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Way back in October 2005, the day they released the cover art for the second DVD set, I watched a bunch of episodes instead of doing my homework and typed up my musings on them (mostly on Hunter's Moon and the Goliath/Elisa relationship) in my livejournal. Today I'm *still* trying to avoid my homework, and the queue is open again, so I thought I'd dig up those old musings and get your opinion on them (I may have posted something like this in the CR once as well; my apologies if you happened to catch it there). So here they are. I wrote:
"At the end of HM3, Elisa and Goliath finally get some "resolution" to their relationship. The infamous kiss it took us (and them) 65 episodes to get to. I hate to call it resolution at all because it doesn't really resolve anything; their relationship is still in a pretty uncertain place and kissing hardly changes that. But it's the first time they both admit what's going on between them and do something, however small, about it. And it provided some small measure of satisfaction for the fans, who were just beginning to realize that was all we were going to get. I remember being so hopeful, so excited, 13 years old, watching in awe as finally, *finally* the two of them "got together." I hadn't realized it was the season finale, although really it was pretty obvious (I didn't know cartoon shows *had* season finales). And I certainly hadn't realized it was, for all intents and purposes, the end." [Of course, I know now what I didn't know in October 2005-- it wasn't the end! We have a comic book!]
"But I digress. Anyway, I noticed two things today. First, in HM1, during the scene on the subway: after he dispatches the muggers, Elisa goes to Goliath, lays her head down on his chest, and says, "Nobody messes with my best friend." I always thought that was kind of a dangerous thing to say in public, although sweet. But I noticed today the way that Goliath reacts to it. Maybe I never noticed before, or maybe I just don't remember, but he reaches to touch her hair and then stops himself, grimaces, and pulls away. It happens so quickly it's easy to miss it. But something about that aborted gesture of affection really intrigues me.
"Did he stop because he thought she wouldn't appreciate the sentiment? Haven't we seen him touch her that way before? It's hard to remember because the two of them get so very few explicitly affectionate moments. There aren't a lot of episodes that deal with them. (The most obvious is The Mirror, but that was so long before this that it's hard to use it as an indication of their relationship now. Although there is that moment, while Demona and Puck are spying on them via the mirror, when Elisa sort of nuzzles her face into Goliath's shoulder. I'd love to know what the conversation was that led her to do *that*...) Their relationship is very clear to the viewer, but it's also very understated. Any romantic moments like that are part of some larger scene, some larger conversation, etc. (I was half-convinced, when I was a kid, that it was because Disney didn't want to deal with the xenophilia aspect. Now I can see that it's in character for them to act that way; both of them know what's going on but they can't admit it, can't act on it because they're certain there's no future in it. But when you're 12-13 years old you miss some of the subtler points <g>.) So, while I can think of romantic moments between Goliath and Demona, MacBeth and Gruoch, etc, Goliath and Elisa are much more subtle than that.
"So then I went picking through episodes looking for Goliath/Elisa moments. (Aren't they cute in Eye of the Beholder, dancing in their Halloween 'costumes'? Even the trio notices. "They should have Halloween more often.") As early as Awakenings 5, we see Elisa take his face in her hands. The closest embrace I can find is in Heritage, after Elisa's disappearance. They both look pretty happy to see each other there, and she doesn't show any reluctance to touch him or be held by him.
"So anyway, it could be because he thinks she won't appreciate the gesture. She has shied away from discussing their relationship in the past. Or it could be because they're in a train full of people (although, again, she's pretty much given them away to everyone on the train already).
"Or it could be because he doesn't want to let himself touch her? Because letting himself caress her hair (the gargoyle equivalent of a kiss, even if Elisa doesn't necessarily know that) means pretending, if only for a moment, that they have a relationship? And because he can't stand doing that to himself over and over again? Something to think about, anyway.
"The other thing that I noticed was that, although Goliath saw Elisa kiss Jason and heard what she said about her feelings, she doesn't know that. As far as she knows, nothing between them has changed since HM1. Obviously they're both happy to see each other after Jason rescues her (although Goliath is probably "happier" than Elisa is; at least, she didn't think he was dead). But nothing has happened, to her knowledge, to bring things between them to a head. So why does she finally decide to admit her feelings to him? Her dialogue doesn't really tell us anything, either. He says, "So... Things have come full circle," and Elisa replies, "Somehow, they always do. You know how I feel about you, right?" She brings it up apropos of nothing. (He doesn't seem startled by it, either. Why is that? I sure as heck was!)
"Is it her relationship with Jason? The realization that, even when presented with someone human who seems to be everything she's looking for (at least at first), she still wants Goliath? When offered the normal life she thinks she wants, she still chooses Goliath and the clan, and all the uncertainty and upheaval they imply. Is that it? Of course, they've had a traumatic couple of days, and that could be a reason all by itself."
