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What is the famous words used to activate the Phoenix Gate?
From memory, which may not be too reliable:
Desligrate muri tempe et intervalia!
If the past is fixed in the Gargoyles universe, how does that affect those that can see the future? Can they change something that has yet to happen or are any efforts they make futile?
Any 'sight' is generally subject to interpretation.
But who said ANYONE can see the future?
Hey Greg!:)
Brooklyn TD's to 2198 so he knows some things that are going to occur. But by him being in that time line, and not gone TDing doesn't that change things? I guess with Goliath and Griff the events that had to occur did, they just came about in different ways, because Goliath was there to change things. Is this correct?
By the time Brooklyn returns from TDing would he be resigned to letting things happen as they would?
Just keep his mouth shut, and let things occur?
Or at least warn ppl if he felt it necessary?
(IE: They can't stop a bomb from dropping, but they can at least be prepared to deal with it, in the very least, emotionally?)
I hope this wasn't too messy..
Uh, Lexy, I'm just not following your first paragraph, which may mean that you aren't getting the rules of time travel in the Garg Universe... or am I just dense?
What I will say is that Brooklyn intentionally does NOT learn much about the immediate future of his friends and family. What he knows of the future is of events two centuries removed. He doesn't go back and research the time between.
Future Tense:
1 Why didn't Goliath just let Puck have the Phenix gate?
2 Why didn't Puck just ask for the Phenix gate?
3 What would be so bad about Oberon having time traval acsess?
4 How was Goliath able to create the phenix flame above him instead of around him?
1. Would you after what you had been through?
2. Not in his nature, and it wouldn't have worked.
3. What would be so good about it?
4. He used the Gate.
Hi Greg,
You refer to Demona and Macbeth as "foot-soldiers" in the context that the Weird Sisters used them for (or sought to use them for). Isn't that a bit of an under-title for them? Why go through all the trouble of obtaining Demona and Macbeth if only to use them as "grunts"? First off, isn't the entire purpose of foot-soldiers/grunts to have a lot of them? Merely two suggest specialization, and indeed, they seem to have been chosen because they were special. What was the Archmage's motivation behind obtaining these two in particular, and any two in general? Did he just not want to have to get his hands dirty with "menial" tasks? Did he want the ego boost of having underlings? Were Demona and Macbeth candidates because they were "the best" and therefore more of an go boost?
Terms like "foot soldier" and "cannon fodder" were clearly used by the Archmage to make him feel more important. In fact, he was cherry-picking very talented warriors.
Or one might argue, he had nothing to do with the selections. How did he even know about Macbeth? Sure his older self told him, but how did he know? Sure HIS older self told him, but how did he know? And so on, and so on, and so on...
Just watched "Vows" and I have some questions:
1. Demona breaks the Phoenix Gate in half to share it with Goliath. How is this possible? I would of thought the Gate, being forged on Avalon, would be indestructable since it is of pure magic. But how can a mortal such as Demona simply break it as if it were a cracker?
2. Stupid questions: Can the gate still work being broken in half? How much more can it be broken?
3. Does Goliath explain the whole situation to Hudson about how they turn to stone for a 1000 years, when Hudson first sees him after he has arrived from the future? I wouldn't think so, but I was thinking that Hudson might be a bit curious about Goliath's time-travel story. And Hudson, being a wise garg, would think twice as to whom this future Goliath could possibly be.
4. Why was castle Wyvern still burning when future Demona brought her past self to see what would become of their kind? Goliath and the rest of the gargs were already turned to stone to sleep for a 1000 years, and I would have thought that the castle fires would be out by then.
1. I'm sorry, why should it be indestructable? I don't follow your logic there at all. After all, Oberon's not indestructable. Keep in mind, breaking it in half didn't destroy it anyway. It simply neutralized it until the pieces were joined again. At which point they soon sealed up as if they had never been broken.
2. No. Don't know.
3. Goliath consciously chose to reveal as little as possible. You saw most of their conversation on screen.
4. On one level, you can call it artistic license. Or you could say that there were still a few fires burning that no one bothered to put out.
Ok forgive me if this is confusing but this is the only way I could figure out how to word this question. You have mentioned that a Time Dancing Brooklyn would be a character in 2198. Now, since Brooklyn come home eventually, wouldn't a ver old Brooklyn also be present? or at least Nashville and Tachi? What I am asking is during his Time Dancing wouldn't Brooklyn encounter older versions of himself, Katana, Nashville and Tachi? Seeing as how they do come home, thus are a part of the timestream from 1996 on?
