Blaise writes...

INVITATION ONLY

Here are my thoughts on the FIRST NEW STORY IN OVER A DECADE!
Mostly, it's a repost of my thoughts from the Comment Room, with some new thoughts and responses added in.

I picked up my copy at the Golden Apple comic book shop on Melrose and La Brea. Had a bit of difficulty finding it, though. When I picked up Issue #2, it was shelved in the "Alternative" section with the rest of Slave Labor's titles. This time, it was in the "Kid's" section. I was kind of miffed about that, but oh well.

One thing I can definitely say about "Gargoyles"--I don't mind when it proves me wrong. I am of course referring to the upcoming "Double Date" story that will probably be in the next issue. This issue laid the pipe for it.
As you may or may not know Greg, I was hesitant to commit to the idea that this was the Double Date. Everyone else seemed so certain, but I wasn't so sure. From the way you described it WAY back when ASK GREG opened, I thought that it would take place a little further down the line.
That said, you pulled it off well.
I had wondered how Elisa would go from the one "date" in THE JOURNEY to breaking up with the big G. To me, it seems that the two major catalysts for Elisa's decision to break-up with Goliath (though they've only REALLY officially been together for a few DAYS) are 1) Morgan (a normal guy) asking her out on a date (and calling it such), and 2) Jason's little statement, "You need to be with a man who can give you everything you've ever wanted!" And we know that isn't quite Goliath. So, you made that part work, Greg. I mean, Elisa was probably thinking about going out with Goliath that night until Morgan asked her out and prompted her to really think about things. Even that may not have been enough without Jason's little inspirational.
(One thing I just thought of on my second readthrough...does Jason know that Goliath is Elisa's "mysterious boyfriend?" He knows the gargoyles are her friends, but does he know THAT particular piece of information?)

I love the opening spiel (on the radio?) where the announcer jokes about how to tell "real" gargoyles from people in costumes. In a way, I found it a bit outrageous how easily people assume the "beasties" can't talk.
Still, I have to say, it makes perfect sense that a gargoyle would be the most popular costume at this time (and Alex's costume is cute).

The new "Gargoyle Task Force" where we've got two new faces. I just KNEW Phil Tavanti was Morgan's partner from several episodes of the show (voiced by Jeff Bennett as I recall). I'll also be very interested in the way Matt handles things--especially with Margot watching him.
(And if I'm not mistaken, it looked like Phil was giving Morgan a bemused look while the latter was asking Elisa out.)

Hacker and the Illuminati. Manipulators of even the master manipulator (Xanatos). Like Todd, I love the way he changes his story with each visit. It's interesting to compare and contrast his..."scene partner's" reactions to him--Matt is clearly unhappy (and slow to use the "address numbers"), Xanatos seems amused (even when he finds out he's off to the White House), and Castaway is just pleasant and quiet (after all, they are his benefactors).
Oh, and by the way, Greg (in response to your voiced worries about the last bit with Castaway)--yes, Hacker's last statement (about destroying the gargoyles) did kind of feel like that was supposed to be the "real" story, but I thought that was intentional (I thought it was a great touch, in fact). I mean, it's an EXCELLENT red herring! Sure, the "long time fans" know it doesn't jibe with the Illuminati's M.O., but to the (always important) new fans it would be an excellent piece of misdirection. At least, I think so.
Like others, I also wonder at the significance of the numbers, and the fact that Matt/Xanatos/Castaway greet with the higher number, while Hacker responds with the lower number. Frankly, I was surprised that Castaway responded with a number at all--I knew he was involved with the society, but I didn't know they made him a full member!
One last thing: I loved Hacker's hand tightening on Matt's shoulder when he repeated, "don't be coy."

I loved Goliath and Elisa's discussion, and got a good laugh from Goliath's reaction to Elisa's "I realize your options are limited." Yeah, they're limited all right--to one (unless you want to count the genocidal maniac on the next page).
In a way, it's rather cruel the way Elisa does this--he just woke up and all is...well, not right with the world, but he's got Elisa for tonight (Halloween) at least. Then...he doesn't.
Poor bastard.
It does feel a bit abrupt, but in a way that works for it. Elisa may be voicing doubts she's had for years in regards to any relationship with Goliath, but ultimately she JUST decided to break it off completely with him ("go cold turkey" in a way). So it's sort of abrupt on both ends.

