Aris Katsaris writes...

To Duncan Devlin who said: "I don't quite understand the response. From my experience, not ALL things are true."

Let me just paraphrase a sentence of Terry Pratchett: "All things are true, for a given value of 'true' "

Dracolich writes...

By the time you read this, you will probably have the answer, but just in case:

A poster has been asking you questions about the "connection" of the fey. I beleive what he or she is referring to is what powers or forces they are associated with. Example: Aphrodite, love. Seth(or Set), storms and evil. I hope this helps. See 'ya again! P.S. I'm shortening my name.

Entity writes...

Hi,

I'd just like to back Mary Mack's summary/review of The Phantom Menace. It was everything she described it as.

I'd also like to voice my pleasure at the sight of Wrath of Khan in your list of favorite movies. It's in mine, too, but most of the time that film seems to get jipped. Either the person's someone who has an inexplicable (and I venture to say shallow) distaste for Star Trek, or they'd rather claim First Contact as the hands-down best film, ignoring the originals.

Incidentally, I thought First Contact was a travesty. Maybe think "First Knight" for Arthurian Legend, to get an idea.

Kelly L Creighton / Kya White Sapphire writes...

*reads your post about needing a tape recording of her voice* well, i work at an 800 number. ill send it to gorebash, and you can feel free to call me any time. ^_^ im the receptionist, so unless im at lunch (generally between 11:45 and 12:45 eastern) ill be the one to answer the phone!

Matthew Smith writes...

hey Greg, what's up? Well, this isn't really a Gargoyle related question, it's more about one of the movies you mention being one of your favorites: Ghostbusters. That is one of my all time favorite movies. I see you didn't seem to like the sequel. I rather enjoyed GB2, heck I bought both movies last weekend, but I guess i can see why you didn't like it. I mean walking Statue of Liberty, "Mood Slime" that responded to good/bad vibes...ect...
My passion for Ghostbusters goes back to my when I was 5. Oh I remember religiously watching "The Real Ghostbusters" every day before kindergarten. Me and my brother used to dress up in old pyjammas, which our mother altered to have the Ghostbuster logo on the shoulders, and would run around the neighbourhood pretending to "bust" ghosts.
Anyway, back to the movie. My mother must have hated that movie with a passion, simply because it was the only thing we'd rent whenever we'd go to our grand-parents house (who had a VCR when we didn't) must have seen the movie like 60 times back then, and that was before I could appreaciate the witty humor, let alone understand the plot.
Last year, I watched the movie for the first time in about 10 years. I never realized excactly how clever of a movie it was. It was hillarious, yet not off the wall not to be taken seriously. Even the Stay-Puft Marshmallow Man provided a serious enough threat.
Come to think of it, this actually is a Gargoyles question. Gozer's Terror Dogs, the one's who possessed Dana and Louis reminded me an awful lot of Bronx. Did this in anyway inspire you to create the Gargoyle Beasts? Also, the Terror Dogs came to life by breaking out out of it's stone shell, much like the way Gargoyles do. Is this simply a coincidence? I remember you stating that your inspirations for Gargoyles were Gummi Bears, actual stone gargoyles, Hill Street Blues. But is it possible that Ghostbusters is among one of the inspirations for Gargoyles? Or am I just making wild speculations in hoping that one of my favorite movies helped inspire one of my favorite animated shows?

Todd Jensen writes...

This is a sort of response to your comments on doing or not doing a Gargoyles/super-hero crossover of any sort. You mentioned that you didn't see it happening, short of a crossing between parallel universes, because the Gargoyles Universe and the super-hero universes of DC and Marvel Comics are very different in style. From what I know of mainstream super-heroes (which, I will confess, isn't all that much), I can certainly agree with you.

Take Batman, for example. The Batman Universe is clearly different enough from the Gargoyles Universe. In the Batman Universe, the "super-villains" are more out in the open, with the public all too aware of them. In the Gargoyles Universe, the "super-villains" are more low-profile; the general public don't know that Demona, Thailog, Oberon's Children, and the Illuminati actually exist. They know about Xanatos and Macbeth, but only in terms of their public personas; they know about the Pack, but only as "TV actors who went bad" - I haven't seen any indications that the general public know as yet about Jackal and Hyena being cyborgs now or Wolf being a mutant wolf-man. They don't even know for certain about the gargoyles until the end of "Hunter's Moon Part Three" - and even then all that they know is that the gargoyles exist, and nothing more than that.