Thanks again!
They did come home, but do the math as to whether it's feasible that they'd still be alive in 2198.
I know that you hate most of the time traveling in Star Trek so what did you think of that episode where Kirk goes back to WW2?
Hate is a strong and not necessarily accurate word.
As for the episode you're talking about, I'm not entirely sure which one you mean. There's an episode where Kirk goes to a world where Nazi Germany has been recreated. But it's not a time travel story.
And then there's the famous time travel episode with Joan Collins set during the depression.
I assume you mean the latter.
I basically think that's a great show. At least the time travel is presented fairly consistently within the episode. It's not the way I would do it. But it's consistent to its own rules. And time travel aside, it's a great dramatic premise. Well-performed by all involved. Great stuff.
I know where the Phoenix Gate really came from. It came from the writer's of the Gargoyle Animated Series.
Okay.
Were you inspired in someway by Quantum Leap while making Timedancer?
Not really. Plenty of time travel stuff pre-dates QL.
And I'm much stricter about time-travel rules than that show.
Hi Greg,
There is some kind of 'End of Time' place in the Gargoyles Universe? A place that is out of the timestream.
Sort of. Not really. But sort of.
Hi Greg,
Thoughts about time travel:
There is a little controversy about time travel vs. free will. If the past is unchangeable -and also the future, for consequence- then there is _no_ free will?
On the contrary; The events in the past can't be changed, but they WERE and ARE done by us. That's easy to guilt the others or the timestream, but, quoting Rorschach, from Watchmen:
"That's not God who kill the children, nor the chance who shred they, nor the destine who feed the dogs with they. They're us. Only us". (I'm translating to english from a translation to the portuguese. :-)
Plus, on the contrary of the common sense, change the past is not use free will, but kill it: Demona betrayed Wyvern. If she came back and change this, she should be obstructing her OWN free will. And her responsability, to boot. And responsability is one of the series' themes.
This is a paradox, but, with time travel, what else did you want? The unchangeable past universe IS the free will universe. :-)
Oh, well, now back to my time travel questions:
1- Roughly, when was the Phoenix Gate "created"? Meaning when it droped in Avalon, starting the time loop.
2- If the Phoenix Gate is a "steam valve" and it exists among two time points (??? or before and 2198 or after), what was the steam valve before the Gate? And after?
Ps. I just wanted to say that I fully understood the time loops in Vows, Avalon II and M.I.A. and I loved then. Vows and Avalon were amazing and smart, and M.I.A. was just too fun: Goliath couldn't change the history, but he was so smart that he could trick it! Great work.
Before we get to your questions, Bruno, let me just say that I agree with you on your time travel/free will thing.
1. I don't want to reveal that yet. It's intrinsic to the whole TimeDancer story.
2. Stories for another day.
Thanks.
Greg,
I'm no physicist but your theories of time-travel are different than others that i've heard. I bet you've seen the "Back to the Future" trilogy, so why is it, that things Marty and the Doc did back in the past change the outcome of the future for them, because it was obvious that the past couldn't be altered until the Doc invented the time machine in the present so they could go back to the past. So the future they were familiar with when they were in the past was different when they finally came back into the future (present). (Say that ten times over...)
So, my point is, in Gargoyles, Goliath says "Time is like a river, unchanging in its course." Basically that says anything they did in the past using the Phoenix Gate did not effect the future at all? Which is confusing, because if I were to go back and save JFK, that would certainly alter the future for me and anyone else that came back with me...
On Star Trek they believe in infinite possibilies for every outcome and decision.
I know, I know...Just answer my question about the Gargoyles part. We would need Einstein to explain this quantum stuff. Hey, maybe I'll jump in my time machine and go get him. :)
<Sigh> I thought the first Back to the Future movie was very entertaining. I thought the second was masturbatory (excuse my language) and I thought the third was mildly amusing.
But I thought the time travel logic was fairly loose (at best). Look, I'm no physicist either. This is all make-believe. But I wanted STRICT, STRICT rules in the garg universe to eliminate the kinds of abuses that Star Trek writers (for example) are prone to doing. Cheats that start as time-travel cheats, but wind up being story cheats, character cheats, etc.
And in the garg universe, if you went back in time to save JFK, you'd fail. Or you'd succeed. But he'd decide to go into deep hiding or travel to Avalon or to the year 2002 or something, so that history as we know it would still be exactly the same.
