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OCTOBER 16

This day in Gargoyles' Universe History....

October 16th...

1996
Xanatos and Owen make a third attempt to transfer the souls of Iago and Desdemona into independent robot bodies. It too fails. Later, David and Fox go out for the evening, leaving Alexander in Owen's care. Owen decides to teach Alexander his first lesson in magic. Owen transforms into Puck, then glamours himself and Alexander into dead-ringers for Goliath and Hudson. They "liberate" Coldstone from the Eyrie and take him to the Clock Tower. There, "Goliath" convinces Angela and Broadway to allow the souls of Desdemona and Othello to take up temporary residence inside their bodies. Coldstone is emptied of all three souls, and the Iago soul secretly enters Brooklyn. "Goliath" and "Hudson" then depart, leaving "Brooklyn" in charge. Iago convinces Othello and Desdemona to try out their new bodies. He then follows them to the Statue of Liberty, where he hints that they might keep Broadway and Angela's bodies for themselves. Meanwhile, Puck and Alexander enter Coldstone's body; they grab Lex, tie him up in a corner and gag him.


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OCTOBER 1

This day in Gargoyles' Universe History....

October 1st...

994
Just before dawn, Goliath and Hudson discover that they have been following only a small contingent of Vikings; the rest must be preparing to attack the castle. The two gargoyles turn to stone before they can get back. Simultaneously, Demona nearly warns Othello and Desdemona, but changes her mind as she sees the Vikings approach. Instead, she hides at the foot of Wyvern cliff, where she turns to stone as the sun rises. Hakon attacks. The archers' sabotaged bows are useless, and the Captain opens the main gate, allowing the Vikings to enter Castle Wyvern, which is sacked. The humans, including Katharine, the Magus, Mary and Tom are led away bound. Hakon then sets about to destroy the gargoyles, including Othello, Desdemona, Iago and Hyppolyta. The Captain is "unable" to stop him. When the sun goes down again, Demona awakens to discover that the Wyvern Clan have been massacred. When she sees Goliath and Hudson returning, she cannot face them and flees before they can discover the massacre. The only other survivors seem to be the Trio and Bronx, who were in the Rookery. The survivors head for the Viking camp to take their revenge. When Hakon and the Captain hear the gargoyles approaching, they take Katharine as a hostage. The Magus mistakenly assumes that the Princess is dead. Blaming the gargoyles, he casts a spell on all but Goliath putting them to sleep "until the castle rises above the clouds." Meanwhile, Goliath confronts the Captain and Hakon atop a cliff. He rescues the Princess, and the two villains fall to their deaths. But when Goliath discovers that the rest of his clan has been turned to stone, he asks the Princess to watch over the eggs in the Rookery and asks the Magus to cast his spell one more time. Goliath is turned to stone with the others and placed atop Castle Wyvern. Demona later returns to the castle to find Goliath frozen in stone. She watches the Magus, Tom and Princess Katharine removing the eggs from Wyvern. She departs for good. Katharine dubs Tom the Guardian of the Gargoyle Eggs. Katharine, the Magus, Tom, Mary and the rest of Wyvern's human inhabitants take the eggs and leave the cursed castle to live under the protection of Katharine's uncle, King Kenneth II. Seconds later, three time travelers arrive in 994: the Demona of 1995 has brought the Demona of 975 along with the Goliath of 1995 to see the results of the massacre. But the 1995 Demona fails to convince the 975 Demona to take up her evil cause. The time travelers depart, returning to 975.

1995
Xanatos proposes to Fox and gives her the Eye of Odin as an engagement gift. She accepts both his proposal and the Eye. Alexander Fox Xanatos is most likely conceived on this night.


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SEPTEMBER 25

This day in Gargoyles' Universe History....

September 25th...

1995
Lexington begins working on Coldstone in an attempt to bring him (or them) out of catatonia.


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SEPTEMBER 20

This day in Gargoyles' Universe History....

September 20th...

1995
Coldstone's repairs are completed. He is reactivated and attacks the Goldencup building, where he downloads government defense specs and is infected by a potent computer virus. Elisa and Matt are called in to deal with the situation using R.E.C.A.P. Lexington and Goliath accompany them and reunite with Coldstone. All are initially unaware that multiple personas (Othello, Desdemona, Iago and David Xanatos' programming) are vying for control of Coldstone's body. Coldstone flees to Ellis Island, and Goliath enters his mind to sort out the trouble. Meanwhile, Xanatos takes delivery on another batch of Steel Clan Robots from Scarab Corp.


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SEPTEMBER 6

This day in Gargoyles' Universe History....

September 6th...

1995
Fox is granted an expedited parole hearing at the request of grateful prison authorities. She receives an early parole and is reunited with Xanatos. Matt is certified to operate R.E.C.A.P. Elisa tells Lexington about R.E.C.A.P. Coldstone's self-repair systems are activated by Xanatos.


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Derek writes...

I know you don't like these sort of questions but i was curious. How do you think things would have played out if Desdemona, Iago, Hyppolyta and Coldstone had survived instead of the trio and Hudson.

Greg responds...

You KNOW I don't like these questions... and yet...

I'll leave the answer to your imagination. Seems to be a theme today.

Response recorded on August 06, 2007

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MAY 8

This day in Gargoyles' Universe History....

May 8th...

1996
Xanatos begins to actively search the globe for Coldstone.


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Anonymous writes...

Who from his own generation was Goliath closest to pre-Massacre besides Demona? How close were Goliath and Coldstone/Othello?

Greg responds...

Close. He was close to Desdemona too.

Response recorded on March 13, 2007

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Twiggess writes...

I'll try to keep this short, as I kinda already gave my 2 cents yesterday.
I didn't catch the Star Trek reference at the time, b/c I hadn't heard of that episode. Now that I've seen clips of it, I realize it was a brillant (for want of a better term) spinoff. Although I think over all the Angie-Desie-Broad-Cold kiss was better than Kirk and Uhura (spelling, sorry- that chick who voiced Diane! That'll work!)'s. I mean, I haven't seen the whole Star Trek episode, so I don't know what the alien's relationship was like, but those 2 were so freakin SHAKY. They looked like they were having a seizure out of passion, or something.
(I am sorry if this offends any Treky's out there. Like I said, I haven't seen anything but a 5 minute clip of the kiss. I'm much more of a Next Generation gal, anyway. Two words: MARINA SIRTIS. Plus it's really fun to see "Xanatos" and "Demona" flirting.)
I'm assuming you left Ms. S out of the TNG voice credits in your ramble cuz she wasn't in the episode. I'm cool with that, and I realize that if you gave credit to all the Star Trek voices, we would be here all day.
So yeah. I'm not really a big Cold trio fan (although I am a big fan of Coldstone's icecream-sorry, couldn't resist! I think of Micheal Dorn whenever I go in that creamery now!), but this episode was okay. And I was really excited that I finally got to see Angela (even if she WASN'T white with red hair like I always imagined. Don't ask me WHY.)
Oh and one little confession: Before I could remember what her name was, I used to call Coldfire "Starfish Face." I sincerely apologize for this crudeness. I never really got a good enough look at her, and I thought her horns kinda made her look like she had a starfish on her head. I really hope the animators and fellow fans forgive me for this, as when I got a better view of her in "City of Stone" and "Legion", I realized she was actually quite pretty.
OK, so that's my confession for the day (again, REALLY REALLY sorry!) Now I better go before some random Treky or Desdemona fan gets some vitual tar and feathers for me!
P.S.: Was it ever confusing to have both a Demona AND a Desdemona? I realize that other than in the first "City of Stone" they never had an episode together (CF wasn't in "Reawakening, was she?) but it's still seems like kind of a nusiance to me.
P.P.S: Have i mentioned I'M SORRY?!

Greg responds...

The episode with the famous Kirk-Uhura kiss was not the episode I was referring to as inspiration. I'm talking about an episode guest starring Diana Muldaur.

Desdemona was never a name used in dialogue.

