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Weisman, Greg

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Tynne writes...

I remember a while back you wrote about enjoying Scott McCloud's recent Zot! Online revivial.

Do you currently enjoy any other comics (whether online, newspaper, or print books).

Thank you.

Greg responds...

I read the entire L.A. Times Comic section everyday -- even the ones I hate -- out of habit and compulsion. I still love Doonesbury. Dilbert's amusing. I like Get Fuzzy a lot. The rest range from pretty good to just awful.

Response recorded on July 11, 2001

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John writes...

Hi Greg,
This one is a personal question:
In this year, we had and we will have some great movies, and we have a new trend: Movies about computer games. My question is, wich of these ones will/have you seen, and what do you think about them?

Almost Famous
Traffic
Tomb Raider (game)
Resident Evil (game)
Final Fantasy (game)
Lord of the Rings
Harry Potter
A.I.
Shrek

Ok, Thank you for awnsering. have a nice day:-)

CU, John

Greg responds...

I enjoyed Almost Famous a great deal. I also enjoyed Shrek.

Haven't seen the rest, and some of them aren't even out yet. I'm not sure what you expect me to say about a Lord of the Rings movie that I couldn't possibly have seen yet? If you're looking for me to pre-judge something, that ain't gonna happen.

Response recorded on July 11, 2001

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Steven L. writes...

In general, did you enjoy telling stories that all ages could relate to, or were there times when you felt frustrated that you had a great idea for a more adult story or issue to explore, but couldn't due to the restraints of being a "children's show"? A bit of both?

Greg responds...

I loved what I was doing. I do occasionally have a dirty mind. But I'm happy to fill it with details left off screen. All the themes I wanted to address I could. I did. At least through the first 66. Down the road? Who knows?

Response recorded on July 11, 2001

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Sloth writes...

Who is your favorite character in the garg universe? assuming u have one.

Greg responds...

I don't. Goliath is the prism through which the universe was recreated. But I love 'em all. Even the bad guys and the nobodies.

Response recorded on July 06, 2001

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Corrine Blaquen writes...

Hee, hee. I just noticed something that I found amusing. Macbeth must have some sort of 'Red-Headed Curse' upon him or something! All the women that affect his life somehow have had red hair. His dear wife Gruoch was the first. And then Demona, whose red hair has virtually become a trademark! His hired mercenary Fleance is a carrot top. And by extension of Demona, his French ex-wife was a redhed too! None of the females in the series with any connection to him don't have red hair. I like it. It's neat. Was it intention, or is it just an amusing fluke? If a fluke, did you ever notice?

Greg responds...

I'm color blind.

Response recorded on July 03, 2001

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Brittany writes...

how on earth did you can you draw gargoles that good the only good thing i can draw is anime charaters.

Greg responds...

I can't draw worth a damn. Hopefully, you all think I can write though.

Response recorded on July 02, 2001

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Greg "Xanatos" Bishansky writes...

Ok, this has been on my mind for a while, and checked the archives and didn't find it there.

What was Raven hoping to gain by driving everyone away from Queen Florence Island in "Heritage". I don't really understand his motivations there.

Greg responds...

I used to live on Queen Florence Lane in Woodland Hills, California.

He was looking to gain power. Queen Florence Island was a place of power. He didn't want to share.

Response recorded on July 01, 2001

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Anonymous writes...

Why did you give up reading comics? I mean there are still some good ones such as Rising Stars(Rising Stars) and League of Extraordinary Gentlemen(Moore).

Greg responds...

Never heard of 'em.

It's kind of a long story, but in a nutshell here are a few factors as to why I gave up comics in 1996:

1) Many of the comics I was reading at the time ended their run. Love & Rockets. Sandman. Etc.

2) Other comics I was reading became UNREADABLE. Hulk springs to mind. It wasn't really Peter David's fault. But by that time Hulk was the only Marvel Universe Book I was still reading. Then the Marvel Universe split in two or something, and I couldn't make heads or tails out of Hulk anymore. DC's Universe wasn't that much better.

3) Comics I still wanted to collect, like Cerebus, were becoming hard to find. There was no longer a good comic shop near my office. I couldn't go every week like I used to. So I'd try to go once a month. I'd miss an issue and not know it for another month when the NEXT issue came out. By that time, finding that back issue became VERY difficult.

4) Because so many comics I used to love were gone or unreadable, I was down to collecting very few titles. Given that I collected so few and the logistical difficulties of getting to a decent store, I was no longer feeling the old, "Gotta get in there and by the next issue of everything" pressure. Half the time I did go, I no longer found ANYTHING that I wanted.

5) I didn't plan on quitting. I went to a store in November of 1996. Didn't get around to going again in December or January of 97. By February or so, I realized that I had gone a while without... and that I didn't MISS IT AT ALL. This was a shocking revelation to me. SHOCKING. I'd been addicted to comics for DECADES. I had a huge collection -- particularly huge since from 1985-1987, I got every issue of every comic being published (with very few exceptions) for FREE. (I was on staff at DC at the time, and the various publishers had a gentleman's agreement to provide each other with free copies). Once I found I didn't miss it, I decided to quit. Freed up a ton of time and money.

Response recorded on July 01, 2001

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Jim R. writes...

This is something I've been wanting to ask for a while.

A lot of information on the net in relation to Gargoyles is the criticism reports I read. Critics who evaluated Gargoyles say that as for children, it's a good show to teach morals, right-and-wrong differences, and social problems. They especially mention the episode "Deadly Force" in particular as a lesson learning experience about the dangers of weapons.

