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Which cartoons did YOU watch when you were younger? Did any of these inspire you?
I'm SURE I've answered this before, but...
I watched TONS of cartoons when I was a kid. And I'm sure MANY influenced me. The ones that seemed to most spark my imagination included...
SPACE GHOST
JONNY QUEST
HERCULOIDS
THUNDERBIRDS (does Supermarionation count?)
SPIDER-MAN
SUPERMAN-BATMAN-AQUAMAN HOUR
SPEED RACER
SCOOBY DOO
FRACTURED FAIRY TALES
ROCKY & BULWINKLE
THE FLINTSTONES
That's really just a partial list.
Thank you for sharing with us a year's worth of Today In Gargoyles Universe History. It was very interesting. I have one question about an event not on the calendar so far. What year did the Pack first start airing on television?
Ahh, DPH, bad luck. I'm answering questions from a Spider-Man episode #10 mix, and I don't have access to my timeline here. Try again later, as my Magic Eightball would say.
DO U KNOW ANYTHING ABOUT AND OLD MOVIE CALLED THE DUNNY WITH LEVAR BURTON STARING IN IT
Nope.
Hey Greg, just thought I'd say you are doing are great job with the new Spider-Man show. I'm sure you get that alot, but just felt like thanking you for bringing a version of Spider-Man that feels true to the comics. Sure you've put your own spin on a few things but it still has the feel of classic Stan Lee/ Ditko era. Being a longtime Spider-man and Gargoyles fan I was thrilled when I heard you would be heading this new show. Oh and FYI "616" refers to the main Marvel universe, as opposed to the Ultimate universe. I believe it was Alan Moore who coined the term that the main Marvel universe, instead of being universe 1 or universe 2 as seen in DC, would be some random universe so he had it assigned universe 616. Anyways thanks again for making Spectacular Spider-Man truly Spectacular.
You're very welcome.
Regarding action figures. I'm a collector of the Gargoyles action figure line and a fan of the cartoon. There is a knock-off action figure line that was released around the same time as gargoyles that have He-man type bodies. I have 4 of them. Do you know the name of this action figure line?
Nope.
___________________________________________________________________________
The Spectacular Spider-Man
Ep 108: "Reaction"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________
Developed For Television By
VICTOR COOK & GREG WEISMAN
Created by
STAN LEE & STEVE DITKO
Opening Credits
Card #1
Supervising Producer and Story Editor
GREG WEISMAN
Card #2
Producer and Supervising Director
VICTOR COOK
Card #3
Producer
DIANE A CREA
Card #4
Written By
RANDY JANDT
Card #5
Directed By
JENNIFER COYLE
___________________________________________________________________________
__________________________________________________________________________
Closing Credits
Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
STEVE BLUM as GREEN GOBLIN, SEYMOUR O'REILLY, DILBERT TRILBY
LACEY CHABERT as GWEN STACY
GREY DELISLE as SALLY AVRIL
JOHN DIMAGGIO as HAMMERHEAD
ANDREW KISHINO as NED LEE
CLYDE KUSATSU as TED TWAKI
PHIL LAMARR as RAND ROBERTSON, ROBBIE ROBERTSON
_______________________________________________________________________
Card #8
Also Starring
JOSHUA LEBAR as FLASH THOMPSON
PETER MACNICOL as OTTO OCTAVIUS / DOCTOR OCTOPUS
VANESSA MARSHALL as MARY JANE WATSON
DARAN NORRIS as J. JONAH JAMESON
ALAN RACHINS as NORMAN OSBORN
JAMES ARNOLD TAYLOR as HARRY OSBORN, FREDERICK FOSWELL
ALANNA UBACH as LIZ ALLAN
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION
___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT
___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS
Apprentice Writer
RANDY JANDT
Card # 13
Storyboard Artists
NATHAN CHEW
NATE CLESOWICH
JENNIFER COYLE
KI HYUN RYU
DAVE SCHWARTZ
SCOOTER TIDWELL
Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON
Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA
Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK
Card #16
Background Supervisor
VINCENT TOYAMA
Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN
Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE
Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG
Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE
Card #18
Supervising Timing Director
GORDON KENT
Timing Directors
PATRICK GLEESON
BRIAN HOGAN
JUNG JA KIM WOLF
RANDY LUDENSKY
Animation Checker
MYOUNG SMITH
__________________________________________________________________________
Card #19
Storyboard Production Manager BRIAN G. SMITH
Production Art Supervisor JOHN DIAZ
Production Coordinator SHERRIAN FELIX
Episodic Casting Supervisor MATTHEW C. OTOSKI
Production Assistant BEN MALONEY
Post Production Assistant JENNIFER L. ANDERSON
Production Accountant NATHAN HARAMOTO
__________________________________________________________________________
Card #20
Associate Producer for Marvel
JOSHUA FINE
Production Coordinator for Marvel
ADAM TOOTLA
__________________________________________________________________________
Card #21
Recorded at
STUDIOPOLIS, INC.
