Blaise writes...

FUTURE TENSE

Here's my ramble (finally)!

When I finished watching this ep the first time I was seriously amazed. So many twists and cool images and risks taken ("killing off main characters, sort of"), this ep just floored me that you guys managed to do this.
But let's backtrack a bit.

Goliath gets struck by lightning, and the clouds turn red. Now, I never for a moment bought that Goliath and the rest had been in Avalon long enough for 40 years to pass in New York (they would have needed to spend the greater part of 2 years in Avalon for that to happen). However, I did not rule out the lightning bolt being some weird "time warp thing" that propelled our heroes 40 years into the future, one made possible only by their absence. And that as a result of this being an "artificially created" future, if you will, the normal rules of time travel did not apply to this particular future. Then you guys killed Bronx....
That was the clincher for me. I didn't really care about the skiff's destruction (heck, I still missed seeing the head sink on this viewing), but as long as the "untouched" characters were around they could all go back and stop this dystopia from occurring. But then you guys killed Bronx, and I KNEW this was an illusion of some kind. I didn't know who was behind it, but I knew not a lick of it was real.

Anyway, back to when I actually did buy it. The new Steel Clan was amazing. Not only did they have Xanatos' face, which was a startling and kind of cool change, but they were also bulkier and seemed much more dangerous. It's interesting how the laser shot that destroys one of them hit its red lens in its chest. Made it seem like that was the only vulnerable spot.

When I saw the "boat" or whatever, I didn't immediately recognize either Matt or Claw. When Matt of course said his name, things started to fall into place (and I found myself thinking how remarkably well reserved he was for a guy in his 70's). But I still didn't recognize Claw. Why? Because I still hadn't seen THE CAGE or KINGDOM at this time. I *thought* he might be that tiger-mutate I saw in METAMORPHOSIS, but where were his wings, and when was he named Claw? Knowing who Claw is now makes the absence of his wings rather chilling, and makes me wonder what happened to them (or if Puck had bothered to think anything up).

The Talon-troops. Again, having missed the mutate-centered eps I had only the vaguest connection with these guys, but they were cool. It's interesting how this "Xanatos" seems to base his troops off the "Goliath" template (after all, the real Xanatos did intend for Talon to be an "anti-Goliath" of sorts, right?). I did notice that they (and later the Thailog Shock Troops) had "brain boxes" (to borrow a term from another animated series). I did not, however, take that to mean that a whole hemisphere of their brain had been taken out. Interesting that it's the right hemisphere--the one that's supposed to deal with creative thought.

Chavez's daughter was an excellent image and a chilling way of engaging the long-time fans.

The Xanatos broadcast. First of all, I was still surprised by the structures built onto the Eryie building (and I also did not know is was called that at this time because, again, of my missing those eps). It really made the whole city look a lot more techno. And then I find out that they act as Holographic projectors. But Xanatos' broadcast always seems so weird to me. Maybe it's just the lack of music, but also the way he says "Rejoice, my people," to folks who have no electricity, rat's on sticks, rags for clothes, and vast amounts of misery. The "Cinderella" bit doesn't fly much with me either. Of course, the sheer hypocrisy of that song-and-dance is probably the point.

I didn't recognize the Labyrinth for what it was until some time later (again, the missed episodes--last time I'll mention it, I promise).
I must admit I was not at all surprised to find that Hudson had died. After all, 40 years against this kind of set-up, when he was already in his 50's back in the present? It was a surprise that he had died so long ago (32 years, was it?) fighting with Xanatos. I believe, Greg, that you mentioned THE PRICE being the inspiration for that particular plot twist. I'll get back to the fight later, but Hudson's taking on Xanatos one-on-one really does elevate his status.
And for the record, I never thought that bronze statue was the real Hudson's remains.

Finally we see what Brooklyn looks like. Him being my favorite character, I was obviously most interested in him. And the armor does look cool. Physically he's...inconsistent. Seriously, when we first see him, he's obviously put on a few inches of height and bulked up some (he stood just a little shorter than Goliath here). However, once we get to Castle Wyvern, he seems to lose all that and looks like his modern day self with the armor on (this is especially noticable in the Great Hall--even though he's crouching down, he still seems smaller and skinnier than he was in Act 2).
But hey, his character is nicely done, and it was kind of fun seeing him punch out Goliath like that.

Broadway's "aging" was probably the most effectively done, at least for me. He of course has his battle scars, not the least of which being his empty eye sockets (which are quite chilling, especially when tears well up in them). His skin also seemed to have changed color, becoming more of a pale green than what I'm used to seeing. But the biggest change was his voice! Seriously, props to Bill Faggerbakke--Broadway sounds so much more somber and, well, mature here. He's lost the...well, I hate to say "duuhh" quality, 'cause that implies stupidity and Broadway's not stupid, but that's the only thing I can think of. It winds up making Broadway sound...exactly how he's supposed to sound, I guess.

When Brooklyn started dropping the names "Talon, Maggie and Coldstone" as well as "Sevarius and the UltraPack" (and hinting at the deaths of the first three) I didn't quite know what to think--I was still getting over Broadway's appearance. I do recall being somewhat affected by the mention of the other mutates (especially Maggie) since their's was the story arc I kept missing. I wondered what their relationship(s) with the gargoyles ended up being.

The Phoenix Gate is brought up in a logical fashion, and then quickly forgotten.

And now Demona shows up. I kind of figured she'd be on the "good guy's" team in this future 'cause that seemed to be the way the story was going, but her and Brooklyn being an item?! That caught me completely out of left field. I guess it's the only way to go since, you know, our Brooklyn hates Demona's guts, but it still struck me. My first reaction was to laugh my @$$ off, it was such a twist.
"Thailog was killed in the Clone Wars." DINGDINGDING! This was when I started thinking something wasn't quite on the level here. but that's when Lex showed up, so I forgot about it.

Lex as a cyborg was a chilling visual, and also rather appropriate for these events. But something differentiates Lex from the other cyborgs we've had on this show: his voice. There's a strange electronic reverb that makes him sound creepy. His reaction to Goliath is rather unique because there's nothing big about it. In fact, Goliath seems secondary in Lex's considerations, and all he does is give a sarcastic "Better late than never" before ignoring him for most of the ep.

Fox? Oh, Xanatos' son! Nice way to play with our expectations there, too. His design was great, love the melding of his parents' qualities. And yes, the rather "anime" styled fight between him and Xanatos is always fun to watch. Jonathan Frakes actually did a pretty good job at giving Alexander's voice a slightly different sound than Xanatos'.
When Xanatos' killed his son...that was a pretty jarring moment. There's even a moment where it looks like something's exploding out of Alexander's eyes just before the screen goes white. It was so intense, and the very act itself so appalling, that when I showed this to my mother years back, she couldn't restrain a shocked "Jesus...." Not a bad job you guys did there.

I always figured Brooklyn was sincere about Xanatos "{nuking] the place." Don't know why.

The sonar collar's a nice touch, as was Lexington's "circuit-board eye."

Then you guys kill Bronx. As soon as that happened, I knew this was all about as real as a $3 bill and decided to just sit back and enjoy the ride.

The Thailog Shock Troops were a nice touch, and subtly different from the real Thailog, not just in style, but also in the face (probably because of the aforementioned "brain box").

When Lexington got grabbed, I kind of assumed that meant he was dead, too. But then Broadway dies onscreen. He gets a really great moment here, where not only does he see again, but he sees the sun. It's well done, and the looks of anguish on Goliath and Brooklyn's faces are great, as is the music, and I really wish I could say it affected me more than it did. Remember, by this time I determined none of it was really happening to Broadway or anyone else, so all I could appreciate were the technical and artistic aspects of his "death."

