Todd Jensen writes...

My ramble on "Upgrade".

I'll confess, for a start, that "Upgrade" isn't one of my favorite episodes, due mostly to the fact that it seemed much more like a half-hour "slugfest" than is generally the case with "Gargoyles" (although, given that we're dealing with the Pack here, I suppose it's inevitable - they're not the most subtle antagonists out there, after all). But it had some parts of it that I rather liked.

The transformations of Jackal, Hyena, and Wolf definitely freaked me out. In fact, the first time that I saw this episode, I tried to believe, for a while, that Jackal and Hyena were simply wearing fancy mechanical armor, but the evidence against that was too strong; I had to face the facts, in the end, and realized that they'd become cyborgs. And that definitely chilled me. (In Wolf's case, I didn't even have the option of finding an alternative explanation; it was too obvious that he'd been mutated.) Those three had permanently changed, on the physical level, from what they'd been in "The Thrill of the Hunt". They were no longer fully human. In fact, to me, the real significance of their alterations in "Upgrade" wasn't what you'd pointed out (they need to be upgraded so that it won't be too easy for the gargoyles to take them down - though I did see that there) but rather the way that the three of them were growing less human, their physical transformation being almost an outward sign of their increasing degeneracy.

By contrast, I liked Dingo's refusal to become physically upgraded, and horror at what his teammates had done to themselves. In fact, that was definitely when I began to like Dingo, as opposed to seeing him as just another member of the Pack (as he'd been to me up until then). (It certainly echoed my response to their transformations, which, I suspect, was how most of the audience was similarly responding). I wasn't surprised, therefore, when he was no longer with the Pack in "Grief" afterwards, or when he was shown seeking to "go straight" in "Walkabout". This was definitely the point where we see the "break with Eastcheap" (I chose that particular phrase inspired by your idea of Dingo's real name being Harry Monmouth, and the parallel is definitely there - though I might add that I don't see any of his former Pack-mates being a Falstaff-figure - more on the level of Falstaff's associates like Bardolph or Pistol, perhaps, but not scaling the heights of comic genius of Sir John himself - not that they were meant to.)

We also see the definite introduction (though it'd been hinted at in "Leader of the Pack") of Hyena's interest in Coyote, which has to count as the most bizarre relationship in "Gargoyles"; even Jackal gets nauseated by it, and this is a guy whose idea of a good time is redesigning Goliath's features in his stone sleep.

One side-note: re Hyena's wondering aloud whether gargoyles taste like chicken. I've sometimes wondered why the phrase is "tastes like chicken" as opposed to "tastes like beef" or "tastes like pork", or "tastes like turkey". Just one of life's little mysteries, I suppose.

On the gargoyles' side, we get to see Brooklyn becoming the new second in command. I will admit that I honestly hadn't wondered about that issue until the episode came out. (I've occasionally wondered if Goliath didn't pick one before this episode had anything to do with it having last been filled by Demona, but that's probably a bit of a stretch.) I did think that Brooklyn fitted the role well, and liked the bit at the end where he admits that he's not in that big a hurry to take Goliath's place. And where Goliath offers the role to Hudson, but Hudson declines it.

I still get a kick out of Fox's little public service announcement: "Don't 'Pack' it in. Take the train." Pretty clever of her.

I don't find Officer Morgan's remark that troublesome; in fact, I found it quite amusing.

Incidentally, Xanatos's remark at the end about having found a true equal in Fox reminds me of your analysis of Theseus, where you saw him as having found his equal in the Amazon Queen Hippolyta/Antiope. It makes me wonder whether you'd included a little of your perception of Theseus and Hippolyta in Xanatos and Fox (whether consciously or otherwise). Come to think of it, there's even a slight connection between the two couples, via "A Midsummer Night's Dream".

Todd Jensen writes...

Yay! A new episode ramble! Thanks, Greg!

Here are some of my own thoughts about "Double Jeopardy".

The opening one is a rather odd little memory. In the summer of 1995, I spotted an article on "Gargoyles" in a sci-fi magazine (whose name I can no longer remember) discussing what would be done in Season Two; among other things, it included a mention that Goliath's daughter would be introduced into the series. I was quite curious about that, and wondered what she'd be like and how it would be done. And then, when "Double Jeopardy" first aired, and Thailog was treated as Goliath's son in it, I wondered if the article had erred and gotten the gender of Goliath's offspring wrong. (Of course, I know now that it was Angela that the article meant, not Thailog, so that there was no mistake there except on my part.)

In light of the opening flashback, Xanatos must have already started building a whole new set of Steel Clan robots even while he was still in prison, before "The Edge" (especially given that I spotted a whole bunch of those robots in storage, alongside the one that was activated to attack Goliath).

I also liked Owen's "Is this a plan that you've neglected to mention?" line. He really sounded hurt there.

I was interested to notice Renard on Xanatos's suspects list for Thailog's kidnapping, alongside Demona and Macbeth. While I can easily imagine Demona or Macbeth being willing to engage in such a maneuver against Xanatos, I doubt, in light of his rigid code of integrity, that Renard would have done the same (although there is "Golem" to consider, coming up later in the season). Maybe Xanatos believed that the temptation of kidnapping his new gargoyle would have been too much for even his father-in-law to resist.

Sevarius's hamming it up with Xanatos ("Yes! You robbed me of my creation!") was one of the funniest moments in "Gargoyles" for me; certainly the funniest in the episode. (Don't quit your day job, Anton.) And I agree with you about the Dr. Antinori business, by the way. (Also on the subject of Sevarius's overacting, I couldn't help but think that some of his narration in the "clone files" that Lex and Broadway discovered felt almost like a parody of that in a nature documentary, such as the "time for it to leave the nest" line, though I don't know if it was intended that way.)

