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1.When coming up with the theme song for spectacular spiderman, how many bands and how many versions of the song did you have to go through? Did you n Victor Cook have much input into selecting the ulimate song?
2.Do you know what Victor Cook is currently working on?
1. We listened to about seven or eight submissions. Four of those, including the Tender Box song you're all familiar with, we liked a lot and wanted to use on the DVDs, but couldn't afford to. And, yes, Vic & I picked the song, though of course we needed approval from a whole bunch of folks at Sony, Marvel and KidsWB. Fortunately, everyone agreed with our choice without reservation.
2. Yes. Scooby-Doo, plus he's guest directing episode 20 of Young Justice.
Have you guys made any intro/theme song for Young Justice ?
Find out on Friday.
When Young Justice starts airing in January, will there be a theme song at the beginning of each episode (or a minute or so in, like in The Spectacular Spider-Man)?
I'm gonna let you wait until January to find out.
Hey Greg,
Really liked the Young Justice pilot, very solid stuff. I especially like the line Robin had about how Batman would "have his head" for taking so long to get out of those shackles. Robin seemed pretty capable, and I'm sure he'll get closer to Batman's level as time goes on, but I do hope we'll get to see the master at work every once in a while.
I also really have to say that I loved the action sequences (and the writing, of course). They had a great flow to them and a great sense of pace. I was also a bit surprised at how hard hitting some of the fights were, by which I mean they seemed to be fairly violent, even compared to something as recent as SpecSpidey, though that's just my take on it.
So anyway, you say that your brother, Jon Weisman, is writing for Young Justice, which got me thinking about how that was also the case during your time on WITCH. Since someone was nice enough to upload the entire series onto YouTube it has been easy enough to go back to. One of my favorites of that show was "S for Self", mainly because of the songs "Demon in Me" and "Will to Love" that played during it, for which you and Jon wrote the lyrics.
So this is a bit out there, but do you suppose that original songs, like those produced for WITCH, are something that would ever have a place in Young Justice?
How about an entire episode in the form of a musical? Buffy style, you know you want to.
I do want to. But I'm not sure I'm smart enough to come up with an original reason for it to happen -- that WORKS with the tone of this show. Way back when, I wanted to do a musical episode of Gargoyles, but could never come up with a justification. Then Joss Whedon did "Once More With Feeling". And of course, the answer was obvious. I could have used Puck to force everyone to sing. Trouble is... I wasn't smart enough to figure that out first. Yes, that's right. Joss Whedon is smarter than I am. Now, taking that approach would REALLY look like I was ripping off his idea. I'm not 100% sure I'm above that. But I'm about 87% sure, so...
Even on Spidey, which was a show with a way less realistic and grounded tone than YJ is, I struggled to find an original reason to do a musical episode. And I couldn't figure one out. So the odds of me figuring one out on Young Justice seem slim, I'm afraid.
Hey Greg!
Don't know if you'll know this, but when Sony relinquished Spider-Man TV rights, did that include the theme song? In other words, assuming TSSM comes back (and I'm also assuming that it will have already been renewed by the time you get this), then will you be able to use the same theme song, or will you have to make a new one? 'Cause I LOVE that theme song!!!!!!! (Although I'm sure you could another one just as good....)
I love the song too, but your question is unfortunately moot now.
Hey Greg, love the show! Anyway, I wanted to know what the guitar chords were for the Spectacular Spider-Man theme, because I searched for them online, I couldn't find them anywhere, and would love to learn the song. I really hope you guys can get the show renewed, it's the best animated show I've seen in a long, long time.
I'm afraid I don't know the answer.
Do you know any website besides here that has Gargoyles OST or Fan Made Gargoyles Music? I really love the music. Trust me, I have been looking for Star Fox music as well. (Don't bother with Star Fox)
Nope, sorry.
Spidey question:
One of the things I notice upon rewatching the series is the awesome background music- did the show have a composer, and if so, who?
The series wonderful composers were the Dynamic Music Partners: Lolita Ritmanis, Kristopher Carter and Michael McCuistion.
What are the musical scores playing in the Spectacular Spider-man episode Ganglands? Also what is the opera that is playing?
The opera is Rigoletto. The rest of the music is by our composers, Lolita Ritmanis, Kris Carter and Michael McQuistion.
Thanks for doing such an amazing job with The Spectacular Spiderman. Both seasons are really enjoyable. I've just got two questions:
1) Why is it that a lot of the background music in season 2 was stuff that had previously been used in season 1? Aside from character themes, nothing seemed to be repeated in season 1, but in season 2, lots of music from previous episodes kept popping up again and again. Was a smaller budget used for the music in the second season?
