Laura 'ad astra' Sack writes...

Sneaking in a question or two at work lest I start falling far behind again. I apologize if I overlap anything already asked, I've been trying to avoid Spiderman spoilers. I have a stack of set aside responses for after the rest of the season airs. (Though I wonder if I should have bothered; what I didn't pick up just skimming I probably read checking the 'waiting to be asked' que. Oh well...)

First- Love the show.

I did have that first reaction to still art some did thinking it looked a little young, but between prioritizing fluidity of motion for the web slinger on the one side, and not getting that overly static look from being too faithful to the comic art on the other, I am completely won over.

Also, I am not terribly well versed in Spidy lore. (It's too expensive to get hooked on two major comic universes and I started on DC first.) Despite not getting all the references, the deference shown to the history, right down to mining the comics with the intent of not creating a single new character, really shows. Very impressive.

Second-
I thought it was particularly classy to post the credits of the episodes because they went by too quickly to be seen on screen. I assume people like working with you because they know they are not taken for granted. (Just like changing the "Staring..." in the opening credits shows respect to the characters. Love that.) I do wonder -

1- If each episode is written by a particular person or team, what do the staff writers do?
2-If you already have a voice director, what does 'casting' do? Or does the voice director not choose talent too? (I think this question was more involved when I scribbled it on my note sheet months ago, but I didn't write out the details and no longer remember.)
3- How did Cheeks Galloway end up with that nickname? I took a glance at his website and saw his autobigraphy is named "Cheeks Unclenched" Much mirth followed.

Drew Middlemas writes...

Hullo, just wanted to say first of all that I enjoyed Clan Building and Bad Guys immensely, and I hope that someday we get to see more Gargoyles stories being told.

Anyway, I have a question that I suppose loosely connects to the 2198 spin-off (I'm not sure if this has already been asked; I couldn't find it on the archives). What would happen to a gargoyle if they were ever up in space? Since technically there's no day or night in space, how would that affect them?

Thanks in advance, and wishing you all the best with your future projects.

Gargoyleslady writes...

Hi Greg! I have a question about the Manhattan Clan. I know this took place in Colorado but... what would the Clan's reaction be to the Columbine High School shootings in 1999? I imagine Broadway or Hudson would have read about it in the New York Times. Thanks for your time.

Intergalactic Celestia Leader Galaxia Lightyear writes...

Hello. I have a very curious question. If you ever do Gargoyles again, would you plan to have certain Disney or different Special Guest Character(s) in the show? If so, what show/game would you think can join the Gargoyles for a short time?

Or if you plan to have a new character for the Gargoyles series, yet you are having trouble thinking of one, would you ask you Fans to draw or think about a new character for the series? If so, you can ask me. ^_^

Paul Zimmerle writes...

Why do the Gargoyles never upgrade their equipment with the changing times?
I understand from the archives that Hudson uses his to make up for his age, but, despite the number of times their stony rears were handed to them by technologically/magically superior foes, they never seem to try to even the playing field. Tradition is one thing, but I'm reminded of the famous Churchill quote on the subject of a major overhaul of British naval technology: "The traditions of the Navy are rum, the lash, and sodomy."

Thorgrimur writes...

Is the Director of the Redemption Squad aware of Matt Bluestone's long quest to expose the Illuminati? If so, does he know that Matt has already penitrated their ranks?

SpiderFan89 writes...

Hi, Greg. Two Spidey questions:
1) Since Norman stole Toomes' tech flight technology, did he used it to create the Goblin glider?
2) Do you have plans for Peter's parents?

Laura 'ad astra' Sack writes...

One last question before bed....

From what little we've seen, it seems that Brooklyn and Katana are parents, not just rookery parents. (All those years with just each other would make it seem inevitable. There are no rookery siblings or other parents.) You wrote that Broadway and Angela ~choose~ to raise their children in the gargoyle style. So...

1. Are there currently any clans who have adopted human parenting, like they adopted human naming? Will there be by the future series?

2. Even those choosing to raise children collectively, are their strong human influences to that thought? (For instance, noting a rookery child looks like you.)

3. Am I correct in my assumption that Brooklyn and Katana are more like human parents in that respect?

4. It has been strongly implied that Elisa and Goliath will in some way adopt. Should they raise a child, would it be as individual or collective parents?

More later, (when I can hopefully decipher my handwriting).

Laura 'ad astra' Sack writes...

Loved the trades, loved the single issues. Assuming that more stories will be published, (and I certainly hope so), is there any thought to releasing trades the size if the original art?

Laura 'ad astra' Sack writes...

In you today in Gargoyle History entries you wrote, "Rosario Sanchez & Peter Choy save 5 year old" in 1995. You also answered they'll show up later. How about the child? Is that child a boy or a girl?