Vaevictis Asmadi writes...

Catching up on my reviews/feedback to the comics... random thoughts as usual, and not very thorough.

Unfortunately, I can't afford to buy the Trade Paperback, since I'm unemployed and low on money. Maybe someday. But I intend to continue buying the individual issues. I sincerely hope that the comic continues long after #12! And I really hope #8 comes around soon.

I forgot to mention, I like that #7 visually confirms that Delilah turns to stone like an ordinary gargoyle.

Issues #3-5:
I read these a while ago, and watched the Radio Play online before reading #5. Lots of new revelations about the Illuminati in this set. Overall, I didn't find the Illuminati stuff in the series as interesting as this. They really are sinister and scary. Whatever they're doing, it won't be in the clan's best interest.

Art
The different art styles in the three issues makes it strange to read them in sequence. Being the critic that I am, I notice many flaws, but I don't think that the art in #3 and #4 these issues was bad overall. I'm just not as good at describing the parts I like.
David Hedgecock's art isn't as good in this issue as in the latest issues drawn by him, which I already mentioned in my reactions to #7. It appears he was still getting used to all the various characters. Some good character asides are worked into the frames -- like Margot's obnoxious expression as she walks out of the meeting, and Brooklyn facing Malibu while Al talks to Shari. I don't understand the frame in which Talon is covered in warts, though. That wasn't in Metamorphosis, though it could have happened off-screen. I prefer Dustin Evans' shading style to Will Terell, but Morgan, Matt, and Thailog are colored oddly. I dislike the lines stabbing out of the gargoyles' eyes when they glow. As I've already said, Hedgecock's art looks best in #7, and with Robby Bevard's colors.
I quite like Nir Paniry's art on the Mutates, I think they looked very good. I also generally like his art for gargoyles' faces, I think he does good facial expressions in general (except the first page which looks more cartoony). I think he does a great job on Hudson. Talon's face when he says "I'm not leaving Maggie!" is especially well done, and very expressive. But the lines on Angela's face look like eyebrows. And I don't like seeing the gargoyles with such huge muscles. The split frame of Goliath's and Thailog's faces looks good. I also like the effect of the frame with just Goliath, Elisa, Morgan, and Delilah standing alone, as if the party is not all around them. It conveys the emotion of the situation (for Elisa and Goliath, at least) more effectively than words or faces could. I also enjoy the frame where Broadway and Lexington go after the food.
Karine Charlebois' art is amazing, it looks just like the animated show! The art in #5 is excellent, both the lines and the colors. Morgan still does look paler and Malibu's hair greener than I remember, but otherwise this issue is spot on the models in most frames. Brentwood is even drawn with the extra spikes he has on his shoulders. I am also pleased that the blood was drawn (not avoided) but also was not gratuitous or excessive -- especially considering that Thailog was not trying to kill anyone.
My main problem with these three issues is the inconsistency with the Mutates and the Clones, who are off-model in various ways in #3 and #4. In #3 the Mutates have tails. In both #3 and #4 the Clones have white teeth and red mouths, and Thailog and Brentwood look black instead of blue and purple. (Actually, I was kind of hoping at first that the Clones' mouths and teeth had simply changed to the normal color over time, as I find their black teeth and green tongues rather nasty.)
The inconsistency with Broadway's costume was less avoidable, though dramatic. Angela's footwear also seems to change from #4 to #5, but that is hardly noticable. Maybe they changed clothes?
In any case, such things also happened in the animated series, they were just harder to notice in moving images. They'll probably be rarer once every issue is by the same art team (you are going to pick a permanent color artist eventually, right? Please make it Robby Bevard!)

#3
Ugh, Margot. She's just so hateable. I don't really know why, some other antagonists are more of a threat.

I think Hacker is lying to everyone he talks to here. The Illuminati manipulates and uses its lower members. Probably Hacker isn't totally in the loop either. They can't want to kill all gargoyles, because they already know where the Manhattan clan sleep. I think I know what they're up to with the Quarrymen, Taskforce, and Xanatos, but would guessing in print be an idea?

The conversation between Lex and Fox is funny, though less than last time. But I notice he takes her word for it.

