A Station Eight Fan Web Site

Gargoyles

The Phoenix Gate

Ask Greg Archives

Fan Comments

Archive Index


: « First : « 100 : « 10 : Displaying #926 - #935 of 995 records. : 10 » : Last » :


Posts Per Page: 1 : 10 : 25 : 50 : 100 : All :


Bookmark Link

Todd Jensen writes...

My "Deadly Force" "reply-ramble".

Your ramble on this story was good. I honestly don't remember my response to first seeing it that well, beyond some shock at Elisa's fate at the end of Act I. I agree, however, that it was very effective drama, and a great story.

(About your admission that it was a bit dishonest to have Elisa survive but that you just weren't ready to have her die yet, I can certainly agree with you about the latter particularly. Truth to tell, after analyzing the situation for the clan at the time, I'd definitely say that if Elisa had died, the gargoyles would have been in serious trouble, given that she was the only human whom they were on friendly terms with at the time. The only other humans that they knew by that point were Xanatos and the Pack, who were their enemies - and Owen (though, as it turns out in Season Two, he's a borderline case as a human), who is too loyal to Xanatos to hide them from him. With Elisa dead, they'd have had no new home such as the clock tower ready when Xanatos drove them out of the castle, and things would have gotten almost hopeless; it would certainly have made for a very short series. So I don't blame you for having Elisa survive; she had to for the series' sake).

I agree that Broadway's well-handled in that one, and certainly does not come across as a mere "garbage disposal with wings" :) (The scene of him weeping on the building, and of him yelling at the mugger in Central Park, "What's this? A new kind of gun? A new way to kill people?" are ones that I especially found memorable). Nice job of highlighting him.

Two other little notes about this ep, both which I find rather amusing. One is the way that Owen pronounces "power ranges" when he's describing the stolen particle beam accelarators to Elisa and Chavez; a bit of a dig at the competition there, eh? The other is that the last two times that I watched this episode on tape, when Cagney meowed at Elisa, my own cat sat up at attention for a moment upon hearing it. (I always rather liked Cagney; I'm quite fond of cats, in fact).

Greg responds...

My cats, as far as I know, have never taken any real notice of Cagney. Nor has my dog of Bronx.

Response recorded on July 10, 2000

Bookmark Link

Todd Jensen writes...

An additional little thought, inspired by your comparing Coldstone to the Frankenstein monster. As somebody who's read the original book by Mary Shelley, and quite liked it, I feel that while Coldstone certainly has a strong echo of the monster in him, as you've pointed out, I feel that Goliath does as well, although more in a contrast than in a similarity.

Like the monster (as portrayed by Mary Shelley in her book; alas for the way that Hollywood weakened the character by turning him into a mute, shuffling brute), Goliath is a noble being who appears threatening towards humans and is shunned and feared by so many humans whom he seeks to help. Also like the monster, Goliath is a thoughtful and eloquent being, and well-read with a taste for the classics (the Frankenstein monster reads Plutarch's Lives and Milton's "Paradise Lost", while Goliath reads Shakespeare and Dostoyevsky). The big difference is that the Frankenstein monster is all alone, with nobody to befriend him, and becomes embittered towards humanity thus, while Goliath has the clan and Elisa, which undoubtedly helps him. They're almost foils, in a sense. (Of course, Goliath also isn't an artificial creation, either, as the monster was). Just a little thought that had occurred to me.

Greg responds...

I like that analysis. Very sweet.

By the way, it always blew me away that the VERY FIRST BOOK the Monster ever read in "FRANKENSTEIN" was Milton's Paradise Lost. I hadn't read FRANKENSTEIN until college, and also not until after I had read Paradise Lost. (Of course, I knew the basics of both stories long before I actually read the books.)

I couldn't imagine having to teach myself to read with PARADISE LOST. Not exactly FUN WITH DICK AND JANE or Doctor Seuss, you know?

Response recorded on July 10, 2000

Bookmark Link

Todd Jensen writes...

Ah, at last the "Re-Awakening" ramble. It was well worth the wait, too.

One thought that I've recently had on Coldstone: I wonder if any of us, living in the end of the 20th century, can fully comprehend the horror that his cybernetic condition must have held for him when he was first "re-awakened" by Xanatos and Demona in this episode. For any of us, waking up and discovering that we'd been turned into a cyborg would certainly be a horrifying enough experience. But Coldstone's experience is all the worse, at least, IMHO, because of one simple factor: cybernetics are completely beyond the world-view of anybody born (or hatched, in this case) and raised in the 10th century. He wouldn't know what they were, beyond just some strange form of magic. All that he can know is that something utterly alien, beyond his comprehension, has become part of him. I thought that the episode did a good job of displaying his horrified response to his transformation (especially the part where he uses that blaster built into his arm for the first time and is staring at it in shock and horror).