Dialogue Recording Engineer
ERIC LEWIS, C.A.S.
Dialogue Editor
TERRY REIFF
Track Reading
SOUND BYTE, INC.
__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN
Editors
RALPH A. EUSEBIO
BRUCE A. KING
Assistant Editors
MYRA OWYANG
CHUCK SMITH
Digital Effects Supervisor
ULYSSES ARGETTA
Card #22
Music Engineers MARK MATTSON
MAKO SUJISHI
Post Production Sound Services ADVANTAGE Sound Services
Sound Designer ROBERT POOLE II
Dialogue Editor ROBBI SMITH
Foley Artist CRAIG NG
Foley Mixer MARY ERSTAD
Digital Audio Transfer ROBERT PRATT
Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX
Main Title Directed by
VICTOR COOK
Main Title Storyboard by
PHIL WEINSTEIN
Main Title Color by
JOEY MASON
Main Title Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #24
Animation Production by
MOI ANIMATION CO. LTD
___________________________________________________________________________
Card #25
This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.
"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."
Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.
___________________________________________________________________________
END LOGOS
MARVEL ENTERTAINMENT CULVER ENTERTAINMENT
SONY PICTURES TELEVISION
Hey Greg, just thought I'd clarify something I read in one of your recent responses.
On the 14th of March you wrote "I'm not sure I know what 616 means". As I understand it in the context of Marvel's fictional multiverse, Earth-616 refers to the mainstream Marvel Universe that read about in the comics every month. As opposed to the various alternate universes like Ultimate Marvel and those old issues of What If? The term was allegedly first coined by Alan Moore in an old Captain Britain story.
Oh.
i would like to know how to get rid of a gargoyle that is hanging over a little girl as it is not a good thing it is scarring her even thow she can not see it . i am not sure what to do thank you samantha
I'm thinking... psychotherapy is your best bet.
Finally got to see the latest episode of Spectacular Spider-Man so here are my semi organised thoughts...
S
P
O
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S
A
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COMPETITION
Funny thing about me, as much as I like to see superheroes struggling with real life problems, I could never really stand the kind of Dawson Creek High School Drama that so many shows featuring teen superheroes seem hell-bent on ramming down our throats. It's one of the main reasons never really got into X-Men: Evolution and probably why despite seeing a couple of episodes of Smallville and thinking it was kinda okay, I could never maintain any prolonged interest in it. Even Batman Beyond which I did enjoy down to the ground left me kinda cold when they focused to much on that side of Terry's life (beside wasn't grouchy old man Bruce the real star of that show?)
So it has come as pleasant surprise to me to find that I'm greatly enjoying the Midtown centric subplots particularly in how they tend to parallel Pete's adventures as Spidey. It just validates my own belief that weather a character is fifteen or fifty, single or married doesn't mean a damn thing if he doesn't have a quality writer backing him up, but that's a rant for another day.