Response recorded on February 09, 2007

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Pseudo Zippthorne writes...

I feel odd for asking this, but I simply became (or at least my interest) piqued and felt that it must be asked.

Coldstone Creamery. What did you think when you heard the name (or at least when they started taking over the world)?

Greg responds...

Nothing all that brilliant. Something along the lines of "Hey, we had a character named Coldstone!"

Response recorded on October 09, 2006

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Demona Taina writes...

Hi Greg! I couldn't make it to Montreal this year, but I've made up my mind to go to Vegas. Thank you so much for the DVD; I'll buy several copies when it comes out! Now, on to my questions... This is something that's been puzzling me for a while, and I couldn't find it anywhere on the archives. I'd be so happy if you had the answers.

1. In the episode Reawakening, after Coldstone and Goliath fell into the river and Goliath was losing consciousness, he holds on to Coldstone's forearm. Is there a deeper meaning behind that? Was it:

a) a warrior wrist-shake
b) a cry for help
c) asking forgiveness
d) an unconscious reaction

If the answer is a, b, c, or d, why? If none of the above, what? I'm just so curious about that scene. It's so deep and moving; definitely one of the best scenes in the entire series.

2. When Goliath and Coldstone are in the river, Hudson is heard in the background saying "A gargoyle can no more stop protecting the castle than breathing the air," it slowly trails off. Was Goliath thinking that and it trailed off as he lost consciousness? Was Othello? Or does it have a deeper meaning?

I would be so grateful if you had the answers! Thank you so much, and I look forward to meeting you in Vegas!

Greg responds...

1. All of the above.

2. It's somewhat symbolic, but yes, Goliath wa thinking of it. And it trailed off as Goliath began to lose consciousness. I like to think that Coldstone was thinking something similar.

Response recorded on August 17, 2006

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Possession Outline Notes

In preparation for my Ramble on "Posession", reprinted here is the 1995 memo I sent to Cary Bates about the outline...

Note that Coldfire's original name was actually "Goldfire". Yuck.

WEISMAN 7-4-95

Notes on Outline formerly known as "Tricksters"...
For starters we need a new title and a new number: 4319-067. "Tricksters" (4319-066) will join "Puck's Macbeth" (4319-052, I believe) in limbo until or unless we get a third season. (I haven't given up on either story.)

This is basically a Coldstone story with Puck as catylist. It's the next step in Coldstone's evolution after "Reawakening", "Legion" and "High Noon". Maybe call it "Possession" or "Possesions". Or "Cross. Double Cross." Or "Triple Cross" or some title-esque thing. I'm not sure.

BEAT SHEET
ACT ONE
1. The Himalayas. Middle of a blizzard. Some mountain climbers or locals are frightened off by a fur covered monster that they mistake for the Yeti or Abominable Snowman. They run off, but suddenly the monster is attacked by Xanatos in his battle armor alongside the Steel Clan Robots, all painted in snow-camouflage white. The monster puts up a fight, and in fact seems to be one heavily-armed Yeti. But he is eventually knocked out and defeated, revealing that he is Coldstone (wearing furs). DISSOLVE TO:

2. Eyrie Building some days later. Xanatos (dressed in a tuxedo) and Owen have Coldstone back in the lab where he was first created. They have deactivated him from the neck down. (Here's a weird thought: maybe they've literally removed his head from off his body.) Coldstone/Othello can hear them, see them and talk to them, but he cannot move or activate his weapons. (But for some reason his sense of smell has been magically enhanced -- no, just kidding.) Owen and Xanatos are talking about solving the Coldstone "problem". (The solution to which seems to involve two sheeted figures, lying semi-prone on tables at the back of the lab. These figures are the "COLDSTEEL" and "GOLDFIRE" robots. More on them later.) Unfortunately for Xanatos, they have not figured out how to accomplish his mysterious goal. The main problem is that Coldstone's creation involved magic, which Xanatos has no access to. Unless, he hints, Owen were to morph into Puck and wiggle his nose or something. But Owen reminds Xanatos that he is forbidden from using his magic except to train Xanatos' son Alexander. Well, Xanatos isn't too upset. He'll figure something out, and in the meantime Coldstone isn't going anywhere. Fox (dressed in an evening gown) appears on a video-intercom. Coldstone may not be going anywhere but they are. And they're going to be late. WIPE TO:

3. Alexander's room. Xanatos and Owen join Fox and Alexander. The new parents have tickets to see Verdi's opera "OTELLO" at the MET. Fox hands the baby over to Owen, giving him babysitter instructions, and Mom and Dad leave for their first night out since Alexander was born. DISSOLVE TO:

4. Eyrie Lab. Goliath and Hudson sneak in, and prepare to reactivate Coldstone. (Note: throughout this scene and the next, Hudson does not speak. Try to make this as unnoticeable as possible.) Confusion as to how Goliath found him is secondary to Coldstone's immediate concern for Goliath and Hudson's safety. Within Coldstone's cyber-mind, the battle continues. (Maybe we dissolve into the cyperscape to get a glimpse of that battle.) Coldstone's love (Desdemona) is trapped in an eternal conflict against Coldstone and Goliath's enemy (Iago). If the evil one should triumph, Goliath would be in grave danger. But that's exactly why Goliath has come. He's been worried about his brother and has studied magical scrolls to find a solution. If Coldstone will return to the clock tower with Goliath, Goliath feels he can end the conflict. Coldstone agrees and Goliath activates him. (Or reattaches his head.) They sneak out.

5. The clocktower. Bronx, Angela and the trio are there watching t.v. or something. They are suprised when Goliath and Hudson arrive. They just left on patrol a half-hour ago. But obviously, when Coldstone steps out of the shadows, everyone's even more surprised to see him. (Maybe Angela realizes that Coldstone is Gabriel's father.) Bronx approaches Goliath and Coldstone, growling low (but who exactly he is growling at is ambiguous). Goliath quickly kneels beside Bronx and calms him. (Only the audience notices the slight sparkle of magic and the glazed way Bronx treads off into a corner and immediately goes to sleep.)

Everyone's got tons of questions, but Goliath doesn't have time for explanations. Iago must be removed from Coldstone's body. The only way to do that is to temporarily empty out all of Coldstone's personalities. Then Othello and Desdemona can be safely returned without Iago. But where will Othello and Desdemona go while this takes place? Goliath reveals they will each have to enter one of us. Angela volunteers. And Broadway does too, before Brooklyn and Lex have a chance. Lex pulls Goliath aside: where'd he learn to do magic? Goliath answers "soothingly" that he studied magic while Avalon sent them around the world. Lex's suspicions magically melt away. Suddenly, he's more impressed by Goliath's new abilities than suspicious of them.

Goliath casts the rhyming (non-latin) spell. Desdemona is transferred into Angela. Othello goes into Broadway. Iago, theoretically, is released into the ether. And the empty Coldstone falls comatose to the floor. Brooklyn seems particularly startled by these events, but he seems to recover quickly. (The reason "Brooklyn" is shocked is because he's really been possessed by Iago. No one else realizes this, and Iago's smart enough to keep his mouth shut.) Othello and Desdemona are pleased that the spell worked. Lex asks if Broadway and Angela are still in there own bodies. Yes, but they will remain dormant until Othello and Des are transferred back into Coldstone. They are ready for that transfer now, but Goliath is tired from his magical exertion. He needs to go off and rest. He asks "Hudson" to go with him, Hudson nods and they depart.

6. We follow Goliath and Hudson. They lands on top of a nearby building (or some cooler location). Goliath morphs into Puck and then transforms Hudson into baby Alex. (That's who it was the whole time. The real Goliath and Hudson ARE out on patrol.) Puck announces that Alex's first magic lesson has officially begun. Welcome to SOUL TRANSFERENCE 101.

