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will Demona have seven years of bad luck for breaking the mirror in "the mirror"? :)
At least.
Does Demona have any hidden talents? Anything she picked up over the ages? She has been around for a looo-oong time...
I'm sure she has many hidden talents.
Another Demona question. When you were asked about whether she knew about the other clans, you said that while she obviously didn't know about many of them (such as the Avalon clan) she might have known of the London clan at least.
But I've got to confess that I've wondered if she ever met any of the other clans (aside from Goliath's) for this reason. When Demona made fresh contact with the Wyvern clan, she tried to talk them into helping her wipe out humanity, and when they refused, she tried to kill them. So - I would assume that if Demona had met any of the other clans, it would have gone much the same way - and we know that she didn't recruit the London clan, for example, or destroy it. So that makes me wonder whether that means that she must not have met the other clans.
On the other hand, aside from the fact that Demona didn't succeed in wiping out Goliath's clan in the 1990's, there is the fact that there was one special factor in her attitude towards them that doesn't apply to the other clans; it was the one led by Goliath, her former mate, whom she has strong and conflicting emotions about. So that makes me wonder in turn if a lot of the vehemence that she's used on the Manhattan clan comes from her feelings about Goliath, and wouldn't apply as strongly to other clans that wouldn't agree to help her in her "destroy-humanity" objective.
At least, that's my thoughts on the matter; what are yours?
Sometimes I leave myself intentionally open on certain issues, so as not to restrict me until I have a specific story in mind that forces a decision. That's where I am on this.
what is Goliath's reaction to Broadway and Angela's relationship? what is Demona's?
I think he's pleased.
Demona's probably conflicted. I don't think she likes Broadway, simply because he's alligned against her. But I don't think she's rooting for her daughter to be alone either.
I asked this question before and you responded
"I don't have my timeline with me, so I cannot assume the premise of your question is correct. Please resubmit it."
So now I'm resubmitting it:In 975 Goliath and Demona/'Angel' were 37 chronolgically, I think, and this seems to be a little young to be committing themselves to eacch other (compared to the trio, who were the same age in 994 but were single). Does that mean that the Trio mated late and the rest of their rookery siblings already have mates in 994, or did Demona and Goliath become mates long before their other brothers and sisters?
I think Goliath and Demona mated a tad young. A few of the Trios contemporaries may have mated at the time of the massacre, but most would not have.
Someone wrote: How does Demona feel about Oberon?
You answered: I'm not sure she's aware of him.
You mean you're not sure if Demona is aware Oberon exsists? How could she not? She knows Puck exsists, and she had her thugs in "The Mirror" use the password "Oberon sent me". Or did you mean she was aware of the Shakespearian Oberon, but not the real one?
Hope I didn't sound too confusing.... :-)
She's clearly aware of the legend of Oberon. I just don't see any evidence that she's ever met him to her knowledge.
Well, now that I've posted once... :)
After reading your ramble on Vows, I wanted to comment a bit about it. It is an excellent episode, and one of the things I noticed is that Goliath sure gets the crud beat out of him in this one, first by Xanatos at the Golden Cup, and then by Demona after he barges in on her reunion with her younger self. Both animation sequences showed Goliath bleeding from the mouth after various blows. For some reason, that just awed me (and still does). This is a cartoon where the "hero" gets hurt!! I was always ridiulously amazed and pleased by this, maybe because it is so unusual to have that level of maturity and realism incorporated into a cartoon.
The animation sequence where Goliath and Demona are flying down to the watch the wedding is just terrific, really gives a sense of the power of movement of the gargoyles.
I never thought about Demona's overly excited greeting to Goliath that we see at the beginning and end of the episode was because she was just shook up about the encounter with the future Goliath. Very sophisticated.
I was always very amused at the concept of Goliath as Best Man for Xanatos. Not only is it ironic given their history, it's just funny to see Goliath in a role that is so "human".