Into the digital world. I like the "reenactment" of Hudson and Xanatos' final battle (Xanatos' techno-sword looks pretty cool). I love the idea that although Hudson fell in battle, he still managed to take Xanatos with him.
And the revelation of Xanatos' "immortality" is pretty neat, and led to a great line by Goliath:
"You're not immortal. You're not even Xanatos. The REAL Xanatos, at his worst, would not have done what you have done. You're just an unfeeling machine."
That did leave me wondering, if someone ever did manage to "download their brainwaves and personality profiles" or whatever into a computer, would that program really still be the same person?

Xanatos, has circuit-board eyes. A hint that I didn't quite pick-up on, but something told me it was supposed to be significant.

Then the Xanatos Program kills off Brooklyn (I recall getting a bit annoyed that my favorite character was disposed of so unceremoniously), Angela and Demona (the fact that he wasn't Macbeth didn't really matter to me, 'cause I knew they were fakes). Then Goliath tries to go after him only to be reduced to a talking head. The "Hamlet" reference was a given, but the "Monty Python and the Holy Grail" bit was just golden.
My favorite part though, was when Goliath starts to turn the tables. "Xanatos" gets a very worried look on his face even as he says "Whatever you're up to, it won't work." The *instant* he stops speaking the cloud of granite SLAMS into him and this computer program actually gives a cry of pain. And then the winged form that bursts forth is Goliath, in the flesh again. Very cool.

The new betrayal. Lexington as the ultimate villain. This caught me completely by surprise. Not only did I think he was dead, but I never thought one of the long-running "good guys" of the series would turn bad. But this Lexington actually fills the villain role incredibly well--just as good as Thailog or anyone else. I think he's especially chilling when he says (with that weird, electronic voice) "You've LOST, Goliath. Even if you destroy this terminal there are a THOUSAND others all over the city!" Then he does something rather foolish, he tries to do his "Alien" facehugger impression on Goliath, who just throws him into the nearest bank of computers. I got that Goliath killed Lexington here, but it never really affected me that much because A) part of it was self-defense, and B) that wasn't really Lex.

Nice fireball and explosion with the Eyrie building. The hole torn in Goliath's wing looked really painful and made me wince the first time I saw it--Goliath was always real.

Elisa gives a doom and gloom bit, and brings up the Phoenix Gate...for the third time. The first two times seemed perfectly logical, but here it started to seem suspicious. I always thought that the "warning bells" in Goliath's head started to go off when Elisa said "But I'm not [too weak to use it]. Give it to me." The close-up of his eyes there led me to believe that something was starting to pierce through the fog his mind had been surrounded by. But naturally, he's not going to just say no now, so he let's it drop to the ground. I love when "Elisa" reaches for the Gate but has to pull back and ask for it again (geez, how frustrated was Puck right there?). "Elisa" presses her request, but now Goliath KNOWS something's rotten in Denmark, and the whole thing comes crashing down around Puck's feet.

This was it. The final, ultimate twist in an episode chock full of them. And it was also a pleasant surprise to actually see Puck again, since the last time was THE MIRROR *waaaaay* back in the second week of the new season.
We get the idea that, like the Banshee, he wants to stay in the world of mortals (though I did not suspect the reason). We also understand that despite having enough power to create a huge false reality (where an hour or so takes place in just a few seconds in real life), he still must follow certain limitations, and thus can't take the gate unless someone physically puts it in his hands (again, talk about frustration).
Then he gives that whole "Dream or Prophecy" thing which has had just about EVERYONE pulling their hair out at one time or other.

Finally, back to reality. And Goliath decides being the eternal guardian of the Phoenix Gate just is not for him, so he calls up the flaming gate (great animation here, love the lightning ball just before it bursts into flame) and hurls the Gate into it.
Angela and Elisa are completely nonplussed by this turn of events, but Goliath only gives a cryptic response before propelling the skiff into the mists once again (and, as it turns out, for the last time).

I really enjoyed this episode, both because it kept the twists coming, and just because it seemed like a hugely daring thing to do.
I did figure that they would get home in the next episode, and I was glad. I was ready for the World Tour to be over. Glad it went out with a bang, though.

One last thing: I remember people trying to puzzle out "what really happened in those 40 years" even after it was revealed to be an illusion tailor made to just shock and break expectations. Just shows how compelling you guys' little "alternate future" was.

Wheeljack writes...

Greg responds...

"simply"

You think ANY of that is simple? Any of it?!!!!

Sorry... didn't mean to offend you. I thought the quotes stated clearly that this little word was meant ironically.
Of course I do understand that trying to convince some people who only see numbers to bring back a series is a very hard task.
You can do this.

The Bifolchi family writes...

I'm writing this on behalf of my entire family of five in response to the release of Gargoyles first season on dvd. Back in 1994 I was only 8 years old but even now I still remember the characters of Gargoyles and how much rewarding it was to sit down and watch Goalith and his clan figure out the ways of New York. My whole family watched the show since it always caught our attention and interest, but when it was cancelled my family felt sadden since it was the one cartoon that my whole family had enjoyed.

It's been 11 years since the series was created and I or my family have never seen a cartoon come close to beating Gargoyles was back then, but when we found out that season one was being released for dvd I got it straight away and we enjoyed it and hope that disney will deeply consider putting out season 2 & 3 for dvd. If not my family would still like to thank you for bringing this wonderful series back into our home once more and allow us to see something that had affected our lives so much.

Thank you,

from the Bifolchi family of Canada

Todd Jensen writes...

This is more a comment than a question, but I found myself remembering something. You mentioned having worked on the development of the original version of "Bonkers", the one where he was teamed up with Miranda Wright. One of the episodes from that version of "Bonkers", I recall (my memories are a little over ten years old, and a bit rusty), had Bonkers and Miranda after a band of gangsters who were after a long-gone gangster's treasure, the clue to which was on "page 23" (I think that it was 23, though I could be wrong) of a book, but they didn't know which book. So they were stealing Page 23 from every book that they could find - and when they found the correct page, it led to what was at first sight a poetry book - and in the same episode, Bonkers had taken up poetry (even composing a poem that was a take-off on Lord Byron's "She walks in beauty like the night") and viewed the poetry book as real treasure.

It struck me that, although it might have been only a coincidence, the episode feels almost like a foreshadowing of both "A Lighthouse in the Sea of Time" (both episodes had a strong pro-literacy message and the beauties of the written word proving to be the "real treasure") and "The Silver Falcon" (the antagonists searching for the treasure of a long-gone gangster). I just thought that I'd bring it up here.

Hannah writes...

Hi. I read that you are going to send these to Disney Executives and that they may or may not release a Season 2 of the Gargoyles. So, I just have to say that you absolutely must release a second season of Gargoyles on DVD. Not just for the little kids who like to stay up and watch it just because they saw it on TV and decided they liked it; but for those of us who grew up on it, that were introduced to it by older siblings or cousins or whatever, those who may or may not still be with us today. We grew up on it. I was about six I think when it first came came out, and watched it with my older sister who read the comics. My friend and I have lived withit most of our lives, before we can remember. We were once the little kids that stayed up passed their bedtime, just to watch it. As Highschoolers, we don't get the time to stay up and watch it. So when we heard it was coming up on DVD, we were ecstatic. It was a part of our childhood and with the dvd's we get a glimpse back to it. It would do you more harm than good to not put the others out. Do you remeber in the first season when the dude who kept on getting robbed and never closed down? And when Goliath asked why, Alisa told him it was because that store was the only food store in the community, that the people needed him to survive and Goliath decided then that he would protect the people of Manhattan. That's kind of how it is here. Not only would you make a profit off of the DVD's (instead of being robbed), but the people would be happy and grateful, whether the gratitude would be silent or not you would still be appreciated. So I am asking you people who work at Disney- Please don't discontinue any of the production. It would only break our hearts.

Megan writes...

Just wanted to express my love of gargoyles and my new favouite christmas gift, The first Season of Gargoyles on DVD. I have already watched the season numerous times and shown many of my close friends this wonderful show. I really cant wait for the second season to come out, with many of my favourite episodes in it, so i can show all my friends that as well

matt writes...

