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Why didn't Xanatos use his power and influence to have Elisa kick off the force or have her kill?
Why would he do either of those things? What possible motivation would he have? How would that aid his cause AT ALL?
Subject:controversial scenes
Greg did you ever recieve a lashback from some of the episodes Disney aired during its run ala Eye of the Beholder Fox's brief nude scene, Elisa removing her bottom gown (On this note some perves were ready to see Elisa in her panties, Which thank God you guys place a mini skirt instead also I bet you'll anticipated parent viewers on the The Mirror episode where Goliath falls showing under his loincloth and finally were you taking a risk on the Hunter's Moon episode where Elisa gives Goliath a kiss?
I think the Fox thing was a bit of a risk, though none of the other things you mentioned. (You're exagerating the loincloth bit where we had full wrap-around, so to speak.) But no, there was no "lashback" at all about these scenes or episodes.
The only thing that comes close to what you are describing is the episode "Deadly Force". We had no outcry over it at the time, quite the reverse, we received a lot of praise for it. But later, Toon Disney refused to air it for years because of the realistic depiction of violence (the exact thing we were praised for). I'm told they do air it now though.
Hi greg,
Questions regarding "Walkabout"
1. Why did Dingo meant by helping Fox and Anastasia? Carry crates? Clearing the test sites?
2. How did the Matrix shrank after being so insanely large? Compression? Did it kill a handfull of nanobots?
3. What was Dingo's job before going to America?
Thank you.
1. Generally, I think he was in charge of security. EXTERNAL security. Although, clearly he was off duty when the episode begins.
2. Deactivated and dissolved most of them, yes.
3. Mercenary.
"31. What is the extent of the sensations that can be felt between Demona and Macbeth via their link? Can they feel other things besides pain?
Greg's answer:
Simple touching doesn't pass from one to the other. Intense feelings of pain and pleasure would."
So if the happened to have sex, it would be some sort of transfering chain re-action of pleasure?
In theory.
WALKABOUT
I'm not big on relating my entire reaction to an episode, but highlighting certain key reactions of mine that stand out. I'll start with the negative. The idea that this Matrix could be so rapidly developed by Xanatos along with all his other projects struck me as reaching a little far. That he never chooses to use the technology for commercial gain in industry (nanite construction) or medicine (nanite healers) also threw me.
Of course, this was Fox's and Anastasia's experiment, not so much Xanatos'. I liked the notion that perhaps Anastasia infused the Matrix with magic in order to accelerate it. I also choose to believe that the Matrix represented, for Xanatos, a sort of dark temptation. I like to think that after the failure in Australia, Xanatos decides it was for the best and that transfiguring the whole world for his purposes is not him, it is the deep inner demon in him that must be silenced. I think Xanatos is a guy who values reason and considers it the barrier and interpreter between his dark, inner demon and his outer surface of grace, charm and tact.
Anyway, I loved Dingo, the Shaman, and the Dreamtime. Neither the Shaman nor the Dreamtime were very thoroughly developed, but that is what I liked about them. The spare dialogue made the Shaman and the Dreamtime feel more mysterious and therefore attractive. The way the Dreamtime was used as a bridge of communication with the Matrix was a stroke of brilliance, I thought.
Finally, in the Dreamtime, I loved the way the Matrix is represented -- as that mechanical set of arms and gyroscopic "eye" that zooms in on Goliath like an insect as he gives his gloriously-written and very eloquent speech, which I also loved. Tha whole scene is perfect and made the episode for me. I love the stuff Goliath will say in a tight spot that manages to convey desparation and maintains eloquence at the same time.
I'm glad there was so much that you liked. I hate to therefore pick on the little bit of negative that you mentioned, but I can't resist, because it raises a larger point.
"The idea that this Matrix could be so rapidly developed by Xanatos along with all his other projects struck me as reaching a little far. That he never chooses to use the technology for commercial gain in industry (nanite construction) or medicine (nanite healers) also threw me. "
Except you don't know that any of the above statements are true. The fact that we hadn't shined a spotlight on this area of his conglomerate until "Walkabout" hardly proves that he (a) hadn't been in development of this tech for some time or (b) that he wasn't -- both before and after events depicted here -- attempting to exploit the tech industrially. Xanatos Enterprises is a BIG company, and most of their endeavors are, well, dull. The fact that I'm only telling the interesting stories doesn't prove that the mundane isn't taking place behind the scenes.