I had a few questions, too:
1) The older Demona tells her younger self "Do not share it [the Gate] with... Do not share it!" Who did she mean her younger self shouldn't share it with? You may have said this before, sorry if I missed it.
2) Was the scene where Owen offers Goliath a bow tie cut during production (you mentioned it in the memo, but, unfortunately, it's not in the show)?
3) Did the younger Demona have any reservations about stealing the Gate? I'm still a bit shocked that the she stole it so willingly. While I know that this sort of foreshadows her personality to come, I'm still surprised she didn't have a bit more moral fiber at the time. Maybe she was living in fear of what the arch mage would do to her if she failed? Or perhaps she just didn't place any value in the trinkets or possessions of the worthless humans?
4) Was Demona's abuse by the Arch-mage intended to be a primary motivation for her general hatred towards humans? Early in her life she was mistreated by a cruel human that was more powerful than herself, and her self-loathing at carrying out his evil little errands could very easily have created a guilt cycle that resulted in a desire to kill ALL humans, as sort of a payback for what the Arch-mage did. All of which was compounded multifold by the events of the massacre, but still, her early suspicion/dislike of humans could have stemmed solely or at least primarily from the abuse of the Arch-mage. Ok, I'll stop trying to psychoanalyze Demona. But she's so FASCINATING....
Thanks!
1. Goliath. She's about to say, "Do not share it with Goliath." because that's exactly what she herself did. Of course, that's exactly what her younger self does too. Did too. Well, you get the idea.
2. It probably got cut for time, before animation. Or maybe it didn't even make it into the script. The show was always pushing it to fit into 22 minutes.
3. All of the above. I think she had her reservations, but they were overwhelmed by her fear, lust for power, and a general lack of care about humans and their possessions.
4. Just another example. One of many.
This is a question inspired by last night's posting on "Vows". In your opinion, has Demona found out yet (as of "Hunter's Moon" and "The Journey") that the reason why Goliath was trapped in stone sleep for the past thousand years was because he begged the Magus to do it to him?
She probably knows from having read the Grimorum when it was in Xanatos' possession. The Magus told the story in the back pages.
My ramble/reply to your ramble on "Vows".
I very much liked this one. We got the time travel story at last (as I mentioned in my ramble/reply for "Lighthouse in the Sea of Time", I'd read that there was going to be time travel in the second season of "Gargoyles", but initially mistakenly believed that it would be in the "Lighthouse" episode because of the "Sea of Time" part of the title). I've always been fond of time travel stories, particularly ones sending the characters into the historical past, and this one I very much enjoyed, particularly since it led to more "10th century Castle Wyvern scenes" (one of my favorite parts of the series). I also noticed the care used (both here and throughout "Gargoyles") with how time travel doesn't change history but is simply part of the already extant history (which makes all the more sense to me since I've been working on a fantasy novel for some time now, begun before "Gargoyles" ever came out, which made similar use of time travel, with even a time loop or two similar to those in "Avalon Part Two" and "M.I.A." - which helped me understand those episodes better, but that's another story). Certainly that kind of time travel helps make certain that there's no cheating.
I also liked seeing the Archmage again, and hearing the mention of the Eye of Odin (without realizing the full significance of that part, though). One interesting piece in this episode is that Hudson seems to already suspect, by 975, the Archmage's true nature (given the bit where he comes to the aid of Young Demona near the end).
I was half-expecting the Hudson of 1995 to mention Goliath's showing up in 975 at the end, after Goliath returned to the clock tower; he didn't, but his behavior in the modern day does make more sense in light of his meeting the present-day Goliath back in 975.
I learned about the "King Lear" quote from a friend, and was amused to discover that in its original place in the play, it was spoken by Lear to his daughters Goneril and Regan; trust Xanatos to reverse the parent/child roles when he quoted it! :)
I was very interested to see Xanatos wearing an Illuminati pin and to have the Society's existence confirmed (doubly so with the Norman Ambassador). I can definitely remember what I thought upon seeing that bit: "I wonder what Matt would say if he could see this."