2) The animation in season 2 seemed to be weaker than season 1 as well. Some episodes looked beautiful, but others seemed a bit choppy and off-model at times, like "First Steps" and "Identity Crisis". Was there a smaller budget for the animation in season 2?
1. Themes were reused intentionally -- and by the second season we had a LOT more themes to reuse -- but to my knowledge, no actual music was reused, and I attended EVERY music spotting session, muisc preview session and sound mix.
2. No. We've had inconsistent animation here and there both seasons. Both our seasons contain some of our most gorgeous stuff and some of our weakest stuff.
Hello I was just wondering if you could help me with something I know you've answsered questions like this before but this one is different. I think that I would like to write lyrics and get paid for it haha I was just wondering if this is a real job? I know your not in the musuc bussiness but you are a writer and have written music before so any help would be apprciated. Were would I go with this? And who do I talk to to make this Happen? Thank you very much for your time and any help you can give, I really appriciate it!
I wouldn't personally want to do it for a living, but it's fun to do every once in a while. But I'm afraid I have no career advice to give in this area beyond confirming, that yes, some people do lyric-writing for a living.
Personal question about your taste in music: what's your favorite kind of music to listen to? Im a country fan meself
Also, related to music, I know that youre not a fan of Gargoyles fanfiction (which makes perfect sense since its an ongoing story) but what do you think of fan-made music videos (or even fanart for that matter)? While listening to a country station today, one of my favorite songs came on. Its called 'Put A Girl In It' by Brooks and Dunn. Since I had Gargoyles on my brain at the time, I thought it would be a perfect song to describe the Trio before Angela arrived on scene. But do you also ignore AMV's like you ignore fanfiction?
I have somewhat eclectic and perhaps old-fashioned tastes. I find myself listening to standards at work online at the Lounge.
Check out: http://webclust1.liquidcompass.cc/sos4cust/SMCM/audio_player.php or http://www.martiniinthemorning.com/page.php?9
about original music score~:
the music being used in episodes Eye of the Beholder(scene Xanatos proposing to Fox) &Outfoxed(where Fox and Xanatos working on their karate),is the melody a creation composed by Carl Johnson or it's movements from classical music? and is it available on any cds or any other sources?
It's all Carl, and unfortunately, I don't think it's available anywhere.
hi i was reading gargoyles #4 for the millionth time and i had the raido on when phill colins "one more night" came on when i was at the part
where elise was braking up with golith is was sad :( so it got me thinking that if there was a sad part in the "movie" if it ever comes out
they should use that sog, just a thought what do you think ?
I'm not gonna get that far ahead of things myself, but you are all welcome to score things in your head however you like!
I can't believe I'm evening asking this, it's so stupid.... but I was just skimming thru the archives, and found (from WAY back in 2003 or so, which makes me feel all the more stupid bringing this up) that u wanted Demona in the music video for "White Flag"
This is so eerie, b/c I thought the EXACT SAME THING when I heard that song. It would have been a heck of a lot more creepy if I didn't do that with nearly EVERY song I hear these days (at least when I'm bored.)
But there's one song in particular where it seems like EVERY FREAKIN' LYRIC is talking about Demona (please don't laugh or anything)- Avril Lavigne's "Happy Ending." Yes, Avril's kinda a guilty pleasure for me. The point is, I was just wondering if you had ever heard that song. I'm sorry for wasting your time (and completely embarressing myself) over such a dumb, DUMB question, but I just HAD to ask it. Just, do me a favor and ask Erin if she's got the CD ("Under My Skin") It's just, it's like if you guys ever did a Gargoyles musical (PLEASE don't!) I would expect her to sing that song to Goliath (who I think some kid wanted to sing Barry White-which I agree with, but I'm not too passionate about that.)
Anyway, done making a fool of myself, I'll just crawl under a rock now.
P.S.: Oh to heck with it, I've already made a complete idiot out of myself, I may as well do some product placement. If anyone besides Greg is reading this, please check out my new fanfics on the official gargoyles website (I know Greg's not gonna read it, and I simply have no shame.)
I've heard some Avril songs on the radio, but I can't remember the titles, so I'm not sure if I've ever heard "Happy Ending" or not. I don't recall ever hearing an Avril song and going, "Hey, that's totally Demona." Whereas, "White Flag" really made me feel that way.
Greg,
I'd like to know (since the DVD just came out) if you plan on releasing a soundtrack of Carl Johnson's compelling music.
-Alex
"Gargoyles-urban myths, now urban reality."-Travis Marshall
I personally can't plan anything. It's not up to me. I'd of course love it if Disney did release it, but I'm sure that at this time they have no plans to do so.
Glad to see that we can post again . . . I got the DVD on Tuesday Premire!!!!
