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Oie, i didn't keep a journal, so I have to go from memory.
Day 1:
I left Houston at around eight, tired from lack of sleep and hungry from hurrying to airport and only eating a quick cup of cerial. During the flight they served these nasty snacks that were really greasy; they call it sausage, I call it a waste of money. The flight took about three to four hours; I slept most of the away. I arrived in LA upset due to two factors: 1. On the way, I looked down at all the sand and desert, and out of nowhere all these ontological ramblings poured into my head. Did I have paper? No. Could I even write anything legible on a bumpy airplane? No. So there went a slew of ontological and time-continuum ideas right out the window. I shrugged it off and went on. 2). In LA, I got stopped by some Harr Kreshna guy who gave me this book to read about his religion. I thought, "cool" and tried leave; but he stopped me and hounded me for money. After repeatedly telling him no, he took the book back and gave me a pamphlet instead. JERK, I thought. I shrugged it off and went on.
Well, I got to the hotel--after almost diying (is that spelled right?) on the way there because of the driver who kept telling all the passengers stories about his Fatherland (Germany) and whole bunch of other stuff I didn't care for while he was NOT paying attention to the road--and found my friend Ryan from Dallas.
Well, because of this mix-up with our rooms, they wouldn't give us the keys, so I had to go find the guy whose name the room was under (Sean "Brooklyn X" Donagher) so he could prove to the clerk that we were supposed to be in the room. We decided to get our badges for the Gathering first, and, to our surprise, Sean was volunteering to give out the badges. He got us our keys, and we went down (not up where everyone else was) to our room.
After throwing everything on the floor, I wasted no time in blowing my money on junk I really don't need (cards, a CD, a place mat, a puzzle, this wierd french game with a marble, and a color print of Gabriel).
After throwing all that with my other crap I went back to audition for the radio play. I had no idea what I was supposed to do, and so I was really panicky. Of course, all the ontological mumbo-jumbo came flooding back in like burst damn...and I was reading the script, second in line--what luck. After skimming the script, I get called in. As soon as I walk in, I see Greg and start thinking, "If my being is met with bad-faith---oh crap, it's Greg Weisman, uumumum--but then my being is thus permeable to the I-it--sh*t, who am I gonna' read---oh crap, it's Thom Adcox, uhuhuhuh--quick, sit down!!" After sitting down, I was told to stand-up.
"OK, who are you going to read for us?" Greg asked. Sh*t, you didn't even decide who to read. Goliath--no. Brooklyn--maybe. Elisa--ha! Xanatos--no. Goliath--no. Xanatos--might as well.
So I read; I thought it went fairly well.
"Uh, do you think you could read that first paragraph again," Geg asked me, "except louder this time?"
"Uhhh, yeah, I guess." Damn him! [No offence, Greg:)] I read louder.
"Stop. You need to project." I read even louder. "Project!" Ah! Damnit, I bet that was too loud, I thought.
I finished. I felt better after barking like a dog and wimping out of my cheesy Celebrity Jeopardy Sean Connery impression.
The rest of the day went by like a flash. All I remember is getting Fabberbakke's autograph on my Gargoyles poster, some of the opening ceremonies, wondering when Yama became a bad guy, being happy at being an understudy, working-out at their crappy gym, and hating Bush for not putting a price cap in California since I had to pay 2.50 per night for electricity. I didn't talk to anyone since I really didn't know anyone; so I mostly just kept to myself, thinking, "So that's what you look like," anytime I saw someone's name I recognized off the 'Net.
I read a little bit of The Fall that night and decided I was just too tired to read any; so I went to bed, eager to jump into the next days activities.
There's almost no way under those circumstances that you could have been TOO loud.
Yama's paying for a mistake he made by the way. The original title of Bad Guys was "The Redemption Squad". I was told that sounded too religious and not catchy enough. The execs at Disney wanted to call the show "Bad Boys". I refused. Bad Guys seemed like a good compromise.
directed towards WereFox- AH HAH! if you had come to the gathering, you would KNOW why demona made the disk! bwahaha! Ill let greg decide if he is going to bless you with the answer! (im feeling rather sadistic at the moment ;P)
GREG- when you showed that cool garg promo video (which you do every year) i yelled out "where can we get a copy of that?" and you said "you cant!" is that for legal reasons, as in Disney owns it, or is it just because you only have one copy? or is it something else?
