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YOUNG JUSTICE: INVASION: EPISODE: 212: "True Colors": Premieres!
YOUNG JUSTICE: INVASION: EPISODE: 212: "True Colors": Premieres!
A new mission! A new Teammate! And a new player in the game!! You won't want to miss our newest episode of Young Justice, premiering on DC NATION this Saturday (and Sunday), January 19th (and 20th) along with a new GREEN LANTERN and more new DC NATION super-hero shorts! Check local listings for times.
And also Saturday night on the SyFy Channel, check out this new original movie: TASMANIAN DEVILS, starring our own Miss Martian, Danica McKellar. That's right, the live-action Danica is kicking some Tasmanian ass and taking some Tasmanian names!!
Meanwhile, for those who have been wondering why I haven't answered many questions recently, here at ASK GREG, it's because I've (a) been out of town on a much needed vacation and (b) been swamped since I got back. I'll try to get back on the horse next week.
Anonymous writes...
From all the VAs, Jesse McCartney is arguably the most famous/popular. How is it to work with him?
Greg responds...
A pleasure.
EXALT writes...
In the episode Before the Dawn, was the big bad Blue Beetle of the future played by Eric Lopez, or by someone else?
Greg responds...
Eric.
Anonymous writes...
Does Stephanie Lemelin voice Tigress as well? Her voice sounds similar but deeper, just making sure.
Greg responds...
She does.
Motti writes...
When I was young i watched Gargoyles. My reaction? Meh. Fast forward, year 2009. TvTropes recomended The Spectacular Spider-Man as best animated Spidey show. I hate Spider-Man, but hey, let's give a try. My reaction? AWESOME!!! Hm, lets check other stuff this Weisman guy did. And i rewatched Gargoyles and W.I.T.C.H. My reaction? THIS WEISMAN GUY IS AWESOME!!! He's funny, creative and his villains are amazing. Hm, he's gonna produce Young Justice. Let's check it when it comes out. My reaction? GREG WEISMAN IS OFFICIALLY DEITY IN MY EYES!!! So thank you, Mr. Weisman for giving human kind such awesome cartoons! And now some questions:
1) If you have a billion dollar budget what movie or show would you create? (Shakespeare excluded. We know you would do Kennet Branagh style, 4 hours long, Hamlet)
2) Did you ever met Alan Moore or Neil Gaiman or Grant Morrison?
3) Did you ever considered writing again comics? P.S. Loved Captain Atom both in YJ and comics
4) Whom do you preffer: DC or Marvel? As world, not as a employer
5) Ever been in Europe?
Also, I'm kinda worried for YJ. It seems TV network can't endure your awesomeness, so they ruin 3rd seasons for your shows. That, and Teen Titans are back and new Batman show is in production. Of course, i could be paranoid. No matter what, your work will be always epic! Once again, thank you Mr. Weisman for your awesome work!
P.S. Steve Blum as Green Goblin and Josh Keaton as Spider-Man? BEST. CHOICES. EVER.
Greg responds...
1. I don't know. Too many options. Too hypothetical.
2. I met Alan Moore once VERY briefly, in 1985 in San Diego. I've never met Gaiman or Morrison.
3. I'd love to write more comics. No one's asked.
4. ASKED AND ANSWERED. I have no preference. I grew up on both, love both and initially - when I was a kid - didn't even realize there were two different companies.
5. Yes.
Anonymous writes...
How do you guys do Dr. Fate's voice? Do you play his voice and the person he is possessing at the same time or is it some sort of echo effect?
Greg responds...
We record Kevin Michael Richardson as Nabu and then whomever plays the host (Jason Spisak/Kid Flash, Khary Payton/Aqualad, Lacey Chabert/Zatanna or Nolan North/Zatara) saying the same lines. Then in post-production, we double-track them, so you here two voices. It's a trick I learned on Gargoyles while doing Anubis & Jackal and Anubis & the Emir. I've always been fond of the effect.
Yolymar writes...
"Darkest" was such an intense episode. I loved it~
As Tigress, Artemis sounded much more deeper than usual. Was this all Stephanie Lemelin's acting skills or was there some editing done to make her sound that way?
Greg responds...
Both her acting skills, and we pitched her down ever so slightly.
Malini writes...
Hello, Mr Weisman,
This isn't so much of a question as it is a mini-review:
Holy cow. "Darkest" was so intense that I was an emotional wreck by he end of the episode. I was feeling sorry for every character (well, every character who isn't a flat out villan) who appeared in the episode. The supreme irony I noticed? For someone who said that he didn't want to be like Batman, Nightwing is sure shaping out to be a lot like his mentor. I have to give especial props to Jesse McCartney and Jason Spisak for their excellent acting during Dick and Wally's confrontation. Just... wow.
Greg responds...
Agreed. Jesse and Jason just rocked that. (Props to Voice Director Jamie Thomason too!)
Tyler Reznik writes...
Hello once again, Mr. Weisman.
I've read in the archives that, for the Gargoyles comics, you mentally cast actors for characters who didn't appear/speak in the original series, as well as imagining the voices of the original actors for pre-existing characters. Do you do the same for the Young Justice comics?
Thank you for taking the time to answer my question.
Greg responds...
Generally, yes.
Nina writes...
Dear Mr Weisman,
What was it like directing the 2001 English dub of the anime OVA series 3x3 Eyes? How different is it from working on American cartoons?
Greg responds...
Well, I not only voice directed 3X3 EYES, but I also story edited the English language translation. In those days, that meant a LOT of time with a relatively crude VCR, going back and forth, line by line (grunt by grunt, even) with a LITERAL translation given to me by Jonathan Klein, my boss at New Generation Pictures, in order to transform it into (a) American idiom and (b) something that would fit the already existing lip-synch. Generating usable scripts for this purpose was VERY time-consuming.
The next step was the voice recording. Generally, in American cartoons, we bring in the entire cast and record them together, and those voice tracks are then used by our storyboard artists, directors, timers and animators to help create the footage. That is to say, the pictures are drawn to match the actor's performances. But when dubbing an existing cartoon into English, obviously, the actors have to match the picture instead. That's a time-consuming process called ADR, which, I think, stands for "Automatic Dialogue Replacement" - though I have no idea what about it is automatic. This process is done with a single actor in the booth at a time. The first actor has only the Japanese dialogue to respond to. Later performers can listen to what some of their English-speaking fellows have already performed.
As a voice director for something like 3X3 EYES, I'm looking for the right sound, a good performance and a good match with the existing lip-synch. I mostly cast people I'd enjoyed working with before, with Brigitte Bako ("Angela" from GARGOYLES) and Christian Campbell ("Max Steel" from MAX STEEL) as the two leads plus other favorites of mine, including Keith David in a really wild role, Ed Asner and Thom Adcox among others. We also held auditions for a handful of roles, and some of the people (e.g. Susan Chesler, Yuji Okuomoto) who worked for me for the first time on 3X3, later became new favorites of mine that I used again on other series like W.I.T.C.H. and Young Justice.
For fun, I also took a couple parts myself: I was Hide, one of the buddies of the male protagonist, and I was also a bum, who hummed a semi-recognizable theme song.
Finally, I also participated in the sound mixes here, balancing the new dialogue track with the existing music and effects tracks.
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