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Hey Greg! Long time, no question.
I know I should ask something related to "Gargoyles," or "Spider-Man," but instead, my question is about a Shakespeare character.
A couple of nights ago I caught a televised version of the Royal Shakespeare Company's production of "King Lear" on KCET (with Sir Ian McKellan as Lear, no less). Seeing this production, I was reminded of your affinity for the character of Edmund.
I would be very interested to hear your thoughts on Edmund's "change of heart" towards the end of the play. Why the change? What brought it about? You played Edmund in a production, yes? How did you perform this scene?
My interpretation is that Edmund's world has been rocked. Up to just before receiving his mortal wound, he was consistently atheistic, a non-believer capable of exploiting the beliefs of others for his cynical ends. I believe he KNEW he was fighting Edgar at the end, and I believe he was confident that he was the better warrior. But if Edgar could beat him, despite his "legitimate" brother's lack of ability, then maybe there's some truth to the notion that God favors the sword of the man in the right. To Edmund, that might be the only possible explanation for him having lost that duel. (Ironically, he wouldn't take non-superstitious factors into account, like the psychological hardening of Edgar over the course of the play.) "Some good I mean to do before mine own end," says Edmund. At the end of his life, the victory of Edgar has made him -- if not quite a believer -- superstitious. If Edgar can win, then maybe God, the soul, fate, the stars, right and wrong, etc. do have an influence on the actions of man. So he's hedging his bets on the afterlife by providing some truth. It's not exactly selfless, though not ENTIRELY cynical, since I can't imagine he's fully conscious of all this, given the complete lack of time to process events.
I'm not sure if I was a good enough actor to play all the nuances of the above, but that's how I view it. And in the one act play that I wrote about Edmund in college, that's the interpretation I used.
One thing I am curious about is your view of the events in Shakespear'es Midsummer Nights Dream. After seeing the play, I had always been more sympathetic to Titania than Oberon, yet from your responses, in the Gargoyle Universe,you seem to set the actual event as more sympathetic to Oberon. What caused your decision to take that route?
I'm not sure I'm more sympathetic to Oberon AT ALL. I think he has some positive qualities in the play and some extremely NEGATIVE qualities, and my theory that he's the (illegitimate) father of the changeling boy born of a young virgin he therefore must have seduced before she died in childbirth, doesn't per se make him sympathetic, though I do think it makes his actions more understandable. Admittedly, if your interpretation was that he wants the boy for sexual purposes, he's a monster, and I sound like a sympathetic revisionist/apologist/jerk by comparison. But if you don't attribute that horrific interpretation to the play, then all I've done is motivate his actions with something specific.
Did the events of a Midsummer Night's Dream happen in the Gargoyles Universe? And if so did they happen as Shakespeare wrote them or differently?
Events occurred, but I'm not going to go into it at this time.
I once heard/ read that when the Midsummer Nights Dream was performed during William Shakespears time, Puck was usually portrayed by a child (can't remember where I heard this, but I believe it was an english teacher in high school). Did you ever consider giving puck the appearance of a child?
I've never heard that, and it doesn't sound too likely to me. So... no.
I'd like to start by wishing a happy Easter to those who cerebrate it and to those that don't, have a great day anyway. Now lets talk Spidey...
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Market Forces
Another solid episode with a lot of different threads running through it. We start getting to know J. Johna Jameson and he's a lot of fun, I especially liked the whole hyperactive 'perpetually ten minutes to deadline' attitude they gave him. Interestingly this incarnation of ole Jolly Jonah doesn't seem to be particularly Anti-Spidey, I don't know if you've completely dropped it or if you're going to incorporate it later.
Also returning are Flint Marko and Alex O'Hirn AKA the future Sandman and Rhino respectively. O'Hirn's "ram him with a truck" move is a very Rhino-esque tactic, nice bit of foreshadowing.
When I first heard that Shocker wasn't going to be Herman Schultz I was a little weirded out but this episode erased all my doubts. Montana makes for a pretty charismatic villain with warped sense of honor. by the way, how weird is it to see the bad guy espousing the Moral of The Day(TM)?
We also meet Betty Brant and Robbie Robertson, I'd guessed that Randy from Peter's school was indeed his son but it's nice to have confirmation. big shout out to Phil LaMarr who managed to make father and son sound both reminiscent yet distinctive. Some nice interaction between Pete and Betty but is he trying to get the poor women tossed in jail.
Norman Osborn gets some nice development in this episode, teaming up with the Big Man to set up a sort of Supervillians'R'Us. That's what sets Osborn apart from Spidey's other rogues. Take away Vulture's wing and he's just a bitter old man. Take away Electro's lightning and he's just the school handyman. Take away Venom's symbiont and he's just a dweeb with a persecution complex. But take away Green Goblin's Glider and Pumpkin Bombs and he can still make your life a living hell as plain old Norman Osborn.