And yes, I was definitely surprised to see Xanatos getting married. (Maybe all the more so since the main antagonist of the aforementioned fantasy novel has some Xanatosian qualities - coincidental, since his basic character was worked out before "Gargoyles" ever came out - but is a very solitary figure, whom I definitely can't imagine ever developing genuine feelings of the sort that Xanatos had for Fox). Very daring, I've got to agree.
One interesting feature about Young Demona's visit to 994 (incidentally, that means that there were *three* Demonas existing simultaneously at that moment, the Demona of 975, of 994, and of 1995 - good thing that the 994-Demona didn't show up or things could really have gotten confusing:) is that she learns about the future Wyvern Massacre, which probably subtly influenced her towards eventually working with the Captain to betray the humans. It's been suspected by many fans that Young Demona might have believed that it was the humans native to the castle who carried out the massacre (note that 1995-Demona never says that it was an outside enemy who destroyed the clan - or, for that matter, that the reason why Goliath was turned to stone was because he begged the Magus to do it), so in her scheming with the Captain to avert the prophecy, she actually helped fulfill it. (A time-honored literary concept, of course, going back at least to Sophocles' "Oedipus Rex" where similarly Laius and Oedipus's very efforts to prevent Oedipus's prophecied destiny of killing his father and marrying his mother actually help bring that destiny about). A very chilling concept.
I've seen the phrase "more's the pity" used a few times in works that I know that I've read before "Gargoyles", and even used the phrase at least once in something that I wrote before "Gargoyles" ever premiered, but I've no idea myself where it comes from. Maybe it's one of those general phrases with no single originator.
At any rate, I enjoyed the rambling - and am looking forward to the comments on "City of Stone".
Todd. Your rambles are always more interesting than mine. I feel like I'm just listing stuff I like and bitching about stuff I don't. But you always bring something to the table. Thanks.
I think Demona does have a paranoid fear of the massacre and that it does influence her. That was one of the horrible revelations (hidden just under the surface) of the episode. It's pretty chilling. Just as an example, think about her hiding under the cliff in City of Stone 1. What was going through her head?
Written by Shari Goodhartz
Michael Reaves, Story Editor
Benny: "But Daddy, when it's dark they get alive. But when it's light, the get frozen like a statue."
Last night, the kids, my sister, my wife and I all watched "Vows" together. Time to ramble.
Back to the Golden Cup Bakery Building. As I noted in the previously posted memo about this episode, I wanted a little opening battle, but I didn't want to waste time in a tight, packed script explaining how this came about. It does beg the question though. Assume that X contacted Elisa. She told Goliath. He went ALONE? His friends allowed this? Hmmm.
Xanatos knows from the letter to himself what to do, but I sometimes wonder just how detailed the letter was. I like to think it was fairly sketchy. That exactly HOW Xanatos got Goliath to come was his own machinations. Otherwise, though he takes the credit for the letter, the truth is that the plan itself wasn't his idea. He got the idea from the letter. And he wrote the letter based on what he had done, which he had gotten from the letter. None of this is really his to own, though he does claim ownership. So I like to think that at least some of the details were X's. For example, X knows what G will respond to, i.e. Demona.
Hudson, on hearing about the wedding, suddenly makes the connection to the long ago incident when he met the Goliath from the future. So he's strangely ambivalent. Elisa on the other hand, seems flat out jealous to me. After the events of "The Mirror" and "Eye of the Beholder", she's much more aware and focused on her feelings for Goliath. SHE DOES NOT WANT TO ACT ON THOSE FEELINGS. At this time, she thinks it's impossible. But that doesn't change how she feels. And now, she's jealous. Goliath's feelings for Elisa are just as intense, but so are his feelings for the "Angel" of his youth. He HAS to give it one last chance. (And this will be the last chance. The final nail in the coffin of his and Demona's "marriage".) Brooklyn, meanwhile, is just knee-jerk against anything involving Demona.