ACT TWO
7. Cut to Clock Tower. Without thinking about it, Othello/Broadway and Desdemona/Angela are holding hands as they wait for "Goliath's" return. Iago/Brooklyn notices this and approaches them. He suggests that while Goliath is off recovering, they can take their new bodies out for a spin. Lex (still hazy from Puck/Goliath's magical tampering) isn't sure about this, but "Brooklyn" thinks it will be all right. Soon Othello and Des will be reconfined back in the cyber-prison of the Coldstone body. They might as well enjoy this last chance at flesh-and-blood freedom. Besides, what's the harm? Oth/Bway and Des/Ang have to admit they wouldn't mind feeling the wind against their faces one last time. They take off for one last flight. As Iago/Brooklyn moves to follow them, Lex stops him. Neither notice that behind them, a flash of magic (Puck) enters the prone body of Coldstone. Lex feels they should wait for Goliath. So "Brooklyn" instructs Lex to stay behind and do just that. "Brooklyn" will follow the "love-birds" -- to make sure they stay out of trouble. He leaves. Lex watches him go. And suddenly, behind Lex, Coldstone looms threateningly.

8. We follow Des/Ang and Oth/Bway on a romantic flight through the city. It's glorious. Othello and Des are almost literally drunk with the sensation of being alive again in Broadway and Angela's bodies. They land on the Chrysler building (or wherever). Oth/Bway marvels at the simplest pleasures. The touch of Des/Ang's flesh and blood hand. The softness of her hair. Until now he had not realized how Coldstone's cyborg sensors and reanimated stone skin has dulled his senses. Des/Ang also appreciates the reality of true sensation over the electric illusion of life on the cyberscape. Brooklyn steps out of the shadows. And like a devil in their ears, subtly reemphasizes to them that the prospect of returning to Coldstone is a fairly grim notion. Too bad, he sympathizes, that there's no way they could keep the bodies they're in. Oth/Bway and Des/Ang exchange a guilty look. But the wheels are turning.

9. Back at the clock tower, the real Goliath and Hudson return home. Coldstone is there, very glad to see them. (No immediate sign of Lex or Bronx.) Goliath is glad to see his brother but both gargoyles are naturally cautious. They can't be sure which personality is in control. Almost on cue, Bronx comes treading out of the darkness, and behaves in a friendly manner toward Coldstone. That's good enough for Goliath and Hudson: Bronx has a sixth sense about this kind of stuff. If he trusts Coldstone, then the right personality must be in control. (What neither Goliath or Hudson notice is that when Bronx's "work" is done, he trudges blankly back into the shadows and plops down to sleep next to a bound and gagged Lexington. Bronx is still under Puck's spell.) "Coldstone" tells the gargoyles that Xanatos is plotting against them again. He's created new monsters that must be destroyed before they can be used against them. Goliath expresses disappointment but not surprise. Xanatos had called a truce between them, saying that he owed Goliath and the clan for helping to save Alexander. Obviously, Xanatos' version of debt is a little different than Goliath's. Golaith, Hudson and "Coldstone" depart for the Eyrie Building.

10. Oth/Bway, Des/Ang and "Brooklyn" return to the clock tower and find Lex tied up tight with steel cables. What happened? Coldstone jumped him. Obviously, Goliath's spell didn't succeed in forcing Iago out of the Coldstone body. He's got control and he's tricked Goliath and Hudson into launching an attack against Xanatos, destroying their truce. At first, "Brooklyn" protests that this is impossible. But when everyone turns to ask him why, he fumfers and covers quickly. Whatever has happened, Brooklyn says, the choice is clear. They have to destroy the Coldstone body. It's the only way to protect the world from Iago's evil. Lex is horrified -- moral qualms aside -- what would happen to Othello and Desdemona? What would happen to Broadway and Angela? Oth/Bway speaks up. Brooklyn is right. They have a chance to destroy Iago once and for all. Nothing else matters. Oth/Bway, Des/Ang and "Brooklyn" take off after Coldstone. Lex follows reluctantly.

11. Eyrie lab. "Coldstone" leads Goliath and Hudson. He pulls the sheets off the two covered figures to reveal two new robots: COLDSTEEL and GOLDFIRE. (Coldsteel is made of blue steel and modeled after Iago -- very powerful and dangerous, a fitting opponent for Coldstone. Goldfire is gold in appearance and modeled after Desdemona -- beautiful in a cold, art decco fashion, she is a fitting companion for Coldstone. Both have the usual built-in weapons. Plus Goldfire has built-in flame-throwers.) The resemblence to Coldstone's lover and foe are not lost on Goliath, and while he and Hudson question the situation, they do not notice "Coldstone" picking up a remote control devise and hooking it directly into his cyborg body. He uses the device to activate the two automatons and then uses them to take down Goliath and Hudson. (There's no other action in this act, so make this a big battle sequence ending in the defeat of our two heroes.)

ACT THREE
12. Oth/Bway, Des/Ang, Iago/Brook and a very confused Lex are about to come in for a landing at the seemingly quiet castle. Oth/Bway suggests splitting up to look for their enemy. Brooklyn agrees. Othello and Des can check the Great Hall, Lex and Brook will check the lab. As Oth/Bway and Des/Ang head off in one direction, we follow Lex and Brooklyn to the lab.

13. No one is in the lab, but there are clear signs of a struggle. Lex is pretty upset. He feels like he's coming out of a haze. A whole bunch of stuff makes no sense. Why wouldn't Goliath mention he had studied magic before now? Why were he and Hudson surprised to see Coldstone when they returned to the clocktower? And how can they even think about destroying Coldstone's body while Othello and Desdemona are still possessing Bway and Angela? Brooklyn thinks he has an answer. He slams Lex hard.

14. Othello/Bway and Des/Angela search the Great Hall. Des/Ang questions what they are going to do. Oth/Bway tries to make it sound like they have no choice. Iago must be destroyed, and the only way to do that is to destroy Coldstone. But, she protests, if they destroy Coldstone, they'll be trapped in Bway and Angela's bodies forever. Would that be so bad? he asks. After all they've been through, don't they deserve a real flesh and blood existence again? Des/Ang isn't saying yes. But she isn't saying no either.

15. Back in the lab with Lex and "Brooklyn". Lex is just regaining consciousness and he's pretty upset about being jumped and trussed up twice in one night. "Brooklyn" has Lex on the "table" where Coldstone was created. He's attaching electrodes to Lex (or some other high-tech deathtrap, that "Brooklyn" would never be blamed for). As he does this, he reveals to Lex and our audience that he is Iago. He likes Brooklyn's body and has no intention of surrendering it. Not to go back to the hellish Coldstone cyberscape, and certainly not to be bannished into nothingness. He doesn't know how Coldstone woke up again, but it's a marvelous opportunity. He and the gargoyles will destroy the Coldstone body and if by some "accident" Othello/Bway is also destroyed during the battle, then "Brooklyn" will have no choice but to console a grieving Desdemona/Angela. Eventually, he will use his position as Goliath's right hand to destroy Goliath as well and rule the clan. He thinks it's a pretty good plan, activates the deathtrap and leaves. Lex is in considerable pain, but just when it looks like curtains, a magical sparkle enters Lex via his mouth. Suddenly, Lex stops screaming, smiles and magically breaks free.

16. Oth/Bway and Des/Ang have found their way down to the Atrium beneath the castle. There they find Goliath and Hudson, trussed up. They go to help, but it's a trap. Coldstone attacks and he's winning. Iago/Brooklyn shows up and the tide starts to turn against Coldstone, but then Iago/Brook does something that allows Coldstone to get the drop on Oth/Bway. It's looking like Iago's plan is going to work, when Coldstone cybernetically summons Coldsteel and Goldfire, and uses them to trash Iago/Brook and Des/Ang respectively. Coldstone now has the upper hand and explains (while fighting) that Xanatos created these robots as a gift to Goliath. In payment for saving his son Alexander, Xanatos wanted to find a cure for Goliath's brother's multiple personality disorder. What no one counted on is that Coldstone had developed a personality of its own. Now Coldstone will use the robots to destroy all three of the former Coldstone personas so that they can't return to take the Coldstone body back. "Brooklyn" protests that he's not one of them, but Coldstone skoffs. Coldstone can sense that Brooklyn's body is possessed by Iago, and Coldstone is determined to destroy Iago. It looks like curtains for Iago, Othello, Desdemona (and thus Brooklyn, Broadway and Angela as well), when Lex swoops in and slams Coldstone back. While Coldstone is recovering, Lex (who never says a word) frees Hudson and Goliath. Now all our gargoyles (including Iago/Brooklyn) battle Coldstone and the robots. The good guys win.

