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Abby writes...

I enjoyed your ramble on "Possession." This episode holds a special place for me as one of the very first I saw. In your "pre-ramble" you mention the complexity of this one - imagine the confusion to someone unfamiliar with the characters! But this complexity is part of what drew me to the series and why I still enjoy it so much. I still catch new things when I watch this episode.

I did, however, immediately notice the "Bewitched" reference as well as the parallels to the Star Trek body-switching episode (which helped me better understand what was going on, especially on repeat viewings). I'd wondered if the inspiration for the switching triangle came from Trek; thanks for the clarification! (Incidentally, that Trek episode was called "Return to Tomorrow." I much prefer "Possession" - it's a much better description of the action, and made me think of that old line "possession is nine-tenths of the law" when the characters were tempted to keep their new bodies).

I also prefer the "Gargoyles" resolution to the dilemma of where to put the newly-transferred personalities. In Trek they go off into oblivion, having decided our species isn't ready for them yet. But "Possession" offers the prospect of future stories with these characters.

I enjoyed seeing Alex's winged plushie and the expressions on Broadway's and Angela's faces when Othello and Desdemona leave them mid-embrace.

Other one liners I like are from Michael Dorn (Puck-as-Coldstone): "I trust you have no more questions" and "Wouldn't you like to know."

Thanks for the ramble.

Greg responds...

We were heavily inspired by that particular Star Trek episode, but I do hope that we made it our own, so to speak. Organic to our series. And not slavish to the inspiration.

Response recorded on February 08, 2007

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Todd Jensen writes...

Thanks for your "Possession" ramble, Greg. (Just think - all that you've got left is "Hunter's Moon" and you're done with Season Two!) A few comments.

That opening with Xanatos hunting Coldstone down in the Himalayas makes more sense to me now that I know about that Marvel Comic story that you were going to write but never got to do.

The first time that I saw the episode, I initially thought that what Xanatos and Owen were trying to do (and needed more than technology to do) was repairing Coldstone after the damage done in the recent battle, but afterwards I understood that their goal was transferring Desdemona and Iago to Coldfire and Coldsteel. (And I agree that it would be like Xanatos to say "Chin up" to Coldstone while his head is disconnected from the rest of him.)

I like Alex's winged teddy bear, too.

I agree that Coldfire is a much better name than Goldfire; it certainly fits the pattern with Coldstone and Coldsteel in the way that Goldfire wouldn't. (It even makes me wonder how "Goldfire" was even a candidate to begin with.)

Another thing that I picked up on in later viewings was the consequences of Brooklyn's "Me three - except that you don't need three" line.

One of the big elements for me in the episode is how the voice actors demonstrate their versatility (as you pointed out); instead of taking the customary approach in cartoons of "when people switch minds, they also switch voice actors", we here got to hear, say, Bill Faggerbakke and Brigitte Bako altering their delivery to sound more like Michael Dorn and C. C. Pounder. And it was a very admirable performance.

One of my favorite bits: Puck-as-Coldstone saying, "Naughty, naughty, sneaking up like that on Uncle Coldstone". (As much from how Dorn delivered it as from the actual words.)

And I think that we can all agree that this is just the way that Puck *would* educate Alex.

Again, thanks for the ramble.

Greg responds...

Thank you.

I can never praise our voice cast (and voice director) Jamie Thomason enough. We were constantly presenting them with new challenges, and they ALWAYS rose to the occassion.

Response recorded on February 08, 2007

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Twiggess writes...