In conventional super-hero universes, the weird and paranormal is very public and high-profile, known to the public. In the Gargoyles Universe, the weirdness exists just as surely, but is far more "covered up". For this reason, I can't seriously imagine Batman or Superman or Spiderman or the X-Men existing in the same universe as the gargoyles.

Todd Jensen writes...

This is a comment inspired by your recent answers to the "Tempest" question. While you never did manage to get "The Tempest" into Gargoyles outright (and I found that a pity, for my own part), I've sometimes thought that Angela does resemble Miranda a little (in the same way that, to me, Thailog resembles Edmund in "King Lear" and Demona Shylock) - there's the same general concept there of a sweet, innocent girl being brought up on a mysterious magical island and filled with wonder at the outside world (Miranda's "brave new world" lines strike me as being just as suitable for Angela as they were for the original speaker). I just thought that you might be interested.

Mary Mack writes...

So, you didn't see The Phantom Menace.

SPOILERS

Lucky guy. That movie got me all bent out of shape for lots of reasons, and I think some of them stem from being a Gargoyles addict. I respect nonhumans. In Phantom Menace, the nonhumans were either villains (the inept flunkie-type, at that) or stupid as dirt and present only for comic relief. Anybody who could possibly save the day had to be human and under twenty-one, and somebody thought that having a nine-year-old boy destroy a battleship full of sentient beings was a GOOD idea. (Okay, so the kid grew up to be Darth Vader, but really, they practically threw him a party for mass murder!) Qui-Gon Jinn, our first real look at a Jedi Knight in his prime, cheated at dice. How very, very honorable of him. Darth Maul, who had the potential to be scary and evil and really, really neat, talked a little, did some impressive acrobatics (played by Toad from X-Men, now there's a good movie), and died. Seven minutes of screen time, tops. Folks mention racial stereotypes in the film; they're right. I wondered why those trade federation guys didn't just say "Ah, so!" and get it over with. Or why Jar-Jar didn't offer Obi-Wan a hit of whatever he was smoking. The direction was minimal, the dialog weak, and most of the actors seem too scared of Mr. Lucas to improvise. The special effects were eye-popping, but hardly ever seemed to have anything to do with the plot. One character is introduced solely as comic relief (Jar-Jar), and he has no witty repartee, just slapstick that occurs beacuse he's the stupid nonhuman.

Basically, you missed a gaping wad of nothing by missing Phantom Menace, and you're luckier than I am. That movie managed to sour me on Star Wars as a whole-- pre-Phantom, I'd read every book, bought action figures, comics, expensive expandable lightsabres... post-Phantom, zip. Gargoyles, Star Wars fiction, Star Trek, Sci-Fi and Fantasy books all gave me an appreciation for good stories where the villains were interesting, the plots thick, and the heroes not neccesarily caucasian humans. The Phantom Menace was bad. It was, to Star Wars, what the Goliath Chronicles was to Gargoyles. Only shorter.

Man Mountain writes...

Greg, You seemed confused on LSZ's use of "Zeroth." I first read it as ZEH-roth but then realized he meant
ZEE-rothe as in 0th, 1st, 2nd, and 3rd. Is that what confused you as well or am I just... um, dumb?

LSZ writes...

As to the Zeroth thing; I'm not sure if you used it or not, but it seemed a logical thing to call the pre-First Race; thought of this while reading Asimov on his Three and then Four Laws of Robotics..

Todd Jensen writes...

I just read the latest "early development" memo. I found it another fun "behind the scenes" peek at the early history of "Gargoyles".

The two bits that particularly stood out to me were:

1. The gargoyles fondness for partying (which was also mentioned in the earlier memos). That obviously pre-dated Goliath's introduction into the project, given that I have a very hard time imagine Goliath partying. The trio (whose proto-versions WERE in the original comedy development, I recall), yes, but Goliath - I don't even want to make the attempt.