When I first heard that Keith David would be replaced as the Big Man I was rather disappointed but I was very impressed by Kevin Michael Richardson's performance. he really nailed the part, so much so that I wouldn't have noticed the change if I hadn't heard about it before hand.
All in all another job well done.
Keith did a great job in Episode One, but then he headed out to New York to play OBERON in Central Park. (Still can't compete w/Shakespeare.) Kevin stepped in and I think did an admirable job. He's really made the part his own without making it a different character.
what is lady macbeths plan to kill duncan?
In which universe?
2 - In the gargoyle version of macbeth retold via City of Stone flashbacks, why is it that the character of hecate seen in the original play was never featured?
What role would she have played?
With particular reference to act 4 scene 3, is it believable that in the space of one scene Iago is able to convince Othallo that Desdemona is unfaitful
Depends on the performance, I would think. I've been convinced of it many times.
I've read a book which might interest people who understand certain references in "Gargoyles". Ruled Britannia by Harry Turtledove is an alternate history novel in which William Shakespeare writes a play about Queen Boudicca.
Sounds cool.
You've said that Macbeth sometimes works as a stage actor. In what sort of productions? How well does he get along with taking orders from the directors? =)
He's done some Shakespeare, certainly. Probably other stuff as well. Maybe some Stoppard or Shaw. I could definitely see him doing some Shaw.
And I'm sure he got along just fine with the directors. He's not a prima dona or anything.
im asking about the famous line of lady mcbeth one of shakespeare's charater which starts with "blood, blood, blood"
What about it?
(Cough, Cough HACK!!!)
(Sniff) Oh, my head.....I know that I said I was going to do a HUGE ramble on my favorite episodes, but (cough) gosh darn it, I got pneumonia and have been in and out of the ER lately. :( I sad.
So, since this is the last day in Jan. and your closing down the asking part of the site, I decided to post one...last.....post for now. (Cough)
Greg: "OH, THANK GOD!!!"
Have you ever been to the Utah Shakespearean Festival Greg? Its very good, heck it's a Tony Award-Winning program! They do tones of great shows, some of them even out doors on their....well out door stage. This year, they are doing:
The Merry Wives of Windsor
Antony and Cleopatra
Hamlet
From June 22 to September 22 this year! (Plus more but Im not typing it...im tired.)
For more info on the Festival: please go to www.bard.com for tons of info and stuff!!! Its COOL!!! I go almost every year. (its a little easier for me because I live in Utah, and I LOVE da mountains!! Born and raised here baby!!)
I have a website that you might like, its www.lost-civilizations.net. Its got info on the Easter Island heads, Atlantis and much more! Since you like that sort of stuff, Im sure you'll like it.
Well, good by America and all the ships at sea. (Mwah-ha-ha.....COUGH, COUGH, COUGH!!!)
I've had pneumonia myself. I'm hoping you're fine by now. But I do sympathise. It sucks.
I have twice been to the Utah Festival. Once with my wife. Once with my brother. Had a great time both times. Would love to go again, but haven't been able to manage it.
Hi.....uhhhh.........hi again.......I have some more questions about Oberon and Titania...but they refer to the show, not the play. So I put up a separate post so it could go under a separate...thingy.
1. When was the changing boy born in your show? (I KNOW....I used changeling last time!!! I SPELL BAD!!!....or wuz I right last time...? ARG!!!)
2. Is the boy a grown-up now in the show?
3. What did Titania think of the play "A Midsummers Nights Dream?"
4. So....I was wondering......what did Titania whisper to
Fox?.................Uhh......Mr. Weisman.......hello?.....hrm, where did he go?
(DING-DONG!!!)
Oh my, the doorbell! I have company! Yay!
(Opens the door to find Greg Weisman standing at the door with a baseball bat)
Oh my goodness! Its Mr. Weisman at my house! Have you come to tell me what Titania said?
Greg: (lightly tapping the bat up and down on his hand) Yeah....something like that...Are you familiar with the story "The lady, or the Tiger" by Frank R. Stockton?
Yeah....
Greg: Well, its sort of like that.
Oh.....ok.
Greg: And for asking me that question in the first place....(raises the bat)
Uh, oh.....erk!..... :)
Im just being stupid right now. Thanks again.
1. Changeling. And I haven't placed this event on my timeline as yet.
2. I'm not saying.
3. I'm sure when she first saw it she was far from pleased. I like to think that she's matured enough now that she's come to appreciate its finer qualities.
4. <cricket chirp>
You're welcome.
Hello! (snickering).......Ah, another glorious day to be alive!!! What an honor to live in such a world we live in!! :)
Well Im back, with a vengeance.