I was so happy!
Went over to Best Buy to buy it. Turns out, my little brother, 10 years old, today, was the won to find it. They were in a box somewhere in the 'TV Shows on DVD' aisle.
We politely asked a worker there to properly display the boxed set in all it's glory. Unfortunatley, I don't know if they ever did. :I
I read the back cover for the first time. It said it all, surprisingly. "The victems of Human betrayal" Humans? Betraying Gargoyles? To the unwise ear, that sounds ridiculous, and that those who read it must surely see how could perfect humans do evil to 'monsters.'
Hey, that's just who I am.
I saw the commentary in the Pilot episodes. (Isn't cool that "Gargoyles" has more than one pilot episode?) I loved how you (as in Greg, Frank, and Keith) mentioned every little thin we loved about the show, and the quirks that cam ealong with it. "Bronx kicks A**, or tail, as the case is!"
Loved it.
I also never truly realized the TRUE signifigance of Goliath asking to join the others in stone sleep. I never knew that he meant to commit suicide, but now that makes it all the more meaningful. It also reminds me of the Demona's anguish when she sees Goliath that way in City of Stone Part I, where she cries and kisses Goliath, not even trying to find a way to wake him.
Sad indeed.
I also loved the dog joke. Once an actor, now on the streets . . . cliche', huh?
I am glad that Carl Johnson also got the recongition he deserves. I mean, hard not to, right? Everytime the comentary began, you gave praise to the man who came up with that "BUMMMMM!! BUMMMMM!! BA BU BU BUM BUMMM BA BA BUMMM!! Epic indeed.
But it was truly a rewarding thing to see the show on DVD at last.
"I always survive" -- Demona, "Temptation" That is how this fandom is. No matter how hard we hit the ground, we always come back alive!
AND WE LIVE AGAIN!!!!!
Onward to Season II !!!!!!
We do indeed live again!
And thanks for mentioning Carl and his amazing score!
CAN YOU GIVE ME PICTURES OF BROOKLYN I THINK YOU SHOULD GIVE HIM A GIRLFRIEND WHEN IS GARGOYLES COMING BACK
Ah, I'm just kidding. I wouldn't do that to you. My question's about the theme song for the first 2 seasons. Carl Johnson's original cut of the theme had the drums followed by some subtle woodwind working of the theme, the buildup, then the hardcore horns doing the theme that we know and love. But over the opening credits, the woodwind piece is cut out, and the horn section plays twice. What happened there? Was the wood section deemed not "action-oriented" enough for the opening credits? I like it, personally, I feel it contrasts the horns well. It's also quite the shock, hearing the original cut for the first time, expecting the huge hit of the horns and instead being hit with this really cool wind solo.
I swear to God, I just don't remember. Sorry.
I notice that Carl Johnson's webpage includes the following information,
GARGOYLES: THE MOVIE
Walt Disney Pictures
Composer, Orchestrator, Conductor
It is not the t.v. series, because that is listed further down. Is this for the proposed movie? I notice that it does not include a date.
No, I'm guessing it's the video release, which combined the first five episodes and was titled: "Gargoyles: The Movie: The Heroes Awaken".
This isn't really a question at all. I just found that Carl Johnson has made the 14-minute "Gargoyles Suite" available on his web site, and it spans all the music themes heard in the episodes. There is also an original African-inspired track entitled "Panther Queen", as well as the main title themes for the Disney and ABC series. (I think that these are the same as the CDs from one of the Gatherings, but I can't be sure.)
Anyway, I thought that you'd want to know that the music is freely available now, and I'd bet that a lot of readers will be downloading it :) The address is http://www.swanderfulmusic.com/MP3/Default.asp?q=f&f=%2FCartoon%2FGargoyles
(If that link is mangled, you can find them by browsing Carl Johnson's pages at www.swanderfulmusic.com)
Thanks for the news!
'Kingdom' ramble:
It's funny how you mention Xanatos finding out that Goliath is missing, then not hatching any kind of a plot as a result, because you honestly couldn't think of something. I strained my brain to try and figure out how X might possibly use such knowledge to his advantage, and came up dry, so when nothing happened, I kind of expected it. In fact, felt validated by it. In my head, knowing that Goliath was missing let him put two and two together in episodes like "Cloud Fathers."
X's new security system DID suck, but it's cool to know why it was installed (as a result of "Double Jeopardy"). Those cannons were out of control. I think the sequence would have worked, thanks to the atmosphere and X's cool lines, if the cannons just would have aimed AWAY from the castle. The redundancy didn't bother me. Sure, Mac's place has these spiffy blaster cannons too, but HE'S not Xanatos.
