SEPTEMBER 28

This day in Gargoyles' Universe History....

September 28th...

994
Tom, Mary and other refugees are given shelter from rampaging Vikings at Castle Wyvern.

995
Michaelmas Eve. Tom and the Magus get the eggs out of Edinburgh Castle. Finella drugs Constantine so that Katharine can escape, and flees with the Princess, Tom, Mary, the Magus and the eggs. The Magus brings them all to the mystic island of Avalon. He is forced to battle the Weird Sisters to achieve the island. He turns them into owls but is unable to take the Grimorum with him. Finella and Mary agree to take the book and keep it safe from Constantine. They depart. Katharine, Tom and the Magus land on Avalon with the eggs. The two time-traveling Archmages witness all this and rescue the Weird Sisters from their owl-state. The Archmages and the Sisters form an alliance. They agree to meet again in the year 1020.

1963
Vinnie Grigori is born in New York.

1980
In Paris, Demona steals the Praying Gargoyle statue from Notre Dame Cathedral. Confronted by Charles Canmore, the Hunter, she kills him and escapes. Canmore's children, Jason, Robyn and Jon swear vengeance.

1995
At midnight, Demona uses Titania's Mirror to summon Puck. They turn Elisa and all the humans in Manhattan into gargoyles and vice versa. The situation is soon reversed, but Puck arranges it so that Demona is human during the day and a gargoyle at night. Fox contacts Preston Vogel, inducing him to betray her father Halcyon Renard.

1996
Xanatos and his robots track Coldstone down in the Himalayas and disable him.

SEPTEMBER 27

This day in Gargoyles' Universe History....

September 27th...

1995
Despite Goliath and Elisa's efforts, Demona acquires Titania's Mirror from the Metropolitan Museum of Art.

SEPTEMBER 24

This day in Gargoyles' Universe History....

September 24th...

1995
Hudson washes ashore and is helped by author Jeffrey Robbins. Robbins realizes Hudson is illiterate and convinces him that he isn't too old to learn to read. After sunrise, Macbeth finds Hudson frozen in stone outside Robbins' place. Macbeth takes the scroll. The gargoyles attack Macbeth's Mansion to rescue Broadway and recover the Scrolls. But Macbeth loses interest in the Scrolls when he discovers they aren't Merlin's spellbooks. He allows the gargoyles to depart with them. Goliath returns the Scrolls to Elisa, who delivers them to the Museum. Hudson and Broadway immediately begin learning to read. Robbins starts work on a new book, The Sword and the Staff: A Book of Merlin.

SEPTEMBER 20

This day in Gargoyles' Universe History....

September 20th...

1995
Coldstone's repairs are completed. He is reactivated and attacks the Goldencup building, where he downloads government defense specs and is infected by a potent computer virus. Elisa and Matt are called in to deal with the situation using R.E.C.A.P. Lexington and Goliath accompany them and reunite with Coldstone. All are initially unaware that multiple personas (Othello, Desdemona, Iago and David Xanatos' programming) are vying for control of Coldstone's body. Coldstone flees to Ellis Island, and Goliath enters his mind to sort out the trouble. Meanwhile, Xanatos takes delivery on another batch of Steel Clan Robots from Scarab Corp.

SEPTEMBER 11

This day in Gargoyles' Universe History....

September 11th...

1995
The gargoyles and Elisa return to the Clock Tower, while back at the Eyrie Building, Xanatos and Sevarius, who had only faked his death, discuss the success of their plan. Later that day, the Metropolitan Museum of Art announces a forthcoming new medieval exhibit: "Titania's Treasures". Demona immediately begins planning to steal Titania's Mirror.

SEPTEMBER 10

This day in Gargoyles' Universe History....

September 10th...

1995
The gargoyles take Maggie back to the Clock Tower, but she flees to Xanatos after they turn to stone. Elisa and Matt discover that Xanatos owns Gen-U-Tech. After sundown, the gargoyles awaken and discover Maggie gone. The gargoyles and Elisa confront the Mutates and Xanatos at the Eyrie Building. Although Derek takes the name Talon, Elisa realizes that the Mutate is her brother. Talon and the other Mutates flee.

SEPTEMBER 8

This day in Gargoyles' Universe History....

September 8th...

1995
Derek and Xanatos confront Sevarius at Gen-U-Tech. Sevarius reveals that he has been testing his mutagenic formula on three human test subjects. Xanatos threatens to shut down the project. Sevarius shoots Derek with a dart filled with the mutagen. Derek begins to mutate. Elisa and Matt question Sevarius but find nothing concrete.

SEPTEMBER 7

This day in Gargoyles' Universe History....

September 7th...

1995
Lydia Duane and Arthur Morwood-Smyth discover The Scrolls of Merlin in Wales. Elisa confronts Derek about missing the previous Sunday's family dinner. He promises to contact her if he has any trouble with Xanatos. That night, Maggie the Cat is allowed to "escape" from Gen-U-Tech Systems. Brooklyn & Broadway find her and try to help, but she is more frightened of the gargoyles than her pursuers. She is recaptured and taken back to Gen-U-Tech. Owen later informs Xanatos and Derek of unusual expense reports coming out of Gen-U-Tech.

1996
The Illuminati make contact with the Canmore family of Hunters, seeking an alliance. Jason turns them down.

SEPTEMBER 6

This day in Gargoyles' Universe History....

September 6th...

1995
Fox is granted an expedited parole hearing at the request of grateful prison authorities. She receives an early parole and is reunited with Xanatos. Matt is certified to operate R.E.C.A.P. Elisa tells Lexington about R.E.C.A.P. Coldstone's self-repair systems are activated by Xanatos.

AUGUST 3

This day in Gargoyles' Universe History....

August 3rd...

1996
Brod attacks Dracon in prison. But, the gargoyles help Elisa take down Brod, Dracon and most of their men. The gargoyles return to the Clock Tower, by which time Goliath, Hudson and Bronx have also returned. The Trio apologizes to Angela for their behavior. She forgives each of them with a peck on the cheek - just before the sun rises. Elisa's operation is a phenomenal success. Jack Dane, Pal Joey, Glasses and many other Brod and Dracon operatives are incarcerated. Dracon and Brod are even forced to share a cell.

AUGUST 2

This day in Gargoyles' Universe History....

August 2nd...

1996
Hudson destroys the battle-axe that tied Hakon to the Earth plane, permanently banishing the Viking's spirit. Goliath then defeats Wolf but gets hit in the face by a banana cream pie fired by Vinnie. Goliath and Hudson don't make it back to the Clock Tower before sunrise. Neither does Bronx, who's having his own adventure. Meanwhile, Brod attacks Glasses' chop shop with the help of Jack Dane and "Salli". But the raid is aborted when the police show up. Salli is knocked unconscious and witnesses very little that Elisa could testify to later. Angela and the Trio stumble into the situation, but the boys are too busy fighting over Angela to be of any help. After sunrise, Glasses visits Dracon in prison. Dracon orders Glasses to retaliate against Brod. Just before sundown, Matt brings Brod and Salli in for questioning. Salli slips away to the Clock Tower, where she reveals herself as Elisa and enlists the gargoyles' help. Salli then confers with Maria Chavez, and they agree to keep the undercover operation running for a while longer, despite the chop shop debacle. While Brod is at the police station, Dracon's men hit Brod operations all over town and even firebomb his favorite restaurant. Glasses also puts word out on the street that Dracon has a trainload of weapons coming in. Brod decides to steal the weapons. He attacks the train with Salli, but is ambushed by Glasses, Pal Joey and the rest of Dracon's men. The gargoyles intervene, but the Trio's competitiveness nearly gets Lex and Angela killed. Brod escapes again.

JULY 15

This day in Gargoyles' Universe History....