Jim R., i think that Greg explained time travel pretty well and it makes sense to me. if you were to go back in time to save JFK one way or another you failed cuz JFK was assasinated! its like Xanatos said, "You won't, because you didn't. Time travels funny, that way." you wouldn,t succeed it saving JFK because you obviously didn't save him, he was killed despite what you would do. another example is "M.I.A." Goliath knew from meeting Leo and Una that Griff didn't come home that night so when he went back in time even if he did everything to keep Griff in his time something else would have happened. Griff would have been killed etc. time is like a river and any attempt to change it will end in failure because if history had been changed you would never had wanted to try and change it in the first place! does all this make sense?
Yeah!
Re: Working time paradoxes.
I must confess, I've always liked "changing the past" time travel stories. I was indoctrinated by "Back to the Future" at a young age. <shrug>
Unfortunately, I have yet to find a book with Heinlein's "All You Zombies." All the libraries around seem to focus on his monumental novels that hammer home the same points over and over. (Annoying nit I feel obligated to mention: all his characters have the same vocabulary and speech mannerisms. Drives me nuts.)
So, er, about the paradox thingy. Wish I had more to comment on it. There is a certain sense of balance and rightness to a self-fulfilling paradox. Makes for a neater and cleaner story. The first time I came across it was a short story by someone I can't remember called "Up By His Bootstraps" (or something similar). The idea blew me away.
It's almost a kind of aethestic, I think. While there is the appeal of a neat paradox, some people like the messy timeloops. Take Lawrence Miles' Faction Paradox ("Alien Bodies" and "Interference"). One of their forms of punishment is for a member to kill his or her's younger self.
Of course, Simon Bucher-Jones suggested in "Ghost Devices" that a self-cancelling paradox would loop over and over, variating slightly each time until some sequence of events occurred that allowed the universe to go on. Sort of like that mythical first time around that Vashkoda suggested.
Aesthetically pleasing as it may be, I always thought this kind of history was somewhat depressing. How do you *know* it was free will? If there never was a first time, and you've always been doing a particular action, then there's nothing to you say you could change. Which you can't.
Anyhoo, just a thought or two buried in all that.
"...full of sound and fury, signifying nothing..."
Again, if you're going to look at things that way, one might argue how do you know if you have free will here in the real world.
The answer is, I suppose, that you can't be 100% sure that you do.
But I'm fairly confident that within the realm of things that my will can effect, I have free will.
Nothing's any different in the time-travel stories I've presented. You're simply looking at them from a unique angle.
That was an instereting explanition.
But what then is to distinguish between the world of choice and the world of fate
Say I go back in time and tell said driver to turn left instead of right, what then happens to the video of the right turn? Or does he still turn right?
What I really don't get is, Gargoyles "appears" to be a world of free choice. But the whole phinoex gate thing has shown that there is a predetermined way of things.
Call me crazy but doesn't it seem kinda pointless when no matter what you do the outcome will be the same?
You're reasoning escapes me.
At least in part, probably, because I don't remember exactly what you're referring to.
You go back in time and tell the guy to turn left. Nothing stopped you from doing that. You exercised free will. He decides to ignore you and he turns right. Nothing forced him to turn right. He just didn't trust your advice. He exercised free will.
The Garg Universe is a world of free choice. But that doesn't mean its occupants control all events anymore than we do in the real world. I may decide to jump off a building and fly. But guess what? I have no wings. I plunge to my death. You want to save me. But you can't go back in time and change it because you don't have a time machine. Does that mean that neither of us had free choice? We just don't have total control over our environment. We're not GODS.
So what is it that you don't get here?
Get past semantic questions like "what then is to distinguish between the world of choice and the world of fate?". And just look at the facts. Certain things happened. THEY HAPPENED. Even with a time machine like the gate you can't change them. It's beyond your power. But that doesn't mean everyone involved didn't have free will. Planes crash. Floods happen. Good stuff. Bad stuff. Not everything is even ABOUT free will. That doesn't mean it doesn't exist.
One thought of my own about the "fate/free will" argument. Somebody cited Demona in "Vows" as an example of this, arguing that because her future self who visits her in 975 is evil, Demona's doomed to become evil herself regardless of what she does.
Actually, my own thoughts on this was that the seeds of Demona's future character are already present even before Demona-1995 meets her. After all, she's already working for the Archmage, and stealing for him, suggesting that she'd started down that path already.
THANK YOU! Yes.
I'm not saying Demona didn't influence Demona. But Demona had a choice. And so did Demona. She chose to do certain things despite Goliath's warnings and so did Demona. :)
Time travel yet again!