Where did those Cyberbiotics rifles come from? Why did Cyberbiotics abandon them? Okay, so they pulled out fast, but jeez, talk about corporate neglect, leaving an arsenal of deadly weaponry in a subway. So much for Renard's integrity. (I'm trying to bait you here.)
Oh, the climax with Maggie and the key card? One of my favorites. The build-up is perfect and Carl Johnson composes it well.
Carl is great, but much credit should go to Marc Perlman, our music editor. We couldn't afford to have Carl score every episode. So Marc had to edit Carl's music to fit any situation. Though they were rarely in the same room together, the two made an amazing team.
I read your faq about the soundtrack so this is probably a worthless question, but do you know if there is anywhere to find or purchase Sheet music for Gargoyles music? I know they make music books for Disney movies and such and was hoping that perhaps there would be one for Gargoyles. Well I love the show and hope to see new episodes sometime. Thanks, Jacob
I'm pretty confident that nothing like that exists for sale.
It's a shame though.
Hi, I know this question was asked in forum but I don't know how long ago so maybe now it is available.
where can I get the soundtrack for Gargoyles?
Some of the music is available for free at:
http://s8.org/gargoyles/archives/audio/CarlJohnson/
But there's no soundtrack on the market.
I was watching Gargoyles on Toon Disney tonight, plus my taped episodes over the weekend. I couldn't help myself, I whipped out my axe and hammered away. Eventually though I found the Gargoyles Title Theme. So guitar players out there here it is:
opening intro-10 measures- first measure is in 2/2 time then it goes into 4/4 time for the remaining 9. I could be wrong but it doesn't really matter.
Main-lead
E-13-11-9-8-6-14-13-11-8-5-13-9-11-13-9-11-14-17]CONTINUED]
B-
G-
D-
A-
E-
E-9-8-6-8-11-11-9-8-9-13-13-12-10-12-0h1-15h1]CONTINUE
B
G
D
A
E
E-0h1-15-13-12-17-13-11-9-8-6-14-13h11-8-5-13]CONTINUE
B
G
D
A
E
E-9-11-13-9-11-14-17]continued to outro-->
B
G
D
A
E
outro--->
E-6-6-6-6--6-6-6-----1-6-6-6]
B---------4-----1-1-1-------]----CONTINUE
G
D
A
E
E-6h5h6h8--9h11h13h12--13h14--14h17--18
B
G
D
A
E
==listen to the song for the timing it is really easy. Plus keep in mind that the opening "ahhhhh" sound seems to be in 2/2 time but the main "dummm da da dumm" flute? is in standard 4/4 time. And the outro is sped up considerably it is apparantly in 3/4 time.
Have fun with it. It sounds okay on an acoustic, but electric has a way better richness to it. I like to go crazy with the whammy bar on the 14th fret on the high E when its held for four counts. Another way to ROCK-up the sound is set the gain up to 7 or 8 and pull your switch all the way back.
questions-comments-corrections write me at iron_wind@hotmail.com I'll be happy to work with you.
A public service. Thanks.
Gargoyle customs-
It has been well established and I would think we all are well aquainted with the notion that Gargoyles didn't use names. Not for themselves as humans did and that the eventual use of names was influence and need of conformity from/by humans.
However you have said that gargoyles kept their myth, history and traditions alive by oral revelation from one generation to the next.
How where they able to tell sagas of things great leaders had done if they had no name of which to tell? (Try to tell your children about Napolean and all the things he did and all the people in his life without using his name)
It would be all too generic and vague for any real value. Did gargoyles never realy have great leaders? Did they consider the clan as a whole more important than the decision making of the leader?
Thanks
and further note-my post on the guitar tab--well the on the outro the difference in the type size from the field box to the post page made it look wrong. so here is the outro again.
E-6--6--6--6---6--6---6-------1---6---6---6]
B------------4------1---1---1-------]----CONTINUE
G
D
A
E
E--6h5h6h8---9h11h13h12---13h14---14h17---18
B
G
D
A
E
History to the gargoyles is more about the clan, about movements, than about individuals. But descriptive terms can be used to identify individuals. (Cf. Homer's Illiad.) I'm forgetting the technical term just at this moment -- where's Aris when you really need him -- but if you've got a guy named Ajax of the Broad Shoulders, for example, then do you really need the "Ajax" part of the name.
The point of NOT naming, as Hudson would say is to NOT set limits on who or what an individual is. So he might be "Of the Broad Shoulders" one minute and also be "Of the Massive Temper" the next. Both would be true, but reflect an aspect of the individual, as opposed to making an attempt to wrap the entire individual up into one word: Ajax. Over time these epithets would become as familiar as a name for an historical figure -- particularly in the context of a tale told over and over again.
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