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You know, watching Vandal sire an entire lineage throughout the centuries, I can't help but think about Demona during her 1000 years of life and wonder why she did not try the same approach to 'repopulate' the gargoyle race herself. Ironically, that might work out quite well for Demona in more ways than one since she become the 'mother' of her whole race. I know gargoyles were sparse throughout the years, and I can't remember if Demona even knew about any of the surviving clans. And of course, given her current predicament, I don't see her having kids to be a option, unless she wants to run the risk of giving birth as a human.
Still, it does seem like it would have been at least a potentially useful idea if she ever encounter another gargoyle over the course of her long life to maybe at least 'try' and procreate. Of course I understand, gargoyles are monogamous by nature, but then again, I wouldn't nesscessarily put anything past Demona
Assuming she ever met another gargoyle in the last 1000 years, would she have ever even considered having another egg? Personally, if I had to guess, I would say she would not try, and the reason being there is big difference between her and Vandal; she would have to carry the child to term. And if Demona has one constant, it's her own self-preservation. Still, it's an interesting parallel to ponder.
It's interesting. But I'm forced to answer NO SPOILERS, for all the usual reasons.
I have a few questions about Demona one of my favorite characters in the show and the one I pity most.
1) How much money does Demona have?
2) Does she know Thailog is still alive by hunters moon?
3) What is her position in Nightstone Unlimited before and after Thailogâs betrayal?
4) What was her real reaction to learning who Angela was?
1. Quite a bit.
2. I'm not sure she ever took it for granted that he was dead.
3. Dominique Destine was co-C.E.O. with Alexander Thailog.
4. I'll leave that to your imagination ... for now.
Hi, I'm a big fan of Gargoyles and have recently been binge watching it on Disney Plus; though I plan to skip the third season. I don't know if you are still answering these things, but I do have a question about The Mirror. Or more specifically Demona's transformation into a human every day. she once told Mcbeth that Puck's gifts always come with a price, but considering how mad he looked at the end of The Mirror when she was rejecting his offer, I got to wonder
If Demona hadn't made him mad, would the transformation still have been painful?
Probably not. But you never know with Puck.
What do you think of shipping? What's the most surprising pairing you've seen?
1. If it makes fans happy, I have no objection. And I say that being very aware of the fact that sometimes fans ship characters so hard that when the show doesn't go that direction, they get upset. That's a tad frustrating. But I can live with it, if they can.
2. Um. Probably Demona and Elisa. I don't know where the heck that one comes from.
Does Demona routinely ruin her outfits as a result of each transformation or does she try to limit that as much as possible? I ask cause her transformation to a Gargoyle tends to be the one that wrecks her close the most.
I assume you're talking about Dominique's wardrobe, not Demona's. Sometimes, she ruins those clothes. Sometimes, she takes them off before the sun sets.
So I know you've answered this a number of times over the years, but rather than I asking the nth time, I've spent a while thinking about the "how".
So Macbeth and Demona cannot die but by their own hand and although there are situations that seem like they could die by another's (beheading, smashed stone, etc), these situations cannot happen because of the spell the Wierd Sisters placed on them. It protects them from assured fatal injuries that normally would kill mortals (again beheading, smashed stone, etc). The spell basically would manipulate events to ensure that Macbeth and Demona would always get out of such a situation (Macbeth getting caught in the French Revolution and is scheduled to be beheaded but some mishap with the dungeon keys delays it, buying him time to escape or Demona is forced to roost elsewhere instead of her normal spot because of some freak storm preventing her in getting back, thus sparing her from being smashed by the Hunters one morning).
They would have uncanny luck in avoiding death situations that would otherwise be assured.
I guess you're basically right, but I would recharacterize it. The Sisters may not have magically enforced this "manipulation," as you put it, so much as they magically predicted future events.
Rewatched "Hunter's Moon" yesterday (Sunday) on DVD - all three parts.
I've mentioned before spotting a lot of mentions of hunting, usually applied to humans going after gargoyles with hostile intent, and it struck me that this made it appropriate that the Hunters would be the gargoyles' adversaries in the finale. (Well, the Disney Afternoon finale/Season Two finale.)
And it struck me that the Hunters were the most dangerous opponents that the gargoyles faced in modern times, judging by results. They blew up the clock tower, destroying the gargoyles' home, and then exposed them to the public. The former was partly undone by the gargoyles getting their old home (the castle) back by the end of the episode, but not the latter - now the gargoyles are facing an alarmed public (even though they're safe at the end - for the moment). None of the gargoyles' other adversaries in modern times have been able to inflict that much damage on them. To top it, you'd have to go back to 994 and the Wyvern Massacre.