Vashkoda> Ah, I think I get better now what you are talking about... I think I had a couple similar ideas when (pre-Gargoyles) I was trying to explain to myself the "working-paradox" of the Star Trek episode Time's Arrow. It's the episode where Data's head is discovered (among other things) in an archaeological dig, which leads Enterprise back in time to discover what happened, which causes Data to lose his head, etc, etc. I had then thought that perhaps once upon a meta-time (or "cycle" of time) , the Enterprise went for a different reasons in the past, there Data lost his head, etc. That's similar to your "missing origin" scenario, I think, right?
But the thing is that the butterfly effect still tears this down. In a sense there can be *no* small adjustments in the timestream, because there's no scientific distinction between "small" or "great" - the tiniest change in the combination of my parent's genes (a literally microscopical change) creates a individual which looks more like my brother, rather than like me. I really feel that a universe which has Xanatos in poor clothing go back in 975 couldn't possibly create a Napoleon (or Xanatos himself) the same way that a universe with Xanatos going back with rich clothing would... *Any* change means *huge* change...
(The Earth without Data's head buried in it couldn't have realistically spawned the same Picard/Riker/Data/Enterprise as the Earth *with* Data's head... Therefore the former idea of a "missing origin" must be disproven...)
The thing about "Time's Arrow" that stunned me was that they actually DID a working paradox episode. Normally, Star Trek shuns that. In fact, I've gotten so used to them shunning it, that I no longer make that a criteria of enjoyment.
Timeline:
Ok here goes nothing, the gargoyles timeline is uninterupted and no actions made by travelers from the past have and effect on the future because they are already part of the time line. Right? Right
This would then make the gargoyles world a fate based world. Because no decision could change the outcome of the future. Now call me crazy but doesn't that seem very out of place in this universe? I mean most of the characters choices come from another of the characters reminding them of their ability to choose between good and evil.
To say that Demona could not change after "Vows" just because she wasn't fated to.
Also, to have a fate means that there must be some higher power that writes everyone's fate and governs it. But with the introduction of Nokkar and the Space Spawn, the sphere of influence has widended to cover the entire universe!
While this sounds like ramble i actually do have a question.
Was this you intention? To have a world deviod of choice?
No, of course not. And I didn't create one this time. Not even inadvertently.
Your first paragraph is correct. But your second isn't.
It's your second premise which is flawed.
The fact that you, as an audience member, have god-like knowledge, doesn't change the free choice that each character HAD at the time.
Think of it this way. Let's say you got out a camcorder and shot some footage at a local streetcorner. You see a guy turn right.
Now you show me the footage. I could, by your logic, argue that the guy was FATED to turn right. There's the evidence on the screen right in front of me.
But of course that's specious logic. The fact that the guy can't go back in time (with or without a working time machine) and change the fact that he DID turn right, doesn't mean that he didn't have free will at the time he made his turn. The fact that I can't change the footage doesn't mean that he didn't have free will at that time either.
Our knowledge (whether foreknowledge, in the moment or in hindsight) of how things turned out is neither here nor there in the issue of free will.
Hey Aris. Well, the argument about missing loop origins is moot since Greg says there are none. Now I'm more interested in -why- these loops even exist. But I guess I'll explain more what I was thinking when I brought up the "missing origins".
What I reasoned was that for a certain period of time (lets say the first few hundred cycles of time), time was new and malleable and could be "experimented" with. So if Xanatos got his hands on the Gate in the 1990's and then decided he wanted to go to the 900's, he -could-, and yes, it -would- mess with the timestream, but that obviously would have been his intent if he wanted to send himself the coin so that he could be rich. And yes, that would mean that the Xanatos he once was would never have existed because his actions would change his own history (hence the "non-working paradox"). But lets imagine that this situation happened to hundreds of individuals who tried to alter the timestream, and lets say that for the most part, they cancelled themselves out so that they never happened. But for a -few- individuals, maybe their altered history does -not- prevent their getting the Gate and going back in time as they had originally done (even in real life, some people do get their cake and eat it too). Except of course now, the Xanatos who travels back in time is not the same as the Xanatos who originally went back (this one's richer, for example). So small adjustments are made in the timestream, but nothing as drastic as when Xanatos first appeared in the 900's (now the Prince might notice that Xanatos is dressed nicer than before, but at least Xanatos's appearance itself doesn't trigger anything new). So as time as a whole repeats itself, adjustments are made and wrinkles are ironed out until finally everything -works- and makes sense. Sure, it might take hundreds of cycles, but at some point every predicted event will be accounted for and the timestream, at last, becomes "immutable".