"Future Tense" Ramble

first things first, i gotta comment on the animation in this one. this is definitly one of those episodes where everything from the characters to the backdrops were just gorgeously drawn. truely a work of art.

now the "Previously..." segment really added to what i felt was Goliath and Co getting home. when the Gathering was first mentioned by Banshee and then later by Oberon himself, i had a strong feeling they would be getting home when this Gathering happened. with "Ill Met by Moonlight" finished i was convinced that they would get home in the next episode. so when the "Previously..." segment was airing i remember thinking, this is it... and even during the first scene Goliath's comments made assured me that this was it, they are coming home... it wasn't til i saw Puck's Statue of Liberty that i knew something was up. and by the time i saw the Eyrie Pyramid covering New York and Matt and Claw show up i was pretty sure this wasn't real. i could not believe that the writers would make this kind of massive change in the series and make it permenant. so naturally i thought this must be an alternate future or that sorta thing. looking back i should have known that the "time is like a river" speech forebid this kind of history. but i do remember thinking, "that bolt of lightening wasn't normal, something is going on. this isn't real, but i'm not sure what it is..." so i let the story play out, was quite a mystery in my mind.

BAM! the first big shock for me... Hudson is dead. its one thing to make the world in shambles, but to lose a main character. part of me was saying "NOOO!" and part of me was saying "theres no way this is true, no way they'd kill off a main character..." but the mystery lingered, what the hell is going on?
and, for the record, i remember thinking, is that Hudson's actual body? did they encase him in bronze? it wasn't til i found "Ask Greg" that i knew it was supposed to be a memorial only. call me silly, but i simply didn't know that much about gargoyle death at that point. *shrugs*

when Brooklyn appeared, now clad in armor, i thought he finally was acting very much in his leadership role, but something about his speech to Goliath (post-punch) was very familiar. it didn't hit me til recently that its very reminiscient of Una's speech to Goliath in "MIA". where have you been all these years? why did you vanish? both so angry that they had been left on their own with no answers. thats a tough feeling.
and Puck nailed Brook's sarcasm wonderfully "oh, that makes everything much better"...

i love Goliath's line to Demona, "hiding is never a solution". its interesting because you gotta think of how much he lives in hiding, and how much his life will be shaken when he is exposed to the world in "Hunters Moon".

boy does Broadway pull the heartstrings in this one... his death still gives me chills. and its not just Goliath's grief that is so hard to watch. Puck certaintly puts some anguish in Brook's face.

and Lex, that bastard. i mean, his treachery goes way past Demona's. i think that outside the grief of losing nearly all his loved ones, Lex's backstabbing has to be the worst thing for Goliath to take. another Clan member destroying us all, and once again blaming it on me, is it me? do i bring nothing but death and suffering to my Clan? doubt is a powerful weapon that Puck uses.

doubt, grief, pain, helplessness... i think Puck was going a little too far trying to get the Gate. wasn't there any other way to get Goliath to hand it over?
well, regardless, Goliath once again withholds a talisman for one of Oberon's Children, but this time he probably does the right thing. and we see the final one of the "big three" talismans thrown (literally in this case) outside of the reach of our characters (or so we think).

and one of the most interesting things to discuss with other garg fans is Puck's "dream or a prophecy" line. nothing like a good prophecy to shake things up. obviously, we know know its not a dead on prophecy, but only a few episodes later we start scratching our heads. the Clocktower is destroyed. what else in Puck's illusion will come true we wonder... will there one day be an Ultra-Pack? sounds like it. will Demona rejoin our heroes? looks that way. will Lexington turn out to be evil? well, maybe in the minds of the religious fundamentalists and ultra-conservatives... ; )

one thing i remember clearly saying to a friend of mine at school the day after i first saw this episode was, "i'll bet you anything that they get home in the next episode!"
turns out, i won that bet.

Todd Jensen writes...

Thanks for the "Future Tense" ramble, Greg!

The first time that I saw this episode, I thought that the lightning striking Goliath was some sort of time warp that had sent the skiff forty years into the future (I certainly didn't believe that "Avalon time" was responsible for what had happened to them; all of the previous World Tour adventures had been in the present day, after all). Of course, now it's clear that it was Puck who was responsible for it (and I'd picked up on Goliath's wish giving the little trickster his loophole).

I don't remember too much else of my initial response, but I know that, the moment the skiff got blown up, I was wondering how they were going to undo that. Of course, Bronx's death (followed by Angela's) raised that question even more, though I don't know if I was specifically wondering that any more by that point. (I find myself reminded of a similar response that I had when I first watched the episode of "Buffy" where Cordelia wished for a Sunnydale that Buffy never came to and Anyanka granted her her wish, when the vampires killed Cordelia; the moment that that happened, I began wondering in earnest how they'd undo the situation with Cordy dead. But that's another story.)

The Steel Clan robots being redesigned to bear Xanatos's goatee was a great touch. Another was when Xanatos's image appeared on the Eyrie Pyramid to deliver his Xanatopia broadcast; the way that it was set up made it look as if he had three heads.

I don't know if I picked up on it when I first watched the episode, but it's clear now that it wasn't the real Xanatos. I certainly can't imagine him now taking over New York in an open dictatorial style (as you pointed out yourself in the Gargoyles Season One Bible, he doesn't need to take over the world because he's able to get almost all of what he wants under the current system), forcing the remainder of the populace to huddle in the streets eating rats, etc. Much too cliched villain-style for him.

I liked the contrast between the trio: Brooklyn bitter, Lexington worse than bitter (gone evil), and the blinded Broadway (in contrast) being a gentle soul who never gave up hoping for Goliath to return and believes that what's important was that he did come back. (Not to mention getting such a touching death scene, and I'm glad that you convinced Adrienne to let you include it.)

The part about Brooklyn and Demona being a couple that really amused me was that not only was Goliath shocked by it, but so was Bronx!

Lexington strikes me as an example here of "You can become like what you hate". As you pointed out, his cybernetic nature echoes Jackal and Hyena - and I noticed that he also had lines around one eye that bore an eerie similarity to Fox's eye-tattoo in shape. A great touch.

Lexington observing the deaths of Matt, Claw, and Bronx struck me as a bit of a cheat in how it was handled, in that it was the one scene in Puck's nightmare that wasn't done from Goliath's point of view (since everybody in the "Future Tense" sequence other than Goliath is just an illusion of Puck's). Though I'm not certain as to how else it could have been handled. (I also noticed that the Xanatos Program's eyes had the same design to them as Lex's eyes in that scene - another hint as to Lexington being behind it?)

I'd picked up on the cybernetic implants of the Thailog Shock Troops, but hadn't realized that the helmets that the Mutates were wearing were also implants.

Lex's capture by the Thailog Shock Troops didn't set off any warning bells; I'd just assumed that it was another "loss of a good guy" moment and was therefore genuinely surprised to see Lexington resurface as the villain.

Goliath and Xanatos definitely got a great fight to the death in cyberspace, which stands out all the more in contrast to how their feud would *really* end (as the next few episodes would show). And it struck me as just like Xanatos to quote from both "Hamlet" and "Monty Python and the Holy Grail".

I really thought that the Phoenix Gate was gone for good at the end and so your mention of the plans for "Timedancer", when I first read the MasterPlan document, definitely took me by surprise. (I'm glad that there was still a little time travel left - I like time travel stories, especially ones into the historical past, and when Goliath threw the Gate away, I had felt a little sad that it looked as if we wouldn't be getting any more of those in "Gargoyles".)

Thanks for a great ramble, Greg!

Angelo Bifolchi writes...

Hi I am from the west coast of Canada, and I have to say I am so happy to see the Gargoyles series has gone to dvd. Currently I am 19 and when I saw the first season on dvd I was overwhelmed with excitment. I always cherished the series and was deeply sad when it was taken off the air. But now with the first season on dvd I can rewatch all my favorite eposides. I know this isn't a question, but I wanted to show my support for Gargoyles, and the hopes that disney will allow season 2 to be put onto dvd. I can tell you right now if I see season 2 on dvd I would buy it in a second without thinking twice.

