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Weisman, Greg

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Virginia writes...

Are you going to be able to make any kind of art gallery in the near future? I love your work and would be interested to be able to purchase picutres from the gargoyle and Max Steel series. My 3 year old son loves the show too, btw.

Greg responds...

That's great. But I'm not an artist. Can't draw worth a darn. (I said darn because your son is only three.)

Response recorded on September 09, 2001

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Anonymous writes...

Why do you dislike Terminator 2? Was it because of the time travel?

Greg responds...

Well, I think the time travel is a mess, certainly.

But I just didn't like the movie either. It's been so long since I've seen it, that I don't feel comfortable giving a full review here. My command of the specifics is non-existent, I'm afraid. But as much as I loved the first one, that's about how much I disliked the second.

Response recorded on September 09, 2001

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JEB writes...

'Ello, Greg.

1) What years were you working at DC Comics? Were you there around the time they did CRISIS ON INFINITE EARTHS? (I'm assuming yes, since you worked on its 'cousin' WHO'S WHO IN THE DC UNIVERSE.)
2) If (1) was yes, did you work on anything Crisis-related (excluding WHO'S WHO)?
3) What did you think of the Crisis, story-wise? (I liked it, of course. Then again, anything with cosmic stuff and grand epic battles is guaranteed to be a favorite with me.)
4) Which did you like better, the pre-Crisis multiverse or the post-Crisis single universe? (I like them both, but I miss the former.)
5) What did you think of the Crisis' effects on DC Comics as a whole? Do you think it did more good, more harm, or do you think it didn't really do either? (I think it was interesting, and created many excellent opportunities for revamps (Superman, Wonder Woman, and Captain Atom being among the best). However, the continuity blips- especially those afflicting poor Hawkman- were a major long-term failing.)

Sorry if these questions are a bit annoying or disinteresting to you, but I just realized that you were in the offices around the time (at least) that the post-Crisis cleanup was underway, and I was curious about your views on that period. Thanks!

Greg responds...

1. I started freelancing for them in 1983. I joined the staff as an Editorial Assistant in 1985, toward the tail end of Crisis. I was promoted to Assistant Editor in 1986. And promoted again to Associate Editor in 1987. I quit my staff job in '87 but continued to freelance for them until late 90 or early 91 (overlapping with my Disney career for a year or two.)

2. No. I was a peon in those days. Unless you count xeroxing stuff. Of course, Crisis had ramifications that lasted for years, so you could say I later worked on things that were "Crisis related".

3. Some of the issues of Crisis are powerful great stuff. But the name Anti-Monitor never did much for me. And I have to say I miss the parallel universe stuff a bit. It wasn't so much Crisis as what came out of it that disappointed me. For me the results either went too far or not far enough. And there was so much well doing and redoing... It's all hindsight, and not like anyone at DC is asking me, but I'd do things differently.

4. Definitely the multiverse. I'd bring it back if I could. "Crisis on One Earth". I think it's what allows them to start over every twenty years or so, let the characters age normally. But then move on to a new Earth, where the old ones can still be reached, but we can see Superman, etc. young again. Let's us leave behind missteps without shattering continuity. Etc.
5. Well, I've kind of answered this already. But again, I don't want to blame Crisis. I think Crisis did ITS job. I just don't love all those revamps. (Except Captain Atom, of course.)

It's fun to revisit old stuff. That's why I'm here no need to apologize.

Response recorded on September 09, 2001

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Jacob writes...

Hi Greg

Are there any series you have produced or created that you like more than others? Maybe you could write your three favourite ones.

Greg responds...

Well, Gargoyles. Duh.

But I also really loved working on Starship Troopers aka Roughnecks, though I was neither the Producer or Creator.

(I assume we're limiting this discussion to series that actually made it on the air.)

Anyway, those would be my top two, in that order.

Response recorded on September 09, 2001

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Justin writes...

Greg

You have mentioned that you are color blind. I believe you said you are red-green deficient. So my question is,
What colors do you see the gargoyles as?
Brooklyn?
Hudson?
Lexington?
Broadway?
Kai?

Because you said you thought Goliath was blue, when he really was purple.

Thanks

Greg responds...

See, now this sounds like...

All right.

Brooklyn looks kinda burnt red to me.
Hudson... I don't know. Brown maybe.
Lex... Brown or green.
Broadway... green/blue.
Kai... hell, I don't remember. Blue or purple?