After the smoke clears, Goliath and Hudson turn to face Iago/Brooklyn. (Lex is still strangely silent. And Oth/Bway and Des/Ang are too ashamed of their own desires to be too self-righteous towards Iago/Brook.) They want Iago to abandon Brooklyn's body. Iago/Brooklyn says fat chance. He's never returning to cyberspace, and he sure isn't going to voluntarily banish himself to nothingness. He does express some regret and wishes outloud that Xanatos' plan had worked out. The powerful Coldsteel robot body is clearly superior to the gargoyle teen-ager he now inhabits. Hearing this, Coldstone asks Iago/Brook if that is really what Iago wants? Why, yes. Can Coldstone transfer him? Coldstone says he can't, but Lexington can. Lexington steps forward. With a little prompting help from Coldstone (Puck) he recites the magical rhyme from Act One (the only words he's spoken in this scene) and transfers Iago out of Brooklyn and into Coldsteel. Brooklyn, the real Brooklyn, stands there very confused. But Coldsteel/Iago laughs at the fools who would give him such power. Goliath, Hudson and Coldstone move toward him, and clearly outnumbered, Iago/Coldsteel flees to fight another day.

Once Iago/Coldsteel is gone. Puck magically removes himself from the Coldstone body, leaving it empty and comatoast. Goliath wasn't expecting Puck, but in retrospect is hardly surprised. "Why all the subterfuge?" he asks. Well, in the first place, Puck lives for subterfuge. And in the second place it was necessary. Puck explains that what he had told them about Xanatos wanting to repay his debt to Goliath was true, though obviously the bit about Coldstone developing its own personality was a little elaboration, creatively added to convince Iago to voluntarily enter the Coldsteel robot. Magical soul transfers are tricky business and generally require the cooperation of the subject. Now if they're ready Othello and Des can be transferred as well. There's a moment of hesitation on their part. Will they trade flesh & blood lives for stone & metal casings. But they know they cannot steal Broadway and Angela's bodies permanently. Othello and Des share one last embrace. Lex again casts his spell (this time with more confidence) and after the transfer is completed, Broadway and Angela regain consciousness in mid-grope. There's a nice awkward moment that should help set up any future romance for these two. Coldstone/Othello and Goldfire/Des thank Bway and Ang for the use of their bodies. Goliath invites them back to the clock tower, but they feel they must pursue Coldsteel. He's still a threat and he's still their responsibility. But when that threat is ended, they will return. They depart. Our gargoyles turn to thank Puck for the magic he wrought and ask why he has been working through Lexington? Puck replies that although he set the ball rolling, this last magic wasn't his, and that this Lexington is not exactly who he appears to be. Magical sparks fly out of Lex's mouth and coalesce in Puck's arms to reveal baby Alex. Puck praises Alex for being a good student, and himself for being a good teacher. Alex smiles, yawns and falls asleep. Lex awakens to himself almost as confused as Brooklyn, Broadway and Angela. Goliath promises to explain and the group heads for home.

Suddenly, Puck pulls a giant watch from a very small pocket. "Look at the time," he cries. And vanishes.

17. Alex's room. Puck and Alex materialize. Puck puts Alex in his crib and transforms back into Owen just as Xanatos and Fox return home from the opera. Was Alex any problem, Fox asks. No, Owen replies. He's a very well-behaved and intelligent child. Owen turns to Xanatos and tells him that the Coldstone problem has been solved. A bit surprised, Xanatos thanks Owen. Owen demurs. "Don't thank me, sir. Thank your son." A bit confused, Xanatos looks into the crib where his son sleeps and smiles.

GENERAL NOTES FOR THE ABOVE:
Keep the talky scenes as brief as possible. Just get the point across. Give the most space to action sequences: the act one Coldstone vs. Xanatos fight in the Himalayas; the act two Goliath & Hudson vs. Coldsteel & Goldfire fight at the castle; the act three mega-battle in the Atrium.

Also, milk the transformation scenes. Particularly the act one scene where Puck/Goliath transfers the souls of Othello and Desdemona into the bodies of Broadway and Angela. And the act three scenes where Lex/Alex transfers Iago, Othello and Des into Coldsteel, Coldstone and Goldfire.

Don't forget that the names Othello, Desdemona and Iago are for our designation only. They should not appear in spoken dialogue at all.

Any script dealing with Coldstone, Puck and magical possession is bound to be confusing. Lots of people in other people's bodies. And a few illusions from Puck as well. Let's go out of our way to make it clear in the script both whose body we are seeing visually (and thus whose voice we are hearing), and who's mind is actually controlling that body (and voice). Remember, we're not trying to keep any secrets from the storyboard artists. However, we are trying to keep secrets from the audience, so don't hesitate to spell things out in description and then explicitly state that the audience shouldn't be able to figure this out yet.

Consistency is key. I think in order to best describe who's who, the best designation for dialogue headings and description may be to put the body's name first, followed by the possessor's name in parenthesis. As follows:

COLDSTONE (OTHELLO) - Coldstone with Othello's personality in control.
GOLIATH (PUCK) - Puck magically disguised as Goliath.
HUDSON (ALEXANDER) - Alexander magically disguised as Hudson.
BROADWAY (OTHELLO) - Othello in possession of Broadway's body.
ANGELA (DESDEMONA) - Desdemona in possesion of Angela's body.
BROOKLYN (IAGO) - Iago in possession of Brooklyn's body.
COLDSTONE (PUCK) - Puck in possesion of Coldstone's body.
LEXINGTON (ALEXANDER) - Alexander in possession of Lex's body.
COLDSTEEL (IAGO) - Iago in control of the Coldsteel robot.
GOLDFIRE (DESDEMONA) - Desdemona in control of the Goldfire robot.

THE THEME here is HONOR. Xanatos is trying to honor a debt he owes Goliath. Coldstone and Desdemona are torn between their desires and the honorable thing to do, the honorable sacrifice to make. Iago demonstrates no honor and is a negative example, but even Puck shows honor. He is trying to serve his master Xanatos without breaking any rules. He's very true to that code. Emphasize the theme as much as possible.

NOTES ON MOTIVATIONS:
XANATOS -- He's barely in this story, but his initial plan starts the whole ball rolling. Though he's in no particular hurry, he is -- in his own way -- actually trying to do a good deed for a change. He feels he owes Goliath for saving his son in "Gathering Part 2". He wants to return the favor by reuniting Goliath with his brother Coldstone. And he wants to help Coldstone out by creating new bodies for the Iago and Desdemona personalities, thus freeing Othello from his pseudo-schizoid condition. When we open, he's already had the Coldsteel and Goldfire robot bodies built. The inner workings are basic Steel Clan, but the robots have no artificial intelligence programming, which would allow the Iago and Desdemona personalities full control if Xanatos could figure out how to make the soul transfer.

PUCK/OWEN - He'd like to help Xanatos out, but is forbidden from using his magic that directly. So he's set up this elaborate "trick" in order to accomplish two things. One is getting Iago, Desdemona and Othello to voluntarily enter Coldsteel, Goldfire and Coldstone respectively. Two is training the infant Alexander in the art of "Soul Transfer and Exchanges". Both are necessary conditions to accomplishing his goal. So Puck demonstrates how Soul Transfers are done in Act One, but leaves it for Alex to do the magic in Act Three that would actually satisfy Xanatos' intentions.