PETROS XANATOS is introduced. Again, I wonder why he was invited. Was he also included in the letter? Or did Xanatos invite him to prove something to his father. Is X that needy? Or did X invite him to the wedding, because of course he'd invite his father to his wedding, and his already planned "honeymoon" to 975 shouldn't alter his decorum. Perhaps he's mildly surprised his father winds up coming along? Anyway, Petros was a fun character. A tough hard physical man. With morals. A great contrast to the son. I knew even then that we'd give Petros and David an arc to their relationship, (one that eventually would culminate in Gathering2).
"Oh, reason not the need." A little King Lear is always nice. And I love Petros' attitude on the line, "And the armor?" I mean what would you say to your son if you saw him dressed like that? I'd like to know how many people had sort of forgotten that X was even wearing armor (we're so used to it) until Petros made an issue of it?
I love all the irony in the dialogue between Petros and David. David knows what he's planning. He must be smiling when Petros says "I'd like to get my hands on the man who gave you that coin." And when David says, "Someday, I'll prove to you that I'm a self-made man," he must really be patting himself on the back.
I love the voice work of Keith and Marina when doing their teen-age counterparts. So subtle, yet it's always clear which Goliath and Demona is talking at any given moment.
CONTINUITY:
Gotta love that storage room in the clock tower. The Eye of Odin, the Grimorum, half the Phoenix Gate, and, oh, yes, a comatose Coldstone. By the way, despite what the memo said, I think generally, Goliath carried that Gate in the pouch attached to his belt. Not behind some brick. We hadn't actually come up with that pouch yet, not until the World Tour. But using RetCon, I think that's where he kept it until they moved to the clock tower and Demona tried to kill him, Hudson and Elisa in "Long Way to Morning".
One interesting thing: this is the first episode where we actually CONFIRM that the ILLUMINATI does exist. Matt's mentioned it. Even chased it in SILVER FALCON, but we've never been shown any proof of it's existence until now. Was anyone surprised by that?
Judge Roebling was interesting in theory, though not so much in the episode. I'd like to do more with him some day. I also thought that it was interesting that despite seeing the tape of the Gargoyles in advance. And not reacting outwardly when he saw Goliath, he still gasps when Demona enters. What is it about her? When she entered, Benny turned to me and said: "She's queen of the Gargoyles." Oh. So that's it.
(And everytime Xanatos and Fox are on screen together, Benny likes to point out that he and Erin dressed up as them at the last Gathering. "That's me. That's you, Erin.")
To some extent, X must have filled D in on his plan. I love her "acting" when she enters and gives her bitter "excuse" for being there to Goliath. She's playing hard to get!
I love Petros: "Unnacceptable." He's still trying to teach David the error of his ways.
The Gate itself is very idiosyncratic. It's size, the size of its portal, and the duration the portal stays open seems to vary not just from episode to episode but from scene to scene. Sometimes it annoys me, like when Princess Elena removes the Gate from her sleeve, and suddenly it's bigger than her hand. But now I'm just amused by it. Again, if you think of it as a steam valve for the timestream, it explains a lot.
I love the little sound that Paca put in when the two pieces of the Gate first come together. What a tip-off that was, yet it's subtle. Did anyone think about the significance of the talisman that Demona had shared with Goliath before she started speaking in Latin and flames appeared out of nowhere?
It was hard to make people understand the time loop a bit. But it seemed really hard to make them see why I kept wanting to repeat scenes to show the connective tissue. We had to squeeze in Owen's "Honeymoon" line the second time. No one left space for it.
For the first of many times in the series, someone (X) says the line: "It's not where, it's when". (Erin: "I know when.")
I love X & Fox's relationship. "Having fun." "A marvelous time." Great stuff.
Hudson gets a close look at 1995 Goliath and immediately sees the age and wear and tear on the guy. (I love the shot of Goliath gagging him.) That says a lot for Hudson, because the visual difference between the two Gs was extremely subtle in the animation -- when it existed at all.