Ah, good ol' Possession. Oi, what a headache THAT was. Still, there's a little special place in my garg-lovin heart for this episode, as it was the first I ever saw with Angela in it (I started watching Gargoyles in summer 2004. Techincally the first WHOLE episode I ever saw was "Outfoxed", although I remember seeing the scene in "Long Way till Morning" where Hutson renounces his leadership to Goliath while channel surfing some years previous. "Outfoxed" was on at night, while about 2 weeks later "Posession" was on ABC Family on Saturday morning, to explain the long episode gap.)
Anyway. I was scratching my head a bit while watching this episode, but I thought over all the sentiment was sweet. And, in hindsight, the whole Brook/Iago thing was a good metaphor for Brooklyn's jealousy of Broadway and Angela. Nicely done.
Of course, it's always wonderful to see the Puck in action ;) I wish we could have seen more of that little guy in the series. Particularly along side Demona (amazingly, I'm not just saying this as an excuse have more Demona eps!) I mean, those two TOTALLY stole the show in "The Mirror." Yes, yes, the sexual tension between E and G was all very lovely but COME ON! That's like EVERYBODY's favorite episode (which I didn't get to ramble on, so sorry I'm losing focus on "possession.")
ANYWAY (pardon my short attention span), I don't really remember this episode too well since I only saw it once 2 years ago and I was too busy trying to figure out what the heck was going on and who was in who's body to pick up on the minor details (alright, plus I was secretly hoping Demona would show up at some random moment, that way if I didn't understand anything at least I'd get to see her. I didn't know about "The Reckoning" at that point. Sue me!) I do remember liking Xanatos' "wiggle your nose" line, which I still think is funny. I had heard from Danielle, my gargoyle mentor who got me into the show in the first place, about Puck but like Angie I don't think I had seen him prior to this episode.
Okay, to sum up, great episode, great series, created by a great guy named Greg (isn't iliteration fun? Particularly when it's spelled incorrectly?) and I'm hoping for a GREAT comeback! SPREAD THE WORD ( to quote X in "Reawakening", "I've ALWAYS wanted to say that.")

Greg responds...

Thanks. Possession was fun to work on, juggling all the misdirection.

Response recorded on February 08, 2007

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Harvester of Eyes writes...

Hi, Greg.

I just read your ramble on "The Reckoning," which is one of my favorite episodes, and just wanted to contribute my two cents. Ever since "Sanctuary," I had been wondering what would happen when Demona and Angela met again, and I'm happy to say that this episode did not disappoint. For an episode with a very large supporting cast (that also introduced several new characters to boot), it carried itself amazingly well.

It flowed wonderfully, and as you pointed out, contained a lot of memorable lines. Jim Belushi is not my favorite actor, but I loved him as the voice of Fang. I think Fang just might be one of his best roles. His delivery of the one-liners was superb.

If I had to pick a favorite visual moment, it would have to be the shot of Demona, Thailog, and the clones right before the end of the second act. It was like looking at a negative photographic image of Goliath's clan. Very chilling.

A few things I found interesting: Thailog and Sevarius in the same room together. I suppose it's not too surprising, since mentally, Thailog was programmed with Xanatos's slant on life. Xanatos kept the gargoyles alive because he thought they'd be useful (or I'm just going by what he told Goliath at the end of "City of Stone"). Similarly, I'm wondering if that was Thailog's line of thinking when Sevarius was hired to engineer the clones: the doctor does come in handy.

Also, concerning the relationship between Demona and Angela: I think that Demona does love Angela. But I find it interesting that she told Goliath to save their daughter instead of doing it herself. The thing she seemed more solidly focused on was punishing Thailog, because Thailog had just delivered a double whammy by not only ending their relationship, but also splicing her DNA with the human she seems to hate most. It almost looks like Demona loves revenge more than Angela. I look forward to seeing what happens between them in the comic. Your comments on those three small words were very intriguing.

All in all, a very well-done episode that exceeded my expectations. I will be posting comments on the new comic at a later date, but for now, let me just say thanks, and best of luck with your future endeavors.

Greg responds...

Jim is also an extremely nice guy and really fun to work with. And I tend to agree with you. Fang may have been one of his best cast roles ever.

Response recorded on February 06, 2007

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KingCobra_582 writes...

The Reckoning. Ah, yes. Great episode, one of my favorites. It was on TV the other morning. Unfortunately, we have satelite and it was storming out when it was on. *grumbles*

Anyway.

There were some great lines present here:

"My clan can beat your clan any day of the week."
"Some of my best friends are half-gargoyle, half-human babes with bad attitudes!"
"It's all over, you... you forgery!"
"Oh, but it's a very clever tin can."
"That doesn't sound like a subway car."

All classics. :-)

When I was younger, I used to stubbornly think that little moment between Brooklyn and Angela meant more then it did. Of course, I know otherwise now.