IAGO - Initially, Iago wants to keep the Brooklyn body, if possible, without revealing that he's taken it. When Puck possesses Coldstone, Iago sees it as an opportunity. He's planted the seeds of dissatisfaction in Othello and Desdemona. He feels if they destroy Coldstone, they'd get to keep these new young bodies. And he's seducing them with both carrot and stick to make that choice. If he can kill Othello and/or Goliath in the process, all the better. He still lusts after Desdemona and wouldn't mind fooling her into "Brooklyn's" arms after Othello was out of the way.

It's important, however, to see Iago's goals change during the final battle. We need to demonstrate that he is frustrated by how much less powerful the Brooklyn body is when compared to the Coldsteel robot. We need to believe that he would willingly give up Brooklyn to live in a robot. (You might even try to hint that vanity played a part in his decision, at least subconsciously. After all, Coldsteel has been designed to look like Iago. That may impress him almost as much as the robot's power.)

OTHELLO & DESDEMONA - Are almost literally drunk with the sensation of being alive again in Broadway and Angela's bodies. Otherwise, they'd never consider what they in fact do briefly consider here, which is keeping bodies that don't belong to them. Ultimately, they realize how wrong that is and willingly give the gargoyle bodies up. Othello returns to Coldstone. Desdemona takes possession of Goldfire.


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Twana Joy writes...

How did you conclude Coldstone, Coldfire and Coldsteel's storyline or was you never given the chance to do that because they only aired 66 episodes?

Greg responds...

I haven't concluded it yet. But I will CONTINUE it in the new comic book series. Look for them to reappear within sooner than later.

Response recorded on June 16, 2006

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Vinnie writes...

In what epsiode did Coldstone first learn Hudson had taken a name? I ask this because at the beginning of the episode "Possessions" he called Hudson by name, and I don't remember any of the other episodes that Coldstone was in where he learned the other Gargoyles had a names, except of course Lexington.

Greg responds...

You know I'd have to go back through EVERY Coldstone ep to answer this question. But I'd lay odds that no mistake was made.

Either Coldstone heard Hudson's name, or perhaps the Coldstone your referring to was actually someone else (like Puck) posing as Coldstone. Or Coldstone got the info in his memory banks form Demona and/or Macbeth in "High Noon".

I can't remember. And certainly it's possible a mistake was made. But I doubt it.

Response recorded on November 21, 2005

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Harlem writes...

1.)did desdemona ever have romantic feelings for Iago the way he does for her?
2.)Did Desdemona ever have romantic feelings for Goliath?

Greg responds...

1. No.

2. No.

Response recorded on November 18, 2005

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DPH writes...

Happy New Year!!

1)Where did Demona get the disk to reactivate Coldstone during the events of High Noon?

2)When Coldstone was restored, was the Xanatos program put back into the body?

Greg responds...

1. I don't know that the assumptions of your question are correct. Frankly, it's just been too long. I don't recall.

2. No.

Response recorded on November 09, 2005

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matt writes...

1. you've said before that its the leader of the Clan that usually decides to banish a gargoyle in the Clan and for how long. so, did Goliath give the order to banish Iago? or was Hudson still in command at this point?

2. did the majority of the Wyvern Clan agree that Iago should be banished for a year?

3. where did Iago go during his banishment? did he find another temporary clan or did he just play rouge gargoyle for a year?

Greg responds...

1. Iago was banished by Goliath in 993 for one year.

2. I didn't hear a lot of objections.

3. "Rouge Gargoyle". Hmmm.... Yes. He joined a Gentleman's Club and... Oh. Wait. You meant "Rogue Gargoyle" didn't you. That's very different. Never mind.

Response recorded on July 01, 2005

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Lawrence Matheson writes...

How similar are coyote 1.0 and the program Xanitos put on Coldstone to monitor his personalities as they both seemed to be based on Xanitos but were either an AI?Did they know of each other?

Greg responds...

I'm sure they had similarities. Neither were full-fledged Artificial Intelligences. Did they know of each other? Uh... I don't know. Never thought about it. Does it matter?

Response recorded on April 28, 2005

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Jimmy writes...

Hi Greg! I've been skimming through these questions about the Coldtrio and a preqeul called "The Dark Ages" comes up quite a few times. And I was wondering....since it was never made to be a TV show do you think it'll ever be made into a DVD or video? I think you and your co-workers would get a TON of money from old gargoyle fans if you did. I mean you could introduce new gargoyles and focus more on the totally awesome Coltrio!!! Just a thought, please at least THINK about it....! thanks!

Greg responds...

I have thought about it. A lot. But I have, so far, had no success in convincing Disney. Still trying though. I haven't given up. But if you want to PROVE to Disney that there's money to be made on Gargoyles, try buying the DVD.

Response recorded on February 02, 2005

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Desdemona Rocks !!! writes...

you said that desedemona,othello,iago were not their real names just names in the credits later they were introduced as coldfire,coldestone,and coldsteel, you also said they would later retutn to join golith and the rest of the clan would they keep the names coldstone,coldfire,etc. or would they choose others?

Greg responds...

For the sake of simplicity, after "Possessions" we would have stuck with the Coldstone, Coldfire and Coldsteel names. (Unless of course, we were depicting a flashback.)

Response recorded on November 30, 2004

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James Sconawah writes...

Is Gabriel Coldstones son? If so then does that make his love his mother?

Greg responds...

Yes, Gabriel is the biological son of Coldstone and Coldfire. But from a gargoyle's point of view, Goliath is as much Gabriel's father as Coldstone is.

Response recorded on October 26, 2004

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Ruth Lang writes...

OK, this page is a great idea, and I'm glad I finally found it.
I've been trying to work out how GOliath's loincloth is tied. All the others (except Hudson,who has trousers) have their loincloths just over front & back, nothing going underneath to keep things secure. ANd I just can't make a single piece of cloth fold around the way Goliath's seems to be. I'm sure it has be only one piece, because that's the way Scots did most of their clothes.
I'm going to have to spend a lot more time on this place and see if anyone else has come up with my theory on gargoyle sex etc, based largely on what they wear, or rather how. ANd figure out who all those characters are in the age list, I've seen all the episodes now but half of them I can't recall hearing of. What Othello & whatshername in Legion? COldstone's mate doesn't have a name, they're characters in something of Shakespeare.

Greg responds...

There is, of course, a part of the loincloth that goes "underneath". Trust me, Goliath et al are not just out there blowing in the wind. It is still one piece, it just folds over the belt with space cut out for the tail in back.

Othello is the name we use to refer to Coldstone before he became Coldstone. The actual character doesn't have a name. It's just a reference.

Desdemona is the name we use to refer to Coldfire before she became Coldfire. The actual character doesn't have a name. It's just a reference, though we did use the Desdemona name in the credits for actress C.C.H. Pounder.

Iago is the name we use to refer to Coldsteel before he became Coldsteel. The actual character doesn't have a name. It's just a reference, though we did use the Iago name in the credits for actor Xander Berkeley.

Response recorded on July 22, 2004

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Jimmy writes...

What's up with Desdemona's (Colfire's) wings, how come no other gargoyles have wings like her's.

Greg responds...

There is wing variation across the Gargoyle bio-community. You just haven't seen many gargoyles (not many are still alive, frankly) to know that she is not completely unique in this wing shape.

Response recorded on February 26, 2004

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Jimmy writes...

I just wanted to say that most my favorite characters on Gargoyles are Othello(Coldstone), Desdemona (Coldfire), and Iago (Coldsteel). And my question is this: Will you make more episodes or write more comics/books with them in it (preferably only about them)?

Greg responds...

I have more stories to tell about them. Just need the forum.

Response recorded on February 26, 2004

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Anonymus writes...

Do Lexington and Iago have mates?

Greg responds...

Not as of 1996.

Response recorded on February 25, 2004

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Lord Sloth writes...

1. In the episode "Grief", was that Egyptian city and everyone in it just simply destroyed by the Jackal Avatar? As in: dead, and never ever coming back?

2. If #1 is correct, why couldn't the Emir Avatar return life to the city's population (not to mention those crocodiles and trees) since they were brought to death as untimely as the Emir's son returning to life would have been? Why weren't those lives considered "stolen energies" as well?