And as for the butterfly-effect, who's to say that there originally was a Macbeth, Napoleon, or Kennedy? Maybe they're all the result of Xanatos or some other traveler going back in time? The way I see it, the present as it is now could just be the final result of all the alterations made in time. So it's not a coincidence at all that Goliath still exists when Xanatos comes back from his trip (for all we know, Goliath still exists only -because- of X's trip).
You just gave me a headache.
Vashkoda, you said: <<I had hoped that there indeed was a "missing origin" to the time loops, as the presence of such loops would have made a lot more sense to me. >>
This discussion interests me, so I hope nobody minds if I take part in it:
I've read and seen a *lot* of time-travel stories, and I have to say that the "missing origin" concept of time-loops, the idea that there can be time-travel which *does* change history, seems much more filled with plot-holes than the kind of time-travel we saw in Gargoyles.
For example consider your own scenario: That there was once a 975 which *didn't* contain Xanatos as time-traveller. Let's assume that history otherwise goes on as normal and creates a Xanatos which for some reason wants to go back to 975 and change history. Let's assume that he can.
The problem is that if he goes back to 975 he will change history *entirely*. By simply being there for a single second, he will displace certain molecules of air, which (the butterfly-effect) will displace more molecules. After ten years a couple storms will occur which wouldn't have occured, other storms which occur won't. More importantly among the millions of possible gene-combinations for every single child, surely a different one will be made at every conception. *No* individual conceived after Xanatos' arrival in the past will be the same as before his time-travel. By going to the past, Xanatos won't have just erased his own birth from history, he will have erased the births of Macbeth, Napoleon, Lincoln, Kennedy, etc...
The only way to have Xanatos go back to the past, *and* be able to return to an even remotely recognizable world, would be if all the trillions of changes that will take due to his being there are already part of his world's history - aka if there's no "first loop" aka if history is unchangeable... But having someone *both* to be able to change history *and* at the same time change it in such a limited way as to influence only a limited amount of events, is wanting to have your cake and eat it also... Atleast the "unchangeable history" is just illogical for our sequential minds - one could even go metaphysical and say that it's God who put the loops there... The "changeable history" version may be logical, but it's also impossible... :-)
"changeable history" never seemed very logical to me. Always made me just nuts.
I believe in the big picture, and I believe in sweating the small stuff. And thus the working paradox method of time-travel is the only thing that makes any logical sense to me.
And hell, I don't even have to go down to the molecular level to justify it.
If you try to kill your biological great-great-grandfather and you succeed. Then you will never be born. And if you're never born, than no one ever comes back to kill your g-g-grandfather. And if no one comes back, than your g-g-grandfather doesn't die. If he doesn't die than your are born. If you are born, than he dies.
And so on, and so on, and so on...
A non-working paradox. YUCK.
I had hoped that there indeed was a "missing origin" to the time loops, as the presence of such loops would have made a lot more sense to me. My problem is not with grasping the concept of pardoxes, but with understanding the reasoning behind them. When I thought that there had been an actual origin to the loops, the loops made sense because they were initiated by individuals who had access to the Gate and the desire to alter time. But by telling me that these loops have always existed, I begin to wonder why they exist in the first place. Were they made intentionally, meant to serve a particular purpose, or is the timestream just "flawed" (well, maybe flawed isn't the best word, but the presence of random paradoxes certainly make me question the efficiency of who/whatever created the timestream). If the loops are intentional, it begs the question of who arranged for them to happen, and why. Because of its nature, one can't help but think of a time loop as a means to rectify a mistake or improve one's situation (saving yourself from a fatal fall, making yourself rich, etc). But if you're saying that the characters themselves aren't responsible and that loops were always present in the timestream, then one has to look at it from the timesteam's point of view, and what it has to gain from them. Some characters have greatly benefited from the loops (Griff and Xanatos, for example), so does that mean that the timestream is somehow biased to favor certain individuals? (but you'd still have to wonder why the stream went to the trouble of creating a *paradox* to make Xanatos rich or save Griff's life). Or was the timeline "drafted" with errors, which were then fixed via paradoxes when the timestream was finally created? For example, although Xanatos is a New Yorker from the 20th-21st century, the timestream may have goofed and placed him briefly at a Scottish castle in the late 900's. Then, to explain his presence, the stream sent in the Phoenix Gate and placed him in a situation where he would have access to it (this use for the Gate does in fact fit with your description of it as a kind of "pressure valve" for the Timestream--here, acting to fulfill events that were fated but can't otherwise happen within the normal constraints of time and space).
