Luck Wraith writes...

Dear Greg
Alex Hirsch used to respond when people asked him about Gravity Falls merchandise that Disney actually kept track of every time someone went into a Disney store and asked for merch from a specific brand. Do you think it would be worth a shot to try asking for Gargoyles merch this way to show Disney that there's still interest in the brand?

Charisma82 writes...

Hi, Greg! It's been several years since I've posted, but these questions came to me while I was getting ready for work this morning and I wasn't sure if you'd ever commented on them before. In Eye of the Beholder, Goliath says that he has no love for Fox. Does this feeling change at all upon him learning that Fox is Halcyon Rendard's daughter? I'm not saying that I think this would make Goliath start liking her more, but I would think there might be a change of feeling/heart since Goliath regards Renard as a close friend (so instead of seeing Fox as someone he doesn't care about at all, he might see her in a different light due to Renard being her father). So this leads me to the following two questions:

1) If there was a change of feeling, what was that change? (How does he feel about her once he learns she is Rendard's daughter?)

2) If his new feelings were more positive towards Fox (if his feelings did change), then did those positive feelings have anything to do with Goliath's decision to stay at the Eyrie Building? Of course when Xanatos offered Goliath and his clan a ride back to the Eyrie Building to get away from the police, he took the ride to save the clan. But when they got to the Eyrie Building he had to make the decision of whether to stay there or not. I'm sure there were several reasons for them to stay, but was Fox having Renard as her father one of those reasons?

Thank you for your answer and your time, I know it's precious.

-Charisma82

Becca writes...

1. Is Nguyen Lian's middle name or is it a part of her last name? (Nguyen-Harper).
2. Does Jade ever go by Jade Harper?

As always, thank you for doing this!

Mr Steel writes...

Hey Greg! I'm a huge fan of your work and hope to see what you'll do in the future
Here's my question: If you were given the chance to revamp or handle writing an anime which one would it be?

Allie writes...

1. Can Jaime's scarab translate non-verbal languages, like American Sign Language, Japanese Sign Language, etc?
2. And what about village sign languages, like Inuit and Hausa sign language?
3. Can the scarab translate ancient and dead languages too?
Thanks for answering!

JEK writes...

I know you've said on multiple occasions that your favorite stand-alone episode of "Gargoyles" is "The Mirror" and that you are also fond of the multi-parters. Was there a particular multi-parter arc that you have as a favorite or are they all about even? Thanks in advance.

Adam Arlington writes...

I've been wondering for some time: how do yo feel about the new direction that DC Animated Movies have taken (that is, releasing two movies a year that are a part of a shared continuity and releasing one that isn't)? I know that your style of storytelling seems to be telling incredibly intricately done and well-researched, linear stories. And I also know that, given your status as a hungry writer and sometimes employee of DC Animation, even if you didn't care for the new movies, you'd probably be obligated to find at least something positive to say about them. But I'm speaking from more of a storytelling perspective (i.e. execution of ideas) versus whether or not you like the movies, in and of themselves.

In general, I tend to think that they've released some good offerings, with some (Justice League: War, Batman vs. Robin, Batman: Bad Blood), of course, being better than others (Justice League: Throne of Atlantis, Son of Batman). I also, however, think that the crew behind those movies often fall prey to two problems.

The first problem is the short runtime. I feel like many of those movies start out with or build up to excellent premises or ideas, but because they're only 72 minutes long, an amazing plot will be shoehorned to conclusion in ten to fifteen minutes and the resolution will feel rushed or forced. Characters, both on the side of good and evil, will make major, nonsensical, life altering or, indeed, life ending decisions with next to zero provocation, next to zero buildup, next to zero forethought, and, thus, next to zero payoff in terms of emotional reactions from the audience.

The second problem is that, in my estimation, the producers and writers don't seem to be crafting a linear narrative or working from a single, coherent production bible. The goal seems to be more about putting out two movies while only having a broad idea of what they should include, with no real fine-tuning. I think that that's a problem when addressing what's supposed to be a single continuity of films and it leads to unnecessary and (eventually) gaping plot holes, etc. I digress. I understand that Warner Brothers, Cartoon Network, etc. supposedly doesn't like linear stories, right now. (Even Paul Dini once said something to that effect, arguing that executives feel that linear stories draw in too many girl viewers, versus boys who will purchase toys.) So, perhaps, that's why even with in-continuity movies, there isn't a heavy amount of connective tissue.

Matt writes...

Hey Mr Greg, just recently discovered gargoyles, great show.

Ok pointless question, but how do you think the Manhattan Clan is doing now after living in, Well Manhattan for 22 years?

ClarkeC writes...

Hey Mr.Weisman just have a few comments. First off you're one of the greatest creative producers/showrunners in animation and I don't mean to kiss up or anything; but your shows have consistently been quality work. Spectacular Spider-Man in particular is perhaps my favorite comic adaption.And speaking of Marvel I heard that you was writing some comic book series for their All New Marvel lineup but I can't pinpoint what it is but anyways keep up the good work!