Great walk-on (or "glide-on") for Demona.

I thought the reintroduction for the Labyrinth and the Mutates and Clones was very well done. I recognized Al immediately. The "new kid" looks fascinating. I wonder what her story is (probably a runaway or something). For that matter, I can't help wondering who her VOICE would have been (or what her name is, since you cut Al off before he could introduce her!).
Knowing you, Greg, I really should have seen the "SEND IN THE CLONES" bit coming. Even then, the panel itself is a bit surprising (the clones actually look like they're about to attack). It's also fascinating, in the next panel to compare and contrast Brooklyn and Malibu (maybe it's an art thing, but Malibu has a bigger snout).
One thing I noticed this second readthrough: in the first panel with all the clones, Delilah's eyes are glowing. But instead of the normal, feminine red color, they're white. Was this a glitch or intentional? (Personally, I think it adds to Delilah's "otherness" as a hybrid).
I actually like Al's backstory-telling. It's well done, we get some nice panels (I particularly liked the one with Sevarius where half of his face is seen through a glass container of liquid and thus looks distorted and practically demonic--almost like a vampire, actually). I also noticed Al stopped short of mentioning Fang. He also never mentioned Xanatos by name--just called him "rich dude."

Let me just echo, along with several other people, poor Brooklyn. He was actually going to ask Delilah out and Goliath (unknowingly) shuts him down! Actually, this is another thing I kind of expected--Brooklyn attempting to hook up with Delilah, I mean (not Goliath doing it at the same time, though).
I like the look on Brooklyn's face afterwards, too. It's like he's disappointed, but not all that surprised at the same time (he's jinxed when it comes to the ladies, and he knows it).

I haven't seen the two TGC episodes featuring "the other" Castaway for several years now, but this version does seem to have some sense. He probably would love to give the go ahead to use hammers (and damn the humans stupid enough to dare dress as those evil monsters), but he knows it would be better in the long term to avoid that. In a way, this makes him more dangerous.
And count me as another who realized the "Chaz" mentioned is Fang's former crony from KINGDOM. Heck, I figured the guy Castaway was talking to on the phone was probably the other crony from the same episode (with the moustache, cap and shades--Lou, right?).

And I KNEW Thailog would show up at the end and have the last line (and a pretty good one, too). Great reveal (and a chilling final close-up). Did anyone else notice that he isn't actually firing those two big guns he has? The lasers are actually aiming lasers.

One thing that struck me about this episode--er, issue--Greg, is the way you fill the audience in on all the necessary backstory, but don't try to explain everything. Demona appears, but her name still hasn't been mentioned in the comic thus far, and prior to this we've only seen her in a brief "flashback" panel. And only those of us "in the know" realize the significance of the crystal. Nor is Castaway's being Jon Canmore revealed, or his relation to Jason. In fact, there's no indication Jason even has siblings, and no hint to his exact crimes (or the legacy of the Hunter, for that matter) is brought up. WE know the answers, sure, a good many of us were there from Day One of the series. But thinking of how a "new reader" might look at this, I find your handling of this to be very well done.

If I have any big complaint in regards to this issue, it's only that I have to wait at least two months for the next one.
(Frankly, I was also a bit worried about how this much awaited new story would measure up to expectations...I'm pleased to say, I like the way things are going.)

And that's my ramble on the first new story (I'm goint to wait until after your last few episode rambles, Greg, to put up my thoughts on the first two issues--I want to ramble on them alongside the TV version).
Can't wait for the next one.

Todd Jensen writes...

This is also a comment, rather than a question.

I saw, not too long ago, the episode "Artifacts" that you wrote for "The Batman", and very much enjoyed it. My favorite part of it was the scenes where the archaeologists in the future are speculating about Batman's history and come to several wrong conclusions (such as that Thomas Wayne was the Batman and Bruce was Robin, or that the wheelchair that they found in the Batcave belonged to Alfred). It reminded me, incidentally, of my favorite part of Stoppard's "Arcadia" (which I read after you spoke highly of it in the Station 8 comment room some years ago): the part where the modern-day professor was convinced that the events in the Regency period of the play were connected to a scandal involving Lord Byron, and was deliberately ignoring all the evidence that didn't fit his theory!

