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Hey Greg, there has been some fairly new explanations to the Speed Force in the comics that might make more sense to you at why there is a force that makes people fast, but not strong, etc. - Basically, the Speed Force is a force, similar to gravity, except that instead of keeping us grounded to the earth, it's the force that moves time and space forward. The reasoning for it granting people powers is because as it moves time forward, it builds up excess energy that needs to be released, which happens when speedsters run and give off lightning. Basically, the speedsters are the Speed Force's "release valve". Without them to expend the energy, time would not function properly. I hope this makes sense to you and I would love to hear your thoughts on this. Thanks!
Except in the last year or so I've read comics that talk about the "Still Force" and the "Strength Force", etc. To me, and again, this is just my opinion - it's overly complicated overthink of something that made enough sense already. And keep in mind, this is coming from a guy who on YJ does everything in his power to ground his super-heroes and their powers in reality. GROUNDING stuff is one of YJ's prime directives.
So, the release valve thing seems to make some sense, I suppose. We did something similar at the end of Season Two. But when you start talking about people disappearing into it or other forces for stillness and strength, I start to glaze over a bit.
But I've tried not to close my mind to the whole thing.
I didn't much care for all the multi-colored lanterns either. But by the time I had finished watching the Green Lantern Animated Series with Razor, I was on board.
Too be clear, none of the above is meant as a spoiler of any kind in any direction for YJ. We're just talkin' theory here and how certain ideas strike me, at least initially.
Hi, Greg! There's been a lot of confusion about something you guys showed at the SDCC panel on July 21st. Is the black man pictured with Artemis, Dick, and Conner supposed to be Kaldur or Black Lightning? I ask this because we all kinda assumed it was Kaldur despite the change in appearance, but comicbook.com is claiming that 'an artist on the show' told them after the panel that its Black Lightning.
I hope this doesn't count as a spoiler request--based on the fact that the identities of the other three was really clear, I figured any confusion about Mystery Man's ID wasn't actually intentional. Thank you!
It was never supposed to be confusing. No one ASKED us at the panel. Anyway, by now I'm sure you know it was Black Lightning. After all, Kaldur's a blond.
What was Miss Martian 's age when she first began shapeshifting into Megan form on mars?
Not sure. Sometime between when the show first aired in 1979 and when she came to Earth. So somewhere between the age of 17 and 48, I guess. I know that's a big range, but I don't want to be held to something that I haven't thought about yet. Closer to 17 than 48, I suppose.
Did Garfield see Miss Martian on the news during the time after his mom was murder but before he started living at the cave?
Why would he see her on the news?
I might be imagining things, but it seemed as though Jaime's Scarab seemed to genuinely enjoy Jaimes company, is this true?
I think so. Most of the time.
The following needs saying, so I'm taking time out from my very packed weekend - not to procrastinate, which would not be unusual - but to write up something that I think is important.
But first, some backstory...
I'm not particularly smart about very many things. I am in many ways a bear of very little brain. Ask anyone. I use an iPhone 4.0 because I literally believe that I don't have the brain space to deal with upgrading. I'm a slow reader. My dyslexia makes math difficult as I am constantly transposing numbers. I'm afraid of change. Etc., etc., etc.
But one thing - maybe the ONLY thing - I am smart about is STORY. Now, I've studied story for decades and decades in small ways and large. I also believe I have an innate gift for story. Like a great pianist, the gift itself would have been wasted without years of study and practice. I've had and done both.
What that means is that - when it comes to story - I have often (not always, but quite often) considered myself - with no modesty and tremendous arrogance - to be the smartest person in the room. In any room where this is a topic of conversation, but especially in any room where story was being professionally discussed. (You can see why - with an attitude like that - I'm so popular with animation executives and the like, and why I've been fired from so many jobs.)
Even on the many, many occasions when I have felt that I am among peers who understand story as well as I do, I never felt like they understood it better than I. As good, yes. Differently, sure. Stylistically, of course. But not better. I never felt anyone knew story better.
Oh, I've made mistakes, missed opportunities, slipped up, ad nauseam. I'm human and have never claimed perfection. I've collaborated with some brilliant and wonderful people. The list is nearly endless. But none of that ever shook my basic feeling that when it came to story, I was as smart or smarter than anyone in the room.
All that changed with YOUNG JUSTICE.
So let me state it for the record: when it comes to story, BRANDON VIETTI is the Smartest Human Being in the Room.