I'd also spotted some of the parallels with "Awakening", including the bit about how Goliath pronounced "detective". And I certainly agree with you that, if "Gargoyles" had ended there, "Re-Awakening" would have given it a great series finale. (Of course, you got to do another 52 episodes, all the way up to "Hunter's Moon", an even better "might-have-been" series finale, but that's another story).

I also liked your pointing out about how the gargoyles' thoughts on protection, and its evolution into protecting Manhattan, were handled in this story.

A couple of minor parts that I particularly like in this episode:

1. The way that Xanatos glares at Demona when she introduces him to Coldstone as her servant.

2. The "explosions in Bambi" bit.

3. And the very resurrection of Coldstone, which is one of my favorite "special-effects" sequences in "Gargoyles".

Greg responds...

(Sometimes knowing makes something MORE horrific.)

Ignorance, I would think, puts a ceiling on horror. Ramifications may add terror. Which is not to say that Coldstone wasn't thoroughly horrified. But like you said, to him it was just ghastly magic. If it happened to us, well, I'm not sure it wouldn't be worse.

Response recorded on July 10, 2000

Bookmark Link

Blaise writes...

TEMPTATION (revisited)

Although this wasn't the episode that cemented Brooklyn as my favorite character, it was still one I found compelling. And your right, he is cool--especially in the Act I fight. Yeah, the fact that he wasn't in shadow and you could see his snout does detract from the scene somewhat, but then the bikers were wearing sunglasses at night. Come to think of it, a few of them didn't even seem to be wearing helmets....
Anyway, I'm glad the little touches you guys used in this ep--Demona's comments on the past centuries, the reference to the previous episode, the DEAD BODY. That last one especially. I would never have dreamed of seeing it even hinted at in an animated afternoon show. Marina Sirtis and Jeff Bennett really did a good job with their characters here.
Elisa's finger--oh, great. Now when I watch the scene again I'll look for it and probably not be able to see anything else again.
On the subject of animation, for both this and the last episode I liked them just fine. It was far better animation than what I was used to, that's for sure.
I never thought that Brooklyn's remark about "the world we came from" referred to an alien planet. Why do so many people insist that gargoyles be aliens?
I especially like Brooklyn in the final Act--his outrage against Demona, his cunning, and his lines!
"I was a FOOL to trust you!"
"You hold the book Demona, but *I* hold the spell!"
His acceptance of his fault in the scheme I find quite gallant.
As for how they "free" Goliath of the spell, yeah I guess it is a cheat. HOWEVER, I have not seen any other show defeat a "mind-control spell" in the same way. So kudos to you guys for originality at least.

Greg responds...

Thanks. A lot of credit should of course go to Michael Reaves. Michael and I were like a well-oiled machine right out of the gate. We really were in sync with each other. He made that part of my job (overseeing the writing on the first season) a pleasure.

Response recorded on July 10, 2000

Bookmark Link

Todd Jensen writes...

My ramble-reply on "Enter Macbeth".

Well, now we know the reason for the delay on this one. I really liked this episode, particularly on account of the name. I've always been quite fond of Shakespeare's "Macbeth", and so the title grabbed my attention at once. I don't know if I'd even suspected that Macbeth was *the* Macbeth (not until "City of Stone" came out), but I found his name very intriguing, and the character as well. Mac's one of my favorite characters in "Gargoyles", in fact. (And "Macbeth" certainly strikes me as the most appropriate Shakespeare play to get into "Gargoyles", in view of Goliath and his clan being Scottish).

I honestly don't recall how I responded to the gargoyles moving out of the castle, the first time that I saw it. Except that I was a bit sorry, since I liked Castle Wyvern. But at the same time, I understood that it was necessary to do so, and the clock tower made a good home for them.

(Truth to tell, I can understand, and sympathize with, Goliath's reluctance to leave the castle. For one thing, having moved twice in the last five years, I know that it's not an easy thing to just move to a new home; it's difficult to tear oneself away from a place that you've been living in for quite a while. Also, as Goliath pointed out, the castle was the only link that the clan had left (except for themselves) to the 10th century. Take away that, and they'd be feeling entirely stranded in the modern world. Plus, I've always liked castles, which gives me a further bias there).