Been a while since I posted a question. Thanks to all involved getting Ask Greg fully operational again.
Seeing that the question line is about 1.5 years backlogged, I figure asking this in November '04 might get it answered when it is just about the time to ask: With season 1 coming out soon as I type, and long since out by the time this is read, what is the news on season 2?
Laura
Season 1 and Season 2, Volume 1 are both available now on DVD. The former sold well. The latter, not so much. So as I've said MANY, MANY times before, we need to SPREAD THE WORD about both volumes so that we can get Season 2, Volume 2 which is not currently scheduled to be released due to the poor sales of Season 2, Volume 1.
I've plugged 'em before. Now I'll let them plug themselves...
Subject: Much Adoobie Brothers EXTENDED!
Troubadour Theater Company EXTENDS
Los Angeles Times' Critics' Choice
Much Adoobie Brothers About Nothing
NOW Playing through Sunday, September 24.
Scroll down to read the rave reviews.
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August 10 - September 24
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CRITICS' CHOICE! "Put it all together and you have the truest hallmark of any Troubadour show...bad wigs, rock star preening and outrageous comic riffs (that) LEAVE THE AUDIENCE BREATHLESS WITH LAUGHTER!"
--Daryl Miller, LA TIMES
["All true" --Greg Weisman]
GO! "A SCREAM! Another LAUGH FILLED TRIUMPH FOR THE TROUBIES!"
--Martin Hernandez, LA WEEKLY
"HILARIOUS! DELICIOUSLY FUNNY! UNDER MATT WALKER'S FIRST RATE DIRECTION, THE WHOLE EXPERIENCE is a RAMBUNCTIOUS BUNDLE OF JOYFUL COMIC ANARCHY!"
--Terry Morgan, VARIETY
["Matt Walker is an effing genius" -- Greg Weisman]
CRITIC'S PICK! "IT'S ALL TOTALLY BITCHIN'! MATT WALKER, WHO ACCOMPANIED BY HIS USUAL PARTNER IN HILARITY, BETH KENNEDY, AND THE LOVELY LAUREN GIRA - BRINGS DOWN THE HOUSE! A PITCH-PERFECT JEN SEIFERT PARRIES BRILLIANTLY WITH ERIC ANDERSON! A BALLS-OUT ROCK 'N' ROLL BASTARDIZATION OF SHAKESPEARE! RIGHT ON!"
--Jennie Webb, BACKSTAGE WEST
CRITIC'S PICK! "WILD! HILARIOUS! THE IMPRESSIVE SMARTLY MOUNTED PRODUCTION, AND WALKER'S SHARP SAVVY DIRECTION WITH ROLLICKING PERFORMANCES JUST ASTONISHES! DON'T MISS IT!"
--Gerri Garner, AMERICAN RADIO NETWORKS
"Nobody does Doobies like the Troubies"
www.troubie.com
I was woundering if you have ever thought about continueing the series on a website in writen form or something of the like??
How about as a comic book?
What ever happened to the the "live-action" movie of Gargoyles? Will there ever be one eventually?
As I've answered many times before -- including VERY recently -- the movie has been shelved by Touchstone.
MARK OF THE PANTHER
And with this I should finally be caught up.
In the first few minutes, I found myself fearing that this episode would be focused primarily on our heroes stopping poachers. To me, it just seems that whenever a series does an episode like that, it turns into something where story and character are put on hold for the sake of a message or moral. Even if the message or moral is good, if that's all the episode is about it just winds up feeling hokey and forced.
Thankfully, that was not the case with this episode.
I loved the whole "I've saved you--OOF!" thing at the waterfall. A nice way of continuing, and yet making fun of, Goliath's "always being there to catch Elisa" habit.
I actually didn't recognize Diane Maza--it had been a while since I'd seen her (or even heard her VOICE), and her character design looked a bit different (not just in wardrobe, something in the face, too). Regardless, I'm still glad she appeared, and I was VERY pleased that Elisa finally got word to (at least one of) her parents.
The Panther Queen story was, of course, fantastic. It never ceases to amaze me that it all took place in the first Act. It just seems to be "bigger" than the space allotted it. I was actually kind of surprised to learn that you guys made it up yourselves. Actually, I was even more surprised to find out in the original outline, "The Jaguar Queen" that you guys didn't even have Anansi!
