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In "A Long Way To Morning," Demona, Hudson and Goliath do not turn to stone until the clouds clear and the sunlight shines through - with the sun clearly well over the horizon, suggesting a bit of time has passed after sunrise. However, in "The Silver Falcon," Broadway turns to stone even though he is in a basement, cut off from the light of the sun, suggesting a circadian rhythm. Was it simply an animation error in "A Long Way To Morning," or is there a reason for this. (I assume it's the animation, but I was curious)
A little from column A, a little from column B.
About the Dracon and G. F. Benton name choice... I never stopped to think about it before.
And I have a pretty good guess where Cary might have gotten Benton from.
See, Dracon is pretending to be someone else, which is like an illusion. Another type of illusion is a hologram. The name of the man who invented the hologram is Stephen Benton.
Which is why it was chosen as the last name of the two sisters in JEM, the show you first wrote on with Cary. (The other Holograms last names, Leith and Elmsford, also come from pioneers in holographic tech FYI).
Or it could just be total coincidence...
You'd have to ask Cary.
Still haven't gotten my paws on the lastest two comics, but when I was watching the Price I found myself wondering - if Xanatos didn't know that Owen was Puck, would he still have been so nonchalant about him turning his arm to stone?
I'm assuming probably yes, but you never know. Would he have a least looked for a way to reverse the effect?
On a more mindless note, it sounds like Macbethbot is saying, 'I've been WOOKING for you.'
I also like imagining that if he hadn't been destroyed, he'd have just flown around yelling 'TROPHIES! >=D' at people until he ran out of batteries.
But Xanatos did know. I'm not interested in odd hypotheticals.
Hi Greg. First, I just wanted to say thanks for everything. For shaping Gargoyles the way it is. For being so open and accessible and involved with the fans.
In "Silver Falcon" Mace pretends to be this G. F. Benton character. I was wondering if there was anything behind the name G. F. Benton? Is it just something Cary Bates pulled out of thin air or was there a deeper meaning (as it seems is the case for a lot of what's put into an episode of Gargoyles).
Thanks again.
No, not Mace. Dominic pretends to be G.F. Benton. I'm not aware of any significance to the Benton name, but you'd have to "Ask Cary" to be sure.
Where was the toilet in Demona´s and Fang´s cages back in the reckoning?
Whom cooked for them?
How would they bath?
Just OS.
Labyrinth types.
In the nude.
Banks (and other businesses) usually have security cameras running during their normal office hours and throughout the night recording footage in case of a robbery. During City of Stone, assuming nothing happened to those cameras, the cameras would have caught people turning to stone on film. What happened to those video tapes showing evidence of Manhattan's human population turned to stone?
Lots of cameras. Lots of explanations.
Now you can't get rid of me...
So, watching through my tapes of the later episodes, and I just watched "The Green," one of my favorite world tour eps.
I remember when I first saw the scene after Goliath's and Elisa's argument, when Goliath turns around to glare at Elisa, and thinking 'What was that all about?'
I never felt he did that because he was simply angry at her for her point of view. All the other arguments that we've seen the two get into usually ended with either him agreeing with her, or just shrugging her off (or screaming in her face heh)-typical male ;)
So the way Goliath just stops in his tracks and slowly and deliberately turns to stare at her for a good five or six seconds suggests more to it-as if a realization about her just hit him.
So here's my theory: I think it just kind of hits Goliath how human Elisa really is. There's not just physical differences, but cultural ones as well. He realizes they're going to clash on many things because of their respective instincts and upbringings. Maybe he's thinking of his growing feelings for her-perhaps there's some human prejudice mixed in with those feelings as well-as if he realizes their vast differences and wishes for a moment that she were born a gargoyle and not a human.
And the way Elisa looks back at him suggests that she probably knows what he's thinking and is most likely sharing those same thoughts.
So am I on the right track or totally off?
Well, I don't agree with your premise. I don't think that's even vaguely an angry look.
I have a question about the episode "The Mirror". In it, Demona has Puck in chains (presumaly iron ones, given the nature of the fey). The thing about that episode was that it always felt to me like Puck wasn't really her captive at all, and was really just playing with her and using her as an excuse to do mischief. Was this intentional, or am I reading it wrong?
All of the above.
Or, if you prefer, "All things are true."
Dear Greg,
First off, thank you for being the brain-child behind such a great series. During 'City of Stone', Demona went strolling about smashing humans left and right. My question would be: when everyone was released from the spell/when the sun came up, would they have seen rubble on the ground, or possibly body parts? (I would've tried to read the Demona section to see if this was addressed, but at 6am it's a bit too much).
Thanks for your time!
Dude... think about what you just wrote. You're too busy or too tired to look for the answer. But you don't think I'm too busy or too tired. I mean I don't want to be a jerk, but it's hard not to balk at that attitude, you know? So... check the archives.
In "The Mirror," would the battle between Demona and Gargoylisa be considered a batfight?
If you wish...
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