(I very much liked Macbeth's home as well, with its very medieval atmosphere - particularly the suits of armor and swords - almost like the armory displays in the Tower of London - and thought it a bit of a pity that the place burnt down).

Greg responds...

You've moved twice in the last five years, and I still can't get you to attend a GATHERING. Geez.

Response recorded on July 10, 2000

Bookmark Link

Aris Katsaris writes...

So, what's *your* guess at the real identity of Todd?

Guesses among the fandom vary: Merlin, Duval, you, your evil twin, God Allmighty, 42, a huge red dragon, a Vorlon (Babylon 5 reference btw), CrzyDemona's time-travelling son, the random typings of Gore's cat, and a figment of our imaginations, have all been suggested... :-)

Greg responds...

Uh...

Well, I know he's not me. He seems to know a hell of a lot more -- about a lot of subjects I'm interested in -- than I do.

But he hasn't left St. Louis in seven years. Hmmm. I haven't been to St. Louis in at least seven years.

Wait! I've got it! He's Todd Jensen.

Response recorded on July 07, 2000

Bookmark Link

Brandeewine writes...

A ramble about your pet peeve:
Greg, I would have to totally agree with you on that one. It seems to me, that many people grow up believing that it is ok, to put others down, to prove a point.

I grew up, believing (and still believe) that everyone is equal. I have seen REAL people hurt, by REAL comments that were intended to make others look good. (This is how rumors start as well, it seems [another taboo in my book]). Reputations are ruined and friends once had, are lost.

It just really seems to be a waste of time. I see in a lot of this in the Gargoyle chat rooms, where people constantly compare their art to another fan's (even I am guilty of this). It seems a shame to see that people do not give themselves or others the credit they truly deserve as individuals. What I mean is, if we all were not different, then this world would be one boring place.

So I guess I am just rambling, that instead of belittling others (and ourselves), we should look for the good and beautiful things in everything around us. Make life a positive experience rather than a negative one!

Ok, I hope that was organized enough to be understandable.... I would have thought about it before writing it, but I didn't want to wait, in case I ended up forgetting to respond. I guess it is something I have always felt strongly about. I am glad you feel the same.

Just a note: I think Erin and Ben are lucky to have a dad like you!

Greg responds...

Thanks. Though the truth is I'm beyond lucky to have them.

Response recorded on July 07, 2000

Bookmark Link

Blaise writes...

Hey Greg!

Read your ramble (or rant, as you may prefer) on comparisons. I myself noticed the same thing a while back. Some of the most fervent "Goliath-bashers" were ususally devotees of Demona or Brooklyn.
Truthfully, doing this kind of thing always did strike me as unfair to the characters of the show. I mean, you and everybody else wrote these characters like "people" and not as, say, selling points for action figures (which could put ME on a rant, but I digress...). The depth of the characters was part of the reason why I did not favor ANY of the characters during the first season--I liked them all more or less equally.
Regardless, I never in my life expected to hear you rant on the subject. (shudder) I wouldn't want you mad at me!

Greg responds...

Yeah, I'm a terror all right.

Actually, I don't have any problem with one person having a preference for a certain character over another character. It just seemed to me that there were one or two people posting (not just Goliath-bashers either) who felt that the best way to glorify they're preference was to badmouth someone elses.

It's not a crime, I guess. I just find it divisive. And annoying.

Response recorded on July 07, 2000

Bookmark Link

Demona Taina writes...

This is more of a comment than a ramble, but here you go. :)

I've always admired Goliath. Not only is he handsome, seven feet tall and very strong, but he's much more. He's loving, caring, and so romantic. The way he talks, the way he smiles (when he does) the way he looks at Elisa, the way he touches her hair. Like in the episode "Deadly Force." He almost fell off the castle when Owen told him the bad news. How he almost killed Dracon seeking for revenge.

He is so romantic, it's like he carefully looks for the perfect thing to say all the time. I just love him.

Not only is he loving and caring, but he is intelligent, in his own special way. He may not understand this new world in its entirety, but he does, and he's learning fast. That's one thing I've always admired about him, he's a fast-learner, even Thailog complimented him on that in "Sanctuary."