Lastly I would like to say thank you to Disney and Greg Weisman for bringing back the series that I most cherished when I was growing up. Thank you so very much.

sincerely your,
Angelo Bifolchi

from British Columbia, Canada

Blaise writes...

ILL MET BY MOONLIGHT

I never misunderstood the title, although it wasn't until I actually read "A Midsummer Night's Dream" years down the road that I got the reference.

Our travelers are finally back in Avalon again. Sure, they may have stopped off between trips, but this is the first time since AVALON part 3 that we actually meet the characters again. I sometimes think Angela's line ("I'm beginning to think this Manhattan is a myth.") and Elisa's homesickness are nods to the audience as well as character moments. By this point, I was quite ready for them to get home. And I had a suspicion that it was going to be soon--both because of the above referenced lines, and also because I knew we'd be getting the big card and seeing Oberon and Titania. The "Previously on..." segment hinted that this would be the episode in which they made their appearance.
In answer to your question, Greg, I can't remember if I thought we'd be seeing Titania as early as the appearance of Titania's Mirror. I think not, simply because I didn't expect the plethora of Children that the World Tour brought out. And, after THE MIRROR, it wasn't until AVALON part 1 that Oberon was at all mentioned again.

The Lord and Lady's entrance was indeed grand (make a platform for yourself and materialize in a bolt of lightning), and their designs were nice. I'd always wondered about the skin-color choice, and I can appreciate and support the decision to not specify any human skin color on their preferred forms. I do wonder about the choice of color though--blue for Oberon, green for Titania. Was the choice based on their distinctions of "King of the Night" and "Queen of the Day" (I'm not sure, but I thought I heard them referred to as such)?

The female gargoyle with the triceratops plate finally speaks! And later on we learn her name, Ophelia! I was very glad for this--by virtue of both design and exposure in the AVALON three-parter, Ophelia really stood out. I'd hoped she'd be given a bit more in the way of character and was pleased to see that happen.

The "conversation" with Oberon always struck me as an exercise in "leaping before looking." Here you have two beings making a flashy entrance, and one of them the Weird Sisters refer to as "my Lord." So what do you do? You *demand* them to declare themselves while partially drawing your sword. You threaten to throw them out. You leap at them. You basically do all you can to piss them off.
Goliath was the one to have the right idea. I like his line "These strangers may fail in courtesy, but we need not." He actually manages to respectfully phrase a request for identification that Oberon finally answers. Of course, by this time Elisa had already pulled her partially-iron gun on Oberon and definitely pissed him off, so Oberon starts to "quicksand" everyone.
"Once and Future Queen"...I'm sorry, but I couldn't help but flash back to King Arthur with that line.
It always struck me that Oberon spoke in the third-person plural ("the Royal 'We'"). Really makes him sound like royalty of old.
Titania intervenes on behalf of our heroes (and just before Goliath's face was about to be covered with soil). "You are over-pert, my Queen." That's such a strange phrase, "over-pert." I'm not sure of its meaning (nor its proper spelling for that matter).
"Why bother with such foolish fairness." That has to be one of the most cliched-villain lines I've ever heard Oberon say. And his reaction when Titania offers herself as prize is just so great--he loses his dignity for a moment at his joy at the mere thought of remarrying Titania. Well, she is kinda hot.

Goliath, Angela and Gabriel are the chosen champions. Somehow, I just knew that was how things would turn out. I mean, they're the main gargoyles on this Island. It's kind of like Kirk, Spock and McCoy. You don't send out Kirk, Spock and Ensign Ricky unless Ensign Ricky's going to die horribly. Similarly, you don't send out Goliath, Angela and Job unless you want Oberon to make Job die horribly. It's all in good fun!

Now we have the "iron" discussion. This was a new aspect of the Oberati for me--they have a weakness! And I loved the "silver be for vampires and weres" line.
Sadly, this is one of the more foolish cuts I've seen Toon Disney make. They seem to want to cut out any close-ups of the gun or scenes where the ammo casing is shown being removed (they can't show how a gun can be loaded, Heaven forbid!). As a result, the whole conversation skips over this IMPORTANT bit of information. It goes from Elisa saying, "Oberon didn't seem too pleased when I pulled my piece on him," to the Guardian saying "Oberon's children have always been vulnerable to it..." It's like they're talking about the gun now! They can at least TRY to edit it in a way that doesn't screw up the information.
Sorry, my digression.

Gabriel complains about "running away from a fight" and Goliath says, "Consider it a strategic withdrawal." I kind of laugh at that simply because I just start thinking of other "pleasant euphemisms" for the same thing--kind of like, "I'm not going to the bathroom, I'm freshening up."
Angela says "Oberon's no stronger than a child now." Goliath corrects her, "As strong as any of Oberon's Children," but it's too late for me, my brother and some of my friends. I just get this vision of a mini-Oberon running up and kicking them in the shin or something.

Back at the ranch--er, palace--the forging has begun. I like Guardian's almost pleading line, "I still think a sword makes more sense." Here, Princess Katharine points out that Titania gave them a clue. Now I was quite interested to see what the weapon was going to be.

Oberon's "pillar of flame" bit is very nice. Even as a Child he has great power. But he still falls into the pit-trap. It's rather funny just how sure Angela and Gabriel are that it worked.
"Dare you try to make me look foolish, mortals?!" Every time Oberon says that, I just want to yell out, "Who needs to try?!" I don't know if I'd do that if I was actually in that situation, but it might almost be worth it to see Oberon's reaction. Is it possible for Oberati to have conniption fits?
Despite having his powers reduced, Oberon is able to pull rank over the terrain quite admirably.

I will confess, when Angela and Gabriel grasped hands in the air, and smiled at each other, I was one of those who misread that. Looking at it now, it seems more like a "coming up with an idea" expression. Immediately after this, they dive towards the volcano.

The flight over the lava is...problematic somewhat for me. Visually, it's gorgeous. This is the best lava in the series, period. And the hands are great (ironic that Oberon conjures up gargoyle hands to catch the gargoyles). And I love the way they turn Oberon's trick against him. However, once again, reality just wants to cut the suspension wires of disbelief. The fact that they fly so close to the lave without their skin searing off, the way they're able to maintain a steady altitude with all the hot air beneath them. Thankfully, the scene is still well done in the visual and staging department, so in the end, I'm all right with it.

I have to agree with you on the forging, Greg. I think I was okay with it until my brother pointed out that you're supposed to cool it AFTER it's been hammered into a proper shape. I never thought about the lack of a mold before, but pouring it on the ground never made much sense to me. Still, I love your little "forgotten scene," Greg.
Ophelia really did raise a good point here. And even though Elisa's argument seems to close the discussion, it really was kind of lame (at least my mother thought so we she saw this). I mean, how would Elisa feel if she came back from the World Tour and found a bunch of strangers squatting in her apartment? Oberon and his Children may have been gone for 1001 years, but as Luna said, "What is time to an immortal."
A better argument would have been that while Oberon can afford to be magnanimous and allow them to stay with no real problem, the Avalon clan couldn't so easily pull up stakes and leave to a world they are not really prepared for. Thus it becomes a question of necessity and survival. They HAVE to use the weapon, whether they like it or not.

Goliath typically tries to send Angela and Gabriel away, and typically they remain. "Gargoyles stand together. That is our way." So things have come to where Angela is reminding Goliath of the Gargoyle Way.
I love the way Oberon's hand looks when he calls up the ground to attack the gargoyles. I also enjoy Goliath's little dig, "But did Titania want the Island to defeat us, or you?"
Goliath has a real "Hulk" moment here. His eyes glow brighter then I've ever seen them, his roar manages to sound fiercer, and he breaks the rocks in front of him with a two fisted smash as he lunges at Oberon.
Then Oberon turns into a diamond. Jerk. I did love the "Now you're just quibbling" bit. And it's a wonder Angela and Gabriel didn't cut their knuckles on Oberon's cheeks and chin (those edges could probably cut glass). Even though his power is reduced, Oberon uses it more effectively than most of the Children we've found in this series.
But even after taking out Angela and Gabriel, Oberon gets caught off guard by one last attack from Goliath. His "Good, very good," actually sounds impressed.