2. Xanatos's original as the several-times-great-nephew to the evil wizard (the original of the Archmage, the Magus, or both?). The thing that stood out to me here was that the nephew character struck me from the description as sounding like a conventional cartoon villain rather than the very memorable and convention-flouting David Xanatos. It makes it amazing when you think over what this character would eventually become.

I'm looking forward to the rest of the memos, to see what other treasures they might contain.

Ambrosia writes...

Okay, this is a response to that S.T. Coleridge reference and suspending disbelief.
I've been blessed with a really great English teacher who I loved so much in Freshman Comp 101, that I took him again for Literature and again in Survey of Shakespeare. Last spring semester, he lectured a bit about how to read fiction effectively. In my notes I have written down:
"be imaginatively involved in the work" That's Mr. Farrell and not Coleridge. He then quoted Coleridge saying reading fiction should be "a willing suspension of disbelief." In other words, while reading about a giant dragon, you're not supposed to think to yourself, "there's no such thing as a giant dragon." In a work of fiction, you put yourself into that world... like a certain universe we all know and love.
Just thought I'd clarify.
On the other hand, there's nothing wrong with suspending belief either...

Calvina Richardson writes...

I just want to say that Gargyles is one of my alltime favorite cartoons and I am 25. I just want to know is there
a time or place that I can view Gargoyles outside of toon disney since it is not available in my area.

Scott Iskow writes...

You asked me (warily) why I didn't like "Leader of the Pack" as much as other episodes. Oh, gee, where do I start? ;)

First off, let me say that I didn't hate it. In fact, I think I liked it originally. This episode, unfortunately, had a nasty habit of being constantly rerun to the point of nausea. I'd get sick of the *best* of episodes if it kept being shown over and over. It eventually came to a point where I'd turn off the TV as soon as I'd hear the music that began the ep, (on a good day, I'd get through the entire first act before shutting it off).

Another thing that didn't quite work for me was the animation. Some parts looked good. Other parts looked like a sloppy version of Darkwing Duck or Tiny Toons. Just how big were Lexington's eyes, anyhow?

I also didn't buy that Lexington could be so vengeful. Didn't seem in character.

It was a nice touch to have Brooklyn giving him the "don't be vengeful" lecture, but later episodes depict Brooklyn jumping the gun just like Lex does here. Similarly, (a la "Hunter's Moon 1"), Brooklyn endangers the clan by giving up the element of surprise. Awful reckless for someone who both recognizes the pitfalls of vengeance and is the second-in-command.

Also, it may just be that I didn't like this episode as much as others because it was a Pack episode. The Pack is the closest thing the gargs have to cliched villains. I liked "Thrill," "Brother's Keeper," and "Upgrade," but disliked others like "Leader," and "The Green." Maybe I just find the Pack inaccessible as characters.

Criticism aside, I'm still a big fan of the show as a whole. There are an extremely small number of episodes that I thought were mediocre, (looking forward to your ramble on "Monsters", BTW). An excellent show like "Gargoyles" can get away with a few lesser-quality eps.

"Gargoyles" wasn't perfect. It was only damned good.

Now, before I offend thee further, I shall depart most hastily.

<leaves smoke trail in his wake>

puck40 writes...

Puck40's top five favorite episode list. Yeah yeah, I'm sure no one out there cares. But I'm telling for those people who are bored and just want something to read.... yeah thats it. So I'll put a quote in for each one that I think makes the episode *the* episode. (mind you, this isn't necessarilly the order I like the episodes in)

Enter Macbeth.
Why? look at my post praising if if you want. But this quote should justify all that is good.
~~"Its not you I'm after, your just a pawn, I want your QUEEN" - "Queen? We have no Queen" - "No?! then what about... Demona" - "You know Demona?" - "KNOW HER?! (doesn't Macbeth laugh so cool right here?) I *named* her... if I captured you, the last of your kind, she will come to free you, its *her* I want." - (twisted Goliath Thailog like laughter, guess he does know how to laugh maniacally) "Then you are a FOOL! She is our enemy... she wouldn't lift a talon to save us."