July 15th...

1996
The Manhattan Clan imprisons Demona in the Labyrinth and agrees to help Talon and the Mutates guard her and Fang. Angela takes the first watch. Elisa is bitten by a robotic mosquito that samples her DNA. Demona regains consciousness in her cell. Angela introduces herself.

JULY 10

This day in Gargoyles' Universe History....

July 10th...

1996
Owen reveals himself as Puck but also fails to stop Oberon. It is Fox herself who saves the day by revealing a magical power even she did not know she possessed. Goliath convinces Oberon to allow Alexander to stay with his parents. Puck is chosen as Alex's tutor. But his powers are stripped from him save when he is training or protecting the boy, and he is eternally banished from Avalon. He reverts to Owen. Oberon arranges for Manhattan to awaken at dawn, and he and Titania return to Avalon. Xanatos vows to repay Goliath for helping to save Alexander. The gargoyles return to the Clock Tower. The sun rises. They turn to stone. And the city awakens. Elisa goes back to work. Chavez is less than thrilled about her six-month absence. Fortunately for Elisa, Chavez is in the middle of a turf war between the Brod and Dracon organized crime factions. Chavez needs a new face to infiltrate Brod's men. Because Elisa has been "out of town," she's the perfect choice to go undercover. Elisa will pose as "Salli", bringing Brod information about a Dracon chop shop operation being run by Dracon's lieutenant, Glasses.

JUNE 11

This day in Gargoyles' Universe History....

June 11th...

1996
Nokkar captures Bronx and Angela. Meanwhile, Elisa is found by Lydia Duane and Arthur Morwood-Smyth. They take her back to their hotel, where she is examined by Doctor Arnada. Goliath finds her, but when Elisa fails to recognize him, Goliath is forced to kidnap her. Nokkar intervenes again, capturing Goliath and explaining his interpretation of events to Elisa. Nevertheless, Elisa (though still without her memories) comes to believe in Goliath. She helps rescue the gargoyles from Nokkar and is eventually able to convince him that her friends are not servants of the Space Spawn. She also encourages Nokkar to befriend Duane, Morwood-Smyth and Arnada. The travelers depart Easter Island, and Goliath just manages to cast the spell that will send them back to Avalon before the sun rises. When they arrive on the mystic island, it is already night. Nevertheless, it takes a few hours before Goliath, Angela and Bronx awaken. During this time, Elisa's memory returns.

JUNE 10

This day in Gargoyles' Universe History....

June 10th...

1996
Elisa, who had been working throughout the Avalonian day to help Jade and Turquesa transplant the rain forest's flora, rejoins Goliath, Angela and Bronx on the skiff. They depart Avalon again and Elisa falls asleep en route to their new landing: Easter Island. While Goliath and Angela explore, Elisa is taken into custody by Nokkar, an alien sentinel based on Easter Island, who has mistaken the gargoyles for a hostile alien invasion force. When Elisa tries to explain that the gargoyles are her friends, Nokkar assumes Elisa has been brainwashed. He wipes her mind clean, temporarily giving her amnesia. Then he sets her free.

Greg Guler Responds...

Hey gang...

The other day, I got the following question here...

Audra writes...

Hi Greg,
I was just wondering, how tall is Elisa? I am an 18 year old female and I am pretty tall myself. I am 5'7. And Elisa seems like a tall woman to me. I was wondering if she is as tall as me or taller. Thank you Greg!

I responded...

I don't know. It would be a good question for my CreatureComics.com partner, art director, Greg Guler. I'll ask him.

Here's Greg Guler's response:

Hey guys. Although it's never been figured out in feet
and inches, I figure she has to be at least that tall
in order for her be as tall as she is with Goliath,
and make decent eye contact.
Greg G.

So there you go. You asked Greg, and a Greg answered. All part of the service here and at CreatureComics.com.

Chapter L: "The New Olympians"

Time to ramble...

Chapter L: "The New Olympians"
Story Editor: Gary Sperling
Writer: Adam Gilad
Director: Bob Kline

ORIGINS
Well, the Greek Myths of course. But that's not really what I'm talking about. As many of you know, The New Olympians was a concept -- originally created by Bob Kline -- that we began developing at Disney TV Animation even BEFORE Gargoyles. It was definitely a concept that evolved, but it was also a concept that we felt fit nicely into the Gargoyles Universe. So this episode was created as a backdoor pilot. At the time we had big plans for the Gargoyles Universe. Hopes that it would eventually evolve into Disney's equivalent of the Marvel or DC Universe. The World Tour expanded our Universe in many ways -- mostly for the sake of the Gargoyles series itself. But also to demonstrate that our universe had the "chops" to go the distance.

So the New Olympians were imported whole, like Athena from Zeus' head -- into the gargverse. The development for "The New Olympians" series focused on four major characters: Terry, Sphinx, Talos and Taurus. Terry and Sphinx were kept out of this episode on purpose -- so that we'd have fresh faces for the series if it went. Talos has a very minor role. But Taurus took a lead here. Other characters, such as Kiron, Ekidna, Helios, Boreas and, of course, Proteus were also part of the N.O. development. Though again, we left out a bunch of other characters: Xetes, Kalais, Medusa, Jove and Xanatos (yes, Xanatos) so that the whole series didn't become old news, should it get going.

The basic concept of the series, familiar to anyone who's attended a Gathering and seen the original pitch, was Romeo & Juliet. Terry is a human. Sphinx is a New Olympian. They are in love. But their "families" aren't making that love easy. This episode, would in essence be a PREQUEL to that series. Terry hasn't arrived yet. Elisa will help pave the way for Boreas' decision to finally reveal the New Olympians to the human world.

But another important inspiration was the work of Jack Kirby. In my recent ramble on "Eye of the Storm", I commented on how we strove to avoid a Kirbyesque Odin -- and didn't entirely succeed. Here, Kirby was a clear influence. I hope The New Olympians weren't a rip-off, but I can't deny that his Inhumans, his Eternals and his New Gods influenced us -- or me, at least -- when we were creating both New Olympus and our cast of characters.

Creating the cast was also interesting. We basically compiled a list of Greek & Roman myth-figures. Gods. Monsters. Titans. Etc. Then we tried to think about their descendants... Tried to think about which would be the most visually interesting. (A lot of the gods, for example, just look like glorified humans, so we tended to ignore them.) Originally, Kiron had the Taurus role and Medusa had the Sphinx role. But after talking with the artists, we made the double switch, because it was felt that having to animate a centaur and a woman with snaky hair on a regular basis was just inviting difficulties. As with many of these pragmatic decisions, I eventually fell in love with the new version -- and wouldn't want to go back, even if I could be assured of the highest possible animation quality.

In order to import this diverse group into the Gargverse, I posited that these were the descendents of mortals who mated with the Children of Oberon (or Mab). They therefore have incredible abilities and amazing appearances, but they are mortal. Some may have extremely long lives, but they do age. Still, before they left the human world behind, many of the original Olympians were treated as Gods. But some were treated as Monsters. As in Gargoyles, PREJUDICE would be a major theme of the series. In fact, if you look at the PREVIOUSLY of this episode, you'll see that it's fully thematic. All stuff about humans being prejudiced about Gargoyles. That's because we had nothing content-wise that we needed to set up. But if we set-up human prejudice, than it helped forge the twist of prejudice against humans, which Elisa would face in the episode. (I do wish we had thought to include Goliath's line: "Humans fear what they do not understand...")

So the New Olympians fled the Human World. They established a secret island and developed astounding technology... including a cloaking device. (I was always a touch disappointed with all the fog and mist in the opening scene. I wanted the skiff to suddenly be on the open sea, with nothing around for miles. The fog allowed for the notion that something might be hiding BEHIND it. I didn't want that. Still, I think the idea gets across. And the shimmer effect is nice. Plus, I like how Goliath abruptly spreads his wings when he enters it. When my daughter Erin saw the city finally materialize, she said: "Wow!")