It seems Harry has taken his dad's advice to heart. Now that he's one of the in-crowd I suspect that he may start drifting away from Peter and Gwen. It's also neat to see said in-crowd being injected with a little much needed depth via Kong and Gloria.
You know for such a science wizz, Pete isn't the most observant guy. Poor Gwen is practically throwing herself at the dumb git and he barley realises she's there, funny, funny stuff.
Moving on to the darker end of the Spidey-spectrum we see a lot going on with the rogues' gallery. Sandman is comes across quite nicely here played with great panache by John "bite my shiny metal ass" DiMaggio. The animation on Sandman's transformations is both fluid and creative; I especially liked him morphing his whole body into one giant fist. Speaking of which; the Spider-Man vs. Sandman battle's were pretty brutal weren't they? (At least by the standards of a Saturday morning cartoon). I don't think I've seen such cringe inducing action in a mainstream superhero cartoon outside of Bruce Timm's DCAU. Not that I'm complaining mind you, after the weak pallid affairs that the 90's Spidey-toon euphemistically termed "fight scenes" its a welcome change of pace.
Norman is of course in top form, exuding an almost reptilian calm and utter callousness; it's going to be interesting watching him make the leap to cackling madman. Walloping websnappers, is that Emily Osborn? It's a pretty radical departure from Spider-lore but I have faith that you wouldn't have made such a drastic change unless you were going somewhere cool with it.
The Big Man has apparently been reading the Super-Villain Handbook as revised by David Xanatos. Using super powered thugs to keep Spidey distracted from his real operations is just the kinda scheme to make old Mr. X proud. Also we get our first real taste of Dr. Otto Octavius. This timid and rather meek portrayal is certainly a far cry from the egomaniacal mad scientist we all know and love.
Last we come to the little people, those seemingly inconsequential bit players whose 'blink and you'll miss it' screen time belies their hidden potential. One of the many joys of this series for me as a Spidey-fan is wondering which obscure figure of spider-lore you're going to sneak in this week. It's fast getting to the point where I'm going to have to start freeze framing crowd scenes just to see if that tiny blob in the bottom left hand corner is supposed to be Cletus Cassidy (though frankly, a two second walk on cameo is probably more then he deserves). This episode marks the low key debut of Hobie Brown and judging from what I've heard about the rest of the season we're going to see a lot more of him in the not to distant future.
There are also a couple of nice moments from Tom Wilson's Stan Carter, did anyone else pick up a hint of barely concealed frustration and contempt as he was forced to let Marko and O'Hirn go. Also Carter's comments later in the episode seem to mark him as a Spidey sympathiser, which will be interesting down the road.
This was yet another solid episode that builds on what came before while laying the groundwork for future stories. I can't wait till this comes out on DVD in the form of a season one box set so I can see the grand tapestry as a whole.
P.S. Was Osborn's female Chauffeur a supposed to be an homage the Mercy Graves from Superman TAS?
That was Hammerhead's chauffeur. You'll be seeing more of her. She's a production favorite.
Hey Greg,
I'm a huge fan of Spectacular Spider-Man so far, and I have to admit am a bit concerned about the show's future after the demise of Kids WB. I know there are a lot of options for where the series may move to and a lot of factors determining what decision is made. However, given that there has been some confusion about the HD broadcast status of the show through KidsWB, I thought it might be appropriate to ask if that may be a determining factor of where the show goes? As far as I know, Cartoon Network is the only option that will offer a feed that will guarantee an HD broadcast for the series, so that may be the ideal option.
Also in regards to the series' longevity: I know you want to keep Spidey in high school for 65 episodes (ie: what will likely be the show's full run), but is there any chance that we may see some sort of college-based continuation of the series, should it continue to remain successful?
I would hope so. My plan -- just mine, not a business plan -- or rather hope is that we do 65 episodes that take Pete through his high school graduation. And that after that we continue to do DVDs telling stories of his college years.
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