The Edge.
This almost doesn't make it due to the fact I hate broadway and he got lots of action shots. But ah... Xanatos.
~~"I was a little worried that I might be getting soft. But I was able to stand up against Goliath, the greatest warrior alive. I'd say I've still got the edge."~~
If that line right there doesn't clench people into the episode... you all suck. His triumphs over losses. How his goal is always usually a small one that no one knows about, versus the fight that he fights. With freeing the pack and Coyote its all about Fox. Everything else is just subterfuge, yeah he kicks ass. And this episode was him, just wanting a self esteem boost. Something so trivial yet massively important! Spoon.

The Mirror.
Hey.... its Puck. its a really *fun* episode, and massively well written and acted besides the "cheesy" one liners. they were here... like the one that went something like "my strength has never depended on brute force, but on true friends" blah... or... "with Demona involved its more than (insert word lex or brook said here) its dangerous." But it was also the true *start* of the relationship with Elisa/Goliath. Very cool. which quote to choose from though... not any of the three bad ones... oh heck
~~"It was a ROMP indeed!" - "Spare me your gloating just go...." - "With out giving you something in return for all this merriment? Puck is many things, but never a poor guest!" - "Please.... Leave." - (an annoyed Puck right here) "You wanted to be your gargoyle self by night, and *not* stone by day? So be it."~~ (am sure everyone knows the spell by heart if your actually reading stuff in the Ask Greg.)

Vows.
The episode on my top five didn't use to be Vows, it was Avalon Part 2. Until I realized, when you go Time Travel wise... sure David Warners cool. But this episode so takes the cake. Again Xanatos is the "anti-hero", wouldn't say villian for this one. Whats his goal? To make sure he's rich, sure... but above all. He wants to impress his dad. Its such a childish thing, wanting to impress your dad, it always sticks with you. You don't want to be the dissapointment. So this was his alterior motive. And Petros... Clencher for this episode has to be this quote which by far gave me goosebumps first time I heard it.
~~"Whats this?" "A simple American penny, its not worth much now but in a thousand years.... Who knows? Its my wedding present to you, because its *all* you seem to care about."~~
yeah

And last but not least..

Future Tense.
Come on, you all knew it'd be here. I first saw it and was like... god... this is is so wrong but good!! and the end with Puck it was like. heheh, kickass! This episode was good for so many multiple reasons. The future depiction... the epic storyness. Xanatos killing Alexander, Hudson the first Hero of the war. That was SOOO cool. Lex the villian, Brooklyn punching out Goliath. Goliath showing he semi still had feelings for her by the end, hey... this was more the "old" her afterall, ne ne Greg? But as I said just above... I hated broadway. But I swear... this episode almost made me cry. The quote.
~~"Hold on Broadway... if you can last until sunrise you'll be healed." - "ohhh.... yes..... the sun. Can you see it Goliath... its.. beautiful...." - ".... goodbye.. my friend.."~~
(sniffle) that ones in the Avalon Archives.

Okay okay. the main reason I put this post up was to see if anyone else would put up there favorite top 5 or so episodes and "why" they were there favorite.

I'm gonna end this with one more quote since I've been doing them throughout... This one shows... that this show in general was more than a normal cartoon. It had depth.. continuity.. emotion... I give you the quote I think sums up that this series was truely unique.

Katherine: "Oh Magus... what have yae done?"
Magus: "Princess.. I-"
Katherine: "shhh... lay still now.. we'll get yae back tae th' palace an the-"
Magus: "n-no.... no katherine. i think i shall like to stay here.."
Goliath: "I owe you a great debt Magus"
Magus: "yooou... but, i cursed your clan"
Goliath: "You saved my children"
Magus: "hnn... oh I'm so tired... i think I would.... like to resst."
Katherine: "Yae *caenot" leave mae now."
Magus: "neveerr.. my princess.."
Katherine: "nooo Magus"
~and cue the music played over Katherine crying~
~on a note, most of these quotes are downloadable at http://avalon.gargoyles-fans.org~

puck40 writes...

Puck40 writes (in reference to Enter Macbeth):
Any case, in closing. This show has been and will always remain on my top 3 favorite list.

Greg responds...

