A Station Eight Fan Web Site
: « First : « 100 : « 10 : Displaying #132 - #141 of 401 records. : 10 » : 100 » : Last » :
Posts Per Page: 1 : 10 : 25 : 50 : 100 : All :
Hey again Greg,
When Superboy speaks for the first time in "Independence Day", a surprised Kid Flash responds by blurting out "He can talk?", was this a deliberate nod to Elisa's similar line in "Awakening Part Three" or just a coincidence?
Probably deliberate.
I mean wouldn't we all prefer to believe I'm deliberately shouting out to my old work, than to think that I'm just repeating myself, right?
This is more of a personal question; rather, not directly related any specific work but more the creator and writer behind the works.
What is it like, as a storyteller, to have the Gargoyles universe still so loved by fans? Sixteen years after "The Awakening" debuted, fans are STILL curious about this or that bit of the universe, fans are STILL lamenting the show's end, the Gatherings went on for an insanely long time, fans still anxiously await the slightest hint of more Gargoyles stories, fan-works are still being made--what do you think of all that? What's it like to sit back and know that something you gave artistic birth to still grips viewers, and still draws fans?
It is -- without a doubt -- f-in' cool!!
Greg,
I just was interested in what you are doing now and what the future holds for you?
LOL!!
Mostly, I seem to be refusing to comment on Young Justice.
Down the road, I see me refusing to comment on many other things!
(Actually, this may be a serious question. It's gotten hard for me to tell. So...
For those who don't know, I'm currently producing Season One of the new YOUNG JUSTICE animated television series for Warner Bros. Animation, DC Comics and Cartoon Network. The show will premiere in November. I'll be working on this series for the foreseeable future... hopefully for a good long time.)
Meant to post this days ago at ASK GREG, but I forgot. I'm being interviewed for a live podcast at http://www.blogtalkradio.com/123-film TODAY at 4pm PDT, i.e. in less than half an hour. Sorry for the lack of warning...
This is touching on the type of theoretical questions you hate, but Iâll attempt itâ¦
Are there any shows you watch that you wish you were involved in? Any shows you are glad you werenât involved with because you wouldnât want it any other different than it is? Any shows you didnât enjoy, but think you could have made the concept shine? I donât necessarily mean something you worked on and it didnât work out, (like when you wrote the series bible to Roswell Conspiracies or the like), I mean even seeing a cartoon as an adult that you enjoyed as a child and thinking âif I were doing thatâ¦â. That creative itch that sometimes hits when watching a show and really wanting to play in that sandbox.
I figure either you'll hate this question or one or two examples will suddenly spring to mind.
Yeah... I would have loved to work with Joss Whedon on Buffy or Angel or Firefly. Not that I think I would have improved on it, but I would just have loved to play in that world with the master.
There are cartoon series I was really jealous of, like the MTV Spider-Man series. But (no surprise) I'm over that now.
I haven't seen anything but a few clips of the upcoming series, so this isn't a comment on it per se, but I would have loved to do an Avengers series. Frankly, I would have loved to have taken what we did on SpecSpidey and widened it, building an entire Marvel Universe. It's one of the things that's so fun about Young Justice. We're not just adapting YJ or Teen Titans, but the entire DC Universe (or one of them (#16) anyway).
The Highlander TV series was one where I thought it had moments of greatness, but was also a bit of a mess at times. I would have loved the POWER (Bwahaha) to grab the reins of that one.
I'm sure there are plenty of other examples, as I have generally -- and I'm not proud of this -- lived a professional life filled with (and marred by) tremendous ENVY. I just can't think of any others at this time. At least not any others that wouldn't get me in some trouble. ;)
I had asked what age you thought is the youngest age to start watching Gargoyles andâ¦
Greg responds...
