Ed writes...

'HER BROTHER'S KEEPER' comments.

I've always loved 'DEADLY FORCE' but every time I watch this I like it more. Derek is just such a brilliant character! He's got a great stubborn attitude mixed with ambition and a wish to be supported. And Xanatos is so smooth!

"Yeah, use the force Lex!" was just one of those all-time classic lines that got me rolling around laughing. This being the case, I only noticed when watching it again how silly the helicopter repair thing seemed.

I'd already seen 'THE GATHERING PART ONE' (but annoyingly, not part 2!) when I saw this so the revelation that Fox loved Xanatos was hardly a big surprise to me. Still, Fox's self-assured scheming attitude always delights me. The prison scene that I always loved was in 'THRILL OF THE HUNT' - one of those eyebrow raising moments when you realise that this is a bit different from 'Ducktales' and 'Turtles'.

And the snow is breathtaking. I also like the ambiguity of the ending. It's magical. Fantastic stuff.

Ed writes...

'ENTER MACBETH' comments

This is a glorious episode. I suppose I can see why you don't like the animation, but I don't think it's nearly as bad as you make out. Of course, I didn't see it before you cut it.

This is one of the episodes that I remember my first reactions to quite well. Firstly, I had no idea that this was the same Macbeth that Shakespeare wrote about. I thought it was some mercenary that had the name because it sounded cool or something. It was only when 'CITY OF STONE' aired that I realised that he was the same as the king.

Kenner should have had a field day finding ways to build a Macbeth mansion with all those traps. The Hall of Mirrors was especially cool.

I never really considered the implications of Macbeth's claim that he named Demona. I remember being quite startled, but it still never made me think in the slightest that he was the Shakespearian Macbeth - he could have given her that name in the 1980s.

I love the Goliath and Elisa arguments here. Rather than have the fact that they really love each other be painted all over the shop, and have the two get on like a house on fire, this story has them arguing. It's not the only one. It's just gorgeous.

I also liked the credits at the beginning. It might be a small touch, but it always seemed so much more 'grown-up' than having them hidden at the end. Just like the "previously on Gargoyles..." section, it was one of those little touches that said: "look! This is different!"

A lovely episode.

Ed writes...

'DEADLY FORCE' comments

This is my favourite episode of the first season. It's thoroughly gorgeous.

One, I like Dracon. Glasses is nifty too.
Two, I like Elisa. The real human Elisa that is, not just the side that larks around with gargoyles all night.
Three, I like Broadway. I didn't do that much originally, but I certainly do now.

But there's so much more that's cool here. Elisa in the hospital, the subtle introduction of her family, the gun moral...

I actually never noticed - or at least don't remember - the blood. I might have been aware that it was there, but I can remember the scene quite clearly and don't really remember the blood. That wasn't what hit me. There was a brilliant impact from seeing her 'dead'.

It was lovely to see Matt in there too. Great stuff.

Ed writes...

'THRILL OF THE HUNT' comments.

Hi there, Greg. I'll be a bit behind everyone else with these comments I'm afraid. Should I put episode comments in separate posts if I talk about separate episodes? I'll do it just to be on the safe side.

Anyway, I like this episode a lot. It gives us the best view of Lexington's personality of the 66 (or indeed, 78), and I like the Pack here. Actually, the Pack appeal to me more here than in most of their subsequent outings. The predator/prey irony is very appealing, but the 'Evil Ninjas' amused me too. I wonder what happened to all those guys?

I never understood why this was listed under your list of dodgy animation anyway, really. Goliath was especially well-drawn throughout.

Loved Billy and Susan. The injustice is immensely frustrating to me, which of course is what makes it so great.

Incidentally, the first scene was nifty too. I'm not sure what about it appeals to me so much; maybe the great drawing, maybe the 'calm before the storm' tone, or maybe it's just because it's got Owen looking so... Owen. But it always sticks in my mind.

Pity that the last time I watched it (about a year ago), I pressed the wrong button after I wound it back and taped over this and most of 'TEMPTATION' before I realise what I'd done. Humbug. (It also took me forever to tape in the first place; Disney Channel UK ran through the whole series but played 'LONG WAY TO MORNING' twice in the proper spot and instead of 'THRILL OF THE HUNT'. Seems like it's one of those doomed episodes for me... not as doomed as 'MONSTERS' which I tried three times and had a disaster each time, but...

Demona Taina writes...

Me again!

I just realized that I had to thank you for those ramblings. :) I mean, I never thought of those episodes that way before, and now that you're explaining them, it all makes sense now. :) Thank you again, Greg, not only did you make one of the best shows there has ever been, but you've opened our minds. I mean, you've inspired us. Some fans have become great artists, some great writers, and some you've simply changed their lives! Like me! I'm a completely different person! And all because of the defenders of the night! I'll thank you always, I'm sure other fans will thank you too. :)

I'm looking forward to the rest of the ramblings. :) Thank you!

Jackal's Love writes...

Her Brother's Keeper:

This is one of the episodes that I watch the tape of frequently. Probably because it has some focus on Jackal and Hyena interacting, and such beautiful animation. Little details of the J&H converasation at the diamond exchange stood out to me, like the way Hyena kicks Jackal, then smiles at him, and the contrast between the two. "What's to keep us from just grabbing it and shooting our way free?" "Style, dear sister, style."