OLD LINES IN NEW CONTEXT
Were we just out of dialogue ideas, or were we trying to make a point or an inside joke or something. I'll let you decide...
Goliath: "We cannot wage war against an entire city."
Elisa: "You'll have to do better than that."

VOICE WORK
Michael Dorn wound up playing Taurus and the late Roddy McDowell as Proteus. Dorian Harewood, who was originally cast as Boreas, also wound up playing Talos. But none of these three were our original choices for those rolls. Instead we cast three people who I thought would be perfect for their parts. But none hit it. It was one of our rare recordings that DIDN'T work. So we fell back on Michael to play the very Worf-like Taurus. (This sometimes bothers me as the voice is exactly the same as Coldstone's. But ultimately you go with the best hand you have at the time.) Dorian ended up doing double duty as Talos and was terrific. And of course, Roddy was just brilliant as Proteus.

What's interesting is that Proteus himself is not the greatest actor. Erin noticed... "There's something different in his voice." Of course, it's Keith David PLAYING Proteus playing Goliath. (Which is always fun.) And Keith hits the mark with precision. As does Salli & Michael when they're playing Proteus playing Elisa & Taurus. Sure Proteus always LOOKS the part -- thanks to his shape-shifting abilities. And I suppose he's less of a ham than Sevarius. But he never quite takes the time to truly "inhabit" his roles. Certainly, while playing Elisa and then Goliath, there are a number of small tip-offs in his choice of words that are just wrong. Like can you really imagine Goliath saying: "Who's that guy?" One assumes that his performance as Taurus' dad is equally off the mark.

The walla in the Senate House when Elisa is on trial isn't my favorite. We just didn't get enough coverage, so it repeats and repeats.

PREJUDICE
All of the New Olympians we see are prejudiced. Every one. Some are worse than others. Boreas is well-meaning, but wrong. Taurus is narrow-minded. Talos is, at best, only pragmatic -- not morally outraged by Elisa's treatment. Most of the others are just flat out racists. "New Olympians fear what they don't understand." I'm sure somewhere on the island there were some more enlightened individuals, but we made a point of NOT showing them.

I wanted to do a few things with that theme. (1) Show that prejudice breeds prejudice. The New Olympians have some legitimate grievances against the human race, but they've learned the wrong lessons from their ancient persecution. (2) Of course, we wanted to play the irony of the monsters being afraid of the "Humans of Legend". Elisa tells the Gargoyles to hide when they first land on the island. And she's the one that the New Olympians fear. They have "no quarrel" with the Gargoyles. And the best solution that even Boreas and Taurus can come up with is to "Quarantine" our girl. (3) There was a three. I had it in my head a minute ago. Now, for the life of me, I can't remember what it was.

Maybe it had something to do with Prejudice only truly being able to be attacked one person at a time. I went to an all boys high school. We were all so deathly afraid of being called homosexuals that a culture of homophobia was ingrained into all of us. It wasn't like I was going around gay-bashing. I like to think that even then, I had the sense and the control to stifle my prejudices. But I can't deny I had them -- probably still have them to some extent, unfortunately. Anyway, then I went to college. Acted in a couple plays with a guy I really admired -- both as an actor and as a human being. Became good friends with this guy (who had the amazing name Steve Wraith). THEN I discovered he was gay. By that time, I didn't care. He had personally won me over -- in a slightly less dramatic fashion then how Homer Simpson learned to accept gays after John Waters saved his life. Steve never saved my life, but I'm afraid the metaphor is VERY apt. I haven't seen Steve in twenty years, but I owe him a lot. A few years later my cousin came out. After that, many if not most of my friends came out. My sister. Etc. Steve paved the way to make me a better person. Conceptually, we can all talk about dismissing prejudice, but I have this sneaking suspicion that the only way we really learn is one human being at a time. That's why Goliath vouching for Elisa was ineffective. People are doomed to HAVE to figure things out for themselves. And unfortunately, some never do.

WHO KNEW THESEUS WAS SUCH A BASTARD?
And so we put Taurus through that process. He meets a human. His distaste is palpable. He knows the story of the Minotaur, his ancestor. [Now Theseus is one of my all time favorite characters from Myth. But I couldn't resist flipping the tale of the Labyrinth and telling it, if just for a few seconds, from the Minotaur's point of view.] But Taurus will learn to respect humans - one human at at time. Elisa and Taurus actually have a lot in common. Both are cops. Both have/had fathers who are/were cops. But as Elisa says, he's "got some funny ideas about justice."

Elisa is clearly more enlightened. In part, that may come from her own history. She grew up as a person of color in a largely white society. She's no stranger to prejudice. Being both African-American and Native American, it's possible that she has even faced some rejection from African-Americans and Native Americans as well. Clearly, based on her openness with regards to Goliath and the Gargoyles, she learned her lessons long before we met her. Pretty much from the moment she realized that Goliath could talk -- and was therefore sentient by human standards, she treated him as an equal. I always admired her for that. Unlike the New Olympians, she didn't let the prejudice she faced turn her into a bigot.

Taurus will eventually get the message. His prejudices don't just vanish. But he's learned something.

SOME NEAT MOVES
I like the sequence where Goliath comes to break Elisa out, and Proteus takes advantage of the situation by first turning into Elisa and then Goliath. (When Erin first saw him as Elisa, she said, "Uh oh." which is pretty much exactly what he was going for.

I like how Taurus threatens to fire Helios.

I like how Goliath turns to stone in Proteus' cell.

I like how Elisa takes charge -- and basically FORCES Taurus to partner up with her. She has two tip offs that Proteus is posing as Goliath. First the fact that he didn't turn to stone and blames it on the cloaking device affecting the sun's rays. Of course, Elisa knows that it's not literally the sun that turns a gargoyle to stone. It's his or her biological clock, which is often triggered by sunrise. But the real clincher is Proteus' plan to blow up the Collonadium. Elisa knows Goliath would NEVER do that.

I like when Taurus tries to express his admiration -- and still can't do it without insulting her species. Elisa takes it in stride: "I'll choose to take that as a compliment." Progress is slow.

THE NEW OLYMPIANS
We end the episode with a pretty blatant pitch for giving the New Olympians their own show. It's certainly shameless. But I make no apologies. I still contend that THE NEW OLYMPIANS would make a GREAT t.v. series.

Anyway, that's my ramble. Where's yours?

Chapter XLII: "Sanctuary"

Time to ramble...

This episode was directed by Dennis Woodyard, written and story edited by Cary Bates.

The one word title, as usual, was one of mine. I thought initially that we'd be even more focused on the Cathedral. That we might play a Quasimodo character. Heck, if Disney's "Hunchback" movie was going to have living gargoyles bouncing around, then I could have a Quasimodo swinging from the bell-ropes.

But the story, thank goodness, rightly evolved into a family drama with Goliath, Elisa, Angela, Demona, Macbeth and Thailog (and Bronx) providing us with one very ODD family. Quasimodo went away in favor of Thailog.

And we had to work a bit to make sure the thematic idea of the heart as a Sanctuary worked its way into the picture. Thank God for that French minister, eh?

During the "Previously..." recap the following exchange was heard between my eight year old daughter Erin and my five year old son Ben, after Angela learns (in that scene from "Monsters") that Goliath is her biological father:

Benny: He IS her father. He laid the egg.
Erin: Girls lay eggs.
Benny: His wife laid the egg.

ROMANCE

Enter, for the third time or the first (or, depending on your point of view, maybe this one doesn't count either), Ms. Dominique Destine. She tells Mac, "We have all the time in the world..."