I have to tell you something, when I twas a little girl watching "The Mirror" and hearing (learning) about "A Midsummers Nights Dream", I was curios and whipped out my mothers "Completed works of William Shakspere" book and tried to read it. But.....I was to young (or stupid...?) to understand it, so I tried it again when I was 16 and really enjoyed it! Also, when I bought the second season DVD set and watch "The Mirror", it re-kindled my interest and I re-read it. WHY is I telling U this? Well, I have a question about the story that I still (unfortunately) don't get... :(
1. WHY did Oberon want the changeling boy? And......
2. Why wouldn't Titania let him have the boy? (I know that Titania and the boys mother were friends...is that why?)
I hope that I don't sound too stupid...but I just don't understand that part. Well, that's my Shakspere Q. Have a nice, happy, and all-around good day!
1. I have this theory that the boy was his son. Many scholars theorize that he had a romantic interest in the boy. Others point out that fairy lore is just FILLED with fairies capturing and keeping small children.
2. That's it mostly, I think. I also believe there's a certain perverse satisfaction in keeping something from Oberon that he wants. And like Oberon, there's the fairy tradition of capturing and keeping small children.
A few months ago at the library, I checked out the VHS Macbeth (Orson Welles directed and played the lead role). According to the credits, Malcom was played by Roddy Mcdowall (Proteus). Did you know about that?
Yep. I have my copy of that version of Macbeth sitting right over there on the shelf. No, the other shelf. Yeah. See?
Greg -
(Insert Mandi's G2005 con journal here.)
For a variety of reasons which involve exploding lightbulbs, bad cosplay, and a possessed automobile that no one really wants to hear about, I don't think I'll get my con journal done before August 31st. Oh, I'll get it done anyway, but I have the feeling it won't be done by the deadline and you just need the numbers before then. Better a late con journal that's not crappy and tainted by my need to hurt various contractors. So I was there, I came, I saw, I had fun, G2005 was over far too soon, and I'm looking into making you a "Lunatic Most Trusted" button.
(Incidentally, if I don't make it to G2006 or you read this before I do, I forgot to ask you something at the Blue Mug-A-Guest when you said you were a Shakespeare freak - did you ever see "Goodnight Desdemona (Good Morning Juliet)?" I'd recommend it if you haven't; best play I've ever been involved in, and it messes with Othello and Romeo and Juliet SO MUCH...)
Now watch. Now that I've given up getting it done before the deadline, I'll get it done in time anyway. Oh well...
Haven't seen that play. No. Sounds cool though.
How far does Iago's manipulation fuel Othello's jealousy?
All the way to Cyprus.
what is the whole concept behind racism in the drama of orthelo
Read OTHELLO and find out.
I have no questions, just writing my review and support for the Gargoyles DVD.
I love it so much. I watched it all the minute I ripped it out of the Christmas wrapping!It brought back so many memories! I was fourteen when the show aired and watching it all over again has made me more aware of storylines I didn't pay attention to before. Really, no other animated series has ever topped Gargoyles.
I especially love the commentaries and wished there had been more, but I'm sure that's simply asking too much. I love all the inside information and spoilers. I especially enjoyed the warmth and humor through out the commentaries.
I would like to put in my part in saying that I desperately, desperately want to see Gargoyles Season II come out and soon. I may be a poor college student but I would happily spend my financial aid money to buy season two instead of textbooks!
On another note, I want to thank you Greg Weisman for adding Shakespeare into the series. It inspired me to read Shakespeare, love Shakespeare and now I'm on my last year of college hoping to one day soon, teach Shakespeare.
That is tremendously gratifying. Thank you for relaying that here.
Why are there no pauses between scenes in Shakespear's plays?
By "pauses", do you mean "act breaks"? Cause they have those between acts.
Just read the resume you posted- two things caught my curiosity: One was in reference to the Disney Afternoon block, "Developed animated feature length idea, The Tempest", and the other was "1999: Macbeth, DREAMWORKS FEATURE ANIMATION. Writer". I hope my memory isn't failing me, but I don't remember either being discussed on Ask Greg. Were these straight adaptations of the Shakespeare, inspired by, reminiscent of...?
Thanks in advance for answering.
At Disney, the Tempest idea I had was inspired by the play. Followed the basic outline of the story, but wasn't the play itself.
At DreamWorks, I developed TWO versions of Macbeth. One dead on, i.e. the actual play. And one that was inspired by the play, but told from a different point of view.
Of course, none of this stuff was for the Disney Afternoon block.
Just looked over the resume that you included in one of your most recent answers, and thought that I'd tell you that I found it amusing and very appropriate that two projects that you'd worked on were feature-length animated versions (which apparently wound up being scrapped before completed) of "The Tempest" and "Macbeth". I certainly can't say that I'm too surprised that you'd be working on them.