At that point I decided that I'd spent way too much time analyzing things and that I really ought to be doing work, so I stopped. But I'm still intrigued by it all. I guess if I had to distill it down into a few questions, they would be:
1) Is there a reason for Goliath's gesture (or lack thereof) on the train, or am I thinking too hard/paying too much attention to tiny details?
2) Does Elisa know that touching hair is the gargoyle equivalent of a kiss? (Maybe not in so many words, since I doubt the gargoyles think of it in terms of how their gestures of affection are equivalent to human gestures, but does she realize the sort of underlying meaning of a touch like that?) And if so, how does she know? Just from observation and intuition? Did someone tell her?
3) Why does Elisa finally speak up at the end of HM3? What changes her mind about keeping quiet?
Thanks for listening to me ramble on a bit, and for taking the time to answer our questions. It's only out of love that we analyze every aspect of things :)
1. I think all your thoughts are right on target, and the gesture (or lack thereoff) was certainly intentional on our part.
2. She does by now, yes. Whether she did then... I'd have to look again.
3. Events. Momentum. Passion. Change. Or whatever you decide.
I liked your ramble, btw.
Hi Greg,
I just got comic #3 in the mail yesterday, and after reading it, I'm very excited! I'm so happy to have new Gargoyle stories written by you. For many years I have told my friends how I miss Gargoyles so so much... And when I say that, I meant new stories.
The art in comic #3 I think more like the TV show then the first two. (And I think it looks great!) I was quite surprised by what happened with Goliath and Elisa though. For some reason, I never thought Elisa would do that. Especially after Hunter's Moon. I don't know, I guess I am just a hopeless romantic, heh. But I guess I can't really relate to Elisa. I don't care so much about having kids, and having the normal family life... But it's important to me to be love with someone who loves me. I am in a long distance relationship, and have been for almost two years. I love my boyfriend so much and even though our relationship is hard because he lives on the other side of the world, I wouldn't change it for anything. (We see each other a few times a year, and he will be moving here after next year, but that's besides the point) I guess I just felt like Goliath and Elisa's love was strong enough to over come anything, but I guess not... Or at least, Elisa is not thinking of that at that moment... I really look forward to more comics, and I really want to know what happens with Goliath and Elisa... I'm so happy though about these comics being made!
Stay tuned... or, uh, stay turning the pages... or poised to turn pages...
You get the idea.
The last word on Goliath & Elisa has not -- and I think this comes as no spoiler -- been written yet.
If Goliath and Elisa had chidren what would they name them?
I have no response to this question. Sorry.
Who from his own generation was Goliath closest to pre-Massacre besides Demona? How close were Goliath and Coldstone/Othello?
Close. He was close to Desdemona too.
Was Demona truly the best candidate for the job of Goliath's second-in-command pre-Wyvern Massacre?
He thought so. At least at the time. You can't deny she's a fierce warrior.
Did Hudson have a second before Goliath? if so, who?
I'm not revealing that now.
In Sanctuary, Demona says to Goliath that "New York is your protectorate, Paris belongs to me!" Why was she so possessive towards Paris? Does it hold any special meaning for her?
Yes. But mostly she's just saying, "Geez, dude, I leave the continent and you're STILL in my business?!"
Who does Demona hate most: Goliath, Macbeth, or Elisa?
I feel like I've answered this already. But even if I haven't... Why quantify something unquantifiable.
But if I had to guess, I'd say Elisa.
Why did Goliath forgive the Captain of the Guards? Sure, he may not have intended for the Gargoyles to die, but he had no problems with the deaths of the soldiers of the castle, the refugees who were unlikely to be spared, etc... He even helped Hakon chase down Katherine when she tried to flee. This guy's just as creepy as any other villain we've seen.
Forgiveness helps the forgiver at least as much as the forgiven. Or that's the theory.
Another thought about Bonkers...
At one point here, you said
By the way, the Miranda/ Bonkers relationship was a clear precedent for Elisa/Goliath. (Doesn't that seem strange?)
Yes, that seems extremely strange, given some of the more salient aspects of the Elisa/Goliath relationship. Could you elaborate on what you meant? Are you just talking about pairing up a human female lead with a non-human male lead in crime-fighting stories?
Perhaps one day I'll have a bona-fide Gargoyles question to ask here.
Until then, JJ signing off.
P.S. Here's hoping the Gargoyles comics are thriving by the time you read this.
I'm hoping they're thriving too. It's hard for me to tell.
Anyway, yes, that's all I meant. A human female cop fighting crime with an inhuman (but very human) male "partner".
Nothing romantic going on between Bonkers and Miranda. Bonkers only has eyes for Fawn.
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