Grey Wolf writes...

Will there eventually be a happy ending for Puck? I won't ask for details. Where season two left off, he seemed to be in a bit of a 'tough time'. (Although, not as much as some characters) But you know what they say, it has to hurt if it is to heal.

Charisma82 writes...

I was watching "Double Jeopardy" last night and it reminded me about a question I've wanted to ask for a while. After Thailog puts Elisa, Xanatos, Sevarius, & Goliath in the oil tank, he tells Goliath that he had considered sharing the money with him but decided not to because Goliath had "disappointed him". What exactly disappointed him? I've been looking though the archives and the closest I've come to finding an answer is that Thailog didn't like it when Goliath called him an abomination. I'm sure that Thailog didn't like being called that, but that couldn't have been the main reason for not letting Goliath in on his scheme. There's got to be more to it. I've also wondered if it had to do with Goliath wanting to protect humans, because Thailog does mention something about not wanting to play "guardian angel" to the city. But then I figure that Thailog would've already known this about Goliath in the first place. He was smart enough to set everything up in "Double Jeopardy", wouldn't he be smart enough to do some research on Goliath to find out that protecting people was what he did? And if this is the case, why did Thailog even decide to include Goliath in the money part in the first place? The way I heard it was that he didn't decide until that night that he didn't want to share the money. So, why did he change his mind about Goliath?

Thank you for your time and your answer.

-Charisma82

Shadow Wing writes...

ISSUE 3 - INVITATION ONLY

Eleven years haven't dulled your skills, Greg.

Glad to see Jason again - Elisa really did care about him, it feels right that she wouldn't just abandon him.

When Elisa told Goliath that they needed to talk, I winced - most fans might have been upset by this, but for me it's more than that. My girlfriend broke up with me a month ago - I still love her, deeply, but for her, the spark apparently died some time ago, and she'd only been keeping the relationship going because she didn't want to hurt me. So tell the guy that, if I could, I'd give him a sympathetic hug bigger than he is.

I suppose I should have guessed that Thailog would be making another appearance this issue - the exposition with the Clones should have been foreshadowing enough for that. And I wonder if anyone has noticed his closing line: "Trick or Treat?" I suppose that the radio announcer's safety odds weren't quite as good as he/she thought.

Martin Hacker returns, and I get the feeling that he is going to serve as our face of the Illuminati (at least, until Mr. Duval is revealed). As for the Illuminati in general: backing three different groups, with three different agendas - the webs of the Illuminati are complex indeed, but if they control the world, they'd have to be.

Anything else I have to say here has already been said, unfortunately, except for this: the next two months are going to be torture. It's been ten years since I bought an individual issue comic book, but I don't think that even then, I was so anxious for the next issue.

Afterthought: Is "Sleep well" going to be your signature farewell phrase in Etched in Stone? If so…nice, I kinda like it.

Shadow Wing writes...

(Lexington boots up his computer, signs onto the 'net, types in a web address, and there we see it)

ISSUE 2: THE JOURNEY

"Medieval scholar Lennox Macduff," eh? What research does he do? Read his old diaries?

On that note, the irony of A.D.A Yale's statements, nicely contrasted by the events happening in our story, have always amused me - especially "Our children are not safe!"

Xanatos, Mr. Duval, and the Illuminati - I have to admit, I don't think I ever really understood what was going on here from the TV version - I think I always assumed that Alex's piggyback ride was on the way to the phone, Xanatos following Owen's implied advice. But here, his smirk makes the point much clearer - it's not wise to ceep the Illuminati waiting, but Xanatos doesn't care. Baby Alex needs some daddy time!
But I can just see Owen back at the phone: "I'm sorry, Mr. Duval, I'm afraid that Mr. Xanatos is in the middle of something vitally important - it cannot wait, and requires his full attention. He hopes you understand."

Broadway and Angela - I don't recall the TV version calling it a reading lesson, so nice touch there. But I don't think that Shakespeare is the best material to learn to read (and frankly, I'm not that fond of reading Shakespeare at all - seeing it, however, is another story).
Angela's been off of Avalon for the better part of a year, but still, like Broadway with literacy, she has so much to learn.
Semi-random thought: How's Hudson's progress towards learning to read? I don't remember seeing anything of that since High Noon.
Brooklyn's line - "Parting is such sweet sorrow" - knowing what I do now, I wonder if this was a subtle foreshadowing of Timedancer - he parts with the Clan for forty years, but finds love.