I always noticed that those two seemed to have a big thing for knives. Always whipping them at someone. Although I am curious about where Hyena had been hiding the knife at the Exchange. Her dress didn't seem very ideal for concealing weaponry.

Nichelle Nichols did the diamond exchange saleslady's voice. Eep. Forget the villains, that woman was terrifying :-)

I also noticed the irony about Jackal & Hyena, the bad guys of the episode, getting along better than the good guys are. They may be nut cases, but at least they're compatible. It seems that they have more fun with their fighting than anything else.

"Any landing you can walk away from." Doesn't Xanatos say also say that in 'City of Stone'? It's one of the quotes from Gargoyles that I remebered even after I hadn't seen the show for four years, along with "What's the matter, never seen a cybernetic jackal before?" and "I trust you about as far as I can throw you."

Hyena's smile at the end is a really intruiging moment. I love the animation there. I had it as my computer background for months, the bonus being that it scared my friends.

Anyway, thank you for your time.

Ed writes...

'THE EDGE' comments.

Not a big favourite. The animation is gorgeous, and the ending is sublime. But the Steel Clan echoed the Foot Clan a bit much for my tastes. I can't remember my first viewing that well, but I'm pretty sure that I didn't expect the red robot to be Xanatos. (Although I should have, because I'd seen 'FUTURE TENSE' a few months previously).

In hindsight, there are several nice touches and the writing is delightful. But it wasn't one of those episodes where the difference between normal action cartoons and 'Gargoyles' leap out and grab you.

I guess I just never liked the Steel Clan.

Blaise writes...

HER BROTHER'S KEEPER

Boy, I'm dense. I hadn't realized just how far the "siblings" idea went (Jackal and Hyena were right out of my mind--I just thought they were good villains).
Speaking of the terrible twins, they got some pretty good dialogue throughout, but especially at the beginning. I like how Mr. Reaves managed to put in some exposition on the other Pack members and make it sound organic. BTW, Hyena thinks Dingo knows how to have a "good time," eh? If what she said was true, and considering her own personality, Dingo changed A LOT by the end of the series. And I always have to say "OW" when Hyena digs her heel into Jackal's shin.
I kind of figured the gargoyles were throwing the twins out of the 'copter with the intent to kill. I pretty much KNEW you guys would slap parachutes on them, but I didn't expect the gargoyles themselves to be that "PC". Like I said, I always liked that edge.
Going to the trio--some of the best lines in the series there, IMHO. And most of them Brooklyn's! "Famous last words," "Yeah, use the Force, Lex," and "You and what Starfleet" always make me smile. I also like the look on their faces when Goliath yells at the Maza siblings at the end. A particularly memorable moment that. Excellent dialogue (Mr. Reaves always seems to have a gift for that).
Now I get to the main part of the ep. Just as the Trio and Hudson (who doesn't have a single line in this ep, hmmm) had their own ep to shine, this one belonged to Elisa. I liked the struggle she had with her brother over Xanatos. I began to notice the irony of each sibling's discussion with their parents in later viewings, but the fact that both siblings were wrong did strike me. As for that ending...I was sure he was going to play the tape and listen to it, but I did like it that the ending was ambiguous as to that event. The snow was a nice touch, too (and it actually made a crunching sound when they walked on it--this was the first animated show I saw where that happened!).
And one must admire Xanatos and his chutzpa. Love his ego in this one. Then there's Fox. When I saw her final remark, with the camera position and lighting, I knew that she loved him, or was at the very least infatuated. I didn't know if the feeling was mutual, however.
BTW, the beverage that Peter Maza was drinking...was it alcoholic?

I do enjoy watching this ep.

Todd Jensen writes...

One additional response to your "Her Brother's Keeper" ramble. You mentioned that the original idea for Catscan/Talon was to make him a scientist in Xanatos's employ who got mutated, but then realized that it should be Derek instead. I felt that the role going to Derek was a very good idea. If it had been a more or less unconnected scientist, it could still have made a good story, but making the victim Derek strengthened it. Here, it isn't just anybody getting mutated, but Elisa's own brother. Not only does that tie the victim in all the better with the main characters, but it also brought in those great scenes at the end of "Metamorphosis" where Elisa, after discovering who Talon really is, proceeds to let Xanatos have it, and then weeps back at the clock tower. I'd say that the Gargoyles Universe intuition was batting a thousand on that one.

Ed writes...

'LONG WAY TO MORNING' comments.

Just like 'TEMPTATION', I loved this first time around. It had Demona, it had the Dark Ages, it had a thrilling chase scene, loads of laser blasting, a lot of atmospheric running water (I love it when running water is used alongside high drama - I don't know why, but it always appeals to me). It's fraught, has a great graveyard scene and lots of cool flashbacks. It shows us Goliath out of action.

But as I go back to it the thing that annoys me most, is Demona. She grates so much! Her dialogue seems to be frustratingly similar throughout.

Also, I felt that the Archmage was weak here. He lacked the conviction and menace that made him such an effective villain in later episodes. Which is probably why I forgot all about him, and by 'VOWS' (which I saw months later first time around, because of the order GMTV showed it) my memory had fogged sufficiently so that I got him confused with the Magus.