Response recorded on September 09, 2001

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Lacey writes...

Which character do you feel is most like you, or closely resembles you physically and/or mentally?

Greg responds...

None really resembles me physically, I think. But many of you have seen me at Gatherings. Do you agree?

As for mentally... if you took ALL the characters and squashed them together you'd get me, I think.

Response recorded on September 08, 2001

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Yttrium writes...

You mentioned you were in a play called THE WARRIOR'S HUSBAND and played Theseus. Could you tell us what it was about?

---Ytt

Greg responds...

Sure. Although, keep in mind, that I was in this play over twenty years ago. So I may be misremembering stuff. I'd recommend hitting a library and reading it for yourself. It's by Julian Thompson.

But anyway... Hercules and Theseus attack the Amazons to get the girdle of Hippolyta, which Herc needs to complete his ninth labor. Homer is along to report on the action.

Hercules is very strong and carries a big club, but is neither bright nor brave in this play. Theseus is smart and cunning and good with a sword. He likes to let Herc stand up as the front man, while he makes things work behind the scenes. He's used to getting his way.

The Greeks come up against the Amazon Queen Hippolyta and her younger sister Princess Antiope. All the Amazon men are pretty wimpy. The title character is an Amazon man named Sapiens, Hippolyta's husband. He gains backbone as the play progresses.

Theseus and Antiope do battle. Antiope is very turned on to find a man who can hold his own with her. Theseus, used to just getting what he wants, is also knocked for a loop to find an equal in this woman. They fall in love. Together, they end the war. Herc gets a girdle. Not THE girdle, but everyone figures no one will notice the difference. It ends happily.

It's a bit of fluff, but I remember really liking it. Fun fluff. (It probably didn't hurt that in rehearsing the kiss between Antiope and Theseus, Elizabeth and I sort of discovered that we liked each other. As a result, we were boyfriend and girlfriend throughout my senior year of high school. So, as you can imagine, my memories of the play are rather fond.) Elizabeth also recently reminded me that David Schwimmer, now of FRIENDS, played Giganius the Herald.

FYI, Katharine Hepburn played Antiope in the original Broadway cast.

And thanks for asking this question. It makes me very nostalgic.

Response recorded on September 08, 2001

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Entity writes...

Since you're so close to catching up, I figured I'd clear up what I meant when I said there was a difference between your "pre-LA and post-LA responses." It just felt like, right after The Gathering, you got reinvigorated. Your responses have been more frank, conversational, and for lack of a better word, peppier. Or perhaps I should reference Ed Asner on that last one and use the word "spunk." :)

Greg responds...

Really? Cool.

Certainly, I believe the Gathering was invigorating.

But I wonder if you still feel that way...

Response recorded on September 06, 2001

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Jim R. writes...

Sorry, I clicked Submit too soon. This goes with my previous post.

And do you consider Gargoyles your cobblestone, milestone or somewhere in between? Meaning, do you think Gargoyles was your first series to become as great as it has, or do you think that you'll never do anything even close to what an impact Gargoyles has had on people like us fans, or are you still full of high hopes to possibly out-do yourself someday?

Greg responds...

Geez, this is a depressing question.

I try NOT to think this way, period.

Response recorded on September 06, 2001

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Vega writes...

Hey again.

I assume you're a fan of animation in general, considering your career choice. What are some of your favorite animated shows?

Do you find that the North American preconception of animation as being "for kiddies" as a hinderence to making quality shows like Gargoyles?

As a side note, I really have to heap some praise on everyone who worked on Gargoyles. There are some subtleties in the series that would do a top quality anime justice. The subway rescue in Hunter's Moon, as well as Goliath at Elisa's window. To be more specific, Goliath greets Elisa on the train, Goliath overhears Elisa talking to Jason Canmore. Silent, but eloquent beyond words. That kind of subtlety of expression is very rare in North American animation.

Greg responds...

I like animation, of course.

I know I've answered the 'what are your favorites' question before... so I'm not going to attempt a comprehensive list again. But it's hard to top the original Johnny Quest. And I liked the Herculoids a lot. And Batman the Animated Series. Gummi Bears, etc. For a more complete list check the archives.

And yes, of course, it doesn't help that the country almost exclusively views animation as a kids medium. On the other hand, I don't mind writing for kids. I think kids are a lot smarter than most people give them credit for.

Response recorded on September 06, 2001


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