A Station Eight Fan Web Site
If the Earth-16 depiction of Klarion made him a Lord of Chaos, would that make him Doctor Fate's archenemy?
Basically. I mean isn't that what you saw on the series?
Hello Mr. Weisman, I am a student attending the college at Brockport currently enrolled in a fundamentals of media course. For my final project, I have to interview a media professional, as vague as that sounds. I have been a fan of your works for a long time now, and thought you would be a great choice for my project. I'm open to whatever is most convenient, whether it's over email or over the phone. I don't want to take up any of your time, and I would completely understand if you declined.
You can reach me at:
or over the phone at:
Thank you for your time
You posted this way back in May, and it's now December - so I'm thinking I'm at least two semesters too late to respond. Sorry. For more urgent needs, folks can reach me on Twitter @Greg_Weisman or contact the site manager Gorebash, who knows how to reach me directly.
If Greta was intangible and had to concentrate to touch things, how could the wind blow her clothes? (sorry for the grammar mistakes, I'm not a native English-speaker).
Your grammar seems fine to me.
Her clothes didn't really exist. Maybe there was no wind either. Both may have been manifestations of her ectoplasmic psychic essence.
How was it working with Peter MacNicol? What brought him to mind when it came to playing his characters from Young Justice & The Spectacular Spider-Man? Do you plan to work with him again when possible?
I love working with Peter. He's a consummate professional, who makes constantly interesting choices. I've been a fan of his since Dragonslayer, and have loved his various T.V. work. Though I had never worked with him before, I suggested him for Doctor Octopus in Spectacular Spider-Man, because I thought he could capture both sides of the Doctor Octavius we were creating, i.e. the shy, nervous man we first meet, and the megalomaniac he becomes. That worked out so well, that I knew he'd give us a great Professor Ivo on Young Justice and a great Tseebo on Star Wars Rebels. I'd work with him again in a heartbeat. Just need a show. ;)
I'm guessing you're a fan of Star Trek? Anyways, you're the man. Gargoyles kicks butt.
1. I am.
2. I like to think so.
Hello, Mr. Weisman.
I had a question regarding the adaptation of original characters from television to their comic book counterparts. One of the more displayed occurrences of the comic book integrating a character from a television series was with DC comics integrating Harley Quinn from the Batman: The Animated Series. Since you had similar experience when the Aqualad character you created in conjunction with Brandon Vietti and Phil Bourassa became the official Aqualad of the DC comics universe, I thought you could answer a few questions on the subject.
1. What is the official process a comic book marketing company must use in order for its writers to begin using an original character? Do representatives from the comic book corporations contact writers from the television program and make negotiate to gain permission from you and other important figure heads on the television program?
2. How long does the process take for the comic book corporation to acquire all of the rights to the character and include the individual in the comic books?
3. How do these companies determine what makes an original character worthy of being integrated into the comic book continuity of these fictional universes? Since the version of the Aqualad character you created became the official one in the DC Comics universe, I imagine that the officials representing the comic book company would have explained what properties stood out the most.
4. Which party retains the copyright stemming from the creation of the character?
5. What are the chances that another one of your original characters from your Young Justice series, Green Beetle, will be adapted for the DC Comics continuity? After seeing the show, I was very surprised to learn everything about the character had not already been adapted from the comic books, but was an original creation on your part. Despite the limited screen time compared to some of the main characters, the character was fleshed-out and well-developed. I thought you had put enough creativity for the character to make a jump to the comic book continuity.
Thank you for your time.
1. I'm not too comfortable answering this generically. I'm sure every case is unique. So I can only speak to examples I've been involved with, specifically - as you mentioned - Aqualad. In that case, the thing to keep in mind is that no one employed on the production has any rights in ANY of the characters we create. It's all being done under a "Work For Hire" contract, which means that Time-Warner, the company that owns DC Comics, Warner Bros Animation and Cartoon Network, owns all our work product outright. So they don't need our permission to use characters they already own, including Aqualad, which (a) was based at least in part on the existing Aqualad that they already owned and (b) they owned from the moment the idea for the new version came out of our heads, pens, tablets and keyboards. Geoff Johns did contact us and talk to us about the details of our version. He then went off and did his own revision on that for DC Comics.
2. See above. They already owned it. So it took NO time.
3. I think Geoff just liked the character - and/or thought he could do something with him - but you'd really have to ask him.
4. There are no parties. There is only one big corporation with multiple divisions.
5. I think it's unlikely, because if it didn't happen back when the show was on the air, why would it happen now?
1: Has Red Volcano attempted to erupt a super volcano again? If not, then why not?
2: "Bio" ship implies that ships like Miss Martian's can be grown, mass-produced. Is that the case?
3: Why haven't more Martians attempted to come to earth?
4: Why has no Zeta-Tube been built on Mars?
5: Why haven't more people been administered the Blockbuster or Kobra-Blockbuster Venom?
1. No spoilers.
2. Grown, yes. Mass-produced, no.
3. Not that easy to get here. Even harder to get back.
4. Until Sardath accidentally brought Adam Strange to Rann, it wasn't thought that a Zeta-Tube would work over that kind of distance. As you saw on the show, simply establishing communication between the two planets is controversial. Allowing teleportation between the worlds isn't going to be commonplace anytime soon.
5. Who says they haven't? In any case, no spoilers.
1) Do you ever grow tired or weary of writing and working on only super hero type of shows? I'm assuming working on this new star wars series must of been a breath of fresh air for you?
2)When it comes to the projects you create and produce how do you pick the correct voice director for the project? Do you have a process you go through or that type of thing out of your hands?
1. They're not that different. And I love super-heroes. It's a bastard genre born from every other type of genre fiction, which allows me to do almost anything.
2. Well, when it's up to me, I tend to go with Jamie Thomason, who's both amazingly talented and a good friend. We have our rapport down to a science, and so it makes the process both fun and phenomenal. But sometimes it's not my call. And then there are a number of other great directors I've also worked with, in particular Ginny McSwain, but also Andrea Romano, Curtis Koller, Dave Filoni, Sue Blu and others. I also enjoy voice directing myself, so if schedules permit, I'm game.
Does the Jason Todd of Earth-16 have naturally black hair, or red hair that he dyed black to be Robin?
(If you want my opinion, I think the latter makes more sense, because I find the idea that Batman conveniently met and took in 3 kids in a row who all conveniently had black hair to be just silly)
Spoiler request. No comment.
Hey Greg. I am working on setting up a podcast series and would love to have you on the show for an interview. The style would certainly be more casual than other interview shows and would just be a discussion of your thoughts on what you've worked on and their respective franchises. Shoot an e-mail to firstname.lastname@example.org if you would be interested in it. Thank You!
Well, it's been months since you posted this here. If you're still interested, contact me on TWITTER at @Greg_Weisman.