3. If #1 is correct, don't you agree that it was quite an unusual move for the show to have so many people die, and then not worry about the repercussions that it usually spends a whole lot of focus on with smaller incidents (something that made the show really great)? Did you have these concerns when working on the episode?

4. If #1 is correct, did S&P have any problems with it?

5. Was that a real city? Does/Did it have a name?

6. Dose Jackal, in his normal state, still harbor ambitions of bringing the gift of death to the world, or dose he keep his feelings under some control until he becomes super natural or dons the Eye of Odin?

7. How does Hyena feel about her bro's ambitions, would she be just as malicious if given the chance.

8. I was wondering if the Sphinx actually has that ritual chamber and mastaba as shown in the show? And was that door with the secret hieroglyphics just something Xanatos Enterprises cooked up that looks cool and also keeps out intruders, or was that meant to be ancient Egyptian tech?

9. This question is a bit differn't, but I'll ask none the less. How do you think Anubis felt about Iago, Desdemona and all Othello being brought back from the dead? Did it cause a big disruption to him, the spirit world and the space-time continuum?

Greg responds...

1. That's my thinking.

2. What's dead and gone cannot be recovered. Or something like that. (He has a great quote in the episode on this very subject.)

3. A bit. But we also wanted to hint at the devastation -- and still get away with it on an S&P basis. Had we explored the repercussions, it would have drawn too much attention to what we had done and we would not have been allowed to do it. We felt it was more important to do it and not explore as opposed to not being able to do it at all. I still have hopes to explore those repercussions somewhere, someday.

4. Not with the way we did it. See above.

5. It's more of a town than a city, but no it didn't have a name.

6. Jackal is a sociopath, i.e. he knows how to control his impulses to function in society. But given the right opportunity, he's clearly capable of anything.

7. Hyena is a psychopath, who needs her brother to control her impulses. You can decide for yourself which one is more dangerous.

8. Meant to be ancient Egyptian tech. But I've never been to Egypt, so next time you go, you can check out for yourself whether or not it's really there.

9. Anubis strikes me as a guy who has intentionally divorced himself from passion. Ghosts exist. That's not what the Emir was asking for. The ColdTrio are ghosts in various shells.

Response recorded on December 09, 2003

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Anonymous writes...

1.Would you consider the golem to be an AI since it is artificial?
2.If you could rank the AIs of the Gargoyles Universe from most advanced to least advanced where does the Golem fit?

Greg responds...

1. Uh, I suppose... but certainly not in the sense that the term is generally used.

2. I'm not sure we yet have any true AI's aside from Matrix.

Does even Coyote 4.0 qualify? He's certainly sophisticated by robotic standards, but is he truly artificially intelligent?

Would you categorize Coldfire & Coldsteel as A.I.'s when it is the sorcerous possession of gargoyle souls that engenders their intelligence?

Am I missing anyone?

So far all I've got is Matrix, who, yes, is more advanced than Golem, if you even want to put Golem on that scale, which I don't.

Response recorded on June 12, 2003

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Treena writes...

I have seen on some sites Coldstones girlfriend being refered to as Desdemona just wondering if that is offically what she is called or just a name someone tagged her with and if it is offical what is the thought behinded is it in reference to Orthelo??

Greg responds...

The Desdemona and Iago names were used in our scripts to identify the characters before they got their Coldfire and Coldsteel names in "Possession". The name Othello was also used in the script to refer to Coldsteel in flashback scenes, before he became a cyborg.

None of these names were ever used in dialogue on the series. But both Desdemona and Iago were used in the credits to identify the actors (C.C.H. Pounder and Xander Berkeley) who voiced the two characters. (Othello was never used, because we simply listed Michael Dorn as Coldstone.)

So obviously, yes, we saw the relationship between the three characters as being very "OTHELLO". Particularly in their first appearance, "Legion". With Goliath in the Michael Cassio role.

Response recorded on June 03, 2003

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Creamy writes...

If Gargoyles had continued, how would you have developed the Angela-Demona relationship?

Would they ever find a medium? Or be at least friends?

Since the last time Coldfire talk to to Demona was back in 994, what does she think of Demona's new way of life in 1996?

How close were Demona and Coldfire back in the "Dark Ages"?

Greg responds...

1. Carefully.

2. I think Michael Reaves came up with a Medium that we never used. I can't remember her name though at the moment.

3. I'm not going to reveal the long-term result of their interaction.

4. Well, at the moment, I doubt she's aware of it. But assuming she found out, I think she'd be very disturbed.

5. Close as sisters who aren't actually as close as they think.

Response recorded on April 21, 2003

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Gipdac writes...

I just thought of something after the last post. As of 1996…
1a) Could Goliath read/write Latin? b) Ancient Celtic? (At the end of Light House on the Sea of Time he said we would read the Scrolls of Merlin to Broadway and Hudson, and they were written in ancient Celtic if memory serves)
2a) Could Lexington read/write Latin? b) Ancient Celtic?
3a) Could Brooklyn read/write Latin? b) Ancient Celtic?
4a) Could Demona read/write Latin? b) Ancient Celtic?
5a) Could Angela read/write Latin? b) Ancient Celtic?
6a) Could Coldstone (Othello) read/write English? b) Latin? c) Ancient Celtic?
7a) Could Desdemona (Coldfire) read/write English? b) Latin? c) Ancient Celtic?
8a) Could Iago (Coldsteel) read/write English? b) Latin? c) Ancient Celtic?
9a) Can the Avalon clan read/write English? b) Latin? c) Ancient Celtic?
10) and I'm guessing Broadway, Hudson and Bronx could not read/write Latin or ancient Celtic. Am I right?
(Sorry, I know you don't like laundry list, I tried to sent it up so it wouldn't really be that way.)

Greg responds...

1a. Yes.
1b. Yes.
2a. Yes.
2b. Not sure.
3a. A bit.
3b. I don't think so.
4a. Yes.
4b. Yes.
5a. Yes.
5b. Probably.
6a. Yes.
6b. Maybe a little.
6c. Ditto.
7a. Yes.
7b. Perhaps.
7c. Probably.
8a. Yes.
8b. Probably.
8c. Probably.
9a. Potentially.
9b. Yes.
9c. Probably.
10. You are correct.

Response recorded on December 05, 2001

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Cha-Cha writes...

1.Is the Coldtrio(Coldstone, Coldfire and Coldsteel) around in 2198?
2.If so, are they apart of the Manhattan Clan or the New Wyvern Clan?
3.Did you ever plan for them to return to their flesh-n-bone forms? By magic or otherwise?

Greg responds...

1. Not saying.

2. Not saying.

3. No.

Response recorded on November 13, 2001

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Anonymous writes...

Coldtrio
Are the Coldtrio still around in 2198?

Greg responds...

NS.

Response recorded on November 06, 2001

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Gipdac writes...

You might have answered this before, but I couldn't find it.
1) Did Goliath and Demona have any children in the 978 (Bronx's) rookery?
2) Did Othelle and Desdemona have any children in the 978 (Bronx's) rookery?
3) Did Hyppolytahave any children in the 978 (Bronx's) rookery?

Greg responds...

1. No. They were too young.

2. No. They were too young.

3. No. She was two young.

Response recorded on November 06, 2001

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Anonymous writes...

From what source of water did Goliath and co. arrive in Tiber?
Were there any other guest characters there besides Coldstone?
How did Coldstone get from New York to Tibet? Did he fly there? If so how did he maintain his supply of rocket fuel?

Greg responds...

Tibet, not Tiber. Two very different places.

1. I'm not telling.
2. Yes, technically.
3. He got there, mostly by flight. But let me ask you... how do you know he even uses rocket fuel?

