A Station Eight Fan Web Site
Long time Gargoyles Fan, just started rewatching the series on Disney+
I was wondering where Elisaâs Cat, Cagney got its name?
Would she have named him (is it a him), after actor Jimmy Cagney, or more likely after fellow police-woman character, Chris Cagney, from Cagney and Lacey?
A little of Column A. A little of Column B.
Hey, thanks for hours of entertainment through your shows. I just recently finished watching the canon run of Gargoyles on DVD through the library (Me and a friend greatly enjoyed the journey, and had a lot of fun watching it!) after growing up on your other shows, like Young Justice and Spectacular Spider-Man. So, thank you, and as Iâm new here, Iâd figure Iâd try and put a question that isnât quite so... obvious.
Did Elizaâs palate change much after the Avalon World Tour?
I decided to reread "Clan-Building" as well, after rewatching the first two seasons of "Gargoyles" on DVD, starting with Chapters One and Two ("The Journey)).
The "hunting" analogy continues even past "Hunter's Moon" with Vinnie stating that he hunted a gargoyle down, and Castaway mentioning it (both specifically use the word "hunted").
In my "review comments" on "Hunter's Moon", I noted how it ended, in its final scene at the castle, on what went well for the gargoyles (they're back in the castle, they've made peace with Xanatos, etc.), with their being revealed to the public not mentioned. "The Journey" opens with it being made clear that their problems aren't that over after all, with the public's alarm, the foundation of the Quarrymen, and even Brooklyn raising the question of whether Xanatos really has changed that much. I think his sardonic "Welcome home" establishes the "It's not so happily ever after, after all" tone - in contrast to the way Elisa said "Welcome home" at the very end of "Hunter's Moon".
It was nice to finally be able to do my version of "The Journey" - as opposed to the reedited piece that was used in The Goliath Chronicles.
Rewatched "Hunter's Moon" yesterday (Sunday) on DVD - all three parts.
I've mentioned before spotting a lot of mentions of hunting, usually applied to humans going after gargoyles with hostile intent, and it struck me that this made it appropriate that the Hunters would be the gargoyles' adversaries in the finale. (Well, the Disney Afternoon finale/Season Two finale.)
And it struck me that the Hunters were the most dangerous opponents that the gargoyles faced in modern times, judging by results. They blew up the clock tower, destroying the gargoyles' home, and then exposed them to the public. The former was partly undone by the gargoyles getting their old home (the castle) back by the end of the episode, but not the latter - now the gargoyles are facing an alarmed public (even though they're safe at the end - for the moment). None of the gargoyles' other adversaries in modern times have been able to inflict that much damage on them. To top it, you'd have to go back to 994 and the Wyvern Massacre.
A few things that struck me this time around:
Goliath and Elisa are actually openly speaking to each other and even sharing a brief embrace on board the passenger train, just after foiling the robbery; fortunately, the passengers apparently didn't notice that.
Hudson greets the returning gargoyles as "lads" - then quickly adding in "And lassie, of course", for Angela. It reminded me of his use of just "lads" for the younger gargoyles in "Possession" that I mentioned in my post on it - apparently he's getting more adjusted now to Angela's presence in the clan.
The trio's clash with Demona in Part One seems the last "trio action" in the series; they're increasingly split up (or else acting with the rest of the clan present) after this.
Lexington and Brooklyn's shared uneasy glances when they return to the clock tower with Goliath near the end of Part Two seemed all the stronger when I realized "the audience knows that Robyn and Jon survived Goliath's fight with them, but Lex and Brooklyn don't - from their perspective, Goliath had apparently killed those two."
Jon Canmore's cry about the gargoyles when he's facing Jason at the end, "They killed dad!", struck me as a sign of how (even before shooting Jason) he was losing it; it was Demona who killed Charles Canmore, none of the Manhattan clan were even present at the event, and Jon was there so he knows it.
Broadway shows how much his attitude towards reading has changed since the start of "A Lighthouse in the Sea of Time" when he's talking to Angela about how great the castle library is (and we'll see them there together in "The Journey").
This story really does seem like a good conclusion for the series in so many ways - the gargoyles are back in the castle again, their war with Xanatos is (seemingly) over, they'd defeated Demona's big scheme to wipe out humanity, Elisa finally admitted her feelings for Goliath and even kissed him. Except there's a big loose end with the gargoyles' existence being made public, and most of the New Yorkers aren't too happy about it. (Brooklyn's "And so it begins" remark does also support the feeling that the story could continue past this spot.) But it certainly makes a good season finale.
Oh, and I counted the number of "claw-mark transitions" in the entire two seasons during this review - 28 in all.
We were pretty happy with it.
I watched "Turf" on DVD yesterday as well, but don't have anything new to say about it, so my new thoughts on "The Reckoning", which I watched with "Possession" on DVD today.
In Act I, Hudson warns Angela that her mother "is capable of anything". Angela later uses those exact words when confronting Demona in Act III.
Elisa gets bitten by a mosquito while in the Labyrinth; I wonder if that was the moment when Sevarius and Thailog acquired her DNA for Delilah; it'd certainly be a "playing fair with the audience" moment.
While Demona professes outrage over Angela's claim to be her daughter, her eyes aren't glowing red - and later we learn that she'd known Angela to be her daughter all along. The "eyes not glowing red" part makes a good hint to the audience that she was feigning anger and disbelief.
That mosquito is exactly when Elisa's DNA was taken for later use in creating Delilah.
Rewatched "The Gathering" (both episodes) on DVD today. A few new things I noticed about it.
A minor detail, but which I find touching: when Renard learns about Anastasia's remarriage,, he sadly clasps her hand.