A tangent here, I wonder if maybe Goliath really did impress Oberon--more then anyone else even. I mean, Goliath was the first one to speak to him with some amount of respect and decorum, and has displayed great strength and at the end a bit of wit and cunning. Of course, Oberon still knows that Goliath could never beat him, but maybe he gained a little respect for the gargoyle.

Oberon returns home to what was supposed to be victory and winds up facing defeat. I had not expected a bell--having not been as familiar with the old legends as Todd--but when Elisa gave a little re-statement of Titania's lines, it started to make perfect sense.
I don't know for certain if the Guardian was going to kill Oberon and only let up at the last minute. I kind of hope not, I hope it was more of a show for Oberon, but I admit it would be more interesting if that was the case. At any rate, Ophelia seems pleased that they weren't going to kill the proper Lord of the place. And heck, Goliath helps Oberon to stand.

Oberon says he will reward the "strange behavior" of mercy by allowing the clan to stay with his blessing and bestowing upon Goliath's clan the Honor Guard position as well as immunity to the arts of the Oberati. Still, the cynic in me wonders if maybe Oberon's just trying to save face with that "reward" bit. ;-D

When Titania calls Oberon "husband"...he smiles. He has a very quiet, but at the same time a very strong joy. I guess he really did miss her.

While Titania is speaking with Goliath, Oberon is in the background talking rather animatedly with...I think it was Angela and Gabriel. Complimenting them on their performance in the chase? I guess he can be a rather nice guy to speak with when he's not pulling rank.

And then Titania says she helped "To repay a favor rendered." I had not picked up that both she and Anastasia were voiced by Kate Mulgrew, and didn't until Anastasia spoke in THE GATHERING. As a result, this left me racking my brain trying to figure out when they came across Titania and whether or not it was in one of the two episodes I missed.

I figured, with all the talk from our travelers about going home, and with finally seeing the Lord and Lady of the Third Race, we'd finally get home in the next episode.
I wasn't quite right. :-))

A nice payoff to nearly a season's worth of pipe-laying.

Todd Jensen writes...

After reading your old outline of "Future Tense", I had a couple of comments on it.

1. I honestly hadn't realized the irony involved there in having Demona reform - only now Goliath still can't be reunited with her since now she's Brooklyn's mate! That certainly gives a whole new dimension to her role in "Future Tense". (Maybe I hadn't picked up on it since by now Goliath was moving towards Elisa anyway, in such a way that would make Demona's reform too late in another manner.)

2. I also noticed that, at this stage in the development, Talon had the role which would later be occupied by Alex in fighting Xanatos in cyberspace in Act II. I can't help but think that the later decision to make it Alex instead actually made the scene better, because it added a new and chilling element to it: Xanatos is killing his own son. That made the scene even darker than just killing Talon (who wouldn't have as much significance to him) - not to mention making possible the line "Since I'm immortal, I have no need for an heir."

Blaise writes...

CLOUD FATHERS

When this episode first aired, I had missed both THE CAGE and KINGDOM--leaving me very out of the loop as far as what happened with Derek was concerned, and making this episode the first time I ever saw Beth Maza. As a result, my initial feeling was one of frustration at having lost part of the continuity. Thankfully, however, it was easy enough to figure out that the Maza family had found out about Derek's condition and Xanatos' part in it. I guess that made it *slightly* easier for them to accept living gargoyles.
In addition, since I had missed KINGDOM, this was the first time I had seen Xanatos since the World Tour started.

And Xanatos is just GREAT here. He has his moment of "cliched villainy" with the death trap (and even looks upon it as such), but he also seems much more intense this time around. He has that large "staple gun" thingy that he uses to restrain Angela and Goliath, but he also uses it on two seperate occasions as a weapon--and this thing could really kill someone! Even as a villain, Xanatos is likeable enough that you kind of forget he has the potential to be a killer. Even the death trap doesn't drive that home to me as much as his battle tactics here do.
However, before that, Xanatos' admission that he really has no interest in killing Goliath and Angela is quite refreshing--and further proof that he's not the typical animated nemesis. I even love the almost friendly look on his face as he admits neither gargoyle has done anything he'd hold a grudge against (does Xanatos even HAVE any grudges?).
Naturally, once I found out he was after Coyote the Trickster, I figured he was after immortality. His whole conversation with the Trickster is just perfectly written.
I also loved Xanatos "annoyance" at the end--FINALLY he got handed a real defeat that he could not look on the bright side of. Finally, Goliath (with a little help from his friends) was able to get under his skin, if just a smidge. I wondered, and I'm sure I wasn't alone, if this indicated a "final confrontation" was brewing. Of course, that's not what happened, but this works as a nice little misdirection.

The Robot, Coyote 4.0 was also nice, and a real treat for me to have him and Xanatos interacting. Nice design, although the "face" looked weird. More angular than usual, and sometimes the "skull" side looked like it had an eyebrow. Regardless, I love the two playing off each other, and am goofishly pleased when Xanatos, with his helmet on, is talking with Coyote 4.0, whose "face" is showing. I've always wondered what someone flipping channels would have made of this scene where there appear to be two robots talking--one with a half-human face.
Actually, that particular conversation does not speak very highly for Coyote 4.0's intelligence. He releases the Trickster ("I will check...") and then allows himself to be goaded into bringing a building down on top of him ("I should warn you, I'm programmed for vengence"). Yeah, you can definitely see the Wile E. Coyote resemblence. Now if you could have just had him hold up a little pink umbrella a split-second before the building came down on him.... ;-)

The Trickster himself was unique--the only wholly sympathetic Trickster we have met. Raven and Anansi were the antagonists of their respective episodes, and Puck...while he was enchained by Demona he didn't seem to mind giving our heroes a hard time. Coyote (the Trickster, not the Robot) not only willingly helped our heroes, but actually showed some real affection for one of them--that, of course, being Peter Maza.
Also, this Trickster was a lot more subtle--he rarely used any overt magic (a little hypnosis here, vanishing there, changing his clothes inside the Robot...). He mostly goaded others into acting (influencing luck from the sidelines, of course), and managed to take out the Robot by just dodging behind the support beams.

As for Peter Maza himself, it's nice to see more development in Elisa's dad, and showcasing where he came from. His story kind of parallels with Natsilane's, but Peter is older, more set in his beliefs--it takes more than gargoyles to convince him to believe in Coyote the Trickster. Peter also had a much more bitter break with his traditions, a good deal of which comes through with what was probably his last conversation with his father. When I first saw this ep, I had no idea that Carlos Maza had died. Having Elisa and Beth refer to "Grandpa" made me think he was still around for some reason. Of course, that made the final scene all the more poignant.

It was also nice to see and learn more about Beth. I like how each of the Maza "kids" are distinctive in personality and looks as well.
It's also nice that when Elisa realizes where they are, her first thought has to do with her family ("Beth might be in danger"). And I love the surprise in her voice when she sees her father is there as well. She is really happy to see them.

Random thoughts:

It took me a couple viewings before I started to pick up on the skiff having arrived in a pool. I rather like that twist.

When Peter and Beth start to explain to Elisa about being arrested and she asks them to start from the beginning. I don't know why but I really find that scene interesting.

Beth and Peter's reactions to the gargs are nice. Peter shows that he's probably not 100% on the whole "gargoyle" thing when he refers to them as "strange company." Beth is obviously a bit more open to them, although even she admits they seem "alien" (and no, I did not take that to mean "extraterrestrial"). Elisa, however, is used to looking at them through her own eyes, and as she says, all she sees is the beauty.

