction of our "leads".
Demona confronts Elisa at the clock tower. The animators get a little carried away here with some of Demona's body language. God knows, it's fun to watch. But would she really do all those sexpot poses? Is that in character?
It is fun to see her hail a taxi though.
Morgan's back. Elisa now looks VERY tired. Again, great work from the animators. It's all in the eyes. Morgan helps Elisa though he thinks she's just talking about normal copwork. It only proves there's really no such thing as a "Normal Life". Morgan certainly doesn't think he has one.
Meanwhile Desdemona's gettin antsy. It's the "in" that the Weird Sisters need. They take over. Unfortunately, here, the animators screwed up. The three Desdemona's were supposed to have silver, gold and raven hair. Instead, in most shots, they just look like three Dessies. Then when they finally do get the hair right, it's just before they merge back into one Desdemona. At which point, the hair color should have been Des'. Instead, I think it's Luna's -- briefly. Oh, well. Anyway, I could have just done this with Desdemona herself. But I wanted to give the audience a hint that the Weird Sisters were still involved. Ben was thrown by the hair. He almost didn't believe these were the triplets.
I like the line: "Even shadows must be true to their shade."
High Noon at Belvedere Castle. Coldstone wonders that he can see the sun. Again, that's me making sure people are clear that Coldstone is RE-ANIMATED STONE, not flesh. I don't think it's visually clear. (Part of the problem being that Othello's coloring is too similar.)
Then Elisa arrives -- counting on Macbeth's honor to keep Demona from shooting her. For that reason, she intentionally doesn't bring her service revolver to the party. Quite the gambit. Elisa also counts on Demona's temper -- and on the fact that Demona is unaccustomed to fighting with reduced human strength. She goads Demona: "I'm here to save him." and "You fight like a rookie." I love, positively LOVE, the former of those two lines. Elisa is a hero in her own right. Though Goliath has rescued her on occasion, I felt we did a pretty good job of always evening the score. She's no damsel in distress.
Mac & Coldstone: "This is diverting." "You have no idea." (Quotations approximate.) I like that. A tip of the hat to my being a guy, if you will.
We cheat a bit here on the pain link too. One could argue that Mac IS feeling the pain. But he's ready for it and covering. He does seem to be grimacing a bit when he says, "You have no idea." But still, I think we cheated.
I love the animation on the Othello, Desdemona, Iago fight.
Battle over, Coldstone leaves. Sends himself into exile. This is the gargoyle way.
And hey, our jogger is back. Again wondering where all these statues are coming from. That's just fun continuity for me. And Elisa: "Don't ask me. I'm just taking a nap."
And then the whole final scene between Mac and D and the sisters is so much fun. I love the sense of the fog lifting from their eyes. "What Primary Objective?" "Why are we working together?"
And I'm also proud of the trick. A very Xanatosian tag here. Steal Coldstone to distract the gargs from noticing the thefts of the gate, book and eye.
And how about that reference to "The coming battle..." that the Sisters end the episode on? What did you all think of that at the time?
I'll try to post the High Noon writer's memo tomorrow. (Meant to do it yesterday, but I forgot.) Anyway, Done rambling. You're turn. (Again, I'm interested in both your original and current responses to the episode.)
matt writes...
1. i assume that Coldstone went to the Himalayas after "High Noon" because of the isolation, correct?
2. how did he know there were no gargoyles in the area, or did he just have to look around for an isolated spot?
3. did he meet any other garg clans on his way to the Himalayas?
4. what was he hoping to accomplish in this isolation?
5. how did he get from New York to Tibet?
6. how did Xanatos find him in "Possesions"?
7. Iago doesn't have a kid on Avalon, right?
8. in "Possesions" i guess there wasn't really time to explore the Coldtrio's opinions on the eggs surviving so what do they think?
9. would Gabriel's parentage ever be revealed to him as was Angela's? would he care? what would Coldstone and Coldfire think if they found out?
Greg responds...
1. Largely.
2. It seemed isolated, and largely proved isolated.
3. No.
4. To win an internal battle.
5. He flew.
6. Coldstone gives off a signal which X can track.
7. I never said that.
8. I'm not entirely sure they're aware of it.
9. It's something to explore. But the mere fact that Coldstone and Coldfire exist and the mere fact that the "eggs" survived -- is much more significant than biological parentage.
matt writes...
is the technology that allows the Iago and Desdemona robots to heal have anything to do with the Matrix?
Greg responds...
Yes, in a down-graded fashion.
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