Well, I may not be the best person to go to for this advice. Not like I'm some parental expert. Just a parent. But I started my kids on Gargoyles VERY YOUNG. And it held their interest, which was my main concern. There's stuff there for them to enjoy, and IF THEY ASK about any of the more mature aspects of the show, there are teachable moments. That is to say, I didn't sit them in front of the TV and walk away. I watched WITH them. We had fun. And we learned some stuff together. But I think they were each about two when they started watching Gargoyles.
That's right! TWO!!! <chuckle>
Okay, yeah, I'm a bad parent. I mean I watch Dexter with my fifteen-year-old daughter. So don't listen to me.
Me againâ¦
I just couldnât watch a show like Dexter with my little girl! It seems just wrong to tell a child, âTell mommy when the gore is done so she can open her eyes.â Wait⦠you meant because she enjoys it, not just so you donât have to watch âickyâ scenes? I suppose I can see myself doing that J
[Just in case you donât have perfect recall- the rest of your answer was really good parental advice, âexpertâ or no:
âBut I do think the key is to watch Dexter WITH your kids and not let them watch it alone. Oh, and when Dexter's over, put on an episode of The Office or something light and funny before bedtime. â]
Thanks. I do love watching TV with my kids. But we stick to shows THEY want to see that I don't mind seeing too.
Hey Greg!
I had a question. I'm currently a theatre student in college. However, I've always had my hand in multiple areas in the arts. It was only my love for writing and acting that had me not decide to go to a strict art college (I had wanted to be a comic book artist for a long time).
I plan to move to California eventually and try to make it in the show-biz, either through acting, my art ability (I'm currently doing a lot with prosthetics/mask making) or writing. My question was how exactly you got into your current field of work? It's something that interests me, what with my love for comics both in writing and art. So basically, I was just wondering how you got started.
Any advice would be greatly appreciated!
Thanks,
--Chris
Chris,
For a fuller answer, check the archives here at ASK GREG under topics like "Weisman, Greg", "Animation", "Biz, The", etc. As I know I've answered this before.
But the short answer is that I started as a comic book writer for DC Comics, while I was still in college. I then became an editor there for a couple years after college. Then I went to graduate school to hone my skills as a writer, while interviewing at various studios. I was hired as a junior executive at Disney Television Animation, got promoted a couple times, developed Gargoyles and became a writer-producer.
All too often in cartoons (specifically nowadays) female characters fall into the role of giggling love interest, counterpart to a male character to eliminate homosexual themes or are just there to fill a demographic. Writers don't seem to know what to do with them after that.
That is why I would like to sincerely thank you for your part in fostering strong female characters like Elisa, Demona and Fox.
Also, what influenced you to write those characters the way you did? Did you have specific females from your past in mind or did you choose character traits from literature and sort of mesh them for a well rounded feel?
Thank you.
I honestly don't know. I've always liked writing female characters. Two of my first (unfortunately unpublished) projects for DC Comics were Black Canary and Supergirl.
I just try to write honestly for them -- removing as many of my biases as possible -- just as I would for any male character. And the result -- for better or for worse -- is what you have seen...
Just over a week ago, Dick Giordano passed away. I've been meaning to write this ever since but haven't felt equal to the task. But it's time...
Dick was one of the all time great comic book inkers, but he was also the single individual most responsible for bringing me into the comic book business, which directly lead to me working in animation.
It's a story I've told many times, so feel free to skip down if you've heard it.
I was a nineteen-year-old college sophomore when Marvel Comics announced a New Talent Search. I was excited, but reasoned (correctly) that Marvel would be inundated with submissions. I also reasoned (rather cleverly) that if Marvel began a New Talent Search, DC Comics would too. So instead of preparing submissions based on Marvel characters, I immediately set to work, prepping stuff based on DC characters. Sure enough, DC announced it's search, and I immediately sent in my stuff. YEARS LATER, I saw the logbook that was used to log in each submission as it arrived. Mine was literally the second submission received.