Coyote the Trickster's reverse psycology was a rather nice touch. Even better was Elisa's later comment that it was "pretty blatant."

Xanatos tries to fire from his arm-cannon only to have it kind of blow up in his face since Bronx already chewed it up. Xanatos' line here ("Big mistake, people!") always struck me as odd for some strange reason. I guess I'm not used to hearing Xanatos say something like that.

"No way my luck's this bad." I just love that line.

Beth's little pause before clarifying "uh, The Trickster, not the Robot." A nice beat that also kind of winks at the audience.

"The last thing I remember was ordering a pizza." Another bit I just love for some reason.

Peter's change of heart and appearing in the kachina garment was something I had been expecting. However, Coyote the Trickster's little speech was a surprise. It added an extra level to what Coyote was doing and Peter's part in everything. I love that little "I had to get you back" moment.

I noticed that Beth Maza had a different voice actress here than she did in THE CAGE. I'm not offering this as a complaint or nitpick, I'm just curious if there's any particular reason why.

Xanatos and Coyote alone make this a worthwhile ep, but the other elements really help turn it into one of the best eps on the World Tour.

Lady Brooklyn writes...

I just wanted to post a review for the Gargoyles DVD... something I waited for, and with great relish purchased, after 10 years of waiting! This DVD is awesome! I just finished watching (and listening to) the commentary track.... and was blown away by the factoids and the care that the creators still have for the show. Like many others... Gargoyles had a big influence on my life and artistic career! I certainly hope that Disney will satisfy my desire and put the rest of the Gargoyles episodes (yes the ENTIRE second season!) on another DVD set!

Thanks so much! Take care!

Todd Jensen writes...

Thanks for the "Ill Met By Moonlight" ramble, Greg! (And it's a pity that people keep on misreading it, as well. Maybe they need to read a little more Shakespeare and come across the original line. :))

I'm at a slight disadvantage at reviewing this episode, since I missed "Ill Met By Moonlight" the first time that it aired (or, more accurately, wasn't able to see it properly, since I'd just gotten a new television set that didn't have an antenna yet and so wasn't able to make out the picture very well). By the time that I did get to see it properly, I'd also already seen "The Gathering" and so got to meet Oberon and Titania through it instead. (It also meant that I already knew that Titania and Anastasia Renard were the same person, and since I'd already seen "Walkabout" by this time, knew therefore what Titania was talking about when she made that remark to Goliath at the end.)

You didn't say much about the Weird Sisters in this episode, but there were two small bits about them that stick with me. The first is that, when Oberon's burying the Avalon clan alive, the Sisters exchange little smiles with each other in a way that makes them look almost like a school tattletale who's just gotten someone sent to the principal's office and is gloating about it.

The second (which I think is especially intriguing) comes at the end, when Selene (the Sister representing vengeance) is clearly angry over the way that events have turned out, but Luna (the Sister representing fate) holds up one hand silently. Fate restraining Vengeance - that definitely makes me wonder what was going on there, especially since you said that the Sisters still had other plots brewing. Pity that we'll probably never find out now what they were.

I don't know for certain whether I was expecting Oberon and Titania to show up in the series, but I'm glad that they got in; it would be odd if they were only to be mentioned but never actually appear.

This was definitely one of the more "Shakespeare-heavy" episodes. Oberon, Titania, and the Weird Sisters are on-stage characters, Puck is mentioned, the title is taken from Shakespeare, there's a gargoyle named Ophelia, plus the lines "The game is afoot" (I wonder how many people know that Shakespeare wrote that long before Sir Arthur Conan Doyle created Sherlock Holmes) and "All's well that ends well".

Ophelia raised a good point about the issue of Oberon having a prior claim over Avalon. (Indeed, one question that I've seen raised once in the comment room is why the Avalon clan stayed so long on Avalon; the initial reason was to escape Constantine, but since he was overthrown only two years after they fled, that reason was now moot. On the other hand, anti-gargoyle sentiment didn't die with Constantine - not by a long shot - so I can see why it would want a hiding place that humans could never reach.)

The notion of casting the iron into the shape of a bell worked for me, and fitted in nicely with faerie lore, where the faerie-folk couldn't stand bells. (This seems to have been for religious reasons in the original stories - the bells in question were church bells and the faeries were imagined as being old gods dwindled with the waning of paganism - but here the concept used instead is that the bell is made out of iron.) I'll confess that I don't know enough metallurgy to recognize that the forging of the bell wasn't all that accurate. I also liked Titania's clever little word-play with "ring" in giving the clue.

Good explanation for why Oberon was acting in the same way towards mortals that he'd condemned Titania for acting a thousand years earlier. (Though I did wonder when I first saw the episode why Oberon hadn't had any problems with another mortal - King Arthur - sleeping on Avalon. Of course, the fact that Arthur was spending all that time in an enchanted slumber in an out-of-the-way location like the Hollow Hill would have made that different - as well as what you mentioned about Oberon owing Merlin a favor.)

Thanks again for the ramble. I'm looking forward to the "Future Tense" one next.

Blaise writes...

BUSHIDO

LOVE the opening shot on the mask!

This was an episode I had been waiting for ever since I had read about the second season introducing Japanese gargoyles. Actually, this clan managed to make itself distinctive in more ways than mere physicality (although, even that was unique--Japanese gargoyles seem to have a profusion of horns, spurs and juts, and I love the "dragon-dog"). Their facing inward was an excellent touch, as was connecting them to samurai. Actually, this ep was the first place I'd ever heard about Bushido.

I never really picked up on the parrallels between this and AWAKENING until you mentioned them some time ago, Greg. Now, I can hardly understand how I missed them. Maybe because I never took Taro as seriously as Xanatos--I mean, c'mon...a theme park?! Xanatos wants immortality and his own super team. No contest, man. And whereas Demona was focused on "getting rid of the humans," Yama wants just the opposite: greater contact. Unfotunately, he seems to want it not just in his own lifetime, but immediately. Haste makes waste, I guess.
However, this time out, I really noticed the similarity between Kai and Goliath. Even in physicality--they've got the same damn chin!
Actually, I was quite surprised to see a couple gargoyles that looked even bigger and more muscular than Goliath.
And I do wish we had seen more of Sora. She had a very unique look (and not just because she's the only two-toed gargoyle I've seen). Exotic and beautiful. The chance of a guest appearance by her alone is enough to make me want "BAD GUYS" on the air. And she's Yama's mate! That guy didn't know how good he had it!

Of course, the biggest thing was the fact that the humans and gargoyles were buddies. It was nice to actually see gargs being able to stand in the street rubbing shoulders with the human inhabitants. One does wonder how it remains "the best kept secret in Japan" if they occasionally capture crooks from out of town (like the ones we meet at the beginning). I guess if a town has "monsters" on its side you'd just as soon leave and forget about it.

Yama and Taro's little asides indicate early on that they're up to something. It's very easy here--and later on with his rather stand-offish attitude--to assume Yama is as complete a villain as Taro. But Yama really does want a better life for his clan (and his kind in general), and that's probably why he remains blind to Taro's true nature until he hears about the press.

I, too, love Goliath's line, "And you will solve this problem by charging admission." I also love Taro's reaction--he ignores it.

"Gargoyle must not fight gargoyle!" I had never seen "Planet of the Apes" before this, so I didn't get that little tribute initially. Instead, it seemed like a further indication of the Ishimura clan's cultural distinctiveness--that they have some sort of "law" specifically stating this.

Hiroshi's sacrifice (of his car). Having been through three accidents myself (and with my brother's poor car being totalled this past weekend), I feel so sorry for Hiroshi here. I love the way he asks, "Is this the only way?"

Actually, Hiroshi seems to have a pretty good sense of humor about him. "Excuse me. I was looking for the snack bar."

It took me a while before I got the "TV stars" joke.

