Vaevictis Asmadi writes...

Dur, how did that happen? That comment about R.L. Green's other books retelling myths and legends was from me.

Ask Greg writes...

Chiming in after Todd's comment, R.L. Green also wrote books retelling Greek, Norse, Egyptian, and Biblical myths. I haven't ever read or seen any of them, I only saw numerous titles mentioned on Wikipedia and Alibris. Evidently he also has a Robin Hood book, and one named "Sir Lancelot of the Lake."

Todd Jensen writes...

I checked out from the library today (I'd checked it out once before, but this time, I thought of mentioning it) a book by Roger Lancelyn Green called "Tales From Shakespeare", that retells many of the plays. (All of them comedies, tragedies, and romances: he doesn't tackle any of the histories, though in his retelling of "The Merry Wives of Windsor", he mentions near the start about Falstaff's association with Prince Hal.) Since you liked Roger Lancelyn Green's take on King Arthur (enough to even make it one of your sources for the "Gargoyles" take on him), I though that you'd be interested to know about it (assuming that you haven't heard of it yet).

simon writes...

hi Greg
I just watch Gargoylese episode-future tense and I wonder if you have been inspired by x men -days of the future past storyline when you wrote that episode?

There is also a moment when brooklyn said that" thailog was killed during clone
wars"Was it intentional wink for star wars fans,or did you just wanted to gave George Lucas headache.

I appologise every Gargoyle if I made some mistakes in English.

Todd Jensen writes...

In the scene in "The Gate" where Brooklyn scares the suspicious townspeople away from Mary and Finella, was the cry "Run away! Run away!" intended as a "Monty Python" allusion? (Especially since you'd done such an allusion in "Future Tense", with the Xanatos Program's "bite my knee-caps off" line.)

Greg Bishansky writes...

So, something a little different. Like you, I enjoy the work of William Faulkner immensely. I gained a taste for him in my senior year of High School when "Sanctuary" was on the curriculum.

So, if you had to pick a favorite novel written by Faulkner, which would it be? I have a soft spot for "Sanctuary" since it was my gateway book, even though the man himself said:

"To me it is a cheap idea, because it was deliberately conceived to make money. ... I took a little time out, and speculated what a person in Mississippi would believe to be current trends, chose what I thought would be the right answer and invented the most horrific tale I could imagine and wrote it in about three weeks and sent it to (Harrison) Smith, who had done 'The Sound and the Fury' and who wrote me immediately, 'Good God, I can't publish this. We'd both be in jail.'"

I also enjoyed "As I Lay Dying" quite a bit. I haven't read all his novels yet, and very few of his short stories. But I love what I have read.

Will Keaton writes...

Greg:

SPIDEY SPOILERS

1. You've often mentioned how you chose Tombstone as the new "Big Man of Crime" because the Kingpin was unavailable due to legal issues. What other characters besides Tombstone did you consider for this position? Also, is the phrase "Big Man" a title given out to whoever happens to be in control of New York's crime rings at the time and is passed on to their successor, (ie, like a king or queen) or is it an alias that is permanently attached to Tombstone? I've seen evidence to support both cases.

2. How exactly does Doc Ock get dressed in the morning? The part of his harness that lines up with his spine clearly goes on underneath his clothing but the ring around his waist goes overtop of everything else. Can the harness still open up in front or is that fused shut too? Just watching Ock go through his morning routine would probably clear most of this up, plus the notion of him using his tentacles to brush his teeth is just hilarious. (Just be glad I'm not asking how Rhino goes to the bathroom.) I also assume that for the duration of Season 2 he's had enough time to acquire or build a new power source for his harness that can last for years at a time?

3. You burned down the Big Sky Billiard lounge! I loved that place. Every comic book needs a place where the supervillains can go for some downtime and hang out. Please, I know you don't want to spoil anything you have planned for season 3 but at least give us a vague hint that we'll get to see a new "Bad Guy Bar."

4. Is Chameleon's white visage a mask that he wears with other masks going on top of it, or is that actually his face after being surgically altered to have any distinguishing features like a nose and ears removed? Typically one would expect a face-changer to remove as much of their original face as possible and then add on top of that as needed, (just look at Metal Gear Solid's Decoy Octopus, the guy shaved down his cheek bones and cut off part of his nose and ears.) Wearing two masks doesn't seem to be that effective since you're doubling the amount the disguise is lifted above your actual face.

5. Exactly how long has Norman been inhaling the gobulin green? I'd assume he'd either start as soon as he'd invented the stuff, shortly after he was nearly killed by a giant geriatric buzzard and wanted to make sure he didn't have to rely on Spidey the next time something similar happened, or shortly after his first dealings with Hammerhead when he started planning to overthrow the Big Man. By the way, what kind of guy develops an experimental highly dangerous performance enhancing drug and then brings it home to show his family and then just leaves some lying around where his son can start chugging the stuff without anyone noticing it's gone?