This for me (and I know for Bond expert Cary) was a very memorable line from "On Her Majesty's Secret Service." And always a good sign that a relationship is going to come to a bad end.

Elisa tips her hand, which she can do cuz no one is awake, about how she really feels about Goliath here. "The most romantic city in the world and Goliath isn't awake to share it with me." (Or something like that, all quotations are approximate.) That's what she'd like to do, I'd wager. Soar over Paris with G. the way they soared over Manhattan in "Awakenings". Now had he been awake, do you think she would have made that request? Or would she in fact be distancing herself from him simply BECAUSE she had that impulse?

After her adventure on the Loch, it's nice to see Margot on a pleasant little stroll through Paris.

THE GARGOYLE WAY

Why is Goliath so resistant to parenting Angela? After all, though they're really more like younger brothers, he does his fair share of parenting the Trio.

He falls back on "The Gargoyle Way", but that's certainly inadequate, as Diane Maza will later point out. Yes, he's only one of her rookery fathers, but he's (a) the only one there and (b) the only one left alive except for the two souls trapped inside the AWOL Coldstone.

Ultimately, I think the answer is that Angela's sudden obssession with her "BIOLOGICAL" parentage makes him nervous because of the obvious extrapolation to what comes next. If she's obssessed with me as Daddy, then what happens when she learns who Mommy is?

And that's the key. He's divorced Demona. His wife who laid the egg. It took centuries and months, but after "Vows" he moved on. Now he sees Demona as a nemesis. A painful one to be sure, but a nemesis none the less. He's afraid of what the knowledge will do to Angela. He's afraid of what Demona will do with Angela, should Angela share that knowledge. And is he perhaps afraid of what -- under Demona's influence -- Angela might become?

THE CATHEDRAL

There's some nice animation in this episode -- but none of it is at Notre Dame. That sequence put us through fits in retakes and editing. Ugghh. It's still painful to look at.

But there's some nice stuff going on...

Demona says: "In here my love." to Goliath before she realizes its not Thailog. What did you all think of that line? At this point we had only seen one silhouetted monster from a distance. And since you knew Demona was in town, we intentionally tried to lead you to belive that she was the Monster at Notre Dame. Were you expecting Thailog? Or did you think that Demona was addressing G as 'my love'?

Goliath's arrival is a shock to her, so what did you think then?

Then Thailog's arrival is supposed to be a bigger shock to you guys. Was it?

I love hearing Thailog say: "My angel of the night."

Demona has a good line too: "Jealous and paranoid."

Later, we set up Nightstone Unlimited and their two "human" identities, Alexander Thailog and Dominique Destine.

At this point in production, we knew that Fox was going to have a baby but we had not named it yet. I couldn't think of a better first name for Thailog and later I couldn't think of a better first name for Alexander Xanatos. At first this bugged me. But I began to realize it made perfect sense. Xanatos had programmed his "first" son well. If X would pick Alexander, why wouldn't T have picked it as well. And there's something so symmetrical about both his kids being named Alexander.

TOURISTS

Elisa sits at a french cafe talking out loud to herself. Ugh. Very awkward. Obviously, we couldn't come up with a solution we liked better. I'm sure it occured to me to do it in voice over, but just chucking a V.O. sequence in the middle of an ep is very awkward too. Suddenly, the movie is POV Elisa, and we weren't doing that here. (Cf. "Revelations" and Matt's VO narration.)

I do like her last line though, coming as it did from a long time Superman scripter, Cary Bates: "This is a job... for the Gargoyles!"

THE WEDDING NIGHT

We had Macbeth use the Lennox Macbeth name instead of Lennox Macduff because we thought it would be too confusing to give him an entirely different name to any new viewers. And it makes sense that he has multiple aliases. But it still bugs me and I think in hindsight, I wish we had just been consistent.

Demona kicks Macbeth into unconsciousness, and Erin asks: "Why didn't she get hurt?"

And that's a very fair question. As usual with D&M's Corsican Brother connection, we tried very hard to be faithful to it, but it was very hard. And we wound up being a bit inconsistent. The best I can suggest is that when Demona knows she's going to hurt M and it isn't just on impulse, she can more or less steel herself against the magical feedback. It's still painful. But she doesn't show it as much.

The Gargoyles wake up and Elisa says: "Look alive, guys!" Well, they do now, don't they?

I love how Thailog slips Mac the gun and then later yells at Demona, "Didn't you search him?!" He's an evil genius that one. And passive-aggressive too.

Thailog's plan is brilliant, I think. So elegant. So simple. And if not for Elisa, so effective.

Mac's suicidal tendencies resurface. Demona's legendary temper gets the better of her common sense.

Thailog really comes into his own in this ep. Sure, Xanatos said he may have created a monster, but now Thailog has outsmarted X, D and M. Who the hell is left to outsmart?

And he has some great lines too:

"You and what clan?"

"Teamwork is so overrated."

"Aren't you spunky?'" (Another Lou Grant reference of course.)

To be fair, he couldn't immediately know that Angela was blood kin, but still doesn't his reaction to her give you the creeps? When X says Angela is lovely in "Cloud Fathers" I don't think anyone thought he was being salacious. But T? Yeah, baby.

Of course, Goliath finally gets the picture after this one. Up to this point, he was thinking Demona's the lost cause but maybe Thailog is salvagable. Now he knows better. At least about T anyway.

BATTLE

There's a lot of water in that water tower. It looks cool though. The animation here makes up for the Cathedral stuff.

I love Goliath's two-handed punch.

I love Demona's punch-drunken sway, as she makes her move to, as Mac says, "put us out of our misery..."

But I've always wondered why the background painters put multiple pictures of Elisa on the wall of Macbeth's chateau. Odd, that.

When I was young, I used to love MASH, particularly back in the Wayne Rogers days. (And, yes, Wayne is a friend of my dad's now. But they didn't know each other back then so I was unbiased.) But one thing that used to drive me nuts was the repetition of the following exchange:

<LOTS OF SHELLING IS ROCKING THE HOSPITAL. SUDDENLY, IT STOPS.>

Hawkeye: Do you hear that?
Someone else: Hear what?
Hawkeye: Silence! The shelling's stopped!

This was fine the first time they used it. By the twentieth time it got VERY old.

But we do a version of it here after Elisa shoots Demona ending the battle.

Why? When it used to drive me nuts? It's amazing what I'll pay tribute too.

KEITH meet MR. DAVID

I love playing Thailog against Goliath, because I love those Thailog/Goliath exchanges where Keith plays both roles. That's one of the main reasons we created Thailog. To enjoy listening to Keith go to town.

1st Epilogue:

Goliath: "She has done you a favor, Macbeth."

That line should be a bit of a shock when G first says it. But it makes a lot of sense after he explains. And I love the look that Goliath and Elisa share. They aren't even pretending they don't share those feelings. They just won't act on them.

And how about Goliath actually telling a joke: "Just make sure you get a good look at her at night." Word.

2nd Epilogue:

One of the things I like about our series is we didn't have to end each episode the same way.

This one ends rather darkly. Goliath won't acknowledge the obvious. He just broods. Angela turns to Elisa: "Elisa, I have to know." And Elisa confirms that Demona is Angela's mother, because it's ridiculous to either lie or to not confirm the obvious that Angela has already figured out. But she knows G didn't want A to know that. So everyone is left unhappy as we sail into the fog.

And Erin ends the episode saying: "I think Elisa should be her mother."

(Me, I've always seen them sharing a more sisterly relationship. But I thought Erin's idea was sweet, and certainly came out of the sexual tension between E&G.)

Anyway, that's my ramble. Where's yours?

Chapter XXXVIII: "Heritage"

Time to ramble...

This chapter was written by Adam Gilad. Story Edited by Gary Sperling, and directed by Frank Paur.