But that temper. Anything ticks him off. If he could just learn to control it, I think he'd be perfect. For example, "Enter Macbeth," when he found Elisa, Hudson and Broadway outside the castle, and when Elisa told him about "their new home." He was furious, he even screamed at her. "How dare you!?!" Broadway had to pitch in to knock some sense into him, but he still wouldn't listen. That was, until Hudson spoke. He respects Hudson, and that's obvious, but he still couldn't help but roar to the night. And how everyone gasped at that, wow. Great episode.

Back to Goliath. Umm, what else can I say about him? Oh, he can dance. :) And beautifully, may I add. "Eye of the Beholder" is one of my favorite episodes, the way they danced. The way he bowed to her, the way he twirled her. Wow. I've lost count of all the times I've hit the rewind button to watch that scene all over. :)

His sense of honor. He waited for Odin to get up to strike again. He even stopped Demona from dropping a human to a certain death. He lost Demona for struggling to do what was right. Wow.

His manners. He bowed to the Princess even if she had called him and his kind "beasts." It wasn't stern, it wasn't sarcasm, he really meant it. He left the Princess speechless with his manners.

His vocabulary. The only thing close to a curse he's ever said is "Jalapena," and that's not even a curse. He barely uses contractions, too. For example, he says "cannot" instead of "can't." He is so nice. I just love his way of speaking.

His skill, that's one thing I love of him. That's why the Pack wanted to hunt him, Lexington just came in as a bonus, they wanted the excersise, they wanted a thrill. And Goliath was just it. But he beat them, with the help of Lexington.

Oh, yeah, his looks. :) That's the first thing I noticed about him. After thoroughly analyzing the episodes, I realized that he's more than good looks. But back to it, he is handsome. There's no denying that. Elisa literally fell for him the first time she saw him. :) I still don't understand how his hair stands uop like that, but it still makes him very handsome.

His colors are great, too. I mean, he's not dark, nor too light. The colors just suit him. That lavender skin, with that brown hair blue and black wings. Wow. :)

The way he smiles, the way he walks, the way he speaks... it's just so unique. Not even Thailog's like him, and he's a clone. :)

I sound a like a huge fan, don't I? Well, I am, I've always been, and I will always be a huge fan. :)

BTW, I saw somewhere that Goliath had mutliple spikes coming from his arms, and also the tip of his tail ended like Ottello's before he was changed to the way he is now. but a ball or something. Anyway, who changed those features? And why? I think they made him very distinctive.

So, that's all for now. :P I think... there's much more I like about him. Anyway, thank you for your time!

-A devoted fan

Greg responds...

Wow. An ode.

I like him too. But credit where credit is due, a lot of people were involved in Goliath's creation.

First and foremost, Greg Guler, who created the basic design that our current Goliath is based on. Frank Paur chose to streamline that design so that our animators had the best possible chance of animating him consistently and well.

Numerous other artists both here in L.A. and in Japan also contributed. There's one guy in particular in Japan, who jumped on and made a pass in between Greg and Frank. His name, I think, is Mr. Takeuchi. But I'm not 100% sure, and I can't check my files at this moment. My apologies if I've gotten that wrong. (I only ever met him once.)

Then, of course, the writers. Michael Reaves, Brynne Chandler Reaves, Gary Sperling, Cary Bates, Lydia Marano, Steve Perry and others. They captured his voice.

And actor Keith David, who really brought life into that voice. I can't say enough about Keith's talent, training and natural abilities. But I will say that Keith is also a big fan of Goliath's. That may sound strange, but he's said to me that he admires many of the qualities that you listed above. He became a real watchdog (particularly on Goliath Chronicles) to make sure that Goliath sounded like Goliath in voice and in diction. Of course, I also need to credit Jamie Thomason, our voice director. He and Keith made Goliath sound like Goliath.

And Paca Thomas at Advantage Audio who created the growls and roars to supplement Keith's work.

The list is endless, but that's a partial attempt. I'm proud to be one of that group of many.

Response recorded on July 07, 2000

Bookmark Link

Aaron writes...

Greg, no kudos for you! ;)

Seriously, the movie's called Dead Again, a beautiful piece of film noir starring Kenneth Branagh, Emma Thompson, Derek Jacoby, and an uncredited Robin Williams.

I'd recommend it highly.

Greg responds...

I've seen the movie. What's this post in reference too?

(GUYS, keep in mind that there's currently a three month delay between when you are posting and when I finally see the post and can answer. Don't assume I'll remember our last exchange. You're giving me too much credit.)

Response recorded on July 05, 2000


: « First : « 100 : « 10 : Displaying #926 - #935 of 995 records. : 10 » : Last » :