After Vinnie leaves, Goliath's statement about life is very true - life is a journey, and the road is often hard. But we can't let that stop us, for each new day brings an exciting new adventure. Don't think about the journey's end, because as someone said, destination is a state of mind.

Not much else to say, now. Some people have commented that they miss the voices, but I can here them still, playing in my head with perfect clarity - right down to Margot Yale's voice not being Marina's.

So, to Greg Weisman, and everyone else at Creature Comics: keep up the good work.

(Lex logs off, and shuts down the computer.)

Shadow Wing writes...

CLAN BUILDING: ISSUE 1 - NIGHTWATCH

First point: I like that you cut out Banquo and Fleance - they are established characters, working for Macbeth, and sticking them in with the Quarrymen seemed like just treating them as extras (I'm assuming that they'll be used again if/when Macbeth makes an appearance). The mother and the jogger were better for such a role - while they had function in their past appearances, it was simple, and they haven't had even five minutes total screen time in all 65 episodes.

The Lois and Artie scene amused me - "You may keep your weapon" - too bad for Artie, he can't use it anymore.

I seem to remember that some people disliked the exposition pages - I, however, felt they were a nice adaptation of Keith David's monologue from season 2 to introduce new readers to what has happened to the Gargs over the past two (or 1002) years (and of course, Goliath is speaking it).

The Bluestone-Chavez scene, with the Captain on crutches, brings a thought to mind - John Canmore, if I remember right, was always a little unsure about the Hunt - I seem to recall at the very least that he was willing to spare Goliath and company, and simply Hunt "the Demon." Yet now, as Castaway, he shows the same recklessness that his older siblings had before (Casualties? Innocent bystanders? Who cares?). He strikes me as being blindly dedicated to the point of obsession, or even insanity, and uncaring of how many people get between him and the eradication of the Gargoyle species.

As for the scene itself: Maria Chavez didn't reach Captain by being stupid - Matt was nervouse when she asked about Xanatos, and I doubt that escaped her notice. She probably guesses that he's hiding something.

Elisa's wakeup - I only have this to say - boxers or panties?

Vinnie's recruitment, Part 2: "I think you'll see the necessity [for the hammers]." - Castaway is so sure of what he's doing, he doesn't see how anyone could disagree with him.

On Elisa's balcony: "No way you're fighting this hard if stone-face weren't the real thing…" Let's skip the poor English and go straight to the fact that the statement is total bull!! If it were just a statue, one like that would have to be worth a fortune! I remember that bugging me even in the TV version.

That's it for Nightwatch.

mage_cat writes...

Just writing to let you know that at least one Gargoyles fan watched the second season of W.I.T.C.H. I have to say I very much enjoyed my little fan-girl laugh in "I is for Illusion" when one of the girls asked "How do we beat up a beach?" The season as a whole was very well done, even more so when compared to the first. The first season was largely a march toward the inevitable. I mean really, who didn't know that sooner or later Elyon would wise up, and Phobos would be defeated? The second season had many more interesting twists and turns. The character development was also fun to see. With such things as the Matt/Shagon situation and the revealing of Lillian as the Heart of Earth, the relationships were much more dynamic. I also loved the choice to make Nerissa Caleb's mother. Since Caleb has no parents in the comic you were free to make his mother whoever you wanted to, and it just fits Nerissa so well. I mean, in her own twisted way, she was working toward the greater good, at least in her mind, and it just makes sense that someone like that would conceive a child just so that child could led a rebellion. I have to admit I didn't think much about the character Gargoyle other than to think that it was strange to go from the clan to this wingless creature roughly the size of a tool shed that didn't speak. In short, great job to everyone who made the season so great, and I hope to see more.

Shannon 'Shan' Muir writes...

Greg, you mentioned in a recent post that the writings of Stephen J. Gould may have influenced you on GARGOYLES? How did you come to be exposed to his writings? For me, they were required reading in my Advanced Stats class for my MA in Communications (prof was a Gould fan). Thanks.

Charisma82 writes...

I read somewhere that you've been to Disneyland many times. What is your favorite ride there?

Thank you in advance for your answer and for your time.

-Charisma82