So is the presence of these time-loops intentional (and if so, who is responsible and why?), or is the timestream just "flawed" (for lack of a better word)?
Why does anything exist at all? I can't define your belief system for you, but whatever system you choose, the loops fit in as nicely as head lice, mountain streams, black holes or whatever.
'VOWS' - what an episode. So many twists, so much drama, and some brilliant comedy from the Xanatos family. The thing that always occurred to me when watching this is: who on earth in Shari Goodharz? She only wrote the one episode that I recall and yet this is one of my favourites, if not my favourite outright. And yet she never did anything else. I guess looking at your outline she had a lot of dialogue to work in but even so, it was pretty damn good.
Actually, it always seemed like quite an intense episode to put before a multi-part story. I didn't watch it in order properly until I knew the whole season ('CITY OF STONE' aired at the beginning of the season here in two back-to-back weekends: accompanied with some stunning preview adverts of Demona blasting the stone humans).
Just one reply:
You said…
"But the gate stays open long enough for him to go with. Did it ever occur to her to go somewhen else other than 994? I guess part of it could be chalked up to dim memory. It was over a thousand years ago. And Demona lived through that 1000 years. Even for a very significant event in her life, it must still be very hazy."
Apart from the shock factor of the castle still burning (in this episode) and Goliath in stone, I think this would have meant most to Demona. But another possible explanation is in your outline:
"But choosing requires incredible concentration. Otherwise, the chooser's emotional or mental whim of the moment may cause the gate to drop everyone off at Burger King instead of Fort Knox."
Seeing as how Demona claims to have a clear memory of Goliath's 'inspirational' presumably this is the thought that would have dragged her to 994.
I really like your explanation of the Gate's changing size as being due to its 'time valve' function. Was this something you ever planned to develop or at least mention out loud in the series? I guess we'd get some hints from what you've told us about 'TIMEDANCER' so far.
I LIKE you're explanation for Demona's choice A LOT. THANKS!
As for the timestream steam valve theory, it would get some real play in TimeDancer for sure.
Time is immutable -now-, but there must have been a period when experimentation was possible, or else many of the tricks characters have used to take advantage of timetravel could never have happened (Goliath rescuing Griff after realizing he had already done so, or Xanatos knowing to send himself that coin). This period would include, for instance, the events that allowed the original Archmage to get his hands on the Gate and later go back and rescue himself, or the original Xanatos getting transported back in time with Goliath and Demona and -then- realizing that he could send himself a valuable coin in the future and make himself rich. We've never seen these events happen, and it seems in fact that they have been erased from the timeline and replaced with ever-repeating loops (the Archmage himself admitted that his plan would keep succeeding "as it did, as it must, as it always will"), that seem to have no origin.
So my question is, have you ever sat down and thought about the stories that explain the missing "origins" of these loops? Like how the original Archmage was able to get the Gate to save himself from the fall, or how Xanatos originally got rich without the coin (or how he lived if in fact he wasn't rich before the time-trip), or Goliath's encounter with the London clan before he could rescue Griff? I know that you don't like discussing the alternate universe presented in "Future Tense" because it was never more than an illusion, but the events in this missing period did in fact happen, even if they seem to have been erased from history. So if you have indeed given it any thought, could you tell us about what happened in this missing period in regards to the characters I've mentioned?
No. You don't get it. The loops existed as part of the timestream; they were born WITH the timestream. Always and forever. There isn't a FIRST iteration. These stories you have in mind didn't happen. Never happened. The stories presented on-screen of those events are the ONLY ones that exist in the GargUniverse. We might see some of it again from different points of view. But the events are the events.
They're called "Working Paradoxes". As opposed to the "Non-Working" kind where you go back in time and succeed in killing your own biological great-great-grandfather.
A "Working Paradox" is the bread&butter of time travel in the Gargoyles Universe. A "Non-Working Paradox" isn't allowed.
Written by Shari Goodhartz
Michael Reaves, Story Editor
Benny: "But Daddy, when it's dark they get alive. But when it's light, the get frozen like a statue."
Last night, the kids, my sister, my wife and I all watched "Vows" together. Time to ramble.
Back to the Golden Cup Bakery Building. As I noted in the previously posted memo about this episode, I wanted a little opening battle, but I didn't want to waste time in a tight, packed script explaining how this came about. It does beg the question though. Assume that X contacted Elisa. She told Goliath. He went ALONE? His friends allowed this? Hmmm.