Only the top three? :)

to which I respond. I meant episode!!!!

the show is by far my favorite American Cartoon(few have ever had continuity or intelligence, batman intelligence, x-men continuity, how many "combined" the two?). The storyline was beyond Excellent. The character development amazing. I mean, would've craved to see others more developed. Even Puck, who appeared in a mere 4 episodes, had a "fair" amount of screen time, evolved so far beyond a 2d character. He was shown how he was usually depicted..... mischievous, happy, fun. But he also had to him moments of annoyance at being forced to due stuff, a gift rejected, oh he'll get back at that. And less us not forget "Not Eternally!!!!" the panic in him there. I mean sweet! It measures up to Anime very easilly with animation at "moments" that could pass it in a heartbeat.

but meant episode. ^.^ hmmmm just for the hell of it I'll do another post in a sec

Kelly L Creighton/Kya White Sapphire writes...

just read yer x-men ramble. so i thought id ramble a little ^_^ (twice in one day!! AAK!)

re: jurassic park and the lost world
okay anyone who knows me knows i LOVE dinosaurs. i love these movies because they have dinosaurs. but anyone who WATCHES these movies with me will immediately know that ive seen them at least 30 times (no exxageration) and i continually spout off the mistakes. editing errors, creative liberties and just plain MISTAKES. theres a HUGE list of them. the spelled the embryo label "stegAsaurus" instead of "stegOsaurus." they have the car fall into a revine as the t-rex pushed it over where it had torn down the fence, but WAIT? how did it tear down the fence if there is a revine? for that matter, where did the ground go that the goat was standing on? one could say that in the shot of the car going over, there is a patch of high ground on the left, but the t-rex actually pushed the car over where it had stepped out originally, hence the torn fense (am i clear on this? i dont think i sound like im making sense...) there are TONS of mistakes. but i like dinosaurs. so lets say i like the dinosaurs in the movie, more than i like the movie. i wanted to ask tho, have you read the books? dont read the lost world. it was written for the movie, and was badly done. but the original JP- was FANTASTIC. at least in my opinion. i read it 8 times. even better was Robert Bakker's Raptor Red. HIGHLY reccomend that one.

re: x-men
rogue's hair goes blonde in the end because her character in the comic book had a patch of blonde (or white, depending on what comic u read) hair on top of her head. i duno if that was originally a tribute to any other character or not. (i hadnt read the original comic. the only exposure to x-men i had was the animated serise, which i only watched a few of.)

re: comics in general
i used to read a lot of wonder woman (not the original stuff, but from about 1990-1991) and WildC.A.T.S. i LOVED the cats. Zealot was my HERO. but then the comic went all soap-opera and i was like "this sux." they broke up the original cast. its like "we have something thats doing well. lets CHANGE EVERY ASPECT OF IT, SHALL WE?" (soung familiar?) i did buy a few of Zealot's comics (#1-3 i think) and Grifter's (#8-10). grifters kinda sucked, but i liked Zealot's.

are there movies that you DO like? im guessing not many. perhaps youre spoiled on shakespear (oh thats a shame ;P) of course it may be that youve created something so great, with such attention to detail, that anything without that minute attention just doesnt do anything for you. care to comment on why youre repulsed by so many movies?

ok enough ranting for one post...

Greg "Xanatos" Bishansky writes...

Greg, thanks for the ramble about taking your kids to see "A Midsummer Night's Dream". Nice to see you passing Shakespeare on to the next generation. Though Erin and Ben are not the only ones you're teaching/taught it to.

I have yet to see "A Midsummer Night's Dream" (though I saw the movie) performed, but I saw "Titus" last summer, and as you know "A Winter's Tale" with Keith David recently. I loved both of them and look forward to seeing more. Though originally (before "Gargoyles"), I thought of Shakespeare the way your average teenager thinks of it... as boring old books.

Through "Gargoyles" I learned to love and appreciate the Immortal Bard and his works. I planned to tell you this at the Gathering, but at the last minute I could not make it. I'll see you again next year though.

Not just Shakespeare, you inspired me to pick up a book.

Todd Jensen writes...

Just read your new posts on the very early documents for the series, and wanted to thank you for them. The one that particularly intrigued me was the one where Goliath (or the Goliath-equivalent character) was an artificial creation of an evil wizard (the original version of the Archmage?), and the rest of the gargoyles were, in a sense, his "artificial creations". That was certainly a bit of a surprise, seeing that the early days of the series were taking the slant on gargoyles that you finally rejected, that in the first draft stage they actually were statues brought to life rather than members of a pre-human race that arose through natural means.