Are we talking about Bad Guys?
Which came first the Master Matrix or New Camelot? Who created the Master Matrix?
No one created the Master Matrix exactly. It more evolved. So there's no chicken & egg thing here. It's too complex to break down into a one-sentence answer.
Things just evolve.
you said that Yama is blackmailed into joining The Redemption Squad cuz the Director knows the secret of Ishimura. now obviously Yama at least partially still wants to "come out" to the human world about gargs, you've even said that in a way Yama is right about that, but is the Director as un-trustworthy as Taro was? would the Director really reveal the secret? or does Yama want to be revealed to the world, but wants to get back in the good with Sora and his clan?
Yama is done making decisions FOR his clan. At least in his own mind. He's more interested in protecting them, in restoring his honor, etc.
1. did Sora know about the theme park thing and Yama's involvement in it?
2. was she esspecially mad at Yama for his betrayal of the clan?
3. their relationship is going to be a rough one isn't it? what with him betraying the clan and getting outcasted and all...
1. No.
2. Yes.
3. Uh, duh.
A few questions, now, about "Gargoyles 2198":
1. I've noticed a few parallel elements in it with "Future Tense", as follows:
Demona joining forces with the resistance movement.
The LXMs serving as a parallel to "Cyber-Lex".
Coyote-X as a parallel to the Xanatos Program (artificial intelligences out to conquer the world, both derived ultimately from Xanatos - although I doubt that Coyote-X has any direct connection to Xanatos, he did originate the Coyote line of robots).
Were these three elements intended as parallels to "Future Tense", a la the destruction of the clock tower in the original series?
2. What sort of occupation do you imagine the Space-Spawn making on Earth? A really tyrannical regime of the sort where Earth's population is reduced to slave labor, or a more remote occupation where they pretty much let the Earthlings go on with their lives, though now as subjects of the Space-Spawn Empire?
3. How is it that Coyote-X is out to conquer, first the planet, then the galaxy? I will confess that I have something of a problem with the notion of a robot or artificial intelligence out to conquer the world; such a goal strikes me as more fitted to an "organic being" with such emotions as greed, ambition, arrogance, etc., than to an artificial intelligence, which I simply can't imagine developing emotions (truth to tell, my own thoughts on machines are pretty much the same as those of Goliath in "Outfoxed" - machines know only what they are programmed to know; it's living beings, such as humans and gargoyles, who are capable of making decisions, and choosing between the right thing to do and the wrong thing to do). I didn't have any problems with the Matrix undertaking this route in "Walkabout" since it was portrayed here as merely a logical extension of its programming (to bring about order to the terrain of the world; it was merely misinterpreting its mission) rather than being motivated by power-lust. However, I'm not certain as to how Coyote-X developed its goal. (Of course, artificial intelligences could have come a long way by 2198, and maybe by that time they have developed emotions and the weaknesses and failings of living beings like humans and gargoyles). Of course, I doubt that you want to fill us in on the details yet, but I just thought that I'd mention it.
1. Yes and no. I love playing with the Future Tense expectaions. But on another level, it's just the characters telling me what they want. I know what Lex does in the late nineties early "oughts". I know what that leads to in turn. I know Demona well enough to know that she's sure not gonna like the Space-Spawn after they steal all the Gargoyle Eggs. And I know what happens to Coyote and how he's going to evolve and upgrade. So maybe Puck was being a bit prophetic. After all, the characters are deciding things for themselves. And he wasn't half wrong.
2. In the immortal words of Abe Simpson, "A little from column A and a little from column B."
3. Well, artificial intelligence has come a long way by 2198. Thanks in no small part to Coyote, Coldsteel, Lexington, Matrix, Fox and Anastasia. (An odd group. But there you go.)
Is it a coincidence that both New Camelot and the Master Matrix are in Antarctica?
Nope.
What does the Master Matrix and the LXM robots have to do with the Matrix that we see in Walkabout?
A lot.
You said that Yama is blackmailed into joining the Squad. What does the Director hold that is able to force Yama to join the Squad?
The secret of Ishimura.
1.Why does the Director hate the Illuminati?
2.How does he know of it?
3.What nationality is the Director?
4.What kind of a civil servant is he?
5.Does he know of Mr.Duval?
1. Hate's a strong word.
2. Encounters.
3. American.
4. A talented one.
5. Generally.
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