You no doubt recall how I'd earlier pointed out the similarities between Thailog and Edmund (which I first began to notice after you mentioned Edmund being your favorite Shakespeare character); it occurred to me recently that Thailog also does have a certain similarity to Mordred, especially in many modern-day versions of the Arthurian legend, such as T. H. White. He's Goliath's "illegitimate son", just as Mordred was Arthur's, and his training by his other two fathers, Xanatos and Sevarius, does have (if you're out looking for the parallels) a certain echo of how Mordred, in White's "The Once and Future King", similarly gets trained by his mother Morgause. And the dynamics between Goliath and Thailog, with Goliath initially rejecting his son but then learning that he was wrong to do so, and now reaching out to him - but too late - do remind me of how in White, Arthur similarly initially moves against his son (trying to drown him at birth), but then understands that he was wrong to do so, also makes the attempt to reach out to him, but is coldly rejected by Mordred when he does so. (Come to think of it, Thailog also clearly lusts after both of Goliath's loves, Demona and Elisa, even to the point of combining them in Delilah, just as Mordred lusts after his stepmother Guinevere and attempts to wed her after he usurps his father's throne.)

I've mentioned before the element that I believe makes Thailog an especially great antagonist (the incongruous pairing of Goliath's physical appearance and voice with a thoroughly Xanatosian amorality - though I think that Thailog comes across as more malevolent than Xanatos does, which is also a good touch), so I won't go into that again. It's a bit of a pity that he only turned up twice more in the original series after that ("Sanctuary" and "The Reckoning"), although I suppose that if you'd gotten to do more episodes past "The Journey" that we'd have gotten a lot more of the guy.

The ending definitely surprised me; I was expecting Xanatos to reveal that he'd seen to it that he didn't lose the ransom money after all, but instead we got the revelation that Thailog had escaped with it and is out there, happily scheming away, to Xanatos's own alarm. (As I mentioned before, it's particularly of interest to note that this is the last time in the series that Xanatos attempts to make his own gargoyles - and after the way that Thailog backfired on him, who can blame him?)

It's great to have the rambles going again, and I'm looking forward to the ones to come.

Sean writes...

In the episode Golem why did you use a Rabbi to summon the Golem?
Most of the episodes have some mythology behind them. I've heard about golems before, but I've never heard of any myths associating Jewish people with the use of magic. I'm certain that it goes against their religion.

P.S. I looked to see if this question was asked, but I didn't find it in the achieves. If I've missed it could you email me at the_nameless@2d.com
If you post my question, please remove the "P.S." text.

Alfred Manifesto writes...

Yo
Long time watcher, first time question asker, I happen to be doing a research paper for colege concerning the literary references within Gargoyles (shakespeare and mythology). I was wondering what comments you might have concerning the way which you used these works. For example, your re-telling of McBeth in city of stone parts 1-4 is very different from the play. This makes sense because the play is an altered versain of the actual historical story to make it more entertaining as well as aceptable to the king of england. As i intend on focusing a majority of my paper to Mcbeth I was wondering how you went about combining history, shakespeare, and your own storyline. If you could make any general comments or speak about mythology in any way would be greatly apriciated. I ask not only because it would help my paper, but also it would be a personal thrill to even get a responce. I've known about this site for a while, but this is the first time i've had a decent question. Lastly, I know its quite possible this has been answered before, but i have not yet read all of the entries in the archives, you are creator and producer of one of my favorite cartoons of all time, how does one find themself in that possition of creater and producer? thanx for your time

Todd Jensen writes...

A couple of "King Arthur-in-the-comics" related questions:

1. You mentioned that you've read "Camelot 3000" (and were even working at DC Comics at the time that it came out). In your opinion, did it have any influence on your vision of Arthur's return in the Gargoyles Universe. (Well, there were obviously some strong differences, such as Arthur returning in the present day in "Gargoyles" rather than the year 3000, and finding Excalibur before he finds Merlin where in "Camelot 3000", it was the other way around).

2. Have you ever read "Prince Valiant" (the most famous Arthurian comic)? If so, what did you think of it?

Zarok writes...

Here is a question that's being rolling around in my head for a while now. Considering your 'all things are true' policy have you given any thought to how you would approach the 'life after death' aspects of the mythologies you've introduced? I mean did slain Viking warriors really join Odin in Valhalla or mummified Pharaohs join Anubis beyond the western horizon? How would this work in relation to Oberons non-interference edict? I'm not asking you to give me the Gargoyles version of every afterlife myth in existence or even to set out anything in stone, I just want your perspective on the subject that I've been pondering.

J.M. Darrocsan writes...

Mr. Weisman, just a brief question, was the name Boudicca taken from the Queen of Iceni?

JAXS writes...

Have you ever seen those posters that read "Everything I Need to Know in Life I Learned from (fill in the blank)?" Well, that saying goes true for Gargoyles. All throughout highshcool, I have been learning about things that I already am familar with from the show, such as the Aboriginal Dream Team, Mythology, and such and Shakespeare, Religious beliefs. King Arthur etc. I think it's incredible how the show evolved such a complex web-work for all these stories to be connected. I'm talking about how Oberon ruled Avalon, and all his children stretched from the Native American Trickers, Raven and Coyote, to the Banshee, the Mythological Proteus, and such. It was an ingenious idea. I wanted to know who came up with the original concept.Was this sub-story line composed from the begining, or did it just happen as the show continued? Was there a seperate research comittee who created this? How thought-out was it to have all these inccorporate into one big picture? Thanks