A few things that struck me this time around:
Goliath and Elisa are actually openly speaking to each other and even sharing a brief embrace on board the passenger train, just after foiling the robbery; fortunately, the passengers apparently didn't notice that.
Hudson greets the returning gargoyles as "lads" - then quickly adding in "And lassie, of course", for Angela. It reminded me of his use of just "lads" for the younger gargoyles in "Possession" that I mentioned in my post on it - apparently he's getting more adjusted now to Angela's presence in the clan.
The trio's clash with Demona in Part One seems the last "trio action" in the series; they're increasingly split up (or else acting with the rest of the clan present) after this.
Lexington and Brooklyn's shared uneasy glances when they return to the clock tower with Goliath near the end of Part Two seemed all the stronger when I realized "the audience knows that Robyn and Jon survived Goliath's fight with them, but Lex and Brooklyn don't - from their perspective, Goliath had apparently killed those two."
Jon Canmore's cry about the gargoyles when he's facing Jason at the end, "They killed dad!", struck me as a sign of how (even before shooting Jason) he was losing it; it was Demona who killed Charles Canmore, none of the Manhattan clan were even present at the event, and Jon was there so he knows it.
Broadway shows how much his attitude towards reading has changed since the start of "A Lighthouse in the Sea of Time" when he's talking to Angela about how great the castle library is (and we'll see them there together in "The Journey").
This story really does seem like a good conclusion for the series in so many ways - the gargoyles are back in the castle again, their war with Xanatos is (seemingly) over, they'd defeated Demona's big scheme to wipe out humanity, Elisa finally admitted her feelings for Goliath and even kissed him. Except there's a big loose end with the gargoyles' existence being made public, and most of the New Yorkers aren't too happy about it. (Brooklyn's "And so it begins" remark does also support the feeling that the story could continue past this spot.) But it certainly makes a good season finale.
Oh, and I counted the number of "claw-mark transitions" in the entire two seasons during this review - 28 in all.
We were pretty happy with it.
I watched "Turf" on DVD yesterday as well, but don't have anything new to say about it, so my new thoughts on "The Reckoning", which I watched with "Possession" on DVD today.
In Act I, Hudson warns Angela that her mother "is capable of anything". Angela later uses those exact words when confronting Demona in Act III.
Elisa gets bitten by a mosquito while in the Labyrinth; I wonder if that was the moment when Sevarius and Thailog acquired her DNA for Delilah; it'd certainly be a "playing fair with the audience" moment.
While Demona professes outrage over Angela's claim to be her daughter, her eyes aren't glowing red - and later we learn that she'd known Angela to be her daughter all along. The "eyes not glowing red" part makes a good hint to the audience that she was feigning anger and disbelief.
That mosquito is exactly when Elisa's DNA was taken for later use in creating Delilah.
Rewatched "The New Olympians" on DVD today.
Continuing the "hunting" theme in "Gargoyles" that I've paid closer attention to this time around, I noticed that Ekidne described the New Olympians' ancestors as "hunted". (I also spotted a New Olympian extra who looked a lot like traditional depictions of Artemis/Diana, the goddess of the hunt - though I think I'm reading too much into that.)
Goliath's words to Angela about how they cannot wage war on an entire city remind me of his words to Demona in "Awakening Part Five" of how he cannot wage war upon an entire world.
Also intentional. I love those kinds of callbacks.
Rewatched "Sanctuary" on DVD today. New observations.
Elisa writes Macbeth's name as "MacBeth". Not quite as serious as the infamous "Servarius" error in "The Cage", but still a bit unfortunate.
I was amused to note that Demona barely even registers Elisa's presence in the middle of her fight with Macbeth, even though Elisa's calling out to both of them - until just before Elisa shoots her. She does finally spot the detective and aim at her, but Elisa takes her down before she can do more than that. Apparently her feud with Macbeth tops even her hatred for Elisa.
I felt a sense of near-horror, though, as I noticed how Demona and Macbeth's fight was damaging the library, with several books apparently getting damaged or destroyed.
And the silhouette of a gargoyle against the moon in the newspaper photograph bears an uncanny similarity (obviously coincidental) to the Bat-Signal.
Those typos drive me nuts.