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Seeing TITUS and having some professional free time to dedicate to a more long term project finds me re-emersing myself in the Works of Will (WoW). At least, after a fashion.
Since this ramble will knock my comments on TITUS off the "LATEST RESPONSES" page, so may want to check those comments out by visiting the "Shakespeare" section of the ASK GREG archive.
But recently, I've also been reading Harold Bloom's book, "Shakespeare: The Invention of the Human". It's really an amazing work. I've been reading it while viewing various takes on ROMEO AND JULIET and HAMLET. It's really helped me to appreciate HAMLET more. In the past, I've always admired the play, but it never reached me as deeply as LEAR or R&J or MIDSUMMER or MUCH ADO or WINTER'S TALE, etc. I'm gaining a new, deeper understanding and appreciation of HAMLET now. In part from Bloom's book.
And in part, from Kenneth Brannaugh's four hour movie version, which I saw and liked in the movie theater a few years ago. Still, I'm gaining a new appreciation for it on video. So many little things to love. Such a scope. And I think I'm finally "getting" Hamlet himself.
But frankly, one of the big helps has been revisiting a film that Brannaugh directed (but did not star in) just before he took on HAMLET. In America, it's called "A MIDWINTER'S TALE". (Elsewhere, I think it's known as "IN THE BLEAK MIDWINTER".) It's a little black & white film about a company of seven actors (and two support people) who put together a local production of HAMLET in order to raise money to save the church they're performining in. This is another movie I saw and liked in the theater. But seeing it again on video has been wonderful. Ophelia's song of madness has never been more poignant, then in the "rehersal" scene in this film. I can't help feeling, that this little movie was an important act of mental preparation before Brannaugh took on his big HAMLET film. Among other points of interest, the actors who play Hamlet, Claudius and Laertes in A MIDWINTER'S TALE, went on to play Laertes, Polonius and Horatio (respectively) in HAMLET.
I've also been revisiting ROMEO & JULIET. Bloom's book has some really interesting stuff about that play as well. (Though I'm convinced he gets one thing dead wrong. It's trivial, but he takes for granted that Susan is Juliet's late twin sister. His brain must be short-circuiting there. It seems beyond obvious to me that Susan was the Nurse's daughter. Born at the same time as Juliet, an infant who died shortly thereafter, making the Nurse a good candidate to be Juliet's wetnurse -- and surrogate mother.)
I've also watched the video of Baz Luhrman's version of R&J, starring Leonardo & Claire. I like it. This one suffers a bit off the big screen, but it has some great moments.
Romeo actually getting to see Juliet come back to life just AFTER he's taken the poison for example.
Next up, SHAKESPEARE IN LOVE on video and then the ZEFIRELLI R&J. The movie that first opened the door to Shakespeare to me. (I'm still in love with Olivia Hussey.)
BTW, I realize that a lot of Gargoyles fans won't really know what I'm talking about here. ("Who the heck is Susan?") But, you are an exceedingly bright group. Maybe all this cryptic rambling will get you to check all of this stuff out. I recommend it.