I was also amused to see the "lock, stock, and gargoyle" phrase in there because I recall that it made it into the finished product, when Elisa uses it in "The Thrill of the Hunt".

At any rate, thanks for that post.

Blaise writes...

THE MIRROR

When this ep first aired I made a mistake in programming my VCR so I missed the entire first Act. I was quite happy when I finally did get a chance to see it (I got a more thourough intro to Puck, saw how Demona stole the Mirror, what was so special about the Mirror, and what the heck Hudson had meant by describing Puck as one of Oberon's Children--I've become much better educated since then). Despite this, I wasn't too lost with the other two Acts. In fact, even missing the first Act, I found myself thouroughly enjoying this ep!
Added Note: I always wondered whether Elisa's frozen image in the Mirror was intentional (it seemed too blatently obvious to be a complete mistake). And I never even recognized Elisa when she was disguised.

Elisa definitly looks good as a gargoyle. Maybe it's the skin color, ears, or just the way she's now dressed (I always thought Puck assimilated her jacket into her skin--the colors are slightly similar), but at the time, I thought she looked even better than Demona (and would THAT have been a blow to D's ego). As if it weren't enough for Elisa to be able to kick her can when they're both in the same form (as gargoyle and as human, Elisa always wins).

Puck himself is an absolute riot. I wondered who the wonderfully dry and sarcastic fellow providing that little elf's voice was. Imagine my surprise when it turned out to be Brent Spiner (I had only ever seen him as Data). He has great lines, as you pointed out, and makes for some hilarious hijinks. One of my favorite moments though is when Bronx comes at him. "Let's improve your looks!" Bronx turns into a wolf-hound. "Should've tried the chihuaua" (sp?).
I (along with Entity) am actually glad that Puck didn't end up breaking the fourth wall. Sure, it might have been fun, but it really does seem as if it would have been distracting to me, and would have damaged that "realistic" edge to the characters. I think Frank and Dennis (or was it Bob?) made a good call on that one (not to put you down or anything).
The inclusion of Puck in the series was a pleasant surprise--such a fun and interesting character from Shakespeare put into my favorite show and balancing out the more solomn and serious Macbeth. The revelation that there was a whole race of creatures just like him whetted my appetite for more magic.
I got the whole "switched perspective" bit--quite easily I might say. And I did enjoy some of the scenes that resulted in. All these gargoyles going about like normal everyday humans. Running from our heroes when they are changed to humans, and trying to attack the Trio. One of my favorite moments in the whole series there:
Brooklyn--"Hey, we're the 'monsters' remember? So..."
The Trio give pathetic human imitation growls and try to look threatening.
Attacking gargoyles--"Oh." Run away, screaming.
All the while I'm ROTFLMHO. I also enjoyed Hudson's line to Goliath when all the garg-peoples run away--"Are you sure this is a good idea?" Just the line, the situation, and Ed Asner's reading off it make it hilarious.

Another reason I like this ep so much is the focus put on Goliath and Elisa. Unfortunately, you and everybody else have already repeated all their great exchanges, and little moments. (sigh) So, there really isn't much more that I can add, other than how frustrating and sad their final moment in the episode felt.

Demona as a human in the daytime (I understood the spell right off). I cannot express to you how excited I was about this development. For quite some time I was hoping one of the gargoyles (or a new one) would have the ability to transform to a human during the day (just for fun, on my part). Demona worked for me, both because it increased her danger, and was full of wonderful irony. Her horrified "NOOOOO" and smashing the Mirror were great character moments. Since I didn't know about the tiers and tentpoles system then, I always wondered why it took you guys until HIGH NOON to bring her "human-problem" back into the picture. I also loved how her first impression of the sun, and Hudson's last, wistful line in the ep, show gargoyles' feelings about the sun. I don't know why, I just do.

This was the first ep I watched twice and more while I had it on my tape (and the first one I all but forced my family to watch). Excellent.

Abigail Thorne writes...