I loved Thailog's deviousness in this episode. Throwing Delilah in Demona's face, and Demona's reaction. I actually felt bad for Demona for a change. And, of course, I was blown away by her change in mannerisms ("Goliath, save our daughter!") when she actually helped save her former clan. I'd never have seen that coming. Especially after Angela's "I hate you." You always know how to surprise me, Greg.

I was never the biggest fan of Talon, though I never really hated him either. But he really started to come into his own when fighting Fang. Nice. Same for Angela vs. Delilah.

I always had trouble swallowing that the clan believed Demona dead even AFTER they already knew she was immortal, but that's a minor point.

9.5 out of 10 for one of my favorite episodes.

The comic was (is) a great read, also. A lot of people have commented on the art, but it doesn't bother me any. I'm not an art critic by any means, but still. Thanks for the 2 added scenes too. I'm looking forward to issue #2 and beyond. May the comic go on for years. :)

Greg responds...

Your mouth to God's ear, my friend.

Response recorded on February 05, 2007

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Twiggess writes...

Hi Greg! It's a shame, I know, but due to the unrealistic time Toon Disney has Gargoyles on (not that I'm complaining- i'm just glad it's still on @ all!) I have never actually SEEN the Reckoning. But i've read enough reviews and rambles and pumped my friend who HAS seen it that I feel confident enough to write a TINY little ramble.
I love Fang's lines in this one, and I would just personally like to thank whatever wonderful censor let "Kinky" slip. Cuz let's face it- she is. And I know he's kidding, but I for one would really like to meet his other friends who r 1/2 human 1/2 gargoyle babes. (hey-is this a hint at Delilah???) I'm sure Brooklyn would too :)
I really like the way you "killed off" Demona and Thailog. I'm not sure if you meant it to include this, but I see a lot of symbolism in it. Ah, the rollercoaster that is love, the ups and downs and the telling-her-to-marry-another-guy-for-his-money-ok-now-i'm-fed-up-with-you-now-meet-your-replacents, all ending in a big, beautiful fireball that is a breakup.
Okay. So I'm crazy. But this IS called a RAMBLE right? So it must be okay to get a LITTLE nuts. Besides, like I said, I haven't actually SEEN the episode. Until i saw some pics the other day, I thought they were fighting on top of A MOVING CAR, which is a lot better than wrestling on a track.
But still. I like my theory, and stand by it. I believe Greg has said many times that Thailog is modeled after the "Bastard." And now, he is a bastard in EVERY use of the word. >:) If God forbid my boyfriend ever cheats on me, I know what morbid fantasy I'm going to have first (only of course, he's TIED to the burning rollercoaster, and I'm pointing and laughing from a safe distance away. Am i being 2 morbid? Sorry)
Anyway,I really wish we could see a rematch....with Demona winning and then as soon as he's gone she starts crying. B/c she really thought she loved him.
Or better yet, get some info on who her NEW lovers are (Greg? C'mon, Greg, I know u hear me. PLEASE? Like maybe on Valentine's Day or your anniversary or whichever comes first? Before MY wedding, at least-FYI, i'm a minor-)
Anyway, really wanna see this episode, and it sounds totally awesome
Or, as Fang put it, "Better than soaps!" And just as edictive. ;)

Greg responds...

I'm glad that you like the episode even though you haven't seen it. Now THAT'S a talented producer! ;)

Response recorded on February 05, 2007

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Battle Beast writes...

Ah, The Reckoning. With your ramble, you answred one of my most pondered questions!

Anyway, I LOVE this episode. I've never seen it all the way through; I think it is the only episode I've NEVER seen fully (always came in right at the "tin can" line. But you mentioned that it was the fifth last episode, before possesion and HM?

I've always seen it aired AFTER Posession, though all other episodes were in correct oprder.

The Reckoning sets up the relationship between mother and daughter, develops relationships further between Talon and the Gargoyles, and shows us how naieve (SP?) Demona really is.

Demona didn't learn the Thailog was using her, even back in Paris; she still thinks he loves her. But then again Demona has a one-track mind.

I think Demona finally gets it when - enter stage left - Delilah is introduced by Thailog himself.