Response recorded on September 11, 2001

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matt writes...

when Puck transforms the human population to gargs why is it that Elisa and the three teen girl gargs in the subway not have brow ridges or horns of any kind? every other gargoyle we've seen except for the English gargs had either horns or brow ridges or both, but these transformed humans had neither. in fact, besides the pointed ears and color difference (which Elisa didn't even have) their bodies from the neck up looked very human, not gargoyle. was it cuz you wanted these characters to be physically attractive to human viewers even as gargs? cuz i think physically Desdemona is more attractive than Demona or Angela and Des has big old horns, so why make these characters as gargs so human looking?

would you have objected to the animators giving Elisa a beak or a frill or any of the other non human features of gargs?

Greg responds...

Yes, I would have objected to Elisa getting a beak, because she wouldn't have looked viserally like Elisa. Other changes that were less significant would not have bothered me.

However, I loved the design they came up with and didn't question it.

As for the girls in the subway. MINOR, minor characters. There wasn't as much time to do all this stuff as you seem to think. We just had to get it done.

Don't read too much into it though. We all think that Desdemona is attractive. Frank in particular likes drawing attractive females. I think Demona and Angela and Elisa are pretty hot too. Among other characters.

Response recorded on September 11, 2001

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Phil writes...

Greg,

I recently re-watched "Legion" and it sparked some questions in my mind about "Reawakening."

1) Was Coldstone suffering from multiple-personality problems when he first awoke, or did that not start until "Legion" with the Xanatos program or the virus?

2) Was Othello the only one in control through "Reawakening"? He is confused, but only generally. He doesn't forget moment by moment where he is and what he's doing. Also, Desdemona's reaction to the mirror made it seem as though she was "awakening" for the first time in "Legion."

Thanks

Greg responds...

1. He was not, initially, no.

2. Correct. Just Othello in Coldstone's first appearance.

Response recorded on September 09, 2001

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Lord Sloth writes...

I now have a list of questions to for you about love. ahhh

1. Does Hyena love Jackel?
2. Does Jackel love Hyena?
3. How serius are Hyena's feelings to Cyotie? Is she madley im love with him, or just mildly attracted? Either way, it's kinda gross
4. How does Cyotie feel toward Hyena? He seemed up for they idea of "making sparks fly".
5. Does Fox love Anistasia(before and after the Gathering)?
6. Does Halcyen still carry a torch for Anistasia? And does he now know that she is Titania?
7. Does Titania love fox?
8. Does Puck love Alex?
9. Does Oberon love anyone besides Titania?
10. Does Dracon dream about Elisa and him being together?
11. Was Brooklyn attracted to Demona before "Temptation". He seems to go after the most females.
12. Does Iago feel in love with Desdemona, or is it a strong sexual attraction, or is it just to hurt Othello?
13. Was there a time when Desdemona had feelings toward Iago?
14. Does Vinnie have a special someone (besides himself), or does everyone think he is too wierd?
15. Has Thailog ever felt love, even in the slightest way?
16. Was Malcolm and Elaina's wedding more out of love, or convenience?
17. Do Banquo and Florence have a thing for each other?
18. Does Cagney have a special kitty friend, or just Elisa?
19. Has the Magus been yerning for Kathern all of his life, and never told her how he felt? If yes., thats pretty sad.
20. And, somewhere deep deep down, both Goliath and Demona both yern to again be one, now and forever. Right? I better be. And this would have been shown in latter episodes besides dark ages right?

I'm sure you can see from my questions that I am QUITE the softy. And I love how Gargoyles uses this topic so often. Great job!!!

Greg responds...

Twenty Questions! YAY! :P

1. Sure, to the extent she knows how.

2. Ditto.

3. Something between madly in love and mildly attracted.

4. He's indifferent in the incarnations you've seen.

5. Yes.

6. Yes and Yes.

7. Of course.

8. Sure.

9. Yes. His children and his Children and the island of his birth and all the funny little mortals. He's a benificent one, that Oberon.

10. Probably.

11. I think Brooklyn respected Goliath too much to think that way, to allow himself to think that way.

12. The first two. The third is just a side benefit.

13. No.

14. He is currently available? You interested?

15. He's not admitting to it, unless he's lying.

16. Politics. And a hope of love.

17. They're exes.

18. That avenue has not yet been explored.

19. Not all his life. After all, he's ten years older than she is. But yes, it is sad.

20. I think somewhere deep, deep down Goliath wants to be with Elisa. And somewhere deep deep down, Demona wants to be with someone who is right for her.

Response recorded on September 06, 2001

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Karen the Great writes...

Hi. I have a question regarding Coldstone.

Okay, you said that gargoyles mate for life. I assume that since mating for life is the norm among most clans (or at least the norm in the Wyvern Clan), a certain level of monogamy and faithfulness is expected on the part of the members of each mated pair. For example, Goliath still had the desire to remain faithful and in love with Demona as late as 'Vows'. He wanted these things even after all the rotten stuff she's done and you stated before that as a gargoyle, it, in a certain sense, "blew Goliath's mind" that his mate could still be alive and he would not be with her. Also, you made it clear that Hudson, even though his mate is long dead, would not pursue a new love out of lingering love and respect for his dead mate.

So, the question is- 1.) If monogamy and faithfulness are expected and natural to the gargoyle race (and/or the Wyvern Clan), what was Coldstone so worried about regarding Desdemona? I understand that Iago was manipulating Coldstone's thinking, but it still doesn't add up to me that Coldstone would be so worried about her being unfaithful that it would alter his personality. What's more, it's hard for me to figure that he would even (momentarily in 'Legion') consider letting her and Goliath fall to their deaths because of it. Isn't it sort of an irrational fear on his part?

Also 2.) Was Desdemona at all offended by Coldstone's accusation? I don't know, but if betraying my mate meant that I was both violating the Gargoyle Way of Life and the sanctity of … umm… "Mate-hood", I would be pretty darned upset if the man I loved accused me of doing that (especially if that fear was unfounded). After all, in effect, he wasn't only questioning her loyalty to him, but also her faithfulness to the gargoyle way of life.

Finally, 3.) Was Iago trying to manipulate Coldstone before the Wyvern Massacre? That is, were Coldstone and Desdemona having their "issues" in the Dark Ages too, or was Coldstone only uncertain of her faithfulness once they were revived in cyber space? It seems to me that these problems started before the massacre though, but I figured I'd ask to be sure.

Thanks for offering your time.

Greg responds...

1. Have you read the play Othello? Great men (and gargoyles) have flaws and are subject to manipulation. "Legion" the episode is a bit of a cheat, because we don't get to see Coldsteel/Iago at work really. That's "Dark Ages" material. We don't see all that he did to convince Coldstone/Othello that Coldfire/Desdemona was cheating on him with Goliath/Cassio. All we see in "Legion" is the confused memories resurfacing under terrible strain and under the pressure of the virus.

2. Yes, I think she was upset. And if they weren't mates for life, it might have been a devastating blow to their 'marriage'. But eventually she forgave him.

3. Yes, this stuff ALL took place in 993.

Response recorded on August 07, 2001

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Lord Sloth writes...

I gathered from the wierd sister's solilique (they can almost be counted as one entity) at the end of High Noon, that they were hoping to recrute coldstone as one of their soldiers as well, but things didn't turn out their way. If this is so, why did they convince Othello to take control of Coldstone's body, when Iago was working with Demona and Macbeth. I don't know how easily they could of gotten Iago under their spell, but he seemed more likley then Othello. Am I way off here?

Greg responds...

They were NOT trying to recruit Coldstone. And I wouldn't call it a soliloquy.

Response recorded on August 06, 2001

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Lord Sloth writes...

Does Coldstone remember the events that happened in "Reawakening"? I'm asking cause of how he didn't trust Goliath once again, when Goliath entered the cyber world, but then Iago recognised Demona by her name in High Noon (when he first woke, he called he "sister" but, from his POV, some words said Recongnise: Demona). Was Othello the Only one who was controling Coldstone in Reawakening? Were Iago and or Desdemona influencing his desisions at that time, or were they even consious to thoes events?

Ok, could you just tell the Coldstone story from reawakening to high noon, filling in the details I'm not sure about?
I hope you followed all that %

Greg responds...