Hey Greg,

While reading the posts, I've noticed how a bunch of people have complained about the World Tour. They thought it was too dull, went on too long, neglected the rest of the clan back in Manhattan, etc. I get their complaints, and I can understand their point of view.

But I for one loved The World Tour and the changes it brought to a show that I already loved. It expanded and enhanced the "Gargoyles" universe while moving along certain plotlines crucial to the story. Here's a few of the things I liked about it:

1) Angela. Love, Love, LOVE Angela!! The World Tour introduced her, and through her adventures I got to know her and love her as much as the rest of the clan. Her addition to the show was great--she brought out a side of Goliath's character I hadn't seen before, introduced the rest of the clan to her unique view of humans (she was raised by them, after all), and made a interesting development to the Goliath/Demona relationship. Plus Angela was smart, kind, and beautiful, a sensitive being and cunning warrior all wrapped together. I also liked her relationship with Elisa, who had a better mother-daughter relationship with Angela than Demona did (just one more reason for Demona to hate her). Great character, great move for the show.

2) The Third Race. I got to see more members of the Third Race!!! Odin, Banshee, Anubus...I loved them all, and the episode with Oberon and Titania was a gigundo bonus! Then there was the New Olympians, Loch Ness Monster, and other legendary beings who popped in. As a rule, I love mythology, magic, and fantasy stories. Greek mythology in particular has always held a place close to my heart. So tuning in each day and learning that the gods, monsters, and mystical beings from various cultures were real and had an influence on the ("Gargoyles") Universe was very, very cool for me.

3) New and Old Faces. We got the Pack, TWO Coyotes, Sevarius, Thailog, Demona, Macbeth, Xanatos, Renard, and others I'm probably forgetting. But we also got the new gargoyle clans and a host of other interesting new characters who would have played a larger role in the series had it continued. I loved how old mixed with new and created fresh stories and new possibilities. It kept me excited from day to day as I waited for the next installment--who would show up next, someone old or someone new? Very cool indeed.

4) Exotic places. The show left Manhattan and got to explore the world. The different locations offered new challenges in their own rights as the group had to cope with various climate and cultural differences. Makes me happy.

There are others, but this post will get too long, so I shall conclude:

Did I miss the Trio and Hudson? Sure. Was I disappointed that I never got to see how Xanatos would take advantage of Goliath's absense to make trouble for the others? You bet. But despite that, I loved the World Tour and the changes it brought to the series. I looked forward to the new adventure each day, and I wouldn't have you take back any of them.

Just thought you'd like to know.

Siren writes...

The Mirror

This is just about one of my favorite episodes, if not THE fav. I loved everything about it. The animation, the style, the music, the story, the characters. As you said, this was the point when Goliath and Elisa's relationship is officially established. For one brief night, it was a perfect world...besides Demona running amok. Elisa was the most beautiful gargoyle I had seen on the show. I loved her colors and her face. The animators kept her features, but brightened them. When she first sees Goliath after her transformation and when she goes to glide, but gets afraid. Both those moments, I loved with the Elisa garg. I have always loved and respected the show for it's seriousness, but I do also like the humor points now and then. Puck was a wonderful addition to the show. He messes with Demona so much. It was great. Because unlike Elisa, Goliath, etc. there is nothing she can really do. I love Puck's one liners. He's a wonderful trickster. And this show got me to go out and read Midsummer's Night Dream and see the movies on it. I never cared much about Shakespeare till I saw this show. When Macbeth first appeared, just weeks later, my English class had to read the play, and I had a leg up on it. I knew the story was different, but I had the general idea. My reaction to Demona being human...laughing hysterically. I love the irony. She was to become the very thing she hated. I feel Demona is too far on her high horse to come down and admit she did have a torch still for Goliath, but I didn't know it till then. I think by the time Hunter's Moon came around, the torch was long dead, but her hatred for Elisa grew even more..."How dare Goliath choose another over me...and how dare it be a HUMAN of all vial creatures upon this Earth!"-kinda thing. All in all, I did enjoy this ep. It was a big turning point

Todd Jensen writes...

Just read your ramble-review on "The Mirror". I enjoyed that, and decided to give my own comments now.