6. We didn't see much of Aunt May in Season 2, but with so many characters floating around this isn't too surprising. If May does play an important role in any season three episodes is she going to get a spot in the opening credits for that episode?

7. When comparing animated shows through the years there doesn't seem to be a large change in the style and tone from the 1960's through to the late 80's. All the animated shows had a simplistic plot and generally weren't mentally demanding. However sometime in the early/mid 90's we started seeing shows like Fox's Spider-man, Batman The Animated Series, Reboot and Gargoyles, all of which felt more sophisticated than earlier shows and had such features as real character development and story arcs that could last through a season. Somehow I have a hard time imagining an episode like "Lethal Force" being done on G.I. Joe. As someone who has been in the industry a while did you notice a change in attitude from networks or executives towards animation at around that time? When producing Gargoyles did you find that in general people were more willing to let you attempt making a show with more mature themes relative to what you had done before?

8. Should Spiderman not get a third season or become cancelled for certain after season three wraps up, how likely is it that production could continue on direct to DVD movies? Generally speaking is it easier to convince producers or whomever to greenlight a single movie length piece of work comparred to an entire season of an animated show?

Count Orlok writes...

Just wanted to thank you for answering my last question... :) ... and ask you another.
Throughout the run of Gargoyles there were numerous references to various works of literature in its many forms (classic literature, Shakespearean works, philosophy and politics, comic books and graphic novels, horror, gothic romance, science fiction, fantasy, world mythologies, etc.). I recall being an avid fan of all of these literary genres or categories when I was very young, but Gargoyles certainly helped to further interest me in them. Other than the obvious works that you've made allusions to in the series, what do you like to read?

Mo writes...

More Spidey questions!

1) Regarding JJJ: I think Daran Norris does an amazing job in the voice role, but i'm wondering if you ever considered having J.K. Simmons reprise the role.
2) With John Jameson, why did you choose him to fill the role of a rival hero? And why did you make Colonel Jupiter rather than, say, Man-Wolf?
3) The influence of Stan and Steve's work, the Ultimate line and the films is clear in the show. Did earlier Spider-Man programs influence it at all?
4) Regarding Green Goblin: Did you ever consider using the Ultimate demonic design or the movie's armored design or did you always want to use the classic Halloween costume look?
5) If you had to choose, who has been your favorite villain on the show?

Once more, I thank you.

Derek writes...

Their are obvious character similarities between Demona to the marvel comic book characters Magneto and Mystique. Was that intentional? Certainly physically Demona is a wringer for Mystique.

Bela writes...

Greetings from Spain, Greg :)

I've been gliding through the archives in the hopes of finding something, anything, that can help me remember what my absolutely vital question was las time Ask Greg was open (Ask Greg closed before I could submit it). I'm sure it was something super boring about insights and Gargoyle psychology (especially Goliath's, I find him complex and amazing) but well. I'll have to stick to the rant that went with it and spare you the question :D.

You've heard all kinds of praises and ear-candies about you and the show by now, so I really don't want to be boring and repetitive.But the fact is that more than twelve years after the show was first aired here, I'm still as hooked as I ever was. If not more. I was in college then (imagine, I'll love watching cartoons till the last day :D) and I couldn't believe how good that episode of this Gargoyles thing I randomly caught one day was. I ended up rushing out of classes for the rest of the term, not to miss a single episode more.

You've explained before how you really feel that the story it's out there somewhere, and you tapped into it, somehow. I understand what you mean. It feels that way. Exactly that way.

The characters are so dimensional that they make the story so intense and...well, real. To the point that I'm not only positive about it being the best tv show I've ever seen, but also feels like one of the best readings. Your story is better than 80% of the books I've read in the last, say, 12 years. One almost yearns for something like Gargoyles happening to the world, with the same intensity which half the female population around the world dreams of finding Mr. Darcy... And that is something I truly thank you for.

Goliath and Elisa deserve a special mention. I don't think I've fallen so in love with a fictional couple since..well..Mr. Darcy here and Elizabeth (mm..actually I think I might have subconsciously matched the two brooding heros with the two strong-willed women, even though their stories are so different..). No wonder Elisa couldn't get herself off Goliath's hook and viceversa. And by the way, going through the archives, I read something about clan wind ceremonies on Elisa's dying. I'm amazed, I couldn't even picture it. It's so sad, one or the other dying, that even if intellectually it's something obvious, I really don't want to know that far. Pretty childish of me I guess but, well. I want some things eternal :D

For a Gargoyles unconditional, I guess I was born in the wrong country, lol. But one day, who knows! I just hope Gatherings are still happening.