FAME

As I watch each episode with my family, I've got my journal open in front of me to take notes for these rambles. During the opening credits, my five-year-old son Benny said: "I like Gargoyles." I was very pleased, of course. Then he said, "Can you write down that?" So I did. And so I have.

SHE'S GOTTA HAVE IT

Back on the skiff, and Elisa still hasn't QUITE gotten the idea. She still anticipates being back in Manhattan. Like visiting Scotland was an anamoly, but now surely Avalon will send them home. (What did you all think at the time?)

And boy, that girl likes her hot dogs. Make her one with everything, you know?

A.K.A. CECIL

Our Sea Monster attacks. It's a cool design, based on research that we did. (It happens to look a lot like a pre-historic whale I saw last night on a Discovery Channel special: "Walking with Pre-Historic Beasts".)

I wish we could have found a less generic name for the creature than "Sea Monster". Thunderbird is a cool name -- particularly since I have fond memories of the L.A. T-Birds from Roller Derby telecasts of my youth -- but our research never turned up another name for the Sea Monster.

Keep in mind that though we did research, we also had time constraints. We couldn't keep researching a topic indefinitely. Eventually, we'd have to use what we had and run with it in order for the story and script to be delivered on time.

But I know Gary and Adam did quite a bit of backgrounding for this story. The Sea Monster, Thunderbird, Raven and Grandmother all came from Haida stories -- though we conflated quite a bit, I think. We did always try to be as true as possible to the history and legends we were riffing on.

HEY, WEREN'T THERE FOUR OF YOU?

As the battle with the Sea Monster came to a close, my seven-year-old daughter Erin said: "What about Elisa? Where's Elisa?"

Five seconds later, Goliath surfaces and says pretty much the same thing, before fearing her drowned by shouting "ELISAAAAA!!" (Shades of things to come -- in Hunter's Moon III.)

TOTEM POLES

Speaking of research, the origin of the whole episode was the fact that Totem Poles caught my eye as being a particularly gargoylesque deal. Then we did some preliminary research and found that they weren't carved in anything that seemed to resemble a gargoyle tradition. They were 'carved to honor animal ancestors'. So rather than stretch (or abuse) the truth, we decided to let the characters (and audience) be lured off course by the poles, just as we had been.

Fake GARGOYLES, right here in North America.

In many ways, I think it could be argued that what takes place in this episode is handled or covered in other episodes to come. We have another episode with a 'sea monster'... a more famous sea monster in a certain loch... coming up rapidly in "Monsters". Also in that ep, one of our cast is lost and feared drowned after an early attack by that monster. And much of Nick/Natsilane's dilemma is also re-covered with a more-important recurring character (Peter Maza) in our other Native American-themed episode: "Cloud Fathers". We even do more with a volcano in "Ill Met by Moonlight". On some level I suppose I regret the duplication of efforts. I don't think we usually did this sort of thing.

But I don't regret the episode. I had plans for Raven. Plans for Queen Florence Island. Plans for Nick/Natsilane. I still think the ep has some cool stuff in it. And I think we NEEDED to cover Totem Poles. It was a natural.

HAR with a V. VAR with a D.

I went to a high school in North Hollywood, CA named "Harvard High School". Named after the University. (Some people have incorrectly stated I went to Harvard for college. But I went to Stanford for Undergrad and U.S.C. to get my Masters.)

I don't remember who's idea it was to have Nick be a graduate of Harvard. Might have been mine. Harvard of course is useful as a symbol.

I like Nick/Natsilane. He's got some nice attitude here and a nice shift. Maybe not the most impressive of our so-called "International Heroes". But very likable.

I give a lot of credit to the voice actor for bringing him to life. Gregg Rainwater was brought in by our Voice Director Jamie Thomason. Gregg was terrific. We used him again in Cloud Fathers, but I've used him many times since Gargoyles. I've even written parts with Gregg in mind. He was Jake Nez in Max Steel. And I cast him as Jake MacDonald in 3x3 Eyes. He always brings incredible humanity to a part, I think. Heroic, but real.

THAT'S NOT A CROW

It's a raven. Our second Trickster makes his first appearance. Of the four (Puck, Raven, Anansi and Coyote), Raven was the guy we gave the most evil bent to.

I like all the shape-shifting he does. (Though when he flees at the end, I wanted him to flee in his bird form, not his Raven-Goyle form.) I also like how he lies by using pieces of the Truth.

Raven-Goyle: "There is an evil sorceress named Grandmother. She summoned the monster that you fought."

When he said that, did you believe him?

Of course, Grandmother does have magic power and she did, in a way, summon the Sea Monster.

IT COULD BE WORSE. I ONCE LIVED ON 28TH STREET.

While doing our research, we encountered names of Islands off the Canadian coast like Queen Charlotte Island. So I named the fictional island we'd be using "Queen Florence Island."

Growing up in Woodland Hills, California, I lived on Queen Florence Lane, a street off Queen Victoria Road. Victoria and Florence were the daughters of Michael Curtiz, the director of such films as CASABLANCA. Curtiz, at one time, owned all the property in that area, so he named the two streets after his daughters.

OR so I once was told... by a ghost named Humphrey who tried to convince me that he was Humphrey Bogart, though you could tell by looking at him that he wasn't.

WHO EXACTLY IS THE SICK ONE HERE?

Elisa is so strong so much of the time, that it's kinda sexy to see her vulnerable and feverish.

Notice that Grandmother doesn't use Fairy magic to heal Elisa. She uses Haida medicine. Thus the rule of non-interference is bent not broken.

I like when Nick comes back in and the Fever's broken. And he says just don't tell me you cured her with tree bark.

When she says, "...and roots." His expression is priceless.

SEEING RED

I like the lighting in the Volcano scene.

Goliath is so glad to learn that other clans have survived, that he doesn't notice -- in fact defends -- the inconsistencies in Raven's story.

Angela, on the other hand is suspicious. This was done, in part, to further develop her character. She's naive about certain things. Having been raised by humans, she's not inclined to judge them harshly or fear their prejudices. But she's not stupid. Something doesn't smell right and she notices.

For once, Bronx though does not. I chalk this up to the high quantity of magic being tossed around on this dying island. Grandmother is not what she seems. Neither is Raven. Bronx is confused.

Anyway, Goliath speaks to Gargoyles protecting to explain away why "Raven's Clan" can both hate humans and protect them. You get the sense that he understands all too well. Like despite everything, there's a part of him -- a prejudiced part -- that hasn't forgiven the human race for what happened at Wyvern. (Also keep in mind, he was just at Wyvern again, rehashing all those old memories.)

Of course, once Goliath learns that Raven was pulling something, he's furious at the trickster. Playing on his hopes AND his prejudices, Raven has risked G's wrath.

At the end of this scene, the three silent gargs vanish magically.

Erin said: "What happened? What just happened?"
Benny said: "How did they just vanish?"

They know I know the answer. But I resist telling them. It's a touch cruel. What did you guys think?

YOU CAN TAKE THE GIRL OUT OF THE CITY...

Elisa is such a New Yorker. Everything is compared to that. "This sure isn't Central Park."

Anyway, Raven, then a bear, then Bronx and finally Angela and Goliath find Elisa. I love Goliath and Elisa's hug. It's so unselfconscious. They were so worried about each other that they forgot the usual distance that they maintain.

SUSPICIOUS MINDS

So who did you trust? When the gargs disappeared, that had to indicate that something was up with the Raven-goyle.

So when Goliath tells Elisa that Grandmother is a sorceress, particularly given that Grandmother saved Elisa's life, we all tend to think that G's been duped. Then we spot Grandmother turning into Thunderbird. What did you all think then?

Benny noticed "her ears" and suspected her even before she turned into T-Bird.