From what I understand, the idea of the "clan" was sacred back in 990 AD when there were clans in Scotland. Demona has been so messed up over the centuries so much so that if she calls a bunch of botched clones a "clan" then she really has forgotten what a CLAN truely is.

And of course the great delivery: "Ah, but it's a very clever tin can!" What a great line, like you said.

Tim Curry back as sevarious. Another great performance. His voice is so unique. And he does such a good job in the role.

"How many Gargoyles does it take to screw in a lightbulb?" That made for a great contest. And some of the responses were way past funny.

It was quite clever to use Californian names simialr to NY names.

Great episode all around.

P.S. Comic's been sold out everywhere I go. Read it 8 or 9 times. Bought 2 copies. Keep up the great work. Better than the Origianl Journey.

Greg responds...

Thanks. The L.A. names actually were a direct result of discussions on the old Disney Afternoon e-mailing list. Someone asked what the names would have been if Xanatos had built his castle in L.A. rather than N.Y. The question fascinated me, and so...

Although I cheated. I think Burbank's name would have been something more like Santa Ana.

Response recorded on February 05, 2007

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Todd Jensen writes...

Thanks for the ramble on "The Reckoning", Greg - and it's a pity that you had to wait half a year to get it up here. A few thoughts of mine about it.

One amusing little piece; when Sevarius started making the clones for Thailog, the first time that I saw this episode, I somehow was briefly expecting (from the combination of the robot mosquito and Sevarius's quip about "a growth industry") that Sevarius was coming up with some sort of giant insects - or something with insect-like components. (And, yes, the Clones make much better sense, especially when I discovered that the mosquito *was* a robot.)

I like the touch of Sevarius saying "Three down and two to go" - a nice subtle way of preparing the audience for the extra clone of Delilah.

One thing about the Clones' names; they reminded me a little of an episode in the first "Teenage Mutant Ninja Turtles" cartoon where the Shredder decided to come up with some mutant frogs to counter the Turtles, and, echoing Splinter's naming the Turtles after his favorite Renaissance artists, named the frogs after *his* favorite historical figures - Attila the Hun, Genghis Khan, Napoleon, and Rasputin. I found myself reminded of that with the Clones being named after Los Angeles features as a parallel to the names of Goliath's clan. (Do the Clones' names say anything, I wonder, about what Demona thinks of L.A.?)

I thought that Fang made a great comic-relief figure here - he certainly gets a lot of the best lines. (Regarding the "Kinky" line of his - he should have been glad that Demona wasn't in the same cell with him when he said that!)

It's interesting that "The Reckoning" should have been originally intended as the season finale, since Goliath's line at the end about "a new beginning for us all" sounds very appropriate to an open-ended season finale. But I think that "Hunter's Moon" made a much better season finale. For one thing, it brought in more of the major threads of the series that weren't in "The Reckoning" besides Demona (Goliath and Elisa's feelings about each other, the feud with Xanatos, and human hostility towards gargoyles). I hope that you'll get to ramble on those three episodes soon - after doing "Possession", of course.

Thanks again for the new ramble.

Greg responds...

Your welcome. Hope to get back to the rambles after I've caught up here. I know that sounds like a pipe dream to many of you, but I really feel I am making real progress.

Response recorded on February 05, 2007

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Laura 'ad astra' Sack writes...

I love it when Ask Greg reopens for questions! I know it'll be a few years before this gets read, but it adds to the vibrancy of the fandom.

Unfortunately I didn't get to the Gathering yet again- one of these days. Doesn't gall me as much as missing the last one in NYC, but at least I have my memories of the first two.

I looked through the new posts to see what others were saying about the comic. (There is less of a chance of saying something that has been said to death, but I don't want to lose the habit of checking first.) By in large the reviews are very good and I would have to agree. I couldn't get to my comic shop till Friday, but I read it and went through it with a fellow fan in great detail on the phone before sundown. (The rest of my weekly reading had to wait.) I won't say it was perfect, I had some serious concerns, but I was really happy.

First off, I must note this- The back says that the colorist is new to the field- what a fantastic start! There is nothing there that even hinted to anything novice like.