Thank you so much, Greg, for a lot of reasons. Not only for the show and the comics and being here to feed the beasts from time to time, but for your dedication. For not giving up. For believing in what you do, and therefore allowing some of us to go along for the ride, and end up believing in what WE do (doomed-storyteller here :))

Wish you all the best, Greg, and I really hope you can find soon a way to let the story go on. The clan would want you to ;)

BeLa xx

PS: Just so you know, I showed Awakenings to Tania, a dear friend, and she watched the entire show, plus TGC (which she didn't really enjoy as much, by the way) in less than ten days.

PPS: I hope my english was understandable enough, by the way!

Count Orlok writes...

Greg, what films are you a fan of and how have they inspired and/or influenced your work on the creation of Gargoyles?

Todd Jensen writes...

In "Avalon Part One", Tom is dubbed Guardian of the Eggs by Princess Katharine, in a manner that evokes being knighted - and is indeed depicted as dressed like a knight as an adult, as well as (while he's still a boy in Scotland, at the time of Constantine's coup) wearing a sort of medieval uniform marking his new position. Was there any influence here from his namesake, the boy Tom whom Arthur knights at the end of "The Once and Future King" and charges with keeping the memory of Camelot alive (a parallel that stands out all the more because of the Arthurian links in "Avalon"), or was this just a coincidence?

Greg Bishansky writes...

Just a comment on an archetype that seems to be a theme in your shows. I can't help but notice that the series you produce are populated by tricksters.

Puck is an obvious and classic example, the original trickster. Also, "Gargoyles" has Raven, Anansi, and Coyote who were also literal tricksters.

Beyond that, one of the lead villains, Xanatos, was a trickster... he even said so himself. That's an interesting choice of archetypes for the primary antagonist.

Thailog, while you've cited the bastard archetype often enough, outside of that, he seems like a trickster as well. Which makes sense since he was programmed by one. Granted, he's a more malevolent trickster than Xanatos, but he still displays those characteristics.

Meanwhile, over in in "Spectacular," you have Spider-Man as, perhaps, the most benevolent trickster you have yet to write. Fitting, he is the hero after all, and the people he acts like a trickster towards usually have it coming.

And, of course, you have a more sinister trickster in Green Goblin, hie arch-nemesis.

I know from personal experience how difficult tricksters can be to write, as I've often had to jump through hoops to do it right,

I haven't seen WITCH so I have no idea if this archetype shows up there or not. But it seems to me like the trickster archetype is a favorite of yours to write, and you do it so well.

So, does it just come naturally? Is Greg Weisman a trickster himself, or do you ever find yourself jumping through hoops as I sometimes do to create schemes worthy of the trickster you're writing?

Vaevictis Asmadi writes...

Hello Greg,

While I was looking in the GargWiki for information about the Olympians, I saw that you wanted to know the Ancient Egyptian name for the Egyptian pantheon.

The word which can be translated as "god" is _netcher_ or _netjer_, feminine _netcheret_ or _netjeret_, plural _netcheru_ or _netjeru_. TCH and TJ are just ways to spell the CH sound at the beginning and end of English "church," without confusing it with the German or Greek CH. As with every Ancient Egyptian word, the vowels were never written down, so the vowels in netjer and netjeru are speculatively added to make N-TJ-R and N-TJ-R-W pronounceable.

Netjeru refers to all the deities, including large numbers of minor deities who are servants to the greater deities, and who are often referred to in English as "demons" or "spirits." Netjeru sometimes also include other beings: deified mortals, the _akhu_ or souls of the dead, and divine beings like Ammut and Apophis that were not worshipped. Netjeru can also include the _bau_, which are "manifestations or emanations" send forth from a deity.

I do not know if netjer was also used to refer to gods of other religions, but I'm guessing it was.

What I have told you comes from Richard Wilkinson's "The Complete Gods and Goddesses of Ancient Egypt." In my non-expert opinion this is one of the best books on Egyptian Mythology that I have seen for the non-specialist.

Laura G writes...

I saw Watchmen recently (awesome, by the way), and I just had to ask...

Was David Xanatos in any way inspired by or modeled on Adrian Veidt?

Thanks!

Todd Jensen writes...

This is a comment rather than a question.

A few years ago, I mentioned here that the medieval flashback scenes in "Awakening Part One" had reminded me, the first time that I saw them, of a PBS animated adaptation of David Macaulay's "Castle". Recently, I was rereading the book that the PBS program had been based on, and discovered that the castle in it (a fictional castle, portrayed as part of Edward I's castle-building program in northern Wales) was called Aberwyvern, and stood by the Wyvern River. I'm certain that it must have been a coincidence (I assume that when you came up with the name "Wyvern" for the castle in "Gargoyles", you were thinking of the two-legged dragon-like creature), but it still astonished me, and I wanted to share it with you. (And Edward I *does* have a link to the Gargoyles Universe as the man responsible for the Stone of Destiny's removal from Scotland to Westminster Abbey.)