I always liked this one, although the first time that I saw it, seeing Elisa and the other humans turned into gargoyles unnerved me just a bit. I thought myself that the Goliath/Elisa scenes were nicely handled (although, the first time I saw this episode, I don't think that I actually picked up on what was going on between them, which is a bit on the embarrassing side). And I thought that the bits about the characters' memories getting switched when they were transformed were well-done as well. (Good thing for the New Yorkers that Puck thought to handle their memories accordingly; I don't even want to imagine the results of all those humans in New York suddenly realizing that they've been changed into bat-winged creatures).

Brooklyn obviously must have taken his own advice from his conversation with Lexington in "Enter Macbeth" about Shakespeare's plays, judging from his "Midsummer Night's Dream" comment. (And Demona obviously must not have read that one, or she'd have known from the start that employing Puck to get things done isn't the wisest course in the world, considering the mess that he made of the whole Lysander/Hermia/Demetrius/Helena business. I've sometimes wondered if he was indeed telling the truth to Oberon about "All those Athenians look alike to me!" :) Just goes to show that Xanatos made a sound decision in choosing a lifetime of service from Owen over a wish from Puck).

Oddly enough, I missed that bit about "You serve the human" until AFTER I found out from "The Gathering Part Two" that Owen and Puck were the same, but then I started suspecting that "the human" was a reference to Xanatos even before you confirmed it.

And I agree with you about "changeling" being misused; properly speaking, it should refer only to faerie children in the human world like your version of Morgan le Fay. (Then again, Shakespeare misused the word himself when he applied it to that little Indian prince, who was actually the human baby swapped for a changeling, so you're in good company).

And I've sometimes wondered about Elisa's red jacket and shoes disappearing and reappearing myself.

One thing that I sometimes wonder about this one: what was all that medieval weaponry doing in the shop window that Demona smashed?

And I thought that Puck's little gift to Demona was a great touch for the series. It makes her much more dangerous (they can't use the same strategy on her any more that Hudson used in "Long Way Till Morning"), and inflicts upon Demona the ultimate irony: she, who hates humans so much, now has to regularly become a human herself in the daytime.

Oh, and I was delighted with the inclusion of Puck and the revelation of faerie-folk out there in this story. One step of "Gargoyles" that I was pleased by.

Thanks for the ramble.

Todd Jensen writes...

This is more of a ramble/comment than a question, but I thought that I'd print it here.

I've noticed that every so often, you get questions about whether the Illuminati are evil (the last one of which you answered with "Not in their opinion"). I've occasionally thought over the Illuminati of "Gargoyles" myself (an intriguing organization, and I was always a little sorry that it never really got that much development in the series, and hope that if you can get the series relaunched, that could change), and have one or two thoughts on the issue.

It's obvious enough that the Illuminati can't be considered utter saints. They do have decidedly unscrupulous members in their ranks such as Xanatos and Mace Malone, they operate the Hotel Cabal, they receive money from organized crime through blackmail(as revealed by Matt in "Revelations"), they helped Castaway set up the Quarrymen. Duval himself has undergone some sort of physical cost from the Grail for the Society's actions, indicating that what the Illuminati do can't be right from the Holy Grail's perspective.

But at the same time, we don't know, as yet, the full story behind the Illuminati. We don't know how characteristic of them such methods as the Hotel Cabal or the Quarrymen are; for all that we know, such underhand schemes may represent only a small percentage of the Illuminati's activities, and the bulk of them might be of a different nature. We don't know what its present goals are; it's entirely possible that the Society still follows Duval's original goal for it of "making things right".

The picture of the Illuminati that we have from the series (primarily "Revelations", the only episode that deals much with the Illuminati's present-day activities) isn't all that favorable to it. On the other hand, if all that we knew of Goliath and his clan was that they were strange bat-winged creatures that only came out at night, were fierce warriors, and delivered a raid on Cyberbiotics, we could find it all too easy to view them as dangerous monsters. Is it possible that we may be judging the Illuminati the way that the frightened humans in New York in "Hunter's Moon" and "The Journey" judged the gargoyles? Maybe our gut reactions to them are the correct ones, but we don't know for certain as yet.

michael writes...

did you know in your clips did it come from some other episodes like the one where brooklyn is killed how did he get killed?