I have to be a little harder on the artist. It almost seems like the style switched halfway through. The first half struck me as more stylized, a little reminisent of craypas or those sidewalk chalk artists that wow you with what they can do. The second half was looser, even letting you see the pencil marks. My druthers would ask for the second style. The artist seemed far more comfortable with it. While the first page and sevel other panels throughout the begining were beautiful, other were rather awkward and boxy, especially in the none action scenes. (The artist drew some just plain fantastic fantastic action sceens.)

I did have a small quibble with the text...(though I feel like slime mentioning it here). Some of the lines that were lifted directly from the show didn't flow as well without Keith David's sonority. Goliath's formal speaking style sometimes needs that resonance. I have no fear of that being a problem in later books- all the sceens that started life in print read just fine while still conjuring that voice. I loved Goliath's 'discussion' with the shotgun wielding man. Though I have to ask- who has a shotgun in NYC?

Looking forward to issue 2- I do hope that independant Publisher doesn't mean Independate time frame :}

Greg responds...

I'm not sure I understand your comment about missing Keith. I mean we all miss Keith, but if I lifted the line directly from the show -- and it worked in the show -- how could it not work here? Oh, well.

As for a shotgun in Manhattan, anyone who occasionally heads upstate to go hunting might have one.

Response recorded on January 24, 2007

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Blaise writes...

TURF

I knew that at some point the Trio would fight over Angela, and I was kind of worried about how much dignity they would lose in so doing.
I suppose I was more disappointed with Brooklyn's behavior than with Broadway or Lexington's. After all, he is my favorite character, and I think anyone would find it aggravating to see his or her favorite character behaving like a goofball.
Not to mention the fact that he's Second-in-Command, and therefore should behave responsibly and competently in his office. The first time he splits them up so that he and Angela can be alone...well, if he really tried, I think he could have waffled a decent rationale for that decision. The second time however was just plain silly of him. ONE gargoyle at the Clocktower to wait for Goliath might have been wise, but not two of them.
However, more than all of that, when I first saw this episode, I had seen neither THE CAGE nor KINGDOM, and thus had no idea what had happened with Brooklyn's crush on Maggie. The resulting lack of closure actually made Brooklyn's behavior here seem even more annoying to me (crush or not, I couldn't believe Brooklyn would be as shallow as those "Well, hello...and good-bye!" guys from Saturday Night Live). Seeing the episodes in their proper airing order fixes this, of course--Brooklyn has effectively closed the book on the Maggie possibility, and now here is a REAL female gargoyle to court. HOT DAMN!
All things considered (1,000 years without a date) I suppose it's not unrealistic that each of the Trio would go overboard in trying to impress Angela and outdoing the other two. If only they realized how foolish they were looking instead (though I still love the brief bit of posturing they do in the Clocktower--Broadway actually sucks in his gut!).
The bit with them flying into the water tower (or whatever) was worth a chuckle as well. And "muttonheads?" You just don't hear enough people called that anymore. ;-)

In all of this I haven't said word one about the Brod-Dracon turf war. It is what it is, I suppose, the gangster side of GARGOYLES never particularly interested me.
I was surprised to see Brod reappear. Danforth, too, for that matter. I had figured both of them to be one-shot characters (yes, even at this late date in the series, I expected one-shot characters).

I have to wonder what the Witness Protection Program's reaction(s) will be when they learn what ol' Danforth has been up to. Seeing as how Jack is willing to give up a fairly safe and stable life as "a retired banker who likes to spend his afternoons in a health club" to help Brod beat Tony, he really must HATE the Dracons. I wonder why....
I would have liked to see a conversation or something between Jack and Matt--just a reference back to REVELATIONS or something. I just think it would have been nice.

As for Brod, yes, he is audacious. Not just for breaking into prison, but for trying to restart his criminal empire in New York City of all places. No starting small for this guy--go right for the big time!

I had no clue Salli was Elisa until she took off the wig. At the end of Act 1, I thought Salli was a separate character and saw this episode going off in a whole different direction (I'm not saying what direction exactly since it might break the submission rules).
It's interesting to see how she tries to balance her duty with her act--her attempt to reason Brod out of attacking Dracon is a nice example of this (and it's fun how her arguments are so quickly dismissed).

