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Hi Greg,
So a new Spider-Man series was announced yesterday at the New York Comic Con. Are you taking part in this project in any way? If your not, is there any way you could get aboard it because that would be spectacular.
Thank you so much for your time.
No. And no. I'm busy on Young Justice S3, and in any case, Marvel would have to want me on it. They certainly know how to find me. There's clearly no interest in putting me and the character back together at this time.
Hi Greg,
First of all I just want to say thank you for every piece of writing you've ever done. You're a genuine source of inspiration to me and i'm continually amazed by the depth of your storytelling.
You've talked in the past about your decision to keep Emily Osborn alive and around in Spectacular instead of being a missing mother. I was thinking recently about how it's not uncommon for writers to imply that Norman's treatment of Harry to the idea that Harry's birth caused or bought about Emily's death.
You're Norman is probably the most explicitly cruel of all the Norman adaptations towards his son, and yet he totally lacks this excuse. I was wondering if that was something you where conscious of when writing the Osborns?
(P.S Spec!Norman is probably my favourite version of the character. He's cold, clever, charming and creepy, but most of all he's an unnervingly believable bully.)
I never really bought into that as an excuse for Norman. If he had been a decent man up to the point of Emily's death, then he would have treated his son with decency. But he wasn't, so he didn't. So it didn't bother me to "lose" that particular motivation when weighed against other concerns.
After re-watching "Spectacular Spider-Man" episode "Gangland", I was left wondering... Where did Silvermane get that impressive armour.
Sears.
Hey Mr. Weisman, a few random questions about Spectacular Spider-Man (even though it's been a while)
1) Did Gwen ever meet Harry's parents? (I ask because she has a way different reaction than Peter about them in Final Curtain, leading me to wonder)
2) I noticed when watching that Norman Osborn's treatment of Harry has multiple signs of emotional abuse (and of course, was revealed to have physically hurt his son in the s2 finale). Was this something intentional/clear, or just 'let's make Norman Osborn's relationship with his son like this' without thinking 'we want to make Norman explicitly emotionally abusive'?
I just want to say, thank you for creating a lot of wonderful characters, and doing them justice. Harry Osborn has always been one of my favorite, and I feel like not everyone appreciates the complexity of his characterization/does it well. (Though this is probably true of many characters that pass from writer to writer)
Also, since I know you like to include a level of real science (a level since sci-fi and fantasy inherently require breaks from science), 3) Did you ever read up on epi-genetics? It's really cool!
1. Yeah, she's met them.
2. Like somehow we didn't NOTICE that he was abusive? No.
3. I haven't. At least not yet.
Why didn't SpecSpidey or YJ have "Previously On" segments? Was it a network or production decision?
I'm vehemently against using them. I learned painfully from Gargoyles that they actually have the opposite effect then one would think.
Instead of acting as small reminders or hints, they convince people that they've missed too much to join the series now. They were never necessary. Everything you truly NEED to know to enjoy a given episode is spelled out in one way or another within the episode itself.
Hypothetical question.
ALL of your past and present projects have been renewed, and you have been asked to help them all. Which one would you prioritize, and why?
Well, as many regular readers of this site know, I'm not big on hypotheticals. Reality is so much more complicated, but I'll give it a shot:
GARGOYLES first, always. We're trying to get another comic book version now. Tweet the hashtag #WeLiveAgain!
YOUNG JUSTICE, second. Season Three is real. It's here. I'm working on it.
I'm also working on the second book in the WORLD OF WARCRAFT: TRAVELER series, THE SPIRAL PATH, and recently completed co-plotting work on THE FALL AND RISE OF CAPTAIN ATOM, w/my old Captain Atom partner Cary Bates.
The third book in the RAIN OF THE GHOSTS series, MASQUE OF BONES, which I still plan to get back to as soon as I possibly can.
Everything else falls into the category of it's just too hypothetical to differentiate. But I'm very fond of THE SPECTACULAR SPIDER-MAN, W.I.T.C.H., ROUGHNECKS: THE STARSHIP TROOPER CHRONICLES, STARBRAND & NIGHTMASK, anything with the STAR WARS REBELS characters [especially STAR WARS KANAN], 3X3 EYES, DISNEY'S VILLAINS and many others.
And I'm sure Edmund Tsabard would love to finish Last Tengu in Paris.
1 what do you think of the marvel and Sony Spider-Man agreement and do you think this could help spectacular spider man get season 3
Anything's possible, but it doesn't seem likely.
is there still any hope that Spectacular Spider-man could return as a tv show/comic book or movie or is 100% dead?
I'd never say 100%, but unlike Young Justice, I don't see a path for the return of Spectacular. But I hope I'm wrong.
Can you name anything noteworthy Stan Lee contributed to Spectacular Spider-Man, because no direspect to him, but it just seems he's credited by default simply because he's associated with the character and nothing more. He's even a producer on the Deadpool film! I did read once his time with Bryan Singer on the first X-Men film, and it seems he has an office at Marvel (well, at least it does when he gets these Marvel interviews from an office).
Anyway, back to Spider-Man, I am curious as to what his contribution was, whatever length it was.
Stan's Executive Producer credit on The Spectacular Spider-Man was, I'm sure, contractual. But he did contribute.
(And, by the way, saying "he's associated with the character" is both a ridiculous understatement and does a disservice to Stan and his legacy.)
For starters, there's the obvious contribution that he co-created Spidey, and wrote a huge proportion of the stories and characters we adapted. That's why Vic Cook and I chose to give Stan and Steve Ditko the "Created by" credit, which was not contractual.
Then, of course, Stan Lee voiced the character of Stan in the episode Blueprints. He came in to record and it was an inspirational thrill to everyone.
In my career, there have been many people who received credits on shows who really did do nothing observable to justify said credit. But Stan Lee doesn't strike me as one of those. His contributions to SpecSpidey were invaluable.
In Spectacular Spider-Man, Dock Ock's power source or battery pack or whatever was called the Megalo Pack. What made you guys use that name. Was it something from the Comics?
I don't remember.
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