I don't think I did.

But...

Othello was basically in control through most of Reawakening. But he was badly damaged, and Iago reasserted control during the repair process. Confused and with all those voices driving him nuts, Othello reverted to being jealous of Goliath.

Does that help?

Response recorded on August 06, 2001

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Sexy Queer writes...

Did Demona and Iago get along in the Dark Ages?

Greg responds...

Sometimes. It was a long age.

Response recorded on July 27, 2001

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Steven L. writes...

Gargoyles mate for life. Does that mean that once two gargoyles show interest in each other, and become intimate, that they've mated, and are officially forevermore monogamous?
If so, what happens if, over the years, the two gargoyles come to drift apart, or realize they have nothing in common? Do they stay together simply because of tradition? I take it there's no gargoyle equivalent of divorce. (Or at least there wasn't until Goliath and Demona kinda set precident).
And in that vein; should a gargoyle have an affair, then what happens if that affair is discovered? Does the unfaithful gargoyle and the one he/she had the affair with get banished from the clan?
Hope this hasn't been asked before.

Greg responds...

Gargoyles mate in both sexual and ritualistic fashion. After that they GENERALLY (and that's the key word) remain monogamous.

They imprint upon each other biologically, and there are strong ties of custom to discourage a split. Affairs, I believe, are quite rare.

But as you noted, sometimes things don't work according to plan. Iago has clearly imprinted on Desdemona, though she is imprinted on Othello and he has imprinted on her.

Goliath and Demona imprinted upon each other, but maybe as a result of a thousand years, that imprinting didn't last. Goliath has clearly imprinted anew on Elisa. (BTW, I'm not sure I'm using the word imprinting correctly. I know it's generally used for babies to imprint on their mothers. But it's the closest thing I can think of.)

So there are issues of both biology and custom that discourage anything like divorce or cheating. But that doesn't mean it NEVER happens.

Response recorded on July 18, 2001

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Lord Sloth writes...

How did Xanatos know what Iago and Desdemona looked like when he desined their robots?

Greg responds...

I could have sworn I've answered this. He accessed Coldstone's memory banks.

Response recorded on July 11, 2001

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Gabe writes...

Question about Othello. I just read your comments on "Legion" and your particluar comment ("Poor slob never stood a chance") made think about him, and, basically, I agree with you; he just always seemed so helpless throughout the series, except in his last appearnace though, when he seemed assured of himself that he and Desdemona had to stop Iago.
Before the massacre, was he always this vulnerable mentally? I figure if he was, then that's why Iago chose to play on his trust and mind. If not, then Iago wa a damn-good manipulator.

Greg responds...

Both.

Iago was good. Othello was vulnerable. But he's not a bad guy or even a stupid one. He's just flawed.

Response recorded on July 06, 2001

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Todd Jensen writes...

A few questions, now, about "Gargoyles 2198":

1. I've noticed a few parallel elements in it with "Future Tense", as follows:

Demona joining forces with the resistance movement.

The LXMs serving as a parallel to "Cyber-Lex".

Coyote-X as a parallel to the Xanatos Program (artificial intelligences out to conquer the world, both derived ultimately from Xanatos - although I doubt that Coyote-X has any direct connection to Xanatos, he did originate the Coyote line of robots).

Were these three elements intended as parallels to "Future Tense", a la the destruction of the clock tower in the original series?

2. What sort of occupation do you imagine the Space-Spawn making on Earth? A really tyrannical regime of the sort where Earth's population is reduced to slave labor, or a more remote occupation where they pretty much let the Earthlings go on with their lives, though now as subjects of the Space-Spawn Empire?

3. How is it that Coyote-X is out to conquer, first the planet, then the galaxy? I will confess that I have something of a problem with the notion of a robot or artificial intelligence out to conquer the world; such a goal strikes me as more fitted to an "organic being" with such emotions as greed, ambition, arrogance, etc., than to an artificial intelligence, which I simply can't imagine developing emotions (truth to tell, my own thoughts on machines are pretty much the same as those of Goliath in "Outfoxed" - machines know only what they are programmed to know; it's living beings, such as humans and gargoyles, who are capable of making decisions, and choosing between the right thing to do and the wrong thing to do). I didn't have any problems with the Matrix undertaking this route in "Walkabout" since it was portrayed here as merely a logical extension of its programming (to bring about order to the terrain of the world; it was merely misinterpreting its mission) rather than being motivated by power-lust. However, I'm not certain as to how Coyote-X developed its goal. (Of course, artificial intelligences could have come a long way by 2198, and maybe by that time they have developed emotions and the weaknesses and failings of living beings like humans and gargoyles). Of course, I doubt that you want to fill us in on the details yet, but I just thought that I'd mention it.

Greg responds...

1. Yes and no. I love playing with the Future Tense expectaions. But on another level, it's just the characters telling me what they want. I know what Lex does in the late nineties early "oughts". I know what that leads to in turn. I know Demona well enough to know that she's sure not gonna like the Space-Spawn after they steal all the Gargoyle Eggs. And I know what happens to Coyote and how he's going to evolve and upgrade. So maybe Puck was being a bit prophetic. After all, the characters are deciding things for themselves. And he wasn't half wrong.

2. In the immortal words of Abe Simpson, "A little from column A and a little from column B."

3. Well, artificial intelligence has come a long way by 2198. Thanks in no small part to Coyote, Coldsteel, Lexington, Matrix, Fox and Anastasia. (An odd group. But there you go.)

Response recorded on July 03, 2001

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Gabe writes...

Hi,
I just wanted to make a comment:
I think it was very creative and cool to make the cold trio's drama be closley paralleled to Shakespear's OTHELLO. Except for the few inconsistantsies (i.e. Othello-Colstone not being a commander like Othello, Goliath taking on Cassio's role, and the absence of a Rodrigo, and the whole bit with Othello's tissue) I thought evrything was played-out well and done correctly; Iago-coldsteele wasn't as "Machiavellian" as was Iago in the play, but he still had that same pure-evil aura, and Desdemona-Coldfire isn't as naive as Desdemona in the play. It would be neat just see the play done by the characters of the show.
Anyways just thought I'd say that since OTHELLO is one of my favorite plays and plot-lines (almost ranked next to HAMLET and MADAEM BOVARY in my book).
Oops, I lied, I do have a quesiton, nothing too difficult, though: What kind of music would you say the Manhatten clan would listen to? That just popped in my head; I don't know why :).

Greg responds...

I don't know. Carl Johnson stuff mostly.

I'd love to use the Gargoyles characters to perform a whole variety of Shakespeare Plays. Othello's obvious. (Can you see Vinnie as Rodrigo?)

Response recorded on July 02, 2001

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Blaine writes...

I might be mistaken on this, but as I recall in "Reawakening" didn't Demona say she something to the effect of she had tried everything (sorcery and science) to bring him (Coldstone) back to life? So, does that mean that she was carrying around what was left of Coldstone's body (and Desdemona and Iago's bodies also) around with her all over the world for the thousand years before "The Awakening"?

Greg responds...

You're mistaken. So, no.

Response recorded on July 02, 2001

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Sloth writes...

Why is it that after Iago was sucked into the "vortex" he was not destroyed by the virus? Are souls just not as easy to get rid of as xanatos program? And why did he not have "the power" to come between Othello and Des? Does that just mean he couldn't fool Othello anymore?

Greg responds...

You answered your own questions.

Response recorded on June 30, 2001

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Sloth writes...

All right, some more since it doesn't look like my others will be awnsered for a while.

How did Xanatos know to look for Coldstone in the Himalayas?

Greg responds...

He built Coldstone's cybernetic parts. He has a means of tracking them.

Response recorded on June 30, 2001

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Jessica writes...

How would you compare Desdemona's love towards Othello, to shakespear's sonnet # 116, Let Me Not the Marriage of true Minds

Greg responds...

I'm sorry, but I don't have my copy of the sonnets with me -- and I don't have them memorized.

You feel like typing it out?

Response recorded on June 27, 2001


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