THAT'S GOTTA HOIT

A cool moment in the battle against T-Bird is when Goliath rakes the creature with his claws.

Then Angela spots the Illusion. And plays it cool with Raven.

I like Goliath's line to Grandmother: "We live. We do not thrive."

Grandmother than establishes that Raven is a Trickster and that they are both "Children of Oberon". Thus we establish that aspect of our series.

She states that they are forbidden from directly interfering in human affairs. Reinforcing what the Weird Sisters said a few episodes before.

Raven joins the party. The jigs up, but he revels in it. He's got a few decent lines too.

I like "It's so messy."

POOR HORATIO, ALWAYS A BRIDESMAID, NEVER A BRIDE

Elisa more-or-less quotes Shakespeare: "There are more things in heaven and earth, Natsilane, than are dreamt of in your philosophy."

I've always loved that line.

Anyway, Goliath and Angela depart to fight Raven. They arrive first, but given the fact that Nick had to...
1. Have a final change of heart.
2. Change clothes.
3. Get up to the volcano without wings.

...He makes good time, don't you think?

Raven brings the totem beasts to life. This was always a bit weird. We introduce illusion gargs based on the totem beasts. But then when we bring the totem pole to actual life (or semblance) we have new designs for the woody creatures.

Does everyone see Goliath play dead for that bear?

Raven has a nice exit line here: "This place no longer amuses me."

Neither does this Ramble.

Chapter XXXV: "Avalon, Part Two"

Time to Ramble...

"PART TWO"
Director: Dennis Woodyard
Writer: Lydia Marano
Story Editor: Brynne Chandler Reaves

I guess you guys were used to longer multi-parters from us, so you probably didn't think this was the last part when you saw Part Two come up after the title. I tried something different at the end though. Instead of writing "To be continued" I had them put down "To be concluded". It seemed (at least in my head) to increase tension to know that the next part would be the last.

I've been told by people that out of context, this episode is incomprehensible. I hope it's not quite that bad, but I will say that unlike the rest of our eps, I felt that multi-parter eps don't quite need to stand alone in the same way.

Still with all the time travel stuff, it's very complex. I remember Lydia having to come into my office after her first draft and needing me to diagram the time travel for her. The loop that the Archmage takes. I love it. But I guess it's not that easy to follow.

Anyway, this ep was designed to be the second part of a tryptich. This is the one where we focus on our villains and bring them all up to date, just as in part one, we focused on our heroes. All gearing to a MAJOR BATTLE coming in Part Three.

THE EGGS

Picking up where Part One left off, Elisa looks at Angela, Gabriel and Boudicca and says: "These are the eggs?" I love her tone there.

Guardian: "Sorry, I always call them that." It was a cheat to buy us, at least with some percentage of our audience, the shock value of expecting eggs and finding fully grown gargs and beasts instead. Still, I believe that a guy like Tom, dubbed "Guardian of the Eggs" would continue to use that term to refer to his kids, even after they are grown.

Goliath is initially shocked that the gargs have names. Angela says the standard human response: "How else would we tell each other apart?" This was done intentionally to both cover the issue of non-garg naming (which I still think is neat, but which is often a massive pain) and to indicate that these are gargs raised by humans.

BEACH FIGHT

So I'm in my office one day, after the script to "Avalon, Part Two" has gone final. And Supervising Producer Frank Paur and Producer/Director Dennis Woodyard come in. Frank hates the script. Dennis is calmer, but he seems to clearly agree with Frank, more or less.

I'm annoyed because it's VERY late in the game for them to be giving me these kind of notes. Things get heated between me and Frank.

I yell something like: "Well, what do you want me to do?!!!"

And he yells something like: "We need some action! Like a fight on the Beach with the Archmage!!"

And I start to object for about a second. Then I go, "Oh, yeah. A fight on the beach with the Archmage. That'd be cool. Would that fix it?"

"Uh. Yeah."

And that was it. Our fights were always like that. We always only wanted to make it better. He'd get worked up, but the solution wound up being simple and when push came to shove (we never actually pushed and shoved by the way) we agreed on nearly everything.

It was also good to have Dennis' calming influence. Frank and I would go momentarily nutty and Dennis would always maintain.

So anyway, after the fact we added the memorable fight on the beach. Now I can't imagine the episode without it. It forced us to trim down some the Archmages travels (cause we were already long) but it definitely improved the episode.

I think, not sure, but I think I wrote that fight because it came so late in the game. It's also possible, I might have taken it back to Brynne and/or Lydia to write. I really don't remember anymore.

Either way, there are some great lines:

Goliath: "Don't be too insulted!" I love how he goes nuts here. We really get a reminder of his warrior-ness.

Archmage: "Don't crow too loudly, after all, what have you accomplished: you beat up a beach." You beat up a beach. That's one of my favorite lines in the whole series.

Archmage: "At dawn you all will die. Get used to it!"

Tom: "Let's get out of here before the very air attacks us!"

The fight itself is pretty cool too. I like how Bronx and Boudicca immediately team up. I like the symbolic nature of the Archmage growing wings, turning to stone and then shattering. I think that was a board-artist's addition. I don't remember seeing that in the script. (And I'm too lazy to stand up and check right now.)

At the end of the fight, my five year old son Benny asked: "Why can't they glide to the castle?" I had to explain the flight rules.

ANGELA & GABRIEL

Elisa slides up to Goliath: "Angela sort of looks like Demona, except her coloring is different. Exactly whose daughter is she?" Again, I love Salli's reading here. That need to know. The jealousy. The feeling for Goliath -- who dodges the question by saying that all children belong to the clan.

But of course Elisa knows. Knows something that I believe never occured to her before. Sure, she knew that Goliath and Demona had been mates, lovers. But she didn't let her mind traverse to the next logical step. Parents. Together. Goliath and Demona.

And of course, the audience knows it too, I hope. It was never meant to be a secret to anyone but Angela who her biological parents are. These lines also served to point that out.

On the other hand, we didn't make a big deal of Gabe's bio-parentage. But I wanted it to be semi-clear that his folks were Othello and Desdemona (Coldstone and Coldfire). Anyone get that at first viewing?

REUNIONS

Everyone returns to Oberon's Palace. There are many injured and Gabe is apologetic. As Leader, he feels responsible. But there was 'never any need to hone our combat skills' before this.

Tom & Katharine are reunited. Elisa, the cop, picks up on the human dynamics, the relationships, immediately. She sees the Magus' reaction to their reunion.

I also really like the exchange between the Princess and Goliath.

K: "This is more than I could have hoped for."
G: "What you've done for the eggs is more than I could have dreamed of"

SLEEPING KING

We kept dropping hints. He's mentioned by the Magus, but the conversation moves quickly on.

Later, the Weird Sisters mentioned him. The Archmage is surprised to hear he's not a myth, causing Seline to say her famous: "All things are true." line. The Archmages promise to kill the king later.

And Elisa brings the guy up at the end. This policy was me trying to play fair and make his awakening in Part Three not seem artificial. But also not to allow the guy to distract from the matter at hand.

Of course, most of THIS crowd must have known the s-king was a ref to KING ARTHUR. Particularly when the Hollow Hill ref was thrown in too. But did anyone not know on first viewing?

LOOSE ENDS

This was an episode for tying up Loose Ends in a big way. Solving some mysteries.

Why did the Weird Sisters do what they did? (At least objectively.)

Why were Demona and Macbeth working together in "High Noon"? (Elisa: "They hate each other." Guardian: "I saw no sign of that.")

And how did the Archmage survive?

Tom unwittingly hints at the truth when he says that the Archmage seemed to be able to be in two places at once.

Now let's reveal...