Xanatos knows from the letter to himself what to do, but I sometimes wonder just how detailed the letter was. I like to think it was fairly sketchy. That exactly HOW Xanatos got Goliath to come was his own machinations. Otherwise, though he takes the credit for the letter, the truth is that the plan itself wasn't his idea. He got the idea from the letter. And he wrote the letter based on what he had done, which he had gotten from the letter. None of this is really his to own, though he does claim ownership. So I like to think that at least some of the details were X's. For example, X knows what G will respond to, i.e. Demona.
Hudson, on hearing about the wedding, suddenly makes the connection to the long ago incident when he met the Goliath from the future. So he's strangely ambivalent. Elisa on the other hand, seems flat out jealous to me. After the events of "The Mirror" and "Eye of the Beholder", she's much more aware and focused on her feelings for Goliath. SHE DOES NOT WANT TO ACT ON THOSE FEELINGS. At this time, she thinks it's impossible. But that doesn't change how she feels. And now, she's jealous. Goliath's feelings for Elisa are just as intense, but so are his feelings for the "Angel" of his youth. He HAS to give it one last chance. (And this will be the last chance. The final nail in the coffin of his and Demona's "marriage".) Brooklyn, meanwhile, is just knee-jerk against anything involving Demona.
PETROS XANATOS is introduced. Again, I wonder why he was invited. Was he also included in the letter? Or did Xanatos invite him to prove something to his father. Is X that needy? Or did X invite him to the wedding, because of course he'd invite his father to his wedding, and his already planned "honeymoon" to 975 shouldn't alter his decorum. Perhaps he's mildly surprised his father winds up coming along? Anyway, Petros was a fun character. A tough hard physical man. With morals. A great contrast to the son. I knew even then that we'd give Petros and David an arc to their relationship, (one that eventually would culminate in Gathering2).
"Oh, reason not the need." A little King Lear is always nice. And I love Petros' attitude on the line, "And the armor?" I mean what would you say to your son if you saw him dressed like that? I'd like to know how many people had sort of forgotten that X was even wearing armor (we're so used to it) until Petros made an issue of it?
I love all the irony in the dialogue between Petros and David. David knows what he's planning. He must be smiling when Petros says "I'd like to get my hands on the man who gave you that coin." And when David says, "Someday, I'll prove to you that I'm a self-made man," he must really be patting himself on the back.
I love the voice work of Keith and Marina when doing their teen-age counterparts. So subtle, yet it's always clear which Goliath and Demona is talking at any given moment.
CONTINUITY:
Gotta love that storage room in the clock tower. The Eye of Odin, the Grimorum, half the Phoenix Gate, and, oh, yes, a comatose Coldstone. By the way, despite what the memo said, I think generally, Goliath carried that Gate in the pouch attached to his belt. Not behind some brick. We hadn't actually come up with that pouch yet, not until the World Tour. But using RetCon, I think that's where he kept it until they moved to the clock tower and Demona tried to kill him, Hudson and Elisa in "Long Way to Morning".
One interesting thing: this is the first episode where we actually CONFIRM that the ILLUMINATI does exist. Matt's mentioned it. Even chased it in SILVER FALCON, but we've never been shown any proof of it's existence until now. Was anyone surprised by that?
Judge Roebling was interesting in theory, though not so much in the episode. I'd like to do more with him some day. I also thought that it was interesting that despite seeing the tape of the Gargoyles in advance. And not reacting outwardly when he saw Goliath, he still gasps when Demona enters. What is it about her? When she entered, Benny turned to me and said: "She's queen of the Gargoyles." Oh. So that's it.
(And everytime Xanatos and Fox are on screen together, Benny likes to point out that he and Erin dressed up as them at the last Gathering. "That's me. That's you, Erin.")
To some extent, X must have filled D in on his plan. I love her "acting" when she enters and gives her bitter "excuse" for being there to Goliath. She's playing hard to get!
I love Petros: "Unnacceptable." He's still trying to teach David the error of his ways.
The Gate itself is very idiosyncratic. It's size, the size of its portal, and the duration the portal stays open seems to vary not just from episode to episode but from scene to scene. Sometimes it annoys me, like when Princess Elena removes the Gate from her sleeve, and suddenly it's bigger than her hand. But now I'm just amused by it. Again, if you think of it as a steam valve for the timestream, it explains a lot.
I love the little sound that Paca put in when the two pieces of the Gate first come together. What a tip-off that was, yet it's subtle. Did anyone think about the significance of the talisman that Demona had shared with Goliath before she started speaking in Latin and flames appeared out of nowhere?