One bit I really started noticing recently is when Kai says to Yama something along the lines of, "You helped build this, so YOU may stay." Nowadays, that bit seems to indicate the "start" of Yama's exile.

What did that little gargoyle-head that Taro pulled do? Set off a silent alarm of some kind?

Taro dresses as a Samurai--even while deriding Bushido.
The electric fans are an excellent touch (and I love the shot of Taro passing them in front of his face).
Yama partially redeems himself here by taking on Taro. He sure is tough--look at the way he takes both fans on the shoulders! However, there is a moment in here I can't help but laugh at--Yama says, "He's mine" and squares off against Taro, only to be knocked down by an electric blast within five seconds.

For a character as arrogant as Taro (and that arraogance is part of the reason he failed), his humiliating "press conference" is an excellent punishment. And, of course, Elisa and Hiroshi don't help him (it's great the way they just throw themselves into their little act). And the Frank Welker-goylebot is just great.
Like Todd, I have to question Taro's holding the press conference at dawn. I suppose Taro just wanted to be sure the gargoyles didn't have any real time to escape, but if so it was a wasted effort.

Some other random thoughts:
Taro was voiced by an actor named James Saito. I'm wondering if this is the same James Saito who starred in the "Teenage Mutant Ninja Turtles" movie as the Shredder (the body, his voice was dubbed by another actor).

RE: Taro and Bruno having the same type of dart gun. Check the bottom--it's probably got "Made in Japan" stamped on it. ;-)

You don't consider being a "living walkaround character in a theme park" hell? I know I would!

It would have been nice to have some Japanese language in this ep (people forget that "Batman: The Animated Series" managed to pull it off), but at least samurai and Bushido were brought up.

I love how Yama JUST dodges the knife.

And Elisa in a kimono. 'Nuff said.

I really do enjoy this episode, and am only sad that we couldn't see more of Yama, Sora and the rest of the clan (here or in "Bad Guys").

Blaise writes...

SENTINEL

Here's my ramble (better late than never).

Up front I'll say this ep is always a bit difficult for me to watch because of the "unfairly accused" angle with Nokkar and the gargoyles. Injustice in any form has always raised my hackles, and the way Nokkar is so convinced of the gargoyles' guilt (without any REAL evidence) just ticks me off.
I admit, Nokkar gets less slack from me than either Talon or the Banshee in this regard. Talon was being deliberately deceived (by Xanatos--'nuff said), and the Banshee was a bit of an unscrupulous character anyway, but Nokkar is acting on his own judgement AND he's supposed to be the GOOD GUY! The sheer certainty with which he pronounces the gargoyles as invaders just strikes me as...well, deplorable.
I understand that he's a "sentinel" and all that, but still...if nothing else the fact that he couldn't identify "[their] planet of origin" should have sent off some warning lights in his head. Elisa bringing up "gargoyle statues" may not have immediately turned Nokkar's mind to the moai raised in his honor, but he might have at least thought to pursue that line of inquiry. And how long would it take for Elisa's memory to come back? A sentinel may not be "permitted to take prisoners" but he had no problem holding the gargoyles until he had them all, and had given Elisa the tour of his ship. Would it have been so bad to wait until Elisa's memories had returned?
Like I said, Nokkar's a good guy--and with Elisa he's down right pleasent (real nice and gentle--so just seeing how certain he is when he's in the wrong is very frustrating to me.

It can also be frustrating when Goliath is trying his best to (re-)connect with an amnesiac Elisa, but fun at the same time. One thing I've noticed is that Goliath's familiarity with Elisa kind of worked against him in the hotel room. I mean, his entrance (and line, "I'm afraid I cannot allow that") and behavior are almost the sort of things you'd expect from a villain, but he's just trying to protect his...uh, friend (his GOOD friend).
Actually, I love that line: "Elisa, please. We've been friends for over a year--GOOD friends! We've been...--"[I've always wondered if he was about to stumble into a verbal declaration of love here, but instead he follows it up with]--"traveling together with my daughter, Angela, and Bronx."
I, too, enjoy Elisa's calling him Tiny. And the "Holy Grail" bit was just sweet.
Goliath loves histrionics. Just look at the way he gestures when saying "The Castle...Xanatos...Gargoyles!"

I really like the presentation of Nokkar in terms of his physicality, and his technology. He truly is quite alien (I wonder if any fans have tried to puzzle out his science). Watching the episode today, I noticed just how tube like his body is--thin and ramrod straight. His weapons and ship are also fairly unique--the laser-tongue and mini-bot especially.
Still, it always throws me off how, when blasted, his seemingly metal ship appears to have the consistency of stone. Oh, well.

The archeologists from "LIGHTHOUSE..." return--much to my surprise. I had honestly expected never to see them again. I suppose it would have been a bit much for Dr. Sato from "DEADLY FORCE" to show up here as well. ;)
I'm glad to hear John Rhyes-Davies as Morwood-Smyth again (I apologize for my spelling here).

Actually, it's good voice acting all around as usual. Salli does a great job with Elisa's confusion and fear. Even Clyde Kusastsu (sp?) makes his "Dr. Arnada" sound different from the character he will be playing in our next episode.
Special note must be given to Avery Brooks and Nokkar's particular sound. Avery Brooks has a very distinctive way of speaking, and it works quite well for an alien who has had to learn English as a second (or even third or fourth) language. Also, the sound guys did a great job with the modulation for Nokkar--it has led me to speculate how his voice box must function.

The destruction of the Moai head...yeah, that always disturbed me, too.

I'm not sure what my initial reaction was to extraterrestrials being introduced into gargoyles like this, but I never had any problems with it. Some folks, I think, found it a bit TOO out there, but I just viewed it as another story possibility (and I have to admit I am VERY interested in G2198--though I do hope we see some of how Arnada and the Archeologists adjust to this new wrinkle in their lives).
As for putting the "Gargoyles are aliens" theory to rest...I think you'd have to insert a clip of yourself saying something like, "They're not aliens, they never were, they're completely home grown--get used to it." And even THAT might not stop it.

Random thought: Did Elisa remember the incantation to get to Avalon? Did Goliath teach it to her before sleeping? If not, that's going to be one LONG day at sea--especially with that storm on the horizon.

Battle Beast writes...

Re: "Cloud Fathers"

Wile E. 4.0??? LOL

Xanatos: "It's so hard to program good help these days." LOL

Seriously, There is a great deal of great writing in this episode. The quotes you pointed out are just some great examples of how great the writers on this series were.

1) Did you write lines like those, "The deep end," "Hard to program good help..." or was that purly the writers?

Peter V. Carlos: "Cloud Fathers" deals with a serious topic. I know someone like Peter who hasn't spoken to a relative for a while. I know what it does to people, so I know what Peter might have been going through.

The Pool: I know it was a swimming pool right off the bat. My friends and I watched "Gargs" at 4:30 (we did it almost every weekday together) and I remember saying to my friends, "Man, that Skiff goes everywhere! Will it show up in my bathtub?"

I actually hated this episode the first few tiems I saw it. My friend (who i watched the show with) is Native, from New Mexico (He moved to Canada) and he thought the episode mocked native culture. Well we were wrong, and we actually like the episode a whole lot more now.

Todd Jensen writes...

Thanks for the "Cloud Fathers" ramble, Greg!

I will confess that I can't remember from my first-time viewing whether I was surprised or not by the revelation at the end that Carlos Maza had passed on. However, I do find myself wondering, whenever I watch it on tape now, whenever either Elisa or Beth asks Peter if he wants to "go visit grandfather" while he's in town, how many first-time viewers did suspect that Carlos was dead, and how many were surprised.

Arizona, incidentally, now has a little more personal significance to me than it did when the episode first aired; my mother and stepfather moved there a few years ago (they live in the Phoenix area). They've sometimes mentioned Flagstaff in conversations with me, but haven't as yet mentioned anything about sand-carvings of Coyote or Kachina dancers. :)

Xanatos's "cliched villainy" line is a particular favorite of mine; only Xanatos would make such a remark! Though the bit where he admits that he has no desire to kill Goliath or any of the other gargoyles - this is just a necessary part of his coyote-trap - definitely stands out to me as well. You don't see the main antagonist saying that to the hero too often in an animated adventure series!