RANDOM THOUGHTS:
-Dracon and Glasses have a frank discussion about the turf war (with Dracon yelling at one point) and there's a trio of guards nearby. I always wonder just what they might have overheard (of course, the guards look like they're having their own conversation, so probably not much).
-Brod eats with his mouth full. Well, I guess manners aren't the most important part of being a gangster, anyway.
-The guy who goes crazy in the police station was the mugger Broadway attacked back in DEADLY FORCE. He also appeared in GOLEM as part of Brod's gang, and he even appeared earlier this episode on Brod's hovercraft. That guy gets around, doesn't he?
-For some reason, I love Elisa's reaction to Angela's, "boy trouble." She actually seems kind of amused by it.
-It wasn't until my viewing before this last one that I noticed Elisa looking at the payphone. I thought it was a nice touch and don't know why I missed it before (maybe my attention was focused on Brod).
-Were Dracon's men firing particle beam rifles? They looked and sounded like actual bullets to me. The guns did have stylized designs, I guess. No comment on the "selective penetration" of the guns (i.e. celing, but not seats).
-I love Pal Joey's taunt to Brod on the train top--just something that struck me.
-I'm similarly struck by the calm way Glasses is able to face what could be his own death. He has a lot more composure than Dracon does later on (of course, Glasses has an "out" while Brod stops to think).
-Poor Lexington--Brooklyn and Broadway are both busy helping Angela, so the little guy has to stand up all by himself.
-Interesting thing: Brooklyn says that he's the one who rescued Angela. I paused my tape at the actual rescue (yes, I am that lame) and I clearly see Broadway as the one who grabs Angela. Was this another case of communication breaking down between the writers and animators, or just Brooklyn himself attempting to ret con the last few minutes?
-"STOP CALLING ME ANGIE!" A funny moment, but I must admit I never realized, until you mentioned it, that Broadway did not call her "Angie" at all this episode. He was also the only one that attempted to reassure her when she was worried about Goliath. I guess some of the seeds were already there (just subtle as hell).
-Elisa/Salli: "We can't just break into a maximum security prison."
Brod: "Why not?" He asks this while gesturing to the sizable armory at the rear of his hovercraft. I find it funny. :-)
-"Sergeant, we've got a problem." I love the Tower Guard's reaction to the hover ship. I wonder if that guy got hurt jumping out of his tower like that.
-Brod seals the only entrance to the cellblock. Now, how did he plan on making his getaway? Have his hover ship blast a hole in the roof?
-I may not be a big fan of "Rocky and Bullwinkle," but that "Easy as shooting moose and squirrel" line would have been GREAT. I can grudgingly understand the S&P objections to the "Good thing we weren't facing Queens" line, and I prefer Puck not to break the fourth wall, but THIS line should have been in the show!
-Dracon revealing Elisa's identity strikes me as a "If I'm going down, I'm taking you with me," moment.
-I loved the two different distinctions Brod and Dracon give the gargoyles.
-The penitent Trio apologizes to Angela, and she gives them each a kiss (corny, perhaps, but I think there's some unspoken law that heroines in ensemble action shows have to give a peck on the cheek to all the males interested in them). Of course she also mentions all her sisters, and that makes the Trio even happier.
-Dracon and Brod as cellmates would never be allowed officially, but I could see a couple of mischievous guards engineering a temporary co-habitation. My brother (who saw this with me) was of the opinion that, given their differences in builds, Dracon needed to make the first punch.

All in all, it's not a bad episode, but it's always difficult for me to see Brooklyn embarrass himself like this. Oh, well.

And with that I should be caught up with the Rambles. For now, anyway.
I'm already looking forward to the next one!

Greg responds...

"-Interesting thing: Brooklyn says that he's the one who rescued Angela. I paused my tape at the actual rescue (yes, I am that lame) and I clearly see Broadway as the one who grabs Angela. Was this another case of communication breaking down between the writers and animators, or just Brooklyn himself attempting to ret con the last few minutes?"

I'd have to take a look again, but it sounds like the former.

Response recorded on January 15, 2007


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