I'd love to tell you - BELIEVE ME, I'd love to tell you - that he learned all this at my ancient knee, and that if the student has surpassed the master, the master can at least take some satisfaction in that. But that, dear readers, would simply be a load of crap.
From Day One of YJ, as witness Kevin Hopps could attest, Brandon Vietti knew story, understood it deep, the way I do. And he was smarter about it than I.
The ultimate example of this dropped this past Friday.
Episode 307 of Young Justice: Outsiders, entitled "Evolution."
SPOILERS coming, so if you haven't seen the episode then please go watch it first before reading any further.
Like all YJ episodes this season, Brandon and I broke this story together. A pretty even 50-50 collaboration. There were certain things I wanted specifically to see, like the Cave Bear. Certain things I had researched such as that in (actual documented non-DC Comics) mythology, Nabu was the son of Marduk. And there were certain things that BV wanted in there, like the meta-human kid that Kalibak sacrifices. Certain things he had researched like The Art of War by Sun Tzu (a.k.a. Vandal Savage, a.k.a. Genghis Khan, a.k.a. Marduk, a.k.a. etc.)
And together, we created a pretty kick-ass story for the episode. I don't actually remember the day of the week, but for the sake of simplifying the story, let's say we finished breaking/building the story with index cards all neatly pushpinned into my office bulletin board on a Monday. Monday evening. We both felt pretty good about it, or at least I did, and we left for the day.
Tuesday morning, he comes in and says, "Something's missing."
I tell him he's crazy. There's nothing missing from 307. Nothing. It's a great damn episode. Maybe one of our best.
BV says no. Something's missing.
I say, "What? What's missing?!"
BV says, "I don't know yet. Something. Give me a day."
I roll my eyes in as pronounced a fashion as I possibly can and say, fine.
Wednesday morning he comes in and says, "I want to add a character."
I'm resistant. "It'll mess up the works, I tell him."
But he explains, and of course, he's right. Because Brandon Vietti is the Smartest Person in the Room.
The character he wants to add is Olympia. Olympia Savage. (I take credit for the first name only.) That's right. In our first version of this story, Olympia simply did not exist.
Try to picture "Evolution" without Olympia. Be honest. It's still a solid story. A few of the actual things Olympia does, we had Cassandra doing. But otherwise the plot remains almost completely unchanged.
But not the ending.
With Olympia in the story, the episode isn't merely a solid YJ episode. It's not merely a great YJ episode. To my mind, "Evolution" transcends YJ. It is a phenomenal, even revolutionary twenty-plus minutes of television.
And I tried to talk the guy out of it.
Of course, BV's contributions don't end there. He wrote the script, too, which is fantastic. And if you knew how much he contributed to every facet of production it would humble you. It humbles me, and as you can see above, I'm NOT a humble guy.
But screw all that. I'm not talking about pretty pictures, or color, or sound, or music or even dialogue.
This post is ONLY about STORY. And when it comes to STORY... BRANDON VIETTI will always be the SMARTEST HUMAN BEING IN THE ROOM.
I bow to his greatness. And trust me, I do not do that lightly.
To be honest, he's so good, it's pretty damn annoying.
But it's an honor to be his partner.
I just rewatched spectacular spiderman and I feel there were a few bits inspired by the Rami trilogy, is that true?
Since I don't know what the Rami trilogy is, I'm gonna say no.
Are any of the league members embarrassed at having giant statues of themselves in the Hall of Justice? (I can't imagine Batman being happy about it.)
I'm sure nearly everyone is to some extent. But symbols are important, and no one knows that better than the seven founding Leaguers.
Hi, Greg. Warner Bros. have given us a 2018 premiere date for Young Justice: Outsiders. However, as I'm sure you remember, there were some production delays on season one, and sometimes long intervals between new episodes because sh*t happens. Is it possible that the series may be pushed back to 2019?
Very. But the first three episodes dropped in VERY early 2019, i.e. January 4th. And the next three drop this week, i.e. January 11th, 2019.
Hi!!!!!! Huge fan of your show and quick question. In young justice comic issue 7, Artemis is waiting for her mother at a bus stop, and her mother asks if her father is coming. Does this mean that her father left her alone at a young age, and if he did what age was she when he left?
I'm not even sure I understand the premise of your question. Artemis was living with her father, who came home later that night (in that very issue) and only departed after Paula gave him an ultimatum.