Knowing what we had planned (more or less) for Avalon, we were already laying groundwork here for that. Setting up the combined power of the Gate, Grimorum and Eye. Setting up the Archmage's desire for that power. Further demonstrating his enmity for the people he'd wind up using. Of course, making Demona his apprentice was fun. Tells a lot about her own desire for power that even when she was a good girl, she was still willing to work for the Archmage in order to learn his secrets. Willing even to steal for him.
The Norman Ambassador and Prince Malcolm make a BIG deal about how odd the Xanatoses' clothes are. But were they THAT strange? Was Fox's wedding gown that odd? And even if they were strange, did they look as shabby as Prince Malcolm seemed to suggest?
Not every episode gives you a double wedding. Fox and David. Elena and Malcolm. Hey, did anyone notice that we married off our lead villain? That was very daring, and we all but threw it away in Act One. Was anyone expecting Fox and X to really get married? And once they were, did you think you'd see them have a kid by season's end? I think we broke new ground there.
I like the exchange between Goliath and Hudson. Goliath's trying to explain that he's not a creature of sorcery, but a time traveler. H: "And I suppose you came back in time on the wind." O.k., well sorcery was involved if you're gonna get technical. And Goliath has some amusing tense problems while trying to describe what happened in his recent past, Hudson's FAR future. Then Hudson looks him in the eye and decides to trust him on no further evidence. Cool.
I knew a girl named Bryant from Bar Harbor, Maine once. That's where we got X's home town.
Fox is so proud of her man. But I love Petros' "Mr. Big-Shot Time Traveler" line. Or rather I love the way Morgan Shepard read the line.
How hard did Demona try to do things differently from the way she remembered them being done? She knows Goliath is going to fly down to try and join her and her younger self. She tries to leave before he can get there. But the gate stays open long enough for him to go with. Did it ever occur to her to go somewhen else other than 994? I guess part of it could be chalked up to dim memory. It was over a thousand years ago. And Demona lived through that 1000 years. Even for a very significant event in her life, it must still be very hazy.
That exchange between Demona and Demona is a lot of fun. Demona is so brutal to Demona. (And, hey, she spells out the Gate's power to any audience member who hasn't yet caught on.) "Do not share it with-- Do not share it!" I love that line. Also:
"I am what you will become."
"I will never be like you."
"I don't want to hurt you."
"And I don't want to BE you."
pretty cool stuff.
I also like the moment when we have two gates rolling about on the floor and young Demona and older Goliath both bend over to pick them up. At first we had a lot of discussion as to who should pick up which gate. But the discussion became moot, since after the gate pieces were reunited, they almost always seemed like they had never been broken in the first place. Magic.
And the young Demona, older Goliath scene is also gorgeous.
"What am I to do?"
"Nothing."
Love that. Love his whole "Do nothing/attend the petty jealousy" speech. I think it's very pretty. Very sad. At that moment, does Goliath hope he's changing the future? Or is he simply trying to spare this young Angel a couple extra decades of pain?
Showing Demona's natural bents again: Goliath isn't sure if he remembers the incantation, though he's heard it multiple times by this point. Young Demona, having only heard it ONCE, does remember and uses the Gate perfectly.
"Time Travel's funny that way." At least it is in the Gargoyle Universe with the strict, strict rules that I imposed. Of course, I've always thought that those strict rules made the stories more challenging for the writer and, yet, more fun and satisfying for the viewer.
I also really like Petros' "American Penny" speech. For once the "Xanatos Tag" of victory doesn't go to David.
Where did the expression "More's the pity." come from? I've heard it many times. I know what it means, though that's more from sound and context than from the words themselves. What am I quoting when I use it? Does anyone know? (This isn't a contest. I really don't know.)
Finally, my tape has the weird mistake ending that first aired, which shows Demona and Goliath in the clock tower. It's pretty, but it drives me nuts and I think it's really confusing. But I've talked about that many times before, and I'm sick of it, so this time, I'll let it go.
COMMENTS WELCOME!
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