But, as for those of us adults, we believe Gargoyles was Disney's way of appealing to a more mature audience. Most of us would say its attractive because of the story, characters, episodes, Shakespearian underlyings, or the overall fictional universe idea makes it interesting. These things, I think, are what make adults come to Gatherings or purchuse merchandise, etc.

So, my question is: Who would you agree with more? The people like us fans, who ask you questions, still watch the series on our VCRs, and adore the story. Or, the critics who would say that Gargoyles is a good children's cartoon, suitable for teaching them lessons of behavior, ethics, etc.

Greg responds...

I view my audience like a target. There's a bull's eye in the middle, and concentric circles surrounding it.

Put another way, I try to write on multiple levels. Eye candy and clear lessons for younger kids. Shades of grey and other more sophisticated material for older audiences. Hopefully, I'm reaching the widest possible audience. That's the goal.

Mostly, however, I write to please myself. The more I do that, the less likely it is that I become a hack.

Response recorded on June 30, 2001

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Laura 'ad astra' Ackerman writes...

Another try at sending this out-

I just typed up a particularly long question that didn't post and got lost, and I was foolish not to copy it somewhere before hitting submit. I apologize if it turns up later and this becomes a double post, and also if I can't get rid of the autoformating in Word and it looks a little screwy. After losing that long a question I am not taking a chance working directly into the web page.

It has been a long time since I posted a question... of course it has been a long time since I have been caught up with your answers. After reading all of the new responses, particularly those dealing with Oberon and Titania, a question has come to mind. [Actually two, but how many new ways can you ask, "What did Titania whisper to Fox?"? That question should almost have its own section.] The short form of the question is this: Just how different are Oberon's hildren from humans? I am not referring to physical or magical characteristics, but rather do they think in a quantifiably different way than do humans?

The long version of the questions comes after the long digression:

A while back a friend practically shoved an anthology into my hands and insisted I read a particular article. I believe it was called, "Hamlet in the Bush". The gist of it was that a young anthropologist found herself with an indigenous culture for a long boring stretch. [She had thought the off season would be a wonderful time to get to observe their culture. Had she asked them they would have told her the off season is the off season because the weather is so miserable that they cannot even visit the next village. They spend the time drink the local equivalent to bear waiting for it to pass.]

Before leaving she had had an argument with a friend. She argued that at base all humans are the same and once you do some explaining to take care of cultural differences, a great work of literature would be recognized as such by all people. The example that was bandied about was Hamlet, so he gave her a copy as a going away present.

With nothing else to do she sat in her tent and read it over and over until the locals asked her what on Earth she was doing. They were a non-literate culture and to them reading papers meant reading boring legal documents. Even a white person could not be so daft as to spend weeks doing so. She seized upon it an opportunity to test her theory and they, being a story telling culture, were happy to oblige.

She immediately ran into two problems:
-1-They didn't have a concept of "ghost". Zombie, yes. Evil spirit in false guise, yes. But the idea of a dead person's spirit hanging around this world was simply ludicrous to them.
-2-They thought Claudius was a great guy. He acted as an exemplary uncle and brother-in-law, although he waited a bit long in taking care of his brother's household. [Three whole months! And with only one wife to tend the fields!]

In the end they loved the story (with their corrections) and thought she was on her way being a great storyteller, (being female aside). They also told her to be sure to tell her elders that they had been good hosts and had corrected her misremembering lest she continue in error.

I think her premise held, but she hadn't realized how far cultural difference went. The more complex the story, the more it was tied to its own cultural assumptions and the harder it is to explain to another culture.

Back to Gargoyles-

In Gargoyles the basic emotions seem pretty much universal. Gargoyles, humans, New Olympians, and even Nokar and Matrix as far as we have seen them, display them. Love, hate, curiosity and fear, as well as slightly more complex emotions of protection and loneliness are clearly expressed and are more easily understood than some lost cultures of our own ancestors. Are Oberon's Children fundamentally different, or if we can imagine long enough the effects of great power and incredibly long lives we can empathize without too much brain-sprain?

There are great works of speculative fiction that try to understand the mind of The Other. Zelazny had a whole series of stories of robots worshiping and trying to understand the long last human race. I recently read a great book called "Exogesis" (a post-modern Prometheius) by Astro Teller dealing with how a newly emerged AI might think and how humanity might respond. If I would list every book I could think of on the topic I will never stop typing and will eventually have feel the urge to start listing plays and movies as well, (and probably have to deal with Frankenstein, and I am not fond of the book. It is hard to like a book when you hate the main character. Perhaps the movies were right to make the monster the lead character. :).

It all boils down to this: Are the Children of Oberon "the Other", or something very much like ourselves?

Boy this is long! sorry.

Greg responds...

Don't apologize. It's fascinating.

Boiling it down...

YOU WROTE:

Are Oberon's Children fundamentally different, or if we can imagine long enough the effects of great power and incredibly long lives we can empathize without too much brain-sprain?

I'd have to say the latter. Great power. Little or no responsibility. Long lives. Being able to look however you feel at a given moment. You add these things up and they may seem other for awhile. But fundamentally, it's about extrapolation on our human emotions.

Because fundamentally, as a writer, what else can I do? Maybe someone else has the talent, ability, INTEREST in truly creating the OTHER. But not me. I'm interested in US. Gargoyles, humans, Oberon's Children. Toss in the New Olympians, Nokkar, the Space-Spawn, the Lost Race, etc. I'm fundamentally interested in figuring out what makes us real world humans tick. Or boil it down further, and I'm fundamentally interested in figuring out what the hell makes ME tick. All the characters in the Gargverse are just there as an alternative to me being in therapy, I guess.

Does that make sense?

Response recorded on June 29, 2001


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