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Mr. Weisman,
In the comics, the full name of Batwoman is addressed in two different ways:
#1. In pre-Flashpoint DC Comics continuity (New Earth), her full name is addressed as Katherine Rebecca "Kate" Kane.
#2. In post-Flashpoint DC Comics continuity (Prime Earth), her full name is addressed as Katherine "Kate" Rebecca Kane.
As such, in the Earth-16 continuity, which version of Batwoman's full name is the correct version to address her by?
This doesn't make any sense to me. Her birth certificate wouldn't read as either option. So where one chooses to place her nickname "in quotation marks" is arbitrary or, at best, based on a style guide. Neither is right or wrong. And I don't see any actual difference between options #1 and #2. It certainly has nothing to do with whether it's pre or post flashpoint. I'd guess it has more to do with the stylistic choices of various writers and/or editors.
Also, to be clear, I'm not confirming that her middle name is Rebecca, by the way.
Mr. Weisman,
Since versions of the "DC Showcase: Green Arrow" and "Catwoman: Hunted" films are confirmed to have happened on Earth-16, does that also mean that the characters who have not yet appeared on Earth-16 (such Catwoman, Merlyn, Cheetah, Julia Pennyworth, etc.) also exist ? Also, in your headcanon, when exactly in the Earth-16 timeline did those versions of the events of the two films took place?
1. Versions of them, yes.
2. For the Green Arrow Showcase, check out Young Justice: Targets to get the timing. For Catwoman: Hunted, no spoilers.
Hi Greg,
In the time that you've been working in TV animation, you must have seen many changes in the industry. In terms of the "nuts and bolts" elements of making a show (storyboarding, animation, retakes, sound mixing etc), things must have changed quite a bit.
1. What aspects of production have become easier over time?
2. What has gotten more difficult?
3. Would these changes have more to do with changes in technology, your own level of experience in the industry or to the studio/property you're working with at the time?
4. Is there anything about the industry that was specifically different in the intervening decades with Spectacular Spider-Man or the earlier seasons of Young Justice that wasn't the case before or since?
5. If Gargoyles were to come back with you involved, obviously the most important thing is the continuity of the story, but to what extent would it have to change in its art or animation style to be made today?
1. I'm not sure "easier" is the term I'd use, but "possible" includes a lot of fixes we can make in editing and post-production on voices, on picture, on effects, etc. There are things we can do now that we flat out couldn't do before.
2. Nothing particularly springs to mind, unless it's the glut of content that makes getting attention for one's project more difficult.
3. Mostly, with changes in technology. I like to think that I'm better at certain things now than I used to be, too. Of course, the flip side of that is that I'm also more demanding than I used to be. Different studios have different strengths and weaknesses, but I haven't noticed one being stronger or weaker overall, and I've worked at a LOT of different places.
4. Post-production visual FX work became much more commonplace since. But it was largely not done previous.
5. That depends on all sorts of factors that are hypothetical. But there's no reason why - at least in theory - we couldn't simply use the same design style, assuming TPTB approved.
Did Gwen know Eddie was Venom by the end of Season 2?
I don't think so. But it's been a while.
Mr. Weisman,
On Earth-16, Jason Todd was Bruce Wayne's second legal ward, am I correct?
Um... yeah.
Mr. Weisman,
In the DCEU film, "Man of Steel," and in the second episode of the second season of the Arrowverse TV show, "Superman & Lois," Kal-El is indicated to be a natural-born Kryptonian; while all other Kryptonians were genetically-engineered. Is this true for the Earth-16 version of Superman as well?
Absolutely not.
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