I really like how Goliath and Elisa's relationship is handled. Too many fantasy stories have inter-species romances in which the characters don't act at all sensibly. They just jump into it as though cross-species mating is normal and they expect healthy children and total social acceptance. But Elisa has a realistic reaction. She may be a gargoyle-lover, but she isn't crazy. Goliath's behavior surprises me more, that he has no doubts at all. Is it because falling in love after losing the first mate is so rare that he doesn't question it? Because his life is already so different from how he grew up, that he just goes with it?

LIMITED is right.

And Demona takes the crystal. Nice to see that, to know what happened to it.

#4
Hudson! I like Hudson, he's one of my favorite characters.
If people didn't want to believe real bad that gargoyles are just animals, if the idea of sentient gargs wasn't so impossible for a person, I doubt they'd fall for the "I'm wearing a mask" trik. No way a garg's face looks like a rubber mask.

"Excuse me? Cyborg." Somehow this line is very funny to me. But how does his costume just happen to be identical to the one in Future Tense? Did Puck see the costume in a prophecy? It can't be a coincidence. Of course it is only a costume, but from an in-the-universe point of view, the perfectly identical appearance is pretty creepy.

Go Claw! He has some guts in him.

Roebling is hilarious. Clearly he is wasted. And Delilah is so naive! Who would ever say such things in public, to total strangers... wow. English she has learned, but not basic social niceties.

I wonder why Alex is growing so fast. Is it his magic training? And I can't fail to notice that this Ambassador Chung has a son named Terry... he's pretty young yet, though.

I was very worried about Maggie when I read this. Now having #7 I'm not worried anymore of course.
Clearly Derek has a lot of feeling for her.

I love the way Owen handles Thailog. He knows that if his head is blown off, he will be dead like any mortal. But he's deadpan calm as always.
And that line about endlessly repairing the castle had me laughing so hard!

#5
The bloody cover of #5 with the Disney logo on it is ironic/amusing/strange. I'm sure most people don't expect that from a Disney comic! But I was sure you weren't ready to kill Goliath yet, so I didn't worry.

I already watched the Radio Play but of course it is much better with visuals. Because I watched the Radio Play, I get to hear Brentwood's hilarious lines in my head. I gasped along with the audience at the end.

There are Mary and Finella. It has to be them. And using their old clothes as costumes.

Morgan sure takes that news very well. That's kind of him.

I was very surprised that Duval is only #2, and I'm eager to learn who #1 is. We will find out eventually, right?

I laughed so hard at the Super-Garg pose! Brooklyn looks hilarious there.

Never expected Angela to start dropping profanity.

The way the clan treat the clones is kind of sad. I understand that for the Manhattan clan, the clones are unsettling and perhaps frightening, and it is difficult to think of them as being their own separate selves, partly because until now they have mostly seemed fairly passive, serving Thailog or going to the Labyrinth because they were told to. Yet I can also see that the Manhattan clan are being very inconsiderate and dismissive, and I imagine it makes the clones feel pretty bad.

I wonder about what led them to choose the Labyrinth over Thailog. Angela phrases it in terms of good and evil, but I have the feeling the clones did not reject Thailog for that reason. They aren't really old enough to have a good grasp of "good" and "evil" yet, though of course that isn't to say they can't or won't learn about such things in time. I think it was more a matter of freedom and slavery to them, than a concrete conviction that Thailog has done immoral things. Probably also it was a matter of their personal liking for the Mutates, and for each other, versus Thailog. Whereas Brentwood likes Thailog as a person more than he likes the Mutates or his siblings, but I don't get the feeling that he has a clear sense that Thailog has been "evil," either. I could be wrong, but it seems they are too young to expect that of them yet. Nevertheless, Delilah knows when she herself has been wronged, whether or not she phrases it that way. I was certainly surprised by her and Breentwood's choices here.

The scene with Jeffery Robbins is very nice. But does Hudson really smell like concrete? The stuff is made of limestone I think. And how does Robbins know that gargoyles are strictly nocturnal? Seems like the Quarrymen are telling people about stone sleep...
But I'm glad to see Robbins and Dr. Sato become friends to the gargoyles here, even knowing what they are. It even looks like Brendan was the one who got the doctor.

Quincy and Xanatos interacting is amusing. Xanatos making wisecracks at the #2... he's rather full of himself. But amusing.

In the end Elisa and Goliath kiss. And he says something very wise about free will. Brooklyn becomes funny. And Sevarius gets in a rather grotesque line.