No, it's not particularly surprising, just a bit depressing. I also spent some time working on a Midsummer Night's Dream animated feature. But that never got off the ground either.
I remember your mentioning at the Gathering 2001 about your idea for the odd little two-parter about Goliath and Co. getting trapped in a performance of Shakespeare's "Macbeth". Was this idea of yours at all influenced or inspired by the famous superstitions revolving around the "Scottish Play"?
Not per se.
Dear Mr. Weisman-
I was wondering if you could clarify how William Shakespeare fits into the Gargoyle universe. Was he aware of the Third Race in some regard, or was he just a very talented writer whose stories were closer to truth than fiction?
Thank you for your time, and for your creation.
Will's place in our world is a story I've yet to tell, but want to tell -- eventually in the comic book. So I'm not going to spell it out here, other than to reiterate what I've already revealed: i.e. that Macbeth was a friend to Will, though Will never knew that Macbeth was MACBETH.
And, oh, yes, Will wrote his plays.
I was reading your answers to the Oberon/Titanina Family trees (November 2004) and two things caught my attn:
"Lord Oberon married Titania (who became Queen Titania after Mab was overthrown). (Note: Oberon intentionally did not take the title of King. Retaining his "Lord" title is his semi-skewed attempt at being more... egalitarian.) "
-When you say that Titania 'became' queen while Oberon chose not to 'take' the title king- do you mean that Oberon's claim came from Titania and not from Queen Mab or his conquest of her? (Queen Mab is his mother, right?) Is Titania queen or queen consort?
I know in many cultures that seem to have inherited kingship the facts are actually differnt. Take Macbeth, for example: Luach was probably the first son to directly inheret a crown from his father in Scottish history. Macbeth's claim was as good as Duncun Canmore's, but Gruach came from an older line than either. Are Oberon's children similarly not straight forward? With near imortality succession probably doesn't come up all that much anyway.
You also wrote:
"Oberon also has at least two sons by mortal women: Merlin and the changeling boy from Shakespeare's "A Midsummer Night's Dream". "
I cannot believe I didn't notice you saying that before! When I read/saw Midsummer, (one of very few plays I can't get into while reading but love to watch), I always assumed the boy was the mortal child of a beloved, all-to-mortal, devotee of Titania's. The complete disregard for the boy shown by Oberon stealing him away (both physically and magically from Titania's attention) always left Oberon a bit too scummy for me to be fully happy with the 'all the couples were reunited and lived happily ever after." (Though, I'm told if my knowledge of mythology were more complete I would know the royal mortal couple don't end so happily, or at least longly, either.)
If the boy was in fact Oberon's, than the disregard might be feigned as a ploy to get him from Titania. Oberon is immediately made less scummy.
Barage of questions:
1.In the Gargoyles universe, how true to the Shakespeare is the 'true' story?
2.Was Titania aware that the child was her husband's?
If so, was her care for the boy as innocent and real as they seem (to me) in the play?
3.What made Oberon father a child with a worshiper of his wife? Coincidence? Meaness? Was she a worshiper of Titania at the time or did that come after?
4.I think, but do not remember clearly, that the woman did not die in childbirth. What did she die of, and could Oberon have been of help preventing it? Did he try?
(My pet theory is that Titania has tried to help Renayrd out a bit in his illness, but there is only so much she can do without being obvious. And even if she were to use blatant magic, there is still only so much she can do. Medicine and healing, though we take it for granted, is still 'big magic'.)
5. What ever did happen to the changling after the events of the play? Or, if you don't want to go into specifics, is he alive or at least have a unnaturally long life?
Apropo of very little- last summer I caught a rather good preformance of Midsummer in a Shakespeare in the Park(ing Lot). (Not as good as their Richard II that they seemlessly reordered to make the first half as flashbacks during the second.) Uneven. but with real flashes of brillance. Instead of dual roles, they had the traditionally dual roles played by exchangable pairs. The Oberon and Titania I caught had fantastic presence.
thank you
Titania is Queen Consort, technically, but it's also a position of not a little authority at the top of the feudal pyramid, answerable ONLY to Oberon... and even he is somewhat reluctant to order his Queen around. Note that when the Weird Sisters report that everyone but Titania and Puck have arrived for the Gathering, Oberon immediately states that Titania may come and go as she pleases.
In any case, Oberon's claim to his throne comes from both being the son of Mab and being the one who took Mab down. It does not come via Titania.
As for your Midsummer Questions, this is a story I hope to tell one day, so I'm going to be stingier...
1. We'll have to see.
2. I prefer to leave the answer to this ambiguous.
3. She was already a worshipper. His motives... are also best left ambiguous for now.
4. I'm not revealing this now.
5. Ditto.
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