It was hard to make people understand the time loop a bit. But it seemed really hard to make them see why I kept wanting to repeat scenes to show the connective tissue. We had to squeeze in Owen's "Honeymoon" line the second time. No one left space for it.
For the first of many times in the series, someone (X) says the line: "It's not where, it's when". (Erin: "I know when.")
I love X & Fox's relationship. "Having fun." "A marvelous time." Great stuff.
Hudson gets a close look at 1995 Goliath and immediately sees the age and wear and tear on the guy. (I love the shot of Goliath gagging him.) That says a lot for Hudson, because the visual difference between the two Gs was extremely subtle in the animation -- when it existed at all.
Knowing what we had planned (more or less) for Avalon, we were already laying groundwork here for that. Setting up the combined power of the Gate, Grimorum and Eye. Setting up the Archmage's desire for that power. Further demonstrating his enmity for the people he'd wind up using. Of course, making Demona his apprentice was fun. Tells a lot about her own desire for power that even when she was a good girl, she was still willing to work for the Archmage in order to learn his secrets. Willing even to steal for him.
The Norman Ambassador and Prince Malcolm make a BIG deal about how odd the Xanatoses' clothes are. But were they THAT strange? Was Fox's wedding gown that odd? And even if they were strange, did they look as shabby as Prince Malcolm seemed to suggest?
Not every episode gives you a double wedding. Fox and David. Elena and Malcolm. Hey, did anyone notice that we married off our lead villain? That was very daring, and we all but threw it away in Act One. Was anyone expecting Fox and X to really get married? And once they were, did you think you'd see them have a kid by season's end? I think we broke new ground there.
I like the exchange between Goliath and Hudson. Goliath's trying to explain that he's not a creature of sorcery, but a time traveler. H: "And I suppose you came back in time on the wind." O.k., well sorcery was involved if you're gonna get technical. And Goliath has some amusing tense problems while trying to describe what happened in his recent past, Hudson's FAR future. Then Hudson looks him in the eye and decides to trust him on no further evidence. Cool.
I knew a girl named Bryant from Bar Harbor, Maine once. That's where we got X's home town.
Fox is so proud of her man. But I love Petros' "Mr. Big-Shot Time Traveler" line. Or rather I love the way Morgan Shepard read the line.
How hard did Demona try to do things differently from the way she remembered them being done? She knows Goliath is going to fly down to try and join her and her younger self. She tries to leave before he can get there. But the gate stays open long enough for him to go with. Did it ever occur to her to go somewhen else other than 994? I guess part of it could be chalked up to dim memory. It was over a thousand years ago. And Demona lived through that 1000 years. Even for a very significant event in her life, it must still be very hazy.
That exchange between Demona and Demona is a lot of fun. Demona is so brutal to Demona. (And, hey, she spells out the Gate's power to any audience member who hasn't yet caught on.) "Do not share it with-- Do not share it!" I love that line. Also:
"I am what you will become."
"I will never be like you."
"I don't want to hurt you."
"And I don't want to BE you."
pretty cool stuff.
I also like the moment when we have two gates rolling about on the floor and young Demona and older Goliath both bend over to pick them up. At first we had a lot of discussion as to who should pick up which gate. But the discussion became moot, since after the gate pieces were reunited, they almost always seemed like they had never been broken in the first place. Magic.
And the young Demona, older Goliath scene is also gorgeous.
"What am I to do?"
"Nothing."
Love that. Love his whole "Do nothing/attend the petty jealousy" speech. I think it's very pretty. Very sad. At that moment, does Goliath hope he's changing the future? Or is he simply trying to spare this young Angel a couple extra decades of pain?
Showing Demona's natural bents again: Goliath isn't sure if he remembers the incantation, though he's heard it multiple times by this point. Young Demona, having only heard it ONCE, does remember and uses the Gate perfectly.
"Time Travel's funny that way." At least it is in the Gargoyle Universe with the strict, strict rules that I imposed. Of course, I've always thought that those strict rules made the stories more challenging for the writer and, yet, more fun and satisfying for the viewer.
I also really like Petros' "American Penny" speech. For once the "Xanatos Tag" of victory doesn't go to David.
Where did the expression "More's the pity." come from? I've heard it many times. I know what it means, though that's more from sound and context than from the words themselves. What am I quoting when I use it? Does anyone know? (This isn't a contest. I really don't know.)
Finally, my tape has the weird mistake ending that first aired, which shows Demona and Goliath in the clock tower. It's pretty, but it drives me nuts and I think it's really confusing. But I've talked about that many times before, and I'm sick of it, so this time, I'll let it go.
COMMENTS WELCOME!
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