It was duly logged in -- and then lost. (Likewise, years later, I found it in the DC offices in the back of a file cabinet.) DC still had my address in the log book. But not the submission itself. Because 70% of all submissions were artist submissions and only 30% were writer submissions, the person in charge of the talent search at the time took a chance and sent me a packet for new ARTISTS. I was OUTRAGED!!! Outraged, of course, in the way only a 19-year-old know-nothing can get outraged. So I sent a LETTER to DC Comics expressing my outrage. I said (lying) that I was a professional, and if they lost my submission, a simple admission of this fact would have resulted in me sending copies. There was no need to GUESS (incorrectly) that I was an artist and hope for the best. I stated that this was no way to run a business.
Somehow this letter found it's way to Dick Giordano's desk. Dick was at the time the EXECUTIVE EDITOR and head creative muckymuck at DC. Most guys in that position would have found a nice round file for my letter, but Dick was amused by it... and maybe a little impressed with (not the content) but the writing of it itself.
So sometime later, the phone in my dormroom rings. My roommate answers and says it's for me. "Who is it?" "Some guy named Dick Giordano." Now, I knew EXACTLY who Dick Giordano was and figured there was no way I was getting a call from him. So I got on the phone assuming it was one of my geek friends playing a prank. Nope. It was Dick. He wanted to meet me and asked if I had any plans to be in New York City. I (lied again and) told him that coincidentally, I was planning to be there over spring break. He invited me up to the DC Comics offices, and we set a date and time.
So I scraped the money together to buy a plane ticket, crashed at my cousin's apartment, put on a SUIT (what did I know, it was a job interview, right?) and headed out during a torrential Manhattan rainstorm to FIND A CAB to take me to DC. (Somewhere out there New Yorkers are laughing at the thought of me trying to find a cab in the rain.)
Ultimately, I found one, but not before I was (despite an umbrella) soaked to the bone in my stupid suit. I arrive at DC looking more like a drowned rat than a professional writer (which, of course, I was not), and met with Dick. And we hit it off. He was great. From Day One, he believed in me and tried to get me freelance work. He eventually gave me a job as an Editorial Assistant (read Xerox boy) and quickly promoted me twice over twenty-one months to Assistant Editor and then Associate Editor.
I was impatient, of course. I couldn't stick it out, and moved back to Los Angeles to go to grad school and eventually start a career in animation. I remember how disappointed Dick was. How he tried to get me to reconsider, but how he also supported my decision, when I made it clear it was final.
After that, every time Dick and his right-hand woman and good friend Pat Bastienne came to Los Angeles, they would take time out to meet with me. They met my fiancee Beth long before she became my wife. They were both always cheering me on. Eventually, Dick retired from DC and moved to Florida, and we lost touch. Which is on me. And I regret it.
When I heard/saw that he had passed at age 77 from complications from Leukemia (over the same weekend when my Grandmother turned 100), it was a real blow.
Dick was a terrific and extremely talented guy, and I owe him just... TONS.
Thank you, Dick. You will be missed.
Greg Weisman
April 2010
Hey guys,
I've been on vacation (SPRING BREAK!) and busy with a bunch of stuff, so haven't been able to stop by recently, but I didn't want this major event to go by without notice. Last week, my Grandmother turned 100.
Of course, my brother beat me to it, writing more eloquently than I'd be able to, so I'm going to link to his website, which has neat pictures too!
As my cousin pointed out at the LARGE family dinner we had this past weekend, when Sue Weisman was born, the Ottomans had an empire, as did the British and the Russian Czars, and Sue-Baby has outlast them all. The changes she's seen... living through World War I, the Depression, Prohibition, World War II, the invention of radio, television, computers, etc. It's a completely different world. And she's still sharp and funny and a joy to be around.
So happy birthday, Grandma Sue! Here's to 100 more!
: « First : « 100 : « 10 : Displaying #132 - #141 of 401 records. : 10 » : 100 » : Last » :