The letter X is prominent among the Xanatoses: Xanatos, FoX, and AleXander. And then I thought of LeXington, who isn't one of the family, but who's close to Alex, and who became Xanatos's secret successor in "Future Tense". (And there's that bit, also, in your "Gargoyles 2198" piece, about the Lexington-Xanatos Corporation.)
Goliath's homecoming makes a lovely contrast with "Future Tense", as he warmly embraces the overjoyed Brooklyn and Lexington (the two members of the clan who'd been bitter towards his late return in "Future Tense") and Hudson says "I knew you hadn't abandoned us." (While Broadway hugs Elisa, tying in with his being the closest to her among the trio, ever since "Deadly Force".)
One feature of Goliath's pondering the possibility that Avalon sent him to Manhattan to stop Oberon from taking Alex away; if his speculation was correct, that means that Avalon was, in a way, going against its lord and master. Though that made sense when I thought about it; without going too deeply into hypotheticals, I suspect that things would have not gone well for Avalon if Oberon *had* spirited Alex away (no way would his parents have accepted that), and Avalon would be sparing itself and its lord and master a lot of potential trouble in thwarting him.
You mentioned once that you wanted to have Puck break the fourth wall, but the rest of the production team objected to it. I noticed that he does come close, though, when he turns towards the camera while saying "I'm on a roll". (And when somebody *did* break the fourth wall, it was Brooklyn instead.)
At the very end, Broadway turns to stone shortly before the rest of the clan does.
Interesting observations. Thanks for all these, Todd.
Rewatched "Mark of the Panther" on DVD today.
I've mentioned before how I've noticed a strong "hunting" motif running through "Gargoyles" during my reviewing it; this episode included more of that theme, though, for a change, it didn't involve humans going after gargoyles. Instead, it was the Panther Queen and, later, Fara Maku, hunting for Anansi, and then Tea and the poachers hunting panthers.
Elisa lists the body parts of panthers that poachers are after as skin, teeth, and claws. When Diane Maza tells the story of the Panther Queen shortly afterwards, her description of the Panther Queen stresses those same three attributes (well, fur rather than skin, but it's close enough), but now focusing on their beauty, rather than the monetary worth that motivated the poachers. (And when Anansi turns the Panther Queen into a human, the story stresses the Queen's loss of those same attributes.)
Goliath's explanation to Diane, when they're trapped in the pit, that he can only glide, not fly, echoed (for me) his explanation to Elisa on the ledge back in "Awakening Part Three". Like mother, like daughter....
Rewatched "Sanctuary" on DVD today. New observations.
Elisa writes Macbeth's name as "MacBeth". Not quite as serious as the infamous "Servarius" error in "The Cage", but still a bit unfortunate.
I was amused to note that Demona barely even registers Elisa's presence in the middle of her fight with Macbeth, even though Elisa's calling out to both of them - until just before Elisa shoots her. She does finally spot the detective and aim at her, but Elisa takes her down before she can do more than that. Apparently her feud with Macbeth tops even her hatred for Elisa.
I felt a sense of near-horror, though, as I noticed how Demona and Macbeth's fight was damaging the library, with several books apparently getting damaged or destroyed.
And the silhouette of a gargoyle against the moon in the newspaper photograph bears an uncanny similarity (obviously coincidental) to the Bat-Signal.
Those typos drive me nuts.
Rewatched "Monsters" on DVD today. (Appropriate timing, I thought, since November 30 is St. Andrew's Day, dedicated to the patron saint of Scotland - and on that day, I was watching Scottish gargoyles encountering Scotland's most famous monster.) A few fresh thoughts on it.
When Elisa describes herself to the man at the souvenir stall as "not really the adventuring type", I found myself thinking of her statement in "High Noon", "I'm no hero; I just do my job". Certainly, whatever her incliations, she's had plenty of adventures.
I wondered whether Elisa's remark about theme parks doing "robot Nessie-type" stunts five times a day was Disney poking a bit of fun at itself - we'd see something similar in "Bushido".
And when Elisa says at the end how some legends need to stay that way, she looks in Goliath's direction as she speaks, making me wonder if it was just the Loch Ness Monster she was talking about. Certainly Elisa's been zealous about preserving the gargoyles' secrecy - maybe too zealous, in light of "Revelations" and "Mark of the Panther".
She wasn't just talking about Nessie.
Rewatched the "Avalon" triptych on DVD today. A few new observations.
The Magus's lyre in the "flashback on Avalon" scene looks a lot like Merlin's lyre in "A Lighthouse in the Sea of Time". Obviously not the same one, but evidently both wizards share a common taste in musical instruments.
Princess Katharine and the Magus's telling Elisa "Little is known of the Sleeping King" struck me as all the more appropriate since in 995, nearly all the major works on King Arthur had yet to be written (Geoffrey of Monmouth's "History of the Kings of Britain", the oldest extant start-to-finish account of Arthur's life, wouldn't be written for over a hundred years). There were one or two, like Nennius's "Historia Brittonum", but that was about it.
A detail that I hadn't spotted before: a couple of gargoyle-like sculptures were "guarding" the bridge leading to Arthur's resting-place within the Hollow Hill.
King Arthur and Goliath have both used a mace while fighting Macbeth (Goliath did so in "Enter Macbeth") - one of a few points in common they share (others are awakening in the modern world from a long enchanted sleep, and having scheming illegitimate sons).
The Archmage's boast that he could destroy Goliath with "just a word" struck me as apt, since all the "enhanced Archmage"'s spells were one-word ones ("Vessel", "Revert", "Ice", etc.).
It's difficult not to smile at Elisa's "Souvenirs" question after Season One of "Young Justice". Fortunately, she was asking it in a lighthearted tone.
Certain elements run through my work, I suppose...