Angela tries to view the world through the prism of her experience, wondering if Diane is a Queen or Magus. I always loved that.
Elisa's sheepish excuses around her mother always threw me--considering the circumstances (which any reasonably intelligent person would know could not be explained with "being on a case") the truth was obviously the only way to go. But like you said, Greg, Elisa's a little selfish with her secrets.
I sincerely wished that you guys had had enough time to put in some reference to Elisa's leaving Matt an (unreceived) message.
I love the looks on Angela and Goliath's faces during the, "You're right, parents and children should be able to discuss anything" sequence. Just as I like how when the gargoyles do join the action, Elisa just smiles while Diane's face takes on a more terrified/surprised expression.
One thing that always bothered me, though--Angela BENDS a spear, as though it were metal. Maybe it was, but it sort of looked like wood to me.
I loved the were-panther transformations. Especially in Karadigi. Just the way the humans stayed on four limbs for a bit after having transformed back.
I, too, enjoyed Goliath's rather surprised/pliant "Of course not" to Diane's proud statement, "I don't need looking after."
Actually, another interesting character bit here--Goliath was going to send everybody else off in one group and travel his path alone. He seems to have this kind of "I'm the big and strong one, so I can handle anything without any help," mentality. Shades of where the Eye of Odin would eventually take him?
Diane wonders why Goliath can't just fly out of the hole--again playing to human's initial assumptions on gargoyles. I just love how Goliath is so nonchalant about the tiny spiders crawling over him, or their webs hanging off him.
Elisa, Angela and Bronx's trap is pretty darn creepy--being entirely covered in a "web blanket."
The talks on parenting are well handled--they get the point across without being overbearing. Actually, it took me a while before I realized that Goliath's treatment of Angela was more out of personal fear rather than just following clan customs. And now that I think of it, Elisa's complaints about her mother reminds me of how she disagreed with Goliath's keeping Angela in the dark in SANCTUARY. Maybe that's why Angela's words meant so much to Elisa--she thought of how unhappy Angela is at NOT being able to talk about things with Goliath.
I was surprised with Tea's story about how Fara Maku marked her--it kind of switched who was the victim between the two. I loved Diane's line, "That's not love Fara. That's selfishness." That leads me to wonder how many people have let their own selfishness outweigh their love in relationships.
When Anansi finally makes his grand entrance, all I could think was, "DAMN, that's a BIG SPIDER!" Don't ask me how, but I just knew LeVar Burton had to be in this episode somewhere, and he did a great job as Anansi, though I could barely recognize his voice. If Anansi had ever taken human form, I would have loved hearing LeVar's un-altered voice.
When Anansi starts losing the battle, I love how his eyes take on a very worried look (almost makes me feel sorry for him), and he starts trying to placate our heroes with wishes.
I was surprised that you guys actually "killed" Anansi--I hadn't thought the little spider at the end was actually him (possibly because that spider was brown instead of purple), but I am glad for the thought.
As for Tea and Fara Maku's reconciliation...yes, I'm afraid I can't help but find it a little too easy. Again, this is one of those times that I wish GARGOYLES could have run longer. Heck, if Tea had been awake (and reacted) when Fara swore to serve Anansi forever if Tea was freed, it might have worked better for me.
The resolution between the parents and children was well done. Yeah, Goliath and Angela's was pretty sappy (mostly because of Angela's reaction, and the swell of the music, IMO--Goliath's always cool), but it was still okay. Diane's and Elisa's was just great, and I love Diane's line that sometimes love can be about "letting go".
Funny thing about Elisa's "No" at the end--I didn't even hear it until the second or third time I watched this ep. And I think you're right that the ending plays better without it.
GOLIATH THE PANTHER-GOYLE: Sometimes you can only see these things through the eyes of a child. ;-)
Seriously, though, it wasn't necessary, and from what I saw in the "Panther Queen" sequence, it looks like it has to be done in a very specific fashion. So I wouldn't lose any sleep over it.
My ramble's a bit all over the map, but trying to do two rambles in one sitting is enough to tax anyone's brain. Suffice to say, this really is a great episode all around, and I enjoyed sharing my thoughts on it.
Looking forward to your next ramble!
Ugh, see... I have got to catch up here, because I haven't a clue as to what "Goliath the Panther-Goyle" refers to.
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