Todd Jensen writes...

I was recently rereading Roger Lancelyn Green's retelling of the Arthurian cycle (it was the January 2009 book for an Arthurian book club that I recently joined), and found this passage at the end of the section on the Quest for the Holy Grail:

"But when the last battle had been fought and the realm of Logres was no more, Percivale's kingdom made still a little light in the darkness of a Britain conquered and laid waste by the barbarians." (p. 248 of the old Puffin Books edition I bought as a boy).

Was this passage the inspiration (or at least, *an* inspiration) for your idea of Percival/Duval founding the Illuminati?

Todd Jensen writes...

Got "Bad Guys" #2 today. Here are a few comments on it.

Strong characterization for the members of the Redemption Squad, especially Yama. I liked how he was handled in it, especially the banishment scene and the remark that he had a "rigid and unforgiving" judge - himself. And his stiffly dignified response to Robyn's offer (as well as his wrath when she threatened his clan).

But the other members also had some great moments. Matrix's multiple heads all popping up to make their report to Dingo (just when you thought Matrix couldn't get any more bizarre....). Dingo commenting on how grating Robyn's brogue was (says the guy with the Australian accent). His way of introducing Matrix. His alarm when he learns that they're returning to New York, and Robyn's cool response.

The revelation that the bearded man entering the Labyrinth was Sevarius surprised me - but to add to that, we finally learn what Fang's real name is. (I immediately thought of Bill Sikes from "Oliver Twist" once I read that scene, but I don't know if you really did have Dickens in mind or if it's just a coincidence.) And who but Sevarius would deliver that "time to meet your maker" line to a Mutate?

I also enjoyed the various cameos: Vinnie (as misfortune-prone as ever), Brendan and Margot, Al, Claw, Shari.

Looking forward to #3 (especially since the other two Canmores will be guest-starring in it). Thanks for this issue, Greg!

Darren writes...

Which cartoons did YOU watch when you were younger? Did any of these inspire you?

dab writes...

Was the structure of Gargoyle clans (in particular, children in common) at all influenced by Plato's ideal society in the Republic? Similarly, from where did Gargoyles derive their prediliction for protection? Sounds an awful lot like the Platonic guardians. Is this true, and if so, was it intentional?

More generally, what sorts of philosophical streams most strongly influenced your idea of the ideal gargoyle society?

Thanks!!

zuher writes...

greg i dont know iff u will read this ortake it seriously ur great and im not just sayin that i have all the episodes where did you get the inspirtion for this samrt idea?

KingCobra_582 writes...

Picked up my copy of Gargoyles #7 today. After all these weeks, it's finally here.

And, after the very mild disappointment I had with issue 6, it was worth the wait too.

**SPOILERS**

PROS:

More great story twists.

-I didn't see Maggie's pregnancy coming, oddly. Those were some great moments, with Talon and Maggie looking at each other like that.
-It was cool seeing Claw again, even if it was only for one panel, and he didn't do anything.
-The cover threw me off somewhat, which is a good thing.
-More Elisa and Goliath stuff. At least it's not too angsty this time.
-Does Goliath know that Brooklyn is bothered by B & A's relationship? I had the impression at first, when he looks over Brooklyn's shoulder at them, that he had a good idea. But then it occurred to me that Goliath may have been silently asking them to stay with his second. So which is it?
-Nice little Lex moments. I liked the expression on his face when he complains about 'I don't feel so hot.'
-On a semi-related note, who's this 'Amp'? Is Lex naming someone or simply giving them a nickname?
-I loved that MacBeth/King Arthur moment. Though I admit that, since I thought they left on good terms in 'Pendragon', I am a little confused. What's Arthur hiding/protecting? Also, since Arthur's here, kudos on introducing the new gargoyles at the end. And is that Griff behind Lex and Hudson?
-Nice throwback to the Cold Trio. And I'm eager to know what Xanatos, Coyote, and Coldsteel are up to. Whatever it is, it can't be good. Is this part of Xanatos' Illuminati assignment?
-The bits about Gathelus interested me greatly. Thanks, Greg. You made me want to do research on this guy.

As usual, Greg, you have left me with so many questions, and very few answers. Thank you.

The art was decent. Hedgecock has definitely come a long way since #1.

CONS:

These are very minor things that I was able to let go of. They didn't really ruin my enjoyment too much.
-The biblical reference. Mainly because (and this is a self-personal quip. I'm not trying to offend anyone or push my beliefs.) I'm not really into religion. No offense.
-The constant time changes were a little confusing.

End the rant.

A near-perfect issue that I really enjoyed. Great writing, great story, and I loved the artwork. Plot threads left dangling, but then, I love being in suspense, so that was a big plus too. There were a couple of flaws, but I was able to ignore them.

What a hell of an great issue. I can't wait for #8. :)

Merry Christmas.