I liked the touch of the Cauldron of Life being incorporated into Coyote 4.0. (As I mentioned once in chat, it reminds me a bit of the scene in "Camelot 3000" where Mordred incorporates the Holy Grail into his armor.) The mention of the iron obviously was a foreshadowing of what was coming in the very next episode. (Was Xanatos's follow-up remark of "Ironic" intended as a pun, by the way?)

I also got a kick out of the mild confusion over "Which Coyote are we talking about here?" - the best part of all being when Coyote the Trickster threatens to sue Xanatos for trademark infringement. (And Xanatos's response that he's a "trickster at heart" rings true to me - the man's living proof that you don't have to be a Child of Oberon to be a trickster. He fulfills the archetype just as surely as Puck, Raven, and the rest do.)

I hadn't noticed the similarity of the Coyote robot to Wile E. Coyote until you mentioned it here at "Ask Greg" (not in this ramble, but in earlier answers to questions), but I certainly see it now. (Though, judging from the name of a certain merchant in "Vendettas", Coyote the robot isn't the only "Gargoyles" character to be influenced by Wile E. Coyote!)

So the multiple trickster story was what you'd originally planned for the Puck-and-Alex story before you decided to merge it with the Cold Trio for "Possession"?

Thanks for another enjoyable ramble, Greg.

Heather writes...

I not asking a question. I'am just writing to rave about the Gargoyles season one dvd. I loved it. Ever since I was able to say the word Gargoyles I have watched the show religiously. I was so excited to see the first season I screamed in joy when I saw it on the shelf at the store. I have really high hopes that the second and third season will come out on dvd soon. I really hope so. Cause that would be so cool!

Mercy writes...

I have no questions, just writing my review and support for the Gargoyles DVD.

I love it so much. I watched it all the minute I ripped it out of the Christmas wrapping!It brought back so many memories! I was fourteen when the show aired and watching it all over again has made me more aware of storylines I didn't pay attention to before. Really, no other animated series has ever topped Gargoyles.
I especially love the commentaries and wished there had been more, but I'm sure that's simply asking too much. I love all the inside information and spoilers. I especially enjoyed the warmth and humor through out the commentaries.
I would like to put in my part in saying that I desperately, desperately want to see Gargoyles Season II come out and soon. I may be a poor college student but I would happily spend my financial aid money to buy season two instead of textbooks!

On another note, I want to thank you Greg Weisman for adding Shakespeare into the series. It inspired me to read Shakespeare, love Shakespeare and now I'm on my last year of college hoping to one day soon, teach Shakespeare.

N. Shaffer writes...

This is just a brief post to let everyone (especially the folks at Disney) know how wonderful the first season of Gargoyles DVD set is. I got it for Christmas and have watched it at least three times since then, hooking a new generation of kids too young to have seen the show during its original airing. I'm particularly glad the decision was made to keep "Deadly Force" in the set, instead of removing it entirely for its 'excessive violence'. That episode truly highlights the danger of guns, and I was very proud that my young nieces and nephews were able to grasp that concept immediately. I am waiting with impatience for the release of seasons two and three; they definitely have one sale already in the bag. Thank you.

Brian writes...

It's funny how you would bring up "Ask Greg" in the commentary on the fifth episode of the five-part pilot. You've asked us to review the DVD so I'm going to give mine. I'll try to touch base with the same elements I have reviewed at Amazon.com, and if I don't get to them all, oh well. I'm only human.

Anyway...

First all, I have to say I like how much better it looks compared to when it was aired on television. I know, duh everything looks better on DVD than it does on television. But being able to see it in it's original, unedited form. I haven't seen it like that for a very long time. That is definately a plus.

I put the disc in, skip the introductory crud, and the first thing I see is the animated menu. I don't know how many times I just let it run through, I mean it is that good. I have never seen anything like it. Now getting back to the introductory crud, Power Rangers? How the hell did Disney ever have anything to do with Power Rangers? Ok, back on topic...

I start the whole thing through beginning with the five-part pilot. I like having all the key elements to the story unlike what The Heroes Awaken VHS that I got for Christmas nine years ago lacks. Back then I found that to be a disappointment. Another great disappointment that has been taken care of very well is Deadly Force. Not only is it there, but Elisa is lying in the pool of blood on the kitchen floor too. Not a single element has been booted out, and we can thank Disney for finally righting this wrong. If you ask me, justice has finally been served.

The audio commentary on the five-part pilot, though identified as spoilerish by a few others that have viewed it, tells of how this great idea came to pass and how the five-part pilot sets the stage for the upcoming events through the second season. I thought it was well done. Hearing the comment about the show pitch and seeing the tape that pulled through definately puts this rule of thumb into perspective - Don't you dare quit. Quitters only gain nothing.

Now for the part that says, "Where's the beef?" Viewing the part on the Gathering is the closest I've been to one. And according to a comment I have found here somewhere about costing $800 just for the trip, it's the closest I'm probably ever going to get. I'm like, dude, it costs that much $$ just to get there? As if I wasn't furious enough that I've never been to one. No plan D here. I'll have become a gargoyle long before I have the dough to cover all those expenses. Since all I have for this is beef I think I'll move on.

I would like to see the second season come out, but I feel there are a few things about it that need to be addressed. Compared to the first season, which has 13 episodes, the second season has a long string of 51. In order to put this on DVD, there are two possible outcomes. We would either find it on a set of four discs, or on a set of two double-sided discs. I think the double-sided ones would be better because it would fit in a regular case instead of a big monstrosity. Either way, it'll be a bit pricey but worth it. So a word to the wise - now is the time to start saving up for it.

Tom Lahr writes...

Hello. I wasn't sure where to put this so I decided to submit it this way. I heard that in Febuary talks will be held to decide if Gargoyles season 2 and onwards should be put on DVD, and that people should write brief reviews of the show that could be shown to execs and such to show why we need season 2 on DVD. I should probally start with the fact that I didn't watch the original broadcasts. For some reason I just "missed" the show. However I had seen a few episodes prior to my DVD purchase due to the fact that Disney still shows Gargoyles every so often. I had high expectations when I bought the DVD, due to the fact that Gargoyles has a HUGE fanbase, just like Family Guy, one of my other favorite animated shows. Let me tell you, the DVDs didn't dissapoint. I loved everything about the show, from the beautiful choice of colors used to animate night in Manhattan to the brilliant script and acting. The only thing I would want different in the 2nd season boxset is MORE COMMENTARY! I found the commentary on the first 5 episodes facinating, and if the 2nd season had commentary on (hopefully most of) the episodes I would be estatic! I don't want to ramble any further, but all I can say is that I want more! I never got the chance to see how the series progresses, and a Season 2 DVD release would finally let me see how the series plays out.

Kelsi Parker writes...

I was lucky enough to recieve the Gargoyles Season one DVD for Christmas, and reaffirmed my love of the show. I think I appreciate it now more than ever, since I've read some Shakespeare and no longer rely on Disney Adventures for fandom news. Through various internet linkages, I discovered your site, and think it's amazingly wonderful that you're still feeding our obsession.

Watching the show as a kid, I saw a cool story, interesting imagery, and something worth running to the television for when it came on. Watching as an adult, I still see the cool story and amazing visuals, but also the tiny details, little tidbits that are easily overlooked in a casual viewing. I would like to add my voice to those asking to see the further seasons released on DVD, as the first has only whet my appetite for more.

Jay R Kreige writes...

Gargoyles is the best show ever made. Thank you Mr. Weisman, the cast and crew, and especially Disney for taking a chance and scoring big with myself, and all those who still love the show, and those who have just been distracted, thank you.