WEIRD SISTERS

Wow! Did we get negative feedback from fans when we played the Sisters as villains here. Of course, I always had it in my head that the Sisters had three aspects. Grace, Vengeance and Fate. Sometimes one aspect is ascendent, but there is always a touch of all three in anything they do. But after the Sisters' Fateful appearances in "City of Stone", many fans rebelled at the notion that the objective reason they did all those things was for simple petty vengeance here in "Avalon". Oh, well.

[When Benny saw the Sisters for the first time, he said "Weird Sisters" with an interesting tone of awe. They're his favorites. But he didn't comment on them being bad guys here.]

The sisters have some nice lines...

L: "What is time to an immortal."
Phoebe: "This is true." (in ref to what cannot be broken can be bent).

ARCHMAGESES

Okay, this was just fun for me. In many ways the origin of much of this was the flat out talent of David Warner. He brought such life to the underwritten (and clichéd) part of the Archmage in "Long Way to Morning" that I just knew I'd have to bring him back. Many of the events of "Vows", "City of Stone", "High Noon" etc. were all geared toward bringing him back as a real THREAT!!

Yet with all this, I didn't want to forget the character's roots. We tried to set a balance between his clichés and his new power.

Think about it. The Archmage+ (as we called him in the script), had only been plussed for about a day. Still he's full of arrogance. His power hasn't raised him above that hybris nor above the thirst for vengeance nor above gloating or above impatience. That's his flaw, but also the fun, I think.

And of course, David. Wow.

Praise for Salli Richardson as Elisa. For Kath Soucie as Princess Katharine and all three Weird Sisters. For Frank Welker as Bronx and Boudicca.

But this Archmage stuff here is a tour de force, I think. David just went through, playing both characters. Both versions of himself. Keep in mind, he hadn't been privy to all that the writers had planned. He had come in for his small parts in both "Long Way" and "Vows". Now suddenly, he's this guy(s). Amazing.

"Do you know what to do?"
"I should. I watched you do it."

"Show some dignity."

"I could put you back where I found you."
"No, no." (I love that no, no. So tiny and fearful.)

"Not where. When."

"If you don't know, don't guess."

"The book must remain in play."

"Try to keep up."

"We're not doing her any favors."

"The rules that cannot be broken can surely be bent."

"Nine hundred and seventy-five YEARS??!!"

"I hadn't thought that far in advance."

"What am I supposed to do, eat it?!"

"Now I understand."

"As it did. As it must. As it always will!"

All great fun.

FLAWS

All these episodes were being produced simultaneously. All in various stages of production. So inconsistencies were bound to happen.

The Egg boats are messed up here. Demona's model in her flashback. Etc.

And storywise, what's the deal with Macbeth? I can see why the Archmage wants to include his former apprentice Demona in his plans. He felt betrayed by her, and is glad not to be doing her any favors by enslaving her.

But Macbeth?

Okay, it's not a true flaw. Macbeth is included because the 'plan of the Archmage' -- birthed whole from the timestream without the Archmage ever actually coming up with it independently (though he takes credit) -- included Macbeth.

It is the provence of Luna, not Seline, at work.

But still, I'd have liked to have been able to figure out some connection between the Archmage and Macbeth so that he wouldn't question the boy's inclusion. Thankfully, the Archmage+ is so arrogant, he takes credit and thus never questions. It occurs to me now, that I could have made a connection between Mac and his ancestors, all related to Katharine and Malcolm. Oh, well.

CAPTIONS

These became fun for me. Adding Captions indicating place and time is one of the very last steps in production. So I'm in there for the "On-Line" with Jeff Arthur, our post-production supervisor, and I'm just indulging...

Sure we start with...

"Scotland, 984 A.D."

But pretty soon we're at "YESTERDAY" and "SIX HOURS AGO" and "ONE MINUTE AGO" and finally "NOW".

It still makes me smile.

POWERING UP

So the Archmage gets the eye. Power. But he's still an idiot. He needs wisdom. He eats the book, which I always thought was really creepy and cool. Now he understands. Now we truly have two Archmage+es. But they can't coexist forever. Aside from how complicated that would be to choreograph, and aside from the fact that the timestream needs the younger of the two to fulfill his role....

They also couldn't coexist because both are too arrogant.

So we repeat the scene of departure to close the circle and tack on: "Finally. I thought he'd never leave."

BATTLE FLASHBACK

We get to see a new clan awake from stone. I hoped that was fun.

Ophelia appears (pre-injury). She looked way cool. For all those people who thought that Gabe and Angie were a couple, take a look at the way Gabe is holding Ophelia and looking at her after she's injured.

LAYING PIPE

In addition to the Sleeping King, we were also laying pipe for our whole fourth tier WORLD TOUR. Tom says: "Avalon dropped me in your laps." He credits Avalon with sending him to Goliath.

The Magus declares that he is without magic and useless. Katharine rebels at that: "Don't say it, and don't think it!" She loves him. Just not the way he wanted her to love him.

Bronx and Boudicca want to go with Goliath.

Elisa asks about the Sleeping King...

And Goliath, Angela and Gabriel take off on a stealth attack.

And we immediately see that the Archmage knows they're coming.

Uh oh.

As the Archmage says... "[We've layed all the damn pipe we could possibly need and more], Now the fun really begins!"

To be concluded...

And that's my ramble. Where's yours?

Chapter XXXI: "Protection"

Watched "Protection" last Saturday with my wife and kids. Here's a ramble:

CAST
I'm immediately struck by our large supporting cast. Probably because so few of our regulars (Elisa, Goliath, Broadway only) appear in the episode.

THE CROOKS: Dracon, Glasses and Pal Joey. (All very fun to write for.)

THE COPS: Matt, Maria, Morgan. (All three go undercover and do a bit of play-acting, which is also fun.)

THE CIVILIANS: Art, Lois, Dave, Mr. Jaffe, Travis Marshall. (Each is characterized rather quickly, but memorably, I think. It was particularly cool to play off the Matt/Jaffe relationship previously referred to in "Reawakening".)

As for our regulars, we intentionally reduced the number of 'goyles in this one so that we had the space in our short 22 minutes to focus on other things. Goliath and BW seemed the appropriate two to bring along for various reasons -- established most obviously in "Deadly Force" and "The Silver Falcon".

I liked how Goliath reacted to the perversion of the concept of "Protection" and how the movie-savvy BW shakes his head but takes it in stride.

ELISA
Okay, I figure we didn't fool many of you into thinking that Elisa had actually gone bad. I was pretty sure we wouldn't. At least not the older fans. So I tried to fool you another way in the first few minutes. Glasses tells Dracon about a lady cop, but doesn't mention who. Chavez accuses Elisa, but Elisa pleads her innocence. Did anyone think that Elisa was being framed?

My daughter did. But in a way that I hadn't considered, despite the fact that "Double Jeopardy" was part of the same tier and naturally led to her conclusion.
--Erin: "That's not Elisa, is it?"
--Benny: "Yes, it is."
--Erin: "Yeah, that's not her. She never dresses like that."
--Benny: "It's a wig. How'd she get her hair like that?"
--Erin: "It's a clone."

A clone? Of course! That's the problem with introducing so many concepts. Too many options for the viewer. Did anyone else think clone? Erin maintained this idea right until the end of the episode. She kept saying with increasing frustration: "That's not Elisa. It's not."

SPEAKING OF NEW CLOTHES...
I loved Elisa's new outfit, I only wish the animation -- the character modeling -- in the episode had been better. It's not always very flattering to her. Sometimes it seems to WAY flatten her out. Other times, it makes her huge. (Yes, I'm focused on her breasts. I'm a heterosexual male. What do you want from me?) But it never makes her look real. Still, it's just nice to see her wearing something -- ANYTHING -- different. I wish we had had the resources to give her more clothing options in general.

DIALOGUE
Some nice lines in this one...
Elisa to Goliath: "What are you, a puppy?"
Elisa to Glasses, et al: "You tough guys just gonna stand there all night?"
Goliath to Elisa & Dracon: "Money and power sound very appealing."
Dracon to Elisa: "Keep the jar."
Elisa to Broadway: "Keep the jar."
Dracon to Goliath: "So she's your woman. You have good taste."
Broadway to himself: "Why are bad guys always in such a hurry."
Broadway to Pal Joey: "Sorry, Pal."
Broadway's slightly dated black & white movie gangster lingo.
All of Dracon's on-going Honey, Sugar, etc. references and Elisa's reaction to them. Makes me smile still.

JALAPEÑA
You've all heard this story, right?

Okay, BRIEFLY...

Keith David used the exclamation "Jalapeña" all the time. More or less as a replacement for Halleluia. It was an expression he had gotten from a female jazz singer (whose name escapes me at the moment -- as it usually does for some reason). One day in the control booth, voice director Jamie Thomason turned to me and said, "I bet you can't get that into a script." I said, "I bet I can."

Shortly thereafter, poor innocent writer/story editor Gary Sperling turned in a perfectly normal script. I then added this entire "Jalapeña" subplot. (I had to add all this stuff about room service, jars, etc. to justify the last word in the episode.) I fell in love with the idea. I thought it would give us a curse word, basically. (That's how BW uses it in the ep.) Most everyone else hated it. But directors Frank Paur, Dennis Woodyard and Butch Lukic didn't know how far I planned on taking it. They thought it would be a one episode thing, so they indulged me here. In fact, they suggested the massive "Jalapeña!" echoes at the end of the episode. ("If you're gonna do it, do it!")

Jamie would later goad me by saying things like, "Yeah, but I bet you can't get Hudson to say it." And so one by one, everyone said it. Again, I thought it was fun and useful.

But eventually the art staff literally revolted against it. Frank told me I HAD to stop. So what you'll notice is that starting with this episode we ramp up and begin to use the word a lot. And then it peters out and disappears entirely from the show -- until "The Journey" my farewell episode. I put one "Jalapeña" in that. Disney executive Jay Fukuto asked me why I had done that: "I thought Frank hated it." That's why I did it, to annoy Frank and gratify myself.

Frank and I are all good again now. We look back on our Garg days and realize that we didn't even know how good we had it. But I'd say that in 1996 our relationship had deteriorated a bit. The stress of doing 65 episodes had taken a bit of a toll. We weren't at each others' throats or anything. But we were just a bit on edge. Like I said, ancient history. I'd love to work with Frank again now. But there you have it.

DRACON & GLASSES
Lots of loyalty from Glasses. These second banannas always fascinate me. Of course, Xanatos usually treats Owen with the utmost respect. Dracon isn't quite as good a boss. He has a line of contempt after Glasses tells Dracon that the shopkeep [Matt] wants to meet with the boss. Dracon to Glasses: "And he knows it's not you." You wonder why Glasses puts up with it.

I love how quickly Dracon adjusts to the Gargoyles too. The concept of controlling them is so appealing, it submerges his fears. He quickly starts referring to them as Guests, and then as Partners. He even puts a hand on Goliath's shoulder -- briefly.

BOMBS OVER BROADWAY
This guy seems to deal with bombs a lot. This time he hold it in his teeth, which I thought was cool.

THE GROCERY STORE
Poor Mr. Jaffe. He gets robbed all the time. Then he has to put up with a Werefox attack. And now a particle beam battle.

And what's with those giant bags of flour? Who buys those?

And I wish those hidden cameras had actually been hidden.

I'm not in love with the battle choreography here. Elisa gets the jump on Dracon, which is okay, I guess, as he was hoping he could trust her. But then Dracon gets the jump right back. She should have been better prepared. It's all a touch clumsy.

Goliath's roar is interesting. Usually we use more effect and less Keith. This one is more Keith. A lot more Keith.

G's eyes are glowing as he takes Dracon into the air. But you'll notice they stop glowing just before he drops Dracon. This is a clue that he never really intended to let Dracon die. His anger has already ebbed. And after all, "Gargoyle justice is not human justice." Had this been Gargoyle justice, you get the sense that Dracon would have wound up, dare I say it, "Street Pizza."

Things wrap up. Chavez of course is still largely in the dark. But you'll notice that things were staged so that you could believe that Matt may or may not have been in the dark too. Since this episode was part of the same tier as "Revelations" we didn't 100% know for sure whether or not Matt would know about the Gargoyles by the time this aired. So we tried to play it ambiguously here.

ELISA & GOLIATH
Jalapeñas aside, I like the final scene between E&G. They reaffirm their mission and their love for each other. The first explicitly. The second implicitly.

Also we use the scene to justify why Dracon would buy something that I knew the audience wouldn't. "The corrupt are the first to believe that others can be corrupted." If you never thought for a moment that Elisa was dirty then there's hope for you yet. Either that, or your hopelessly cynical about the rules of television.

But did you still think she was a clone?

Anyway, that's my ramble. Where's yours?

"PROTECTION" Memo

[In prep for my ramble on "Protection", here's the memo I faxed to Story Editor/Writer Gary Sperling. (Actually, I'm retyping it -- old typos and maybe some new ones included -- because I don't have a computer file. Just the hard copy.) You'll notice that it's more abbreviated than usual. Note the date. I was on vacation at the time. Plus, the outline may have been in better shape. Also note that the episode's original title was "Undercover". But we realized that Elisa wasn't so much going undercover, and that we'd save that concept for what eventually became "Turf". Besides the one word title, "Protection", was hard to resist given our on-going themes.]

WEISMAN 12-29-94

Notes on "Undercover/Protection" Outline...

BEAT SHEET
ACT ONE
1. Restaurant blows up. Keep very brief.

2. Glasses joins Tony in the limo. Glasses has heard that dirty cops are muscling in on their protection racket.

3. News report to Gargoyles. PRoTECTION RACKET. Goliath wants to see Elisa. She hasn't stopped by in days. Where has she been?

4. ChAvez asking Matt same question. As MATT brings in #3 to question him about restaurant bombing. Elisa arrives late. Matt: "Where you been?" Don't crowd me Bluestone. Asks for time alone with #3 Matt gives it. Elisa starts to talk obliquely about her moving in. Chavez interrupts and suspends her while she's under investigation. Maza protests that she's innocent. HAs to turn in badge and gun.

5. Elisa storms outside. Goliath and Broadway follow.

6. #3 calls Dracon.

7. Pool Hall - reveal Elisa.

ACT BREAK??

Glasses and #3 comes in.

8. Pursuit.? or HUSSLES ELISA OUT.

9. Goliath and Broadway intervene. CHASE.

Elisa pulls the rug out from under G. She leaves w/Glasses.

Goliath says she's under a spell. BW says maybe there's another explanation.

10. Glasses and Dracon. Elisa in the next room. Send her in. You guys get to work.

Elisa and Dracon.

11. Grocery Store: MATT (disguised) and owner. Matt and Glasses.

12. Some phony store. Maria, Morgan and #3. After #3 leaves they make reference to one of their plans is sure to nail Dracon.

13. Goliath and Broadway have gone bad at Dracon's Penthouse.

ACT BREAK

Finish out 13.

Intercut:
14. Broadway helps Maria and Morgan against #3 (and Glasses?)

15. Matt and Elisa nab Dracon. He's ready with men and bomb.

Goliath and Elisa work together to diffuse situation.

(Matt and Goliath relationship should be vague.)

Elisa gets her shield and gun back.

16. Reveal clearly what everyone probably knows by now. Elisa was undercover. BW figured it out and tipped off G. Some